Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 7:49 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 18 · shots 54–55. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1, frame:2
- People
- Mr. Ross (named at t:7:58): man in dark suit, glasses, seated at desk visible, audible
- man in light suit, standing, entering room visible, audible
- man in uniform, standing in background visible
- woman in dark dress, standing in background visible
- man seated in foreground, back to camera visible
- Seen happening
- A man in a light suit enters the room and approaches a desk. [frame:1]
- The man at the desk greets the entering man. [frame:2]
- Also said
- “Hello, Mr. Ross. Welcome back to Yellowstone. How are you?” 7:58 · “Fit as they come.” 8:01
- Seen
- desk [frame:2], hat [frame:2], papers [frame:2], uniform [frame:2]
- Interpretation
- Model opinion, not evidence: mood: formal, slightly tense; themes: return, professional duty, formal greeting; style notes: black-and-white, medium shots, studio lighting, static camera
A man in a suit enters a room and greets another man seated at a desk; the seated man responds. The setting appears to be an office or reception area with other people present.
“Oh, my God.” 7:53 · “I'm sorry, I'm sorry.” 7:57 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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