Yellowstone (1936)

Model synopsis: The first beat shows a completely dark frame with no visible objects, people, or text. No events or dialogue are recorded in this segment.

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Model synopsis: This beat shows a credit crawl over a static frame, listing crew roles and names. No characters or actions are visible; the transcript contains fragmented, possibly misaligned lines that do not correspond to the visual content.

• Credit text for film crew is displayed on screen. [frame:1]

“From the land of the sky, blue water, my brother, happy cry. On the lines I have linked with a light.” 0:10 · “Oh, my God.” 0:32

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Model synopsis: A map of Wyoming is shown with a highlighted inset for Yellowstone National Park. No people or actions are visible in this beat.

Evidence, details and a link to share

Model synopsis: A train moves through a mountainous landscape with smoke billowing from its engine. No people or dialogue are visible or audible in this beat.

• A train moves along a track through a mountainous area. [frame:1]

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Model synopsis: A train is visible on tracks in a wide shot of a valley with mountains and a large arch structure in the background. No people or dialogue are present in this beat.

Evidence, details and a link to share

Model synopsis: A stone archway with a carved inscription is shown. No people or actions are visible in this beat.

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Model synopsis: A stone gatepost frames a view of a road leading to a distant building with mountains behind; several vintage cars are parked in a field with people standing near them. A line of dialogue expresses surprise.

1 person observed.

“Oh, my God.” 1:57

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Model synopsis: A woman in a car speaks with a park ranger outside; she mentions visiting other national parks and studying flora and fauna. The ranger, holding papers, responds while standing beside the vehicle.

3 people observed.

“Oh Mr. Ranger.” 2:07 · “I beg your pardon? Are you sure this is the best for Old Faithful? Yes, ma'am.” 2:10

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Model synopsis: Two men in hats converse while a woman in a hat and patterned dress appears in a subsequent frame. The transcript references flowers, animals, and a request for help finding a location with maps and directions on page 26.

3 people observed.

“Flowers and animals. Well, she didn't say flowers and animals.” 2:28 · “Perhaps you could help me find the right location. Maps, illustrations, and directions. Page 26.” 2:34

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Model synopsis: A woman named Ruth Foster from Chicago speaks with two men in hats near a vehicle; one man asks for her name and address while she signs a document. The setting appears to be outdoors near a car, with one man wearing a uniform-like jacket with a badge.

• A woman speaks to two men near a vehicle. [frame:1]
• The woman looks down, appearing contemplative. [frame:2]
• A man in a badge jacket hands the woman a document. [frame:3]
• 1 more under Evidence and details.

Named: Ruth Foster (t:2:55). 3 people observed.

“Perhaps you could take care of me. Oh, I'm sorry, ma'am, but I've got a mule to take care of.” 2:43 · “Name and address, please.” 2:49

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Model synopsis: A man in a ranger uniform speaks to a woman in a hat while holding a book; she smiles and holds papers. The man mentions Rule 16 and identifies himself as Dick Sherwood when asked to be contacted at the ranger station.

• The woman smiles while holding papers. [frame:2]

Named: Dick Sherwood (t:3:08). 2 people observed.

“Rule 16, page 1.” 3:04 · “Rangers are to assist visitors in every manner possible. How nice. Oh, I'm a stickler for rules. Just call the ranger station any time. …” 3:08

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Model synopsis: Two men in hats stand side by side outdoors, one holding a rope. The background shows a rocky slope and part of a vehicle.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man stands beside a horse-drawn wagon near a wooden building on a dirt road with mountains in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in hats stand near a horse in a wooden structure; one speaks about wanting a ranger badge and being transferred to Old Faithful. The dialogue references a woman named Gertrude and expresses romantic admiration.

• A man in a hat holds a horse's reins while talking to another man. [frame:1]
• The man in the jacket looks upward while speaking. [frame:2]
• The man in the jacket leans toward the horse's head. [frame:3]
• 1 more under Evidence and details.

Named: Gertrude (t:3:38). 2 people observed.

“There's one reason why I want to be a ranger.” 3:25 · “Very nice, isn't she?” 3:28

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Model synopsis: A vintage open-top vehicle drives along a road with passengers visible, surrounded by trees. No dialogue or on-screen text is present in this beat.

• a vintage open-top vehicle drives along a road with passengers [frame:1]

1 person observed.

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Model synopsis: The frame is entirely black with no visible content. No events, people, or objects can be identified from this beat.

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Model synopsis: A man in uniform confronts a woman in a white dress near a riverbank; she claims ignorance of a rule after stating she is leaving. The man implies her status depends on her future conduct.

• Two figures stand apart on a riverbank with trees in the background. [frame:1]
• A man in uniform faces a woman in a white dress; both are in medium shot. [frame:2]

Named: Miss Foster (t:4:10). 2 people observed.

“I'm going to go.” 4:05 · “Sorry, Miss Foster, but you're breaking one of our most stringent rules.” 4:10

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Model synopsis: A man in a ranger uniform and a woman in a white dress stand outdoors near a river; he presents her with a certificate and a bouquet. The transcript reveals they are joking about her receiving a botany diploma and then a fishing diploma, which he says requires company.

• Man in ranger uniform stands facing woman holding bouquet. [frame:1]
• Close-up of handwritten certificate reading 'Dick Sherwood, Old Faithful Ranger Station'. [frame:2]
• Woman smiles while holding bouquet; man looks at her. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Flowers are very becoming to you. But I thought you said it was against the law. We believe in giving promising young botanists every opport…” 4:26 · “But I'm not a botan.” 4:34

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Model synopsis: A woman and a man in uniform stand outdoors while she speaks about her father, whom she has not seen in 18 years. The man listens as she describes him as tall and handsome, and mentions he has been in Australia.

