Forest
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 6:58 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 16 · shots 50–52. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- forest (forest, exterior) evidence: frame:1, frame:3
- People
- man in dark suit and wide-brimmed hat, standing beside horse visible
- person in light shirt and pants, standing near horse, later mounting it visible
- Seen happening
- Two people stand beside a saddled horse. [frame:1]
- One person mounts the horse. [frame:2]
- Two people ride horses across a wooden bridge in a forest. [frame:3]
- Also said
- “- Quite a sight, you should let me take you.” 7:15 · “I'd love to see it, but that really depends on Father. He arrives at three.” 7:17
- Seen
- horse [frame:1], saddle [frame:1], wide-brimmed hat [frame:1], wooden bridge [frame:3]
- Interpretation
- Model opinion, not evidence: mood: casual and anticipatory; themes: outdoor adventure, social invitation, family obligation; style notes: static medium shots, natural outdoor lighting, wide framing to include landscape
Two people stand near a saddled horse in a wooded area; one mounts the horse and they ride away across a bridge. A conversation occurs about campfires and a father arriving at three.
“Oh, what's the matter? I'm having a little trouble. You haven't got a stuff right now, Andy, have you? No, but I'm a darn good booster.” 7:01 · “Oh, that's right you are. I'm really at my best after sundown. Really?” 7:09 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- https://publicreel.org/cards/moment/Yellowstone_/b22.png
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