Sheriff of Tombstone (1941)

No renewal found Free in the US since 1 January 1970, on the registry's reading: registration LP10483 of 1941 by Republic Pictures Corp was not renewed in the volumes searched. Record.

Frame from the Internet Archive copy SheriffofTombstone

Copy: SheriffofTombstone on the Internet Archive; registered 1941
Read: 81 shots over 53:07 · 606 transcript lines · JSON
Record: Sheriff of Tombstone No renewal found
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Check before citing the shot count. A 10:11 shot at 32:28 (shot 57): either a static hold or a run of missed cuts. Treat it as unverified.

How this page was made

81 shots over 53:07, read from the Internet Archive copy SheriffofTombstone (SheriffofTombstone.mp4, 540×360, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Sheriff of Tombstone No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 81 shots judged colour), average shot 39.4s long, a frontal face detected in 20% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 606 segments kept, 189 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

0:00 The
0:30 I'm
0:36 It must be important, Cassidy.
0:38 Now, if you could only read...
0:41 You keep your prying nose out of my business. That's what I'm doing. Going in to retire officially now.
0:47 Yeah? Well, I'm retiring myself, at least why I'm leaving town. Me too. Dodge City's gonna be kinda lonesome without us.
0:55 I'd be glad to take a part in the shot at you to liven things up.
0:59 When I go in for shooting just to take the quiet out of the air, Cassidy.
1:03 I looked you up.
1:04 They're time a horse.
1:11 When you get a town so docile that shotgun Cassidy takes to tying up horses instead of stealing them,
1:16 It's time to turn in my badge, huh?
1:19 Here it is, Marshal.
1:20 Well, I hate for you to do this, Brett.
1:22 You know, Dart City is just like a skittish horse.
1:25 Lible to go off in all directions with a stranger in the saddle. No, the old towns learn to respect the law. They can feel the law, yes.
1:32 They don't have to see it walk down the street behind the gun anymore. So you're going out to Tombstone, eh? Yep. Bill and I are joining our brother Arthur. He's in business there. Oh, yeah. From now on, the stars are hanging up their guns. Well, every man knows you never used one, Brett, unless you had to.
1:47 Good luck to you lad.
1:55 Don't complain if the riding's rough Riding on a rocky road Don't complain if the going's tough Riding on a rocky road Don't give a hoot for anything Take an old banjo and start to sing Riding on a rocky road
2:26 Riding on a rocky road. Don't complain if the wind is strong. Riding on a rocky road. Don't give a hoot for anything. Take an old banjo and start to sing.

586 more segments

2:44 Riding on a rocky road. You go to the old...
2:53 And I'll be riding on Rocky Road.
3:02 Then I'll be riding on a rocky road.
3:12 Well, Gabby Whitaker, what's the matter? Did you break the Faroe bank?
3:16 or rob the city bank. Bill Starr, I'm law-abitin'.
3:20 As to that ferro bank, though it weren't broke, it was the recipient of a monstrous dent
3:26 And when the stage drove up,
3:28 And my daughter, Queenie, stepped off.
3:30 One look back over and I take off.
3:33 What did you see? The woman I so proudly led to the altar. The one wild road of my carol youth.
3:39 Diamond sales.
3:41 Won't Sal follow you? She didn't see me.
3:43 I rode the corners, said, Dern fast, my vest pockets dipped sand.
3:48 You know, you fellas have witnessed a tail end of my most recent peregrination.
3:53 During which I broke my record out of Texas by...
3:56 One minute and 44 seconds.
3:58 Judge, looks to me like you could have thought of a better way to free yourself. You being the best legal mind west of the Mississippi. Sure.
4:06 I can't plead the case of incompatibility on the dead run.
4:10 Proceed ahead.
4:11 We're going to Tombstone. Tombstone?
4:14 Kimbuktu was a Say Harry desert. From now on in, you got company. See there.
4:26 East spades are for the East clubs.
4:30 Come on.
4:39 All water will have to have my neck washed. Why do I?
4:43 Well, Benji, for the same reason Annie has hers washed.
4:46 -Soul it'll be clean. -But Annie's neck sticks out of her dress.
4:49 And I got a collar, ain't I?
4:53 Supper is ready.
4:57 Oh, this sure smells good. Boy, they're tomorrow hungry. Beef stew.
5:02 My favorite dish.
5:05 In case you're heading for Tombstone Star, the boot's on the other foot.