• The man in uniform listens to the woman as she speaks. [frame:4]

2 people observed.

“I'm sure father would be polite. Your father? Where have you been hiding him? When you checked in yesterday, you were alone.” 4:58 · “That's not as easy as it seems. Why, it's a cinch. Now, let me see. I should say he was a tall, handsome, distinguished-looking gentleman wi…” 5:14

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Model synopsis: A woman and a man in uniform discuss a past death and arrange to visit Yellowstone Falls together, with the woman insisting on returning in time to meet her father. The man agrees to the outing, calling it a date.

2 people observed.

“Mother died five years ago.” 5:45 · “By the way, Miss Foster, I have a couple of free hours in the morning.” 5:50

Evidence, details and a link to share

Model synopsis: A man and a woman stand outdoors near a railing, discussing meeting a father for the first time and getting acquainted, with a third person greeting them at the end. The conversation references speed and a park, and the setting appears to be a natural landscape with trees and distant terrain.

• A man and a woman stand outdoors near a railing, talking about meeting a father for the first time. [frame:1]

Named: Wiese (t:6:57). 3 people observed.

“Meeting one's father for the first time.” 6:16 · “I don't know what to do or say. Well, you'll have an even break. You'll both be up against the same thing.” 6:23

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Model synopsis: Two people stand near a saddled horse in a wooded area; one mounts the horse and they ride away across a bridge. A conversation occurs about campfires and a father arriving at three.

• Two people stand beside a saddled horse. [frame:1]
• One person mounts the horse. [frame:2]
• Two people ride horses across a wooden bridge in a forest. [frame:3]

2 people observed.

“Oh, what's the matter? I'm having a little trouble. You haven't got a stuff right now, Andy, have you? No, but I'm a darn good booster.” 7:01 · “Oh, that's right you are. I'm really at my best after sundown. Really?” 7:09

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Model synopsis: A person speaks the lines 'I'm going to go' and 'Please' while a wide shot shows a large lodge-style building in a grassy area with trees and a cloudy sky. No named individuals are visible or identified in the dialogue.

1 person observed.

“I'm going to go.” 7:21 · “Please.” 7:43

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Model synopsis: A man in a suit enters a room and greets another man seated at a desk; the seated man responds. The setting appears to be an office or reception area with other people present.

• A man in a light suit enters the room and approaches a desk. [frame:1]
• The man at the desk greets the entering man. [frame:2]

Named: Mr. Ross (t:7:58). 5 people observed.

“Oh, my God.” 7:53 · “I'm sorry, I'm sorry.” 7:57

Evidence, details and a link to share

Model synopsis: A man in a suit speaks with another man seated at a desk, then follows him up stairs and through a lobby. The dialogue indicates the visitor, Mr. Ross, is the first to arrive at a park facility.

• The two men walk up a set of stairs. [frame:3]
• The men walk through a lobby with other guests and staff. [frame:4]

Named: Mr. Ross (t:8:09). 7 people observed.

“Is the park already loaded with naturalists or have I a clear field?” 8:09 · “It's all yours, Mr. Ross. As usual, you're the first to arrive.” 8:09

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Model synopsis: Two men in suits walk past a wooden structure and a tree; one carries a hat. No dialogue or on-screen text is present in this beat.

3 people observed.

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Model synopsis: A crowded interior space with people moving in different directions, some carrying luggage. No dialogue or on-screen text is present in this beat.

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Model synopsis: A man in a suit stands outdoors near a wooden structure and a tree. No dialogue or on-screen text is present in this beat.

1 person observed.

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Model synopsis: A group of men in suits are gathered inside a rustic stone-walled room with a counter; one man stands behind the counter while others stand or move nearby. No dialogue or on-screen text is present in this beat.

4 people observed.

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Model synopsis: A man in a suit speaks to a clerk at a desk, requesting a quiet cabin away from the inn. The clerk, seen from behind, listens as the man writes on a clipboard.

• The man in the suit writes on a clipboard at the desk. [frame:1]

3 people observed.

“Good afternoon, sir. Have you a reservation? - No, I haven't.” 8:40 · “A cabin, please. Something quiet away from the inn. Yes, sir.” 8:42

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Model synopsis: A man in a suit speaks with a hotel clerk at a reception desk; another man is directed to a room. The setting appears to be a rustic hotel lobby with wooden decor.

Named: Mr. Foster (t:8:50). 3 people observed.

“Oh, I beg your pardon, Mr. Foster. Your daughter made a reservation.” 8:50 · “My daughter? You mean she's here? Yes, Miss Foster arrived several days ago.” 8:54

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Model synopsis: A man in a suit and hat stands in a crowded interior space while two women walk away from the camera. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and hat stands at a counter, speaking with another man. A hand writes names and locations in a ledger. The dialogue suggests the man is checking for acquaintances and then departs.

• A man in a hat stands at a counter holding a small object. [frame:1]
• A hand writes names and locations in a ledger. [frame:2]
• The man in the hat speaks with another man across the counter. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Looking for anybody in particular, sir?” 9:26 · “I was just wondering if there was anyone here I knew.” 9:28

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Model synopsis: A woman in a bedroom speaks to a man in a suit who enters through a doorway. The man is holding a hat and coat, and the woman gestures as she speaks.

• The woman stands near a bed and speaks. [frame:1]
• The man enters through a doorway holding a hat and coat. [frame:2]
• The woman gestures with her right hand while speaking. [frame:3]

2 people observed.

“Come in.” 9:54 · “Father? Yes.” 9:58

Evidence, details and a link to share

Model synopsis: A man and a woman meet indoors after 18 years; the man holds a coat and hat, and the woman stands near a fireplace. The dialogue reveals the woman's name is Sophie and that the man has been waiting for her visit.

• The woman stands near a fireplace while the man faces her. [frame:1]
• The man stands in a doorway holding a coat and hat, smiling at the woman. [frame:2]

Named: Sophie (t:10:22). 2 people observed.

“Well, you have grown up, haven't you? It's been 18 years. Yes, yes, that's right.” 10:13 · “Now that you're here, I... Please say you're not, Sophie. When you wrote you were stopping here for a few days, I... Oh, I couldn't wait any…” 10:22

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Model synopsis: A woman and a man stand in a room with wooden walls; they speak to each other and reach out to shake hands. The woman wears a polka-dot dress and the man wears a suit with a coat over his arm.

• The man and woman shake hands across a chair. [frame:3]

Named: Father (t:10:49). 2 people observed.

“Seems so ridiculous, doesn't it? You're my father, and yet we stand here like two absolute strangers.” 10:35 · “It's all so new to us.” 10:42

Evidence, details and a link to share

Model synopsis: A woman and a man embrace closely in an interior setting; the woman speaks of missing each other and looking forward to private time with her father. The man, identified as 'Father' in the dialogue, reciprocates the embrace.

• A woman embraces a man from behind, her face visible over his shoulder. [frame:1]
• The man turns his head to look at the camera while holding the woman close. [frame:2]

Named: Father (t:10:54), Father (t:10:54). 2 people observed.

“We miss so much of each other. But we'll make up for it, you and I. Days and days all to ourselves, Father. But nobody to bother. Of cou…” 10:54

Evidence, details and a link to share

Model synopsis: Two men in suits and hats sit in a vehicle; one drives while the other looks down. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men sit in a vehicle interior; one drives, the other holds an object in his lap. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men are shown in a vehicle, one driving, while another scene shows a man and a woman in a room. A transcript includes dialogue about someone's appearance and a room's features, including a bed and the sound of Old Faithful.

4 people observed.

“Take it easy, Marty. You don't have to do that, do you?” 11:19 · “What's he look like? What's he look like?” 11:23

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a room with a desk and a cluttered floor; the woman speaks to the man, who then moves to examine objects on the desk. The transcript indicates a conversation about 'pet vices' and an invitation to sit down.

• The woman and man stand facing each other, holding hands. [frame:1]
• The man leans over a desk, looking at objects on it. [frame:2]
• A close-up shows a cluttered floor with boxes, pens, and other small items. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Well, what's all this? I didn't know just what your pet vices would be, Father.” 11:54 · “I think you've covered about all of them. Thanks, my dear. Now you come over here and sit down.” 12:00

Evidence, details and a link to share

Model synopsis: A woman and a man are in a room; she speaks emotionally about finding him after 18 years and plans a trip to Europe. He listens and holds her hands, appearing concerned.

• The woman stands over the seated man in a room with wooden walls. [frame:1]
• The man and woman sit facing each other, holding hands. [frame:2]
• The woman looks at the man with a concerned expression. [frame:3]
• 1 more under Evidence and details.

Named: Father (t:12:28), Father (t:12:28). 2 people observed.

“Just let me look at you.” 12:16 · “I bet I'm the silliest person you ever met. Oh, is that the effect I have? Oh, Father, I feel like shouting to the whole world that after …” 12:28

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to a seated woman inside a rustic room, then the scene cuts to an outdoor path where a man in a fedora stands. The transcript includes dialogue about bad habits and singing.

• A man in a suit leans over a small table toward a seated woman. [frame:1]
• The man gestures with his hand while speaking to the woman. [frame:2]
• A man stands on a dirt path outside a wooden building, with trees in the background. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“You know, I was just wondering if I hadn't better tell you some of my really bad habits. Do you have those too? Oh, well, it couldn't be an…” 13:05 · “I'm singing about something. You're singing about, Father.” 13:17

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Model synopsis: A man and a woman converse in a room; the man later turns to a desk while the woman watches. The dialogue suggests nervousness and a plan to go fishing.

• The man turns to a desk and appears to open a drawer or case. [frame:2]

2 people observed.

“Good night.” 13:28 · “It's my nerves, I guess. Seeing things. I thought I recognized a man who's been dead for years. Oh, well, maybe it's the suddenness of every…” 13:29

Evidence, details and a link to share

Model synopsis: A man in a suit is seen in a room with rustic decor, handling a case and speaking about going to a rough, wilderness area and acquiring a bow from a Ranger. The dialogue suggests a conversation about travel and a government official.

• A man in a suit reaches for a case on a table. [frame:1]
• The man turns toward the camera, speaking. [frame:2]
• The man lifts the case from the table. [frame:3]
• 1 more under Evidence and details.

1 person observed.

“It's too rough. Oh, but I don't mind. Yes, but there are no caverns. It's practically wilderness. All right, but you'll be sorry.” 14:08 · “You know, I've acquired a bow since I arrived. Oh, a bow. Well, he's a lucky fellow. One of the Rangers.” 14:16

Evidence, details and a link to share

Model synopsis: A woman in a patterned dress stands near an open suitcase in a bedroom; a man in a suit enters and stands beside her. Dialogue suggests someone is going to Washington for a position in the Department of Justice, and they may meet him at dinner.