5:10 I'm on the way to being the law there, me and this...
5:14 If they want you in Tombstone, Cassidy, they must be figuring on cutting down the population. Put up my horse. Come back, Frano, and give me some grout.
5:25 Here you cleaned up an affair again, Judge.
5:28 Well, I'm staying the night, and if you're interested in a little stud poker... Shotgun, I ain't played poker with no coyote yet. Ha, ha.
5:45 You got about 100 there. Toss it in so I can catch up with the stars. I'm a...
5:50 It's good now or behind them.
5:51 Your deal, nuns.
5:58 You got two black haters, show 'em. Yes, sir.
6:00 One is spare.
6:04 Your money, Judge. I'm moving out. Took me all night to be here, but...
6:08 You show her off like a gentleman. See you, too, Tom. Thank you.
6:18 No, no, no. I ain't got time for breakfast.
6:21 I got to saddle up.
6:24 I reckon practicing law just naturally makes a man suspicious of his fellow men.
7:05 There. Practicing law makes a man mighty suspicious.
7:10 Mmm.
7:12 Yeah, very near miss him.
7:16 Well, chatterbox,
7:18 Looks to me like you got a silent partner.
7:23 I'm going to go.
7:34 - Hey!
7:52 Hasn't a lady got any rights in this town?
7:55 Well, I tell you, stranger...
7:57 It's every man and woman for himself here. We ain't had a sheriff in a month.
8:02 Ha ha! Hey, Gus, what are you gonna do with that Kimoni? Ha ha ha ha! Unless I missed my guess, those dresses would look pretty good on you boys.
8:16 Huh? I said put 'em on.
8:19 Get your gun.
8:41 The boys would like to pay up for the dresses.
8:43 Isn't that right, ladies?
8:46 Get whatever they got, Gabby. We won't haggle over price.
9:01 You know, I seen a real dirty gal once. She was littler than you, but no cuter than you.
9:08 Thanks, mister, a lot.
9:10 - This is a nice shop you have here. - Haven't had it long.
9:14 You're responsible for the first big day's business.
9:17 I have some folks settling out of town. I'd like to buy a sort of a little girl's dress.
9:21 Certainly.
9:24 Pretty?
9:25 About the prettiest I ever saw.
9:27 What's your name?
9:29 That's what I'm wondering.
9:31 Oh, her name's Annie. Gee, that's nice.
9:35 So, he marches them back to the ladies' shop with them cowpokes shy as kittens. Why, the Clay Brothers and Jed Crawley ain't a marker to this sawdaw shotgun tote numbery. Sawdaw? Shotgun. Cassidy!
9:52 Shotgun Cassidy, come on!
9:56 Call again. I sure will, ma'am. Oh, yes, sir. Looks like Annie and Lisey are going to be the most fashionable ladies hereabouts. Now, Gabby, you know their clothes took an awful beating all the way here from Kansas. Welcome to our fair city. Thanks. My felicitations, sir. We've heard all about you and that.
10:12 - Well, this is only-- - Only half a gun, but it's made you famous, Shotgun Cassidy. In accordance with the terms of my telegram, I hereby appoint you sheriff.
10:19 Wait a minute. Not so fast. That's the way I do everything. Speedy Luke Keeler. That's me, the mayor of Tombstone.
10:25 Looks like we're in fast company.
10:28 Well, maybe we'd better try to keep up with them for a while, Judge.
10:31 How are you?
10:33 Who are you?
10:34 Judge Whittaker, attorney at law. Oh, brought your own lawyer, huh? Pretty smart.
10:39 Well, I figured he might come in handy. Undoubtedly.
10:42 Indubitably.
10:44 Well, put up your horse and come over to the office.
10:47 At least he can recognize a horse. Yes, and I can recognize a skunk when I see one, especially an honorary one. Why, that's defamation of character. The mayor took you right off, Sheriff. That's what worries me. Keeler's not a pointing shotgun for Sheriff without a reason. Poor shotgun. He might have got somewhere in Tombstone. I think I'll find out just where.
11:05 Hunt up my brother, Arthur, and tell him not to recognize me.
11:08 The same goes for Bill.
11:11 You're closing up early, aren't you, miss?
11:13 Hmm. Looks like your shopping is all done for the scene. I'll stay put at the hotel. I'll write out the bills, and then I'll hunt up Arthur.
11:22 Oh!
11:34 Howdy, ma'am.
11:46 Yeah.
11:47 Sloan ain't no place for a pretty little palomino like you. Take it easy, Apollo. I grew up working in these joints.
11:54 Queenie Latour is my name. Quick turns, songs and dances. Oh, an actress.
11:59 What do you take me for? A bartender?
12:02 I'm here looking for three things: the boss, the job, and the father. Well, Slade's the boss.
12:08 Job's yours, I'll bet. If it's a father you need... You be one to me. Thanks. I'll settle for the job.
12:18 What kept you so long, Gabby?
12:22 Isn't that gun in working order?
12:24 Had to do something to kill time. Should have brought my knitting along.
12:27 You ought to stick to it, Brett.
12:29 You mean impersonating Cassidy?
12:31 No, you're knitting.
12:33 It ain't healthy around here.
12:35 What'd Bill say?
12:36 Oh, he gets scratched his head.
12:40 grinned and said, "Here we go again." What did Arthur think of it?
12:45 He ain't sick.
12:47 He ought to know everything that's going on around town here.
12:53 Your brother's dead.
13:06 How'd this happen?
13:07 Riding guard on a stage. It was held up two weeks ago.
13:11 Everybody seemed afraid to talk about it.
13:13 But he didn't go out empty handed.
13:15 He took two of those varmints with him.
13:17 Where are you going?
13:19 I've got an appointment with Keillor to Bonanza. I'm keeping it. I don't want you with me, Gabby.
13:24 Well, I guess you're right.
13:27 I always was a little too quick on the trigger for a lawyer.
13:30 Lost me a lot of clients that way.
13:33 Well...
13:35 Guess I'd better do a little house cleaning before we start house cleaning.
13:40 Two guns deep. Two guns deep.
13:43 He was a western man.
13:46 True Gun Pete was a western man, wore a smile and a coat of ten. When he played cards, would you believe that he kept an ace right up his sleeve?
13:57 Oh, yeah, should've seen feet when he dealt from the bottom. He should've seen feet. Take the boys and spot 'em. He should've seen feet.
14:12 When the sheriff got him.
14:16 And you should have seen Pete when the posse up and shot him.
14:20 Two-gun Pete was a man of might Slept all day and he played all night And to this day he'd be alive If he held four ages instead of five
14:32 Oh, the archer seemed weak when he jumped from the bottom.
14:39 Bottom?
14:41 Be sure to sing, Pete. Take the boys and spot 'em. Spot 'em?
14:46 He should have seen peace when the sheriff got him.
14:50 And he got them. And he should have seen feet when the posse up and shot them.
14:55 Two guns he couldn't ride or rope. Never heard of a bat with stove. If he went broke, he'd never groan. When his cash ran low, he'd print his own.
15:08 Oh, yeah, sure to sing feet. When he's out from the bottom. Bottom? He sure to sing feet. Take the boys and spot them. Spot them.
15:22 You should have seen beep When the sheriff got him
15:26 He got him! And he should have seen Pete from the posse up and shot him. He up and shot him.
15:47 Good evening, shotgun. We've been waiting for you.
15:50 Come on.
15:59 Well, Joe...
16:01 Here he is, the pride of Dodge City, Mr. Shotgun Cassidy.
16:05 You are a young fella to kill so many people. We start showing off early in Kansas. Uh, Martinez. Joe Martinez.
16:12 He's a very good friend of ours. We don't see him as much as we'd like to. Wait, I have much work to do.
16:18 You know, this cantina is a very fine place.
16:22 Someday when I retire from my silverman when I only eat,
16:25 I'm gonna come here and spend all my best on the side.
16:27 and
16:28 Then my friend Senor Slade,
16:30 Igor, are you tired, too?
16:31 Mr. Keeler, I'm new at this sheriff's business, but I think that you have some special work for me to do.
16:37 Soon as the Carson Mining Poppery goes under the hammer and Slater here binds it in.
16:41 You'll have plenty of action. Yeah? What do I do?
16:44 You oust the Carson tribe.
16:46 Yes, and it's a man-sized job.
16:47 Well, now I'm getting interested.
16:49 The Carsons are plenty tough, huh? Well, they're a pack of throat-cutting, law-resisting, sheriff-killing.
16:54 Well, why else did I send for you?
16:57 I think I'm gonna like this job, boys.
16:59 Maybe we're gonna like you too.