• A woman stands near an open suitcase in a bedroom. [frame:1]
• A man in a suit enters and stands beside the woman. [frame:2]

2 people observed.

“He's going to Washington. He's going to be in the Department of Justice.” 14:37 · “What do you think of that?” 14:41

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a rustic dining room; the woman speaks the word 'Sugar?' and the man replies 'Father.' No names are spoken that identify the characters.

2 people observed.

“Sugar?” 15:03 · “Father.” 15:04

Evidence, details and a link to share

Model synopsis: A man in a suit sits at a table with flowers and a meal. The background shows other people in a dimly lit indoor setting.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit sits at a table with a white tablecloth, holding a telephone receiver to his ear. The setting appears to be a rustic interior with wooden walls and a shelf holding teapots and cups.

• A man holds a telephone receiver to his ear. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a dimly lit restaurant, engaged in conversation. The woman speaks about canceling a fishing trip, and the man responds with a question about why she found something.

Named: Ruth (t:15:28). 2 people observed.

“Ruth.” 15:28 · “I don't believe I'll go on my fishing trip tonight after all.” 15:30

Evidence, details and a link to share

Model synopsis: A man and a woman stand near a table in a log-walled room; the man holds a teapot. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman stands beside a seated man at a table in a log-walled room; she asks to be introduced to him, and he agrees. The man is addressed as Mr. Ryan.

• A woman stands beside a seated man at a table in a log-walled room. [frame:1]

Named: Ryan (t:15:46). 2 people observed.

“It seems to me I've met him someplace or other.” 15:44 · “I wonder if you'd be kind enough to introduce me. Why, of course, Mr.... Ryan. Ryan, I'd be very glad to.” 15:46

Evidence, details and a link to share

Model synopsis: A man and a woman converse in a crowded dining room; the man is later seen alone at a table, then dancing with the woman. The dialogue suggests they are discussing travel plans and the time of year.

• A man and a woman are standing and talking in a crowded room. [frame:1]
• The man is seated alone at a table, holding a cigarette. [frame:2]
• The man and a woman are dancing closely. [frame:3]

3 people observed.

“Fine-looking gentleman, your father. I think so. You, uh, here for the summer? No, just a few days fishing before we sail for York.” 15:59 · “Nice time of year for Europe.” 16:11

Evidence, details and a link to share

Model synopsis: A man in a suit sits at a table with a teacup and saucer. The setting appears to be an indoor dining area with tables and chairs in the background.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and glasses is seated at a table, looking down at his hands. The background is dimly lit and indistinct, with another figure partially visible behind him.

2 people observed.

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Model synopsis: Two men in suits interact at a table in a crowded dining room; one introduces himself as John Alexander Hartigan and mentions New York and wine. The man seated reacts as the standing man gestures, and the scene ends with a close-up of the seated man holding flowers.

• A man in a suit stands beside a seated man at a table. [frame:2]
• The standing man gestures while speaking to the seated man. [frame:3]
• The seated man looks up at the standing man during their conversation. [frame:3]
• 1 more under Evidence and details.

Named: John Alexander Hartigan (t:16:28). 2 people observed.

“Hello, neighbor. Our host is here in Kongsbury, the jury from Australia. Mighty interesting country down there. I've always wanted to hea…” 16:28 · “How do you do, Mr.” 16:41

Evidence, details and a link to share

Model synopsis: A woman stands behind a table serving two seated men in a dimly lit interior. The men are dressed formally and appear to be engaged in conversation while being served.

3 people observed.

Evidence, details and a link to share

Model synopsis: A close-up shows hands manipulating a dark, elongated object. No people, place, or time can be identified from this single frame.

• Hands are shown manipulating a dark, elongated object. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A hand holds a leather wallet with a 'DETECTIVE' badge visible. No people are named, no dialogue is present, and the setting is not identifiable from this close-up.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men sit at a table in a dimly lit interior while a waitress serves them; one man speaks to the other and mentions going to a campfire. A third person is audible but not visible in the frames.

• A man with a mustache looks directly at the camera. [frame:1]
• A waitress presents a menu to two seated men at a table. [frame:2]
• Two men sit at a table with drinks and a floral centerpiece; one speaks to the other. [frame:3]

Named: Mr. Foster (t:17:29). 4 people observed.

“Why, you're the man I've been looking for. Say, if it's just the same to you, I'd like to tag along and we'll try our luck together, huh?” 17:12 · “You can keep that change. Thank you, sir. That's all right. When I get service, I pay for it.” 17:12

Evidence, details and a link to share

Model synopsis: A group of four people stand near a table in an indoor setting; one man declines to join a campfire outing, citing fatigue, while others urge him to rest and enjoy the evening. A coat is offered as he prepares to leave.

4 people observed.

“Mr. Foster, I've just suggested to your daughter that we all go out to the campfire.” 17:29 · “What do you think about it, Father? Would you like to go? Well, if you don't mind, I think I'll go back to my cabin. I'm pretty tired.” 17:38

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to others in a rustic dining room, mentioning a fishing trip. The scene includes a table set for a meal and a man holding a coat.

Named: Mr. Foster (t:18:04). 4 people observed.

“Oh, here's a coat here. I'm sorry you won't join us.” 17:56 · “We won't be late.” 18:01

Evidence, details and a link to share

Model synopsis: A woman in a dark dress and a man in a suit stand together as another man in a uniform approaches; a second man in a dark suit observes nearby. The woman apologizes for forgetting a campfire date with the man in the suit, who suggests rescheduling.

• A woman and a man in a suit stand together as a man in uniform approaches them. [frame:1]
• The man in uniform smiles at the camera. [frame:2]
• A man in a dark suit stands near a fireplace, smoking. [frame:3]
• 1 more under Evidence and details.

Named: Miss Foster (t:18:36), Mr. Sherwood (t:18:36), Mr. Ryan (t:18:36). 4 people observed.

“Well, hello there, if it is my Boy Scout. Hello there yourself. You haven't forgotten our campfire date, have you? Well, to tell you the …” 18:17 · “*pfft*” 18:35

Evidence, details and a link to share

Model synopsis: A group of people are gathered around a campfire at night, with some standing on a raised area and others seated or standing in the surrounding darkness. The scene shifts to show individuals walking away from the fire into a wooded area, with one person in a light-colored coat visible from behind.

• People are gathered around a campfire. [frame:1]
• People are walking away from the campfire into a wooded area. [frame:3]
• A person in a light-colored coat is walking away from the fire. [frame:4]

2 people observed.

“If it's true what they say about the sea, does the sun really shine all the time?” 18:51 · “You're the sweet man, you know you're awesome, and everybody's born to hope.” 19:01

Evidence, details and a link to share

Model synopsis: A man in a ranger-style hat and a woman stand close, speaking and embracing in a dimly lit outdoor setting. The dialogue includes a compliment about beauty and a reference to a rule book for rangers complimenting visitors.

• The man and woman stand facing each other in conversation. [frame:1]
• The man turns slightly away, partially obscured by shadow. [frame:2]
• The man and woman face each other again, continuing their interaction. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“You know, it just hit me that I hadn't gotten around to telling you how darn beautiful you are.” 19:11 · “Well, I didn't know that you were supposed to.” 19:11

Evidence, details and a link to share

Model synopsis: A man and a woman walk through a dimly lit outdoor gathering at night, surrounded by seated onlookers. The transcript references a character named Pope and mentions Yellowstone in relation to a partner, suggesting a narrative about storytelling or reputation.

• A man and a woman walk away from the camera through a dark outdoor area. [frame:1]
• The man and woman walk toward the camera, smiling, with a seated crowd behind them. [frame:2]
• The woman turns to face a seated crowd while the man stands beside her. [frame:3]
• 1 more under Evidence and details.

Named: Miss Foster (t:19:42). 4 people observed.

“Now, Pope.” 19:28 · “You may not believe the story, but it's the truth.” 19:33

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Model synopsis: A man recounts a past bank robbery by Tracy Jenkins in a park, claiming the stolen money is still buried there. Two men, one called Pete, are present and react to the story.

Named: Tracy Jenkins (t:20:00), Pete (t:19:58). 4 people observed.

“that I can tell you quite a few things about.” 19:56 · “That's the stuff, Pete.” 19:58

Evidence, details and a link to share

Model synopsis: A man in a wide-brimmed hat and patterned vest stands among a dark, crowded scene; dialogue mentions characters named Anderson and Baldi Jack, and references Pete being on lookout. The setting appears to be outdoors at night, with low visibility and a fire visible in the background.

• A man in a hat stands among a crowd at night. [frame:1]
• The crowd remains gathered around the man in the hat. [frame:2]
• The man in the hat is still visible among the crowd. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Or on that Anderson fellow when they got him. And Baldi Jack is the only other one of them. Oh, Baldi Jack didn't get none of it. When th…” 20:37 · “Not with Pete on the lookout. No, sirree. When a mountain man's eyes see someone or something, he never forgets it.” 20:49

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat stands elevated above a crowd in a dimly lit interior space. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit sits at a wooden desk in a wood-paneled room, writing with a pen. The scene is lit with studio lighting and shows no windows or external time cues.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit is seen from behind, standing in a dimly lit wooden interior. He appears to be turning or reaching toward a wooden structure or doorway.

• man in dark suit turns or reaches toward wooden structure [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in suits meet inside a wooden-paneled room; one greets the other and mentions his daughter's choice of a ranger over him. The conversation continues as they stand near a desk with papers, in a setting that appears to be a private office.

• A man in a light suit enters a room and greets another man. [frame:1]
• The two men stand facing each other in a room with wooden walls and a desk. [frame:2]
• The man in the light suit gestures while speaking to the man in the dark suit. [frame:3]
• 1 more under Evidence and details.

Named: Mr. Foster (t:21:25). 2 people observed.

“I hope I didn't startle you, Mr. Foster. Not at all. You see, your daughter passed me up for a ranger, so I thought I'd drop over and have a…” 21:25 · “Well, sit down, won't you? Hi. Great country up here, isn't it? Oh, yes. Yes, indeed. So, uh, fresh and, uh, open-minded.” 21:33

Evidence, details and a link to share

Model synopsis: A man in a suit identifies himself as Tracy Jenkins' son and demands to collect his father's share, while another man listens. The setting appears to be an interior room with wooden walls.

• Foster stands and tells Ryan he is in clay as promised. [frame:4]

Named: Foster (t:22:05), Anderson (t:21:53). 3 people observed.

“You don't have to look at me like that, Anderson.” 21:53 · “I'll tell you who I am. I'm Tracy Jenkins' son.” 21:58

Evidence, details and a link to share

Model synopsis: Two men in suits are in a tense conversation inside a wooden-paneled room; one man, identified as Foster, is being confronted about a deal. The dialogue references San Quentin and a 50-50 arrangement, suggesting a prior agreement or threat.

• A man in a dark suit confronts another man seated at a desk. [frame:1]
• The seated man looks up at the standing man, listening intently. [frame:2]
• The seated man maintains eye contact, appearing tense. [frame:3]

Named: Foster (t:22:51). 2 people observed.