17:01 I think
17:03 Now, the leader of this outfit, old Granny Carson,
17:17 Did I see Brett Starr?
17:19 What, on Sassbrilla?
17:21 Oh, now, sister, that was only Shotgun Cassidy.
17:25 What are you drinking?
17:26 Liquor.
17:27 keeps me on the QV. That's French for on your toes.
17:31 Don't get him stepped on, mister. Just don't get him stepped on.
17:38 Ed Carson, mind. He's a fella that made the big strike.
17:41 He ought to be rich enough to pay his taxes. He's dead. Then he's got them. He don't have to pay no taxes.
17:47 Slade says they owe over $100,000. Hmm.
17:50 You're Jack.
17:52 Healer says the surviving cartons are a pack of cutthroats. No, no.
17:55 Yeah.
17:57 Why are you getting all purried up for? I'm going calling on the carsons. Ain't that little my danger?
18:01 From Keillor's description, it'll be downright clear of us.
18:04 Hmm.
18:04 Give me the shivers, think of it.
18:06 The leader's a killer of the worst kind, spends five feet high, over 70, in white hair, and wears a little bonnet on top of it.
18:14 I'm going along just for the shivers.
18:31 Granny! Granny! Who's it coming?
18:34 Two men. Looked kinda sheriffy to me.
18:36 Mary!
18:38 Bring me bonnets and me guns.
18:41 Blow a blast, Pip.
18:44 There's that dressmaker. No wonder you were slinking up.
18:49 Be careful, Granny.
18:51 This new sheriff's the killer. I ain't backing down for the Elzebub himself.
18:57 We ain't budging, boys.
18:59 Your body's crooked.
19:01 May Shilton Strait
19:04 I'm.
19:09 Nice looking, ain't he?
19:13 Well, good morning.
19:15 Well, I didn't expect to see you here, Miss...
19:17 Carson.
19:18 I live here. It's never a good morning for sheriffs on the Carlson train.
19:22 Now get.
19:23 And get fast. Well, I'm not only sheriff, ma'am, but I aim to be a peace officer.
19:27 Then why are you hiding behind that shotgun?
19:30 And why is that old goat hiding behind them moth-eating whiskers?
19:33 Madam, I'll have you understand that this hirsute is free of habitation.
19:38 Why don't you buy yourself a snood?
19:42 So, wild cancer is bad in the cell.
19:45 Now, Peter Chardin, I mean, don't get yourself a tizzle.
19:49 Granny, let's hear what they have to say.
19:52 My friend here's the lawyer. If you'll explain to him why you haven't paid your taxes, why you-- This mine's rich enough to pay all the taxes in the territory, but I can't
20:00 Make no money.
20:01 Every time Granny sends out a shipment of bullion, the stage gets robbed. Why do you suppose I got all my family here?
20:06 Because I can't pay wages.
20:08 We've sunk the shaft so deep that just men ain't enough. We need machinery and we can't get the bullion through to pay for it.
20:15 I am here.
20:16 You're in a predicament.
20:17 I'm in a hole, mister.
20:19 shoved in by Keillor and slaves.
20:22 But as long as I can hold on, I got 'em.
20:25 The Carson Bain runs smack through every mining claim they own, and they can't mine a silver dime that doesn't belong to me.
20:33 Oh.
20:35 The head of the silver vein originates here.
20:37 You're a damn tootin' it does.
20:40 Mr. Sheriff, you aim to put me off.
20:42 When you do...
20:43 Come and shoot him.
20:45 I hope I won't have to, little Mrs. Fancybonnet.
20:52 Well, I guess we'll be going back.
20:55 I can't figure you out.
20:57 You're not like what I've heard.
20:59 Okay.
20:59 Um, this is one of his goods, eh?
21:02 Come on, Scott.
21:08 Mary...
21:10 He called me fancy bonnet.
21:12 He must have liked me further.
21:17 Judge, what is the mining law on Granny's situation? She owns the mother load on the entire vein.
21:24 They're stymied till they can get her a claim. Can't even mind their own claims, huh? Not unless he want to tangle with Uncle Sam.
21:30 Yeah, I mean, this is bigger than just Granny Carson. Tombstone's got to learn respect for the law. Ah, there you go. Talking through a darn insurance badge again.
21:49 Howdy.
21:53 Let's meet you, Sheriff.
21:55 I'm John Anderson. You in charge of Wells Fargo, Mr. Anderson? In my humble way. I understand you've been having a lot of hold-up trouble. Oh, yes, yes, indeed. Terrible.