“You didn't say anything to my daughter about this. Come on, come on. Let's get down to business. Now, once I know Mike contacted you with …” 22:36 · “He told you as soon as they sprung you, I'd expect to play ball in a 50-50 deal, didn't he? That's right. You know it's right.” 22:45

Evidence, details and a link to share

Model synopsis: Two men in suits are in a tense conversation in an interior space; one demands to know where money is hidden, while the other insists on a 50-50 split after an 18-year wait. No names are spoken that can be assigned to the visible individuals, and no time of day or period is established.

Named: Foster (t:22:51). 2 people observed.

“And that's why I'm here, Foster, standing right over the plate, waiting for you to pitch.” 22:51 · “Well, it'll be safe until Judgment Day. Which happens to be right here and now. So come on and talk to me, Forster. What are your plans? …” 23:00

Evidence, details and a link to share

Model synopsis: Two men in suits are shown in a dimly lit interior, one speaking to the other about danger and a morgue. The scene includes a staircase and wooden beams, suggesting an old building.

• A man in a dark suit faces another man in a light suit who is speaking. [frame:1]
• A man in a light suit stands on a staircase, looking down at another man. [frame:2]

Named: Foster (t:23:44). 3 people observed.

“Dynamite will take care of it.” 23:41 · “Now listen, Foster, I'll give you to Lamar to crack through. Tomorrow? Why, it isn't safe. It's suicide. Ever been through a morgue, Fost…” 23:44

Evidence, details and a link to share

Model synopsis: A dimly lit, crowded interior space is shown with many people seated or standing, viewed from a slightly elevated angle. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A large group of people is gathered outdoors at night, with some individuals dancing or moving in the center while others watch from the periphery. The scene is dimly lit, suggesting artificial lighting in a dark environment.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men with guitars gather around a campfire at night, followed by a lone rider silhouetted against a cloudy sky. No names are spoken, and no interior setting is shown.

• Men with guitars gather around a campfire. [frame:1]
• A lone rider on horseback is silhouetted against the sky. [frame:3]

4 people observed.

“Asking me a stranger” 24:11 · “It's the only life for me.” 24:14

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat rides a horse against a cloudy sky, speaking lines about riding the rain and feeling free. The scene is shot in black and white with dramatic lighting and close-ups.

• man rides horse against cloudy sky [frame:1]
• man continues riding, looking forward [frame:2]
• close-up of man’s face as he speaks [frame:3]

1 person observed.

“Gangling us home” 24:28 · “Just Broomtail and me, riding the rain.” 24:33

Evidence, details and a link to share

Model synopsis: Two people stand on a wooden bridge at night; a third person is seen as a silhouette on horseback against a cloudy sky. No names are spoken, and no objects beyond the bridge and natural surroundings are visible.

3 people observed.

“Just show them along, spurs on my heels.” 25:03 · “King Lenna's soul.” 25:14

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat is shown in profile, followed by close-ups of a hand writing 'Miss Ruth' and then 'Miss Ruth For' on an envelope. The transcript contains a single line at 25:18 that reads 'Jingling us all.'

• A man in a cowboy hat is visible in profile. [frame:1]
• A hand writes 'Miss Ruth' on an envelope. [frame:2]
• The hand continues writing 'Miss Ruth For' on the envelope. [frame:3]

2 people observed.

“Jingling us all.” 25:18

Evidence, details and a link to share

Model synopsis: A man in a hat and coat reads a paper at a desk, then stands and gestures with his hand while holding the paper. The setting is a dimly lit wooden interior with shelves and a desk visible.

• man sits at a desk reading a paper [frame:1]
• man stands up holding the paper [frame:2]
• man gestures upward with his right hand while holding the paper in his left [frame:3]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a hat and coat stands in a dimly lit room with wooden furniture and a window with curtains. He is holding a piece of paper and appears to be reading or examining it.

• A man stands holding a piece of paper in a room with wooden furniture. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is visible in a dimly lit room with wooden walls, a bed, and a table; no dialogue or on-screen text is present. The scene appears to be interior and static, with no visible action beyond the person's posture.

1 person observed.

Evidence, details and a link to share

Model synopsis: A pair of hands adjusts black leather shoes on a patterned rug. No dialogue or on-screen text is present in this beat.

• Hands adjust a pair of black leather shoes on a rug. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man stands in a dimly lit room, handling an object near a bed. The setting appears to be a rustic interior with wooden walls and minimal furnishings.

• man stands near a bed, manipulating a small object in his hands [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a light shirt and dark hat stands beside a bed in a dimly lit room, holding an object. The room contains a bed, a lamp, and a door, with no visible text or spoken dialogue in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dark, indistinct scene with no visible people or clear objects. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A man in a dark coat and hat stands behind a cluttered table in a dimly lit wooden room. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A hand reaches into a cluttered drawer containing scissors and other small objects. No people are named, and no dialogue is present in this beat.

• A hand reaches into a drawer and moves objects around. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A hand reaches into a dark drawer containing medical tools and other items. No people are named, no dialogue is present, and the setting is not identifiable beyond the drawer's contents.

• A hand reaches into a drawer containing medical tools. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is seen in a dimly lit interior space, moving near furniture and a doorway. No dialogue or on-screen text is present in the frames.

• A person stands near a table and doorway in a dim room. [frame:3]
• The person moves toward the right, holding an object. [frame:4]

1 person observed.