22:05 It's very discouraging to a man. And it don't help a lady now in this space, so that she's kind of little and mighty old. No, no, indeed.
22:13 You've been talking to Granny Carson, haven't you?
22:16 Yes.
22:17 I wonder if I could take a look at your shipment records. I'd like to check on Granny's story.
22:21 Oh, I wouldn't pay too much attention to her.
22:24 She's rather childish and given to imagining things.
22:28 Your records would show whether she is or not.
22:30 That's why I'd like to take a look at them.
22:32 Well, the fact is, sir, the records are confidential.
22:36 Are they closed to a peace officer?
22:40 Not meaning any offence, sir, but your reputation makes me doubt your peaceful qualities.
22:45 If you see what I mean,
22:46 Mm-hmm.
22:47 I sort of admire you for that, Mr. Anderson.
22:49 You don't take your job lightly.
22:51 Wells Fargo is serious business, sir.
22:54 We ought to get along fine.
22:56 I take my job seriously, too.
23:14 Come on.
23:15 Hello, Joe. What are you doing in town?
23:18 I decided for myself.
23:19 So I come to see my friends.
23:22 Mayor Keeler's in my office. Come on in.
23:25 I'm going to go.
23:28 I'm going to go.
23:34 What are you doing here?
23:36 May I get sad for myself? You already said that.
23:38 So you put the dialect on with the clothes.
23:44 You two ought to appreciate my versatility.
23:46 Your friend's shotgun came snooping around the Wells Fargo office.
23:49 He wanted me to let him see the records. What for? He's been out to Carson's. And he seems mighty taken up with old Granny. What's going on? Is he thrown in with them? Maybe Granny outbid you.
23:58 Might have offered him a piece of her claim.
24:00 She's a cagey old girl. Well, I played smart with him. He's got nothing on us. He knows we want the claim and we'll get it at the tax option. And he's doing some wondering. I got him here at a fat salary to shoot things out, not wonder him out.
24:11 Look, if he's figuring on crossing us, we won't wait.
24:13 We'll have to get rid of him fast.
24:15 Me and the boys could meet the stage tomorrow morning, as it starts with the Mesquite Bottoms.
24:20 You would have Mr. Cassidy riding guard. One well-aimed rifle bullet from cover would do it.
24:25 Who'll take care of the Corsons? Well, I don't know yet, but it's a sense they'll be easier to handle without Cassidy to help them.
24:30 It will be as you say, senor.
24:33 After I get through with him...
24:35 Nobody he got to wander some more.
24:39 Excuse me, ma'am. I misjudged it. No, I...
24:45 Pop! Queenie!
24:51 Say, that's one of those little flat irons caught the dollar 80.
24:58 Bob Brick! - Hi, sir. - Hiya, Gabby. I want you to meet Queenie the tour.
25:04 This is shotgun Cassidy.
25:06 Mr. Cassidy, this is real unexpected. This is a surprise to me, too. Is your mother with you?
25:12 Where's that planter? No, Ma, it's in Dark City. But I'm expecting her to join me. I think I'll go wrong with you. No, Gabby. Miss Queenie's probably got something she wants to talk to you about.
25:21 I'll meet you at the hotel.
25:22 Come on. What's this Cassidy stuff? What's Brett up to? Oh, what's he always up to?
25:29 He's separating the chaff from the wheat.
25:32 Come on.
25:35 Keeler and Slade are crooks, so don't you let on you know either Brett or me.
25:40 And you can tell your darling Ma that wild horses won't drive me back. Why, you single-footed, double-gated, rotating... Ah, ah, ah, ah! Remember...
25:49 I'm your papa. Can't even get acquainted with you. How am I going to remember you?
25:58 I'm
26:04 Whew!
26:05 Something like a rainy night to make me want to buy a hat.
26:08 I'd like to try on a bonnet.
26:10 Oh, heavenly day, I wouldn't wear that.
26:14 Miss Latour means one something like that with an ostrich plume.
26:18 You been reading Goldie's lady book?
26:20 Mr. Cassidy's been in before.
26:22 He has very good taste.
26:24 He sure has.
26:25 Even better than I thought.
26:27 You're the new entertainer at the Bonanza. Yep, ever since Brett Starr cleaned up Dodge City.
26:32 Boys all started going to bed at 9 o'clock, so I... Oh, Queenie, I think that one looked mighty fine on you.