Evidence, details and a link to share

Model synopsis: A handwritten note is shown, followed by a scene with logs and a fire. A voice speaks about enjoying the evening and remembering it.

• A handwritten note is displayed. [frame:1]
• Logs and a fire are visible in a dimly lit setting. [frame:2]

1 person observed.

“You know, I think this is the most enjoyable evening I've ever spent. Has been nice. One of those evenings to take home and sort of rememb…” 26:42

Evidence, details and a link to share

Model synopsis: A man and a woman converse outdoors at night; the woman expresses concern about being late and mentions her father. The man, wearing a uniform and hat, responds and then departs.

• The man turns and walks away from the woman. [frame:4]

2 people observed.

“It's 12 o'clock. Let's hurry. Why, how time does fly? Father will be worried. I should have been back ages ago. Hold on, just a minute.” 26:57 · “We have a rule about fathers on page 28. You can read that to me in the morning about 10. Good night.” 27:05

Evidence, details and a link to share

Model synopsis: A woman in a dark dress stands with her back to the camera, facing a stone fireplace in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman stands in a dimly lit room, holding an object near a cluttered desk. The room appears to be a private office or study, with papers and a telephone visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man prepares a horse at night while another man in a hat approaches and speaks to him. The dialogue indicates a warning about traveling to Jackson Hole and an introduction between the two men.

• A man stands beside a saddled horse in the dark. [frame:1]
• A man in a hat approaches another man near horses. [frame:3]
• Two men face each other and speak. [frame:4]

Named: Mr. Foster (t:27:55), Sherwood (t:28:03). 3 people observed.

“Thing is friend that I don't like to see you going into Jackson Hole without a guide.” 27:46 · “All right, Mr. Foster, suit yourself, but it's very dangerous. Good evening, Mr. Foster.” 27:55

Evidence, details and a link to share

Model synopsis: A confrontation occurs at night between a ranger and a man named Forster over guiding regulations; a horse is involved and a sign forbidding animals is visible. No names are assigned to visible people beyond what is spoken in the transcript.

• A horse rears near a sign forbidding animals. [frame:4]

Named: Mr. Forster (t:28:20), Ed Bryant (t:28:20). 3 people observed.

“Pete, where's his guide? Well, I spoke to Mr. Forster. I never hired a guide, young man.” 28:20 · “Chief Ranger Adele has issued orders that for the next few days, nobody has to pack into Jackson Hole without a guide.” 28:20

Evidence, details and a link to share

Model synopsis: A conversation occurs between men in hats, one of whom mentions being in the cavalry, while a separate scene shows a man at a desk in a log cabin. A woman named Miss Farquhar is addressed and bids farewell.

• A man at a desk in a log cabin leans over papers while a woman stands nearby. [frame:4]

Named: Miss Farquhar (t:29:21), Mr. Riddell (t:29:05), Miss Worcester (t:29:05). 8 people observed.

“Hey, why didn't you punch him in the nose? Because he happens to be the father of somebody I like.” 28:45 · “I hope he breaks his neck. You know, that reminds me of the time that I was in the cavalry.” 28:56

Evidence, details and a link to share

Model synopsis: Two men in hats argue indoors while a third man in uniform stands behind them; earlier, a rider on horseback is seen outdoors near mountains. The transcript includes a character named Sherwood being reprimanded by a 'Chief' about following orders.

• A rider on horseback is seen outdoors near mountains. [frame:1]
• Two men in hats argue indoors while a third man in uniform stands behind them. [frame:2]

Named: Sherwood (t:29:41), Chief (t:29:41). 4 people observed.

“Why aren't you supposed to send you to this morning? But, Chief, I figured that...” 29:41 · “That happens to be my job, Sherwood.” 29:41

Evidence, details and a link to share

Model synopsis: A group of men in hats discuss an impending eruption of 'Old Bess' at night, with one man running off to spread the news. The setting appears to be outdoors near a building or camp, under dark conditions.

• Men in hats gather and talk, one standing on a raised surface. [frame:2]
• Men continue talking, one gesturing with his hand. [frame:3]
• A man in a cap runs away from the group. [frame:4]

4 people observed.

“Old Bess hasn't erupted in over 27 years. George, tell Chief Magell about Old Bess.” 29:52 · “If what George says is true, this is the biggest news that's broken since... Get busy. Spread the news all over the place. Yes, sir. Georg…” 30:04

Evidence, details and a link to share

Model synopsis: A man in a hat speaks on the phone while seated at a desk; a woman operates a switchboard; a young man listens intently; and a group of people in formal attire react with surprise in a crowded room. The transcript mentions 'Old Bess' erupting and references a newspaper plot, suggesting a newsroom or press-related setting.

• Chief Ranger Riddell speaks on the phone about Old Bess erupting. [frame:1]
• A woman operates a switchboard, likely relaying news. [frame:2]
• A young man listens intently, possibly reacting to the news. [frame:3]
• 1 more under Evidence and details.

Named: Chief Ranger Riddell (t:30:26). 4 people observed.

“Hello, Mammoth.” 30:25 · “Chief Ranger Riddell. Old Bess is expected to erupt tonight. Anytime. Hold your best case. Old Bess is going to erupt for tonight. No.” 30:26

Evidence, details and a link to share

Model synopsis: A vehicle is parked under a wooden shelter with figures nearby. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: Two men on horseback are shown in a wooded outdoor setting; one speaks to a woman named Gertrude and asks Pete to influence an animal. The scene is set outdoors with trees and sky visible.