26:36 Say, I'm sorry to interrupt, but... It's all right, Mr. Keeler. Anything wrong? Yeah, those stage guards are the bait of my life.
26:43 I heard you had some trouble with one named Star.
26:46 They're all alike. They could half lick it up. But this one is just plain drunk.
26:50 You'll have to ride guard on the Mars stage.
26:52 All right.
26:53 Sure have my hands full trying to run this town.
26:59 There's a bullion shipment aboard. The guard might not come back. Oh, don't worry, honey. Fred'll come back.
27:05 Oh, I'm always getting mixed on names.
27:10 I still say you shouldn't go. Let 'em find your own guard. No one else will go. It's up to the one who wears the badge. Ah, you're the dirtiest fool about badges. What'll they get you? A free ride on the stage.
27:35 Hey!
27:39 Yes.
27:39 When the stage gets in that fast, they can't turn around and make a run for it.
27:53 You ready?
27:55 And get Cassidy.
27:58 See that?
27:59 What?
28:00 A flash of sun like it was hitting on Steve.
28:02 I don't see nothing. Turn around.
28:04 Come on.
28:18 Man, you've got second sight.
28:36 Come on.
29:06 Tell Anderson I couldn't get the bullion through, so I brought it back.
29:21 You mean you was held up and you didn't give up?
29:23 - Not shotgun. - You'll never call shotgun unless you got 'em. Back to back.
29:30 - Rex, what do you mean, Gulley? - Two things. Granny Carson's telling the truth and it's time for a showdown with Keela.
29:37 You going in and have it?
29:38 Yes. I'll hang around here, handy like.
29:44 Mr. Anderson Martinez, so sure of himself. Oh, he'll get Cassidy, all right.
29:55 Get me a doctor, quick.
29:57 My hand. What'd you do? Wave at him? Like shooting fish in a rain barrel, and you've got to let him get away. He's got eyes like a hawk. He never came close to us.
30:07 What were you trying to do, Keeler? Have me killed? Why, uh, Cassidy, I...
30:11 I had no idea that Martinez would miss.
30:14 No me, senor.
30:15 I just come to talk to my friends later.
30:19 Snake oil's good for a bullet hole.
30:21 And a couple of snakes right-hand.
30:26 Now, I know you two fellows are trying to rob Granny Carson of her mind.
30:29 I resent that accusation.
30:30 Everything is being done in a strictly legal manner. Up to and including hiring me for sheriff.
30:35 Well, um...
30:36 Shotgun, we...
30:38 We expect trouble. You'll get it.
30:41 I won't disappoint you.
30:46 Well, I find Keeler, Mayor Keeler. You're under office. But he's busy.
30:52 He ain't too busy to see shotgun Cassidy. Oh, well, that's different.
30:56 Cassidy's a sheriff, and he's tough.
30:58 We don't give him no lip when he's mad.
31:01 And he sure was mad when he went in. So you heard about me, huh?
31:05 What do you mean, Wendy?
31:08 Yes.
31:09 Who are you?
31:10 Give me that gun.
31:16 Look out that's loaded
31:17 Slugs is my calling card.
31:20 Keep your ears open and you'll hear him spelling out Shotgun Cassidy.
31:25 So before appointing me sheriff, Speedy Luke Keeler, you should have slowed down. Why, you double-crossed and phony, who are you? My name's Brett Starr. And I'm Shotgun Cassidy, if anyone's interested.
31:38 All right, get over there.
31:42 And wear my badge, too.
31:46 I've been waiting a long time for this star.
31:50 I'm sorry.
31:58 I
32:01 I'm going to go.
32:08 Ah!
32:23 Come on.
32:34 Does it hurt? Of course it does. You just ought to get shot once.
32:39 Come on now, Uncle Brett. I'll play some more and you can sing another.
32:42 Benji, you've got a strange idea of helping the wounded.
32:45 Take your mind off your hurtin'.
32:47 Oh, sky-bill paint for the devil's saint. His eyes were fiery red.
32:55 Good men have tried this horse to ride, and all of them are dead. Now I won't brag, but I wrote this nag, good blood began to boil. Then I hit the ground and ate three pounds of good old western soil. Singing hi-ho, whoopee-tie-o, ride him high, and down you go, sons of the western soil. I swore by heck I'd break his neck for the jolt he gave my pride. I threw my noose on that old coyote and once more took a ride. He turned around and soon I found his head where his tail should be.
33:25 Perhaps he's shy or he just don't care for me. Singing hi-ho, whoopee-tie-o, ride him high and down you go, son to the western soil. In town one day I chanced to stray upon old chair of Jim. For a loop and a holler and a counterfeit dollar I sold that nag to him. But when he plants the seed of his pants in Skybo's leather chair, I'll bet four bits when Skybo quits that Jim will not be there. Singing hi-ho, whoopee-tie-o, ride him high and down you go, son to the western soil.
33:55 That's the first time I ever see a feller chloroform hisself with his own singing.
34:09 Don't thank me, I didn't shoot ya.
34:11 Benji, what are you gonna grow up into?
34:15 Oh, I'm gonna be a gunfighter like Uncle Brett. You won't have to, Benji, if we can make Tombstone a fit place to live in.
34:22 Liza? It was risky our coming here, but we had the light somewhere.
34:26 If I was afraid of wrists, I never would have married a star.
34:29 Come on, I'll dish up. If Cassidy hadn't shown up, we could have handled this thing quietly.
34:34 Well, I'm not forgetting Arthur.
34:36 This is just as much my fight as it is yours. Well, let's start fightin'.
34:41 Beef stew again?
34:43 It's my favorite fruit.
34:47 We've got to round up the whole gang and draw them into an open fight.
34:50 Every man in Tombstone has a stake in it.
34:53 Nobody knows you, Bill. Go in town and muster all mine honors. Right.
34:56 I'm not waiting to eat. I'm leaving now.
34:59 But how about you and the judge? They'll be looking for you by daylight. We won't be here.
35:04 Well, I'll arrange that meeting for tomorrow night at Cary Springs. We'll be there. Shake a leg into the bananas and tell Queenie I'm all right. And tell that well-sparkled old man Anderson to be there. We'll need his help.
35:14 There's no danger.
35:22 So I run him out of town and he'll stay out.
35:25 You're all right, shotgun.
35:26 It must be to run Brett Starr off.
35:29 And to think I didn't recognize you.
35:31 Well, I ought to be shocked.
35:32 You will be. You and anyone else that don't recognize my authority as Sheriff of Toomson.
35:47 I brought this box so it would look as though I were delivering a dress or something. Oh, you look scared. I am. The whole town's buzzing about Cassidy.
35:54 Yep, the fight's really on it.
35:56 For anyone who's friendly with the Carson today.
35:59 Like me, you mean?
36:00 You, your father, and-- - All.
36:02 Don't fret about me.
36:04 My pops' dog's lead all his life, and I don't figure he's any better at it than I.
36:08 Do you think they'll catch him?
36:10 Oh, my papa.
36:11 Breath.
36:13 Oh, not either of them, honey.
36:15 If I know Bret Starr, Keillor and his bunch better start figuring how to keep out of his way.
36:20 Here, hook me into this, will you?
36:23 I knew that.
36:24 I don't know how, but I did.
36:26 Even when he called himself Shotgun Cassidy, I knew he was fighting our fight. I want to help him.
36:32 But I'm a Carson. They'll be watching every move I make.
36:35 Well, they don't know I'm Judge Whitaker's daughter.
36:38 They ain't watching me, so if there's anything I can do to help, what?
36:42 Queenie, can you?
36:43 Why not?
36:45 Quick turns is my specialty.
36:49 Don't gamble with romance
36:54 You can't win, you must lose.
37:01 Don't gamble with romance.
37:06 It's no game.
37:09 to a new
37:13 There is no second deal.
37:19 Want your faith.
37:22 Turn the wheel. Take a tip from a gambler and don't take a chance.
37:32 Don't gamble with romance. Don't gamble with romance.
37:44 You can't win, you must lose.
37:50 Don't gamble with romance.
37:56 There is no game to own you.
38:03 There is no second deal
38:09 wants your face.
38:12 Turn the wheel. Take a tip from a gambler and don't take a chance.
38:23 Don't have no withdrawal now.
38:35 How about buying this asperilla, mister? Well, sure. Make it two.
38:39 Oh, that's too much. Where are they, Bill?
38:44 They're out at my place and they're all right.
38:46 Well, keep him out of town.
38:49 um
38:49 Cassidy had sharpshooters spotted over Jake's pool hall in the corner room at the hotel. And Brett wanted her impersonating an officer and pop braiding them.