• Two men are riding horses through a forested area. [frame:1]
• One man turns to speak while riding. [frame:2]
• The man continues speaking while holding reins. [frame:3]

Named: Pete (t:31:10), Gertrude (t:31:05). 3 people observed.

“Oh, come on, Gertrude. Shift into high, won't you?” 31:05 · “Pete, ain't you got any influence over this here animal?” 31:10

Evidence, details and a link to share

Model synopsis: A man in a hat and coat urges a woman to leave a dimly lit interior with him; she resists, expressing fear. He insists, promising to return her quickly, while she remains hesitant.

• A man in a hat stands in a doorway, partially silhouetted. [frame:1]
• The man and woman face each other in a dim room. [frame:2]
• The woman stands with arms crossed, looking concerned, while the man faces her. [frame:3]
• 1 more under Evidence and details.

Named: Miss Foster (t:31:15). 2 people observed.

“Miss Foster? Hello there. A wise-some news for you.” 31:15 · “She's been down with her sleeping sickness since 1909 and is about to wake up.” 31:15

Evidence, details and a link to share

Model synopsis: A dark, low-resolution exterior shot shows a building with lit windows at night, surrounded by trees and open ground. No people or movement are visible in the single frame provided.

Evidence, details and a link to share

Model synopsis: A vehicle is visible on a dirt road at night, with trees in the background. No people or spoken dialogue are present in this beat.

• A vehicle is parked or moving slowly on a dirt road at night. [frame:1]

Evidence, details and a link to share

Model synopsis: A dark, outdoor scene shows a horse and rider moving across a dusty field with trees in the background. No dialogue or on-screen text is present.

Evidence, details and a link to share

Model synopsis: Two men on horseback are shown in a wooded outdoor setting; one speaks to the other, mentioning a badge and building a fire. The dialogue suggests they are preparing for travel or an event ahead.

• Two men on horseback are in a wooded area. [frame:1]

Named: Pete (t:31:51). 2 people observed.

“Come on, Gertrude.” 31:46 · “Believe me, when I get my badge, you'll move faster than this.” 31:48

Evidence, details and a link to share

Model synopsis: A man in a hat stands outdoors at dusk or dawn, holding reins, with a horse partially visible. The scene is dimly lit and appears to be in a natural, wooded setting.

• A man stands holding horse reins in a dim outdoor setting. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of people are visible in and around two open-top vehicles in an outdoor setting. No dialogue or on-screen text is present in this beat.

• People are gathered around and inside two open-top vehicles. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A single figure is seen from behind walking toward a plume of smoke or steam in a dark, indistinct outdoor setting. No dialogue or on-screen text is present in this beat.

• A figure walks toward a plume of smoke or steam in a dark environment. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A crowd of people in 1930s attire is shown in a dimly lit public space; one man calls out to someone named Sherwood while others react. No named characters are visually identifiable, and no specific location or time of day is established.

Named: Sherwood (t:32:15). 4 people observed.

“Now, please, hold. Please, you can't stand any closure.” 32:09 · “That's boiling water, so please pull back.” 32:13

Evidence, details and a link to share

Model synopsis: A high-angle shot shows a crowd of people on a street at night, with smoke or steam rising in the center. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: Two men in hats converse in a dimly lit, crowded space while one speaks about a quiet woman who suddenly became violent. No names are spoken, and no objects beyond clothing and hats are visible.

• A man in a light fedora speaks to another man while standing in a crowd. [frame:1]
• The man in the light fedora turns his head slightly while speaking. [frame:2]
• The man in the light fedora continues speaking, facing the other man. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Say, you know, baby, I don't like this.” 32:26 · “When an old gal has been quiet for 27 years, no teller what you'll do when she pops off.” 32:29

Evidence, details and a link to share

Model synopsis: A dark, smoky scene is shown with no visible people or clear location. No dialogue or on-screen text is present in the frames.

Evidence, details and a link to share

Model synopsis: A single frame shows a geyser erupting at night, surrounded by dark trees. No people, dialogue, or on-screen text are visible.

• A geyser erupts, shooting water and steam into the air. [frame:1]

Evidence, details and a link to share

Model synopsis: A person in a light hat and dark coat stands among a crowd, mouth open as if singing or shouting. The scene is dimly lit and appears to be indoors with other figures visible in the background.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit stands in a dimly lit crowd. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of people, including a man in a cowboy hat, look upward in a dark setting. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a cowboy hat is visible among a crowd, looking upward. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a trench coat and fedora stands among a crowd of similarly dressed men in dim lighting. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of men in coats and hats look upward in a dark setting. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A crowd of people is shown in a dimly lit setting, with one man in a hat and bow tie visible among them. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a light coat and patterned scarf stands among a crowd in a dimly lit interior. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A crowd reacts to a man emerging from smoke or steam. No names or specific locations are identified in the frames or transcript.

• A large plume of smoke or steam rises from the ground, partially obscuring the background. [frame:1]
• A man in a light hat points forward while standing next to another man in a dark hat; both look toward the smoke. [frame:2]
• The crowd watches as a figure emerges from the smoke or steam. [frame:3]

3 people observed.

“Look!” 33:28 · “A man!” 33:30

Evidence, details and a link to share

Model synopsis: A crowd of people is gathered in a dimly lit, smoky environment. No specific actions or dialogue are visible or audible in the single frame provided.

1 person observed.

Evidence, details and a link to share

Model synopsis: A crowd of people is visible in a dimly lit, crowded space. No specific actions, names, or objects are identifiable from the single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of figures is seen in low visibility amid smoke or dust, with no clear environment or time of day. No dialogue or on-screen text is present in the frames.

1 person observed.

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