38:59 Hmm, cares that he's being legal, ain't he?
39:01 Now listen.
39:02 I've got a secret miners meeting for tomorrow night at Cary Springs. Keep your eyes open.
39:08 If we're doing this, if Keylor finds out.
39:21 Well?
39:22 Where has that young fellow stopped? He'll be here.
39:26 If he's called this meeting to figure on saving my claim, he...
39:30 He...
39:31 Achoo!
39:32 The more you catch the romantic.
39:35 Get this meeting going.
39:38 All you mine owner is listening.
39:41 You know you owe Ed Carson everything you got because he first discovered silver here.
39:45 Can you see his widow robbed by a pack of pious talking thieves? Boys.
39:49 Keeler's got me over a barrel. And that ain't no dignified position for a lady crowding 77th.
39:57 Mayor Keillor claims that Granny Carson's back taxes
40:00 penalties total $100,000.
40:02 Did Anderson get here? Did you doubt my willingness, Mr. Starr, to participate in law and order? No, Anderson. I sort of tabbed you that day in the Wells Fargo office.
40:12 I ain't got any use for Keeler.
40:14 But this fight ain't gonna do anybody any good.
40:17 He's got the law on his side.
40:19 Early today, Judge Whitaker and I wired the United States Marshal of the Arizona Territory in Ann's.
40:24 You're looking directly at a brand new deputy United States Marshal.
40:29 Boys, day after tomorrow, if Granny Carson's taxes aren't paid,
40:35 Her mind will belong to the man who bids it in.
40:37 And that'll be Slade.
40:39 Just because Mary Keillor's a crook doesn't mean anything.
40:42 Granny's only chance is to pay the $100,000 to the government of Arizona.
40:47 Now, she wouldn't ask anyone to pay her taxes.
40:49 And no one man could raise that much.
40:52 But all of you together could.
40:54 It's your fight, boys, as well as hers.
40:57 The Corsons are willing to live and let live.
40:59 Once Slade gets his hands on that mine, you'll all be ousted.
41:03 Robbed of your claims just like the Carson's.
41:06 It's a fight, boys. A real fight.
41:07 But if we win...
41:09 It'll be Tombstone's last fight.
41:11 We can rise up. We've got the help. Let's lick that killer crowd. We'll bite to our last dollar. We're with you, star. Get back to your life. It's uncommon kind of all of you to lend a helping hand to me.
41:24 Barring accidents, little Mrs. Fancy Bonnet, you'll come out of this a queen.
41:29 I'm sure...
41:30 Shucks.
41:32 Whoever heard of a queen having the rheumatics?
41:35 I've asked John Anderson here to work out the shipment details. I'm flattered. However, Mr. Starr, I would prefer to act upon whatever plan you have in mind. I've planned to pay direct to the county seat in Bullion.
41:46 Well, of course, that amount of silver would weigh too much for the stage shipment.
41:49 That's where you come in.
41:51 I'd like to use some of the Wells Fargo freight wagons. I'd be very happy to supply them. But you'll have to furnish the drivers and the guards. We won't need many.
41:59 Four or five will be enough.
42:00 Might I suggest that the wagons start from here? This is the logical spot for, uh, secrecy. Right.
42:07 Mr. Anderson.
42:08 To feel that we have Wells Fargo back of us is a peacifying thought.
42:15 Good night. Good night.
42:30 We're right.
42:31 Right and aware.
42:33 That depends on where Mr. Anderson goes.
42:52 Oh.
43:04 Don't go in his way, follow him in. He's going in that cabin.
43:14 Well, maybe he lives there. Yes, I know, but we're gonna watch it just the same. Oh, that little fella's been doing all right. I got a hunch that little fella's been doing plenty all right.
43:27 Hey.
43:34 Look, Joe Martinez. Anderson's in league with him. He'll go to Keeler. Let's take after him.
43:38 Let him go.
43:39 Go, he's going.
43:44 Come on.
44:03 Get him up!
44:06 Put your gun away, Judge. There's no one home.
44:10 Must have gone through that wind.
44:12 He walked out this door. Why, you're a rooney. Joe Martinez came out the door, took Anderson's horse and started to...
44:19 It was a horse. I ain't seen double. You sure are. You just saw two men in one.
44:24 - Anderson? - Martinez.
44:26 Martinez.
44:27 Anderson.
44:28 Anderson Martinez.
44:30 Roll!
44:32 I gotta sit. I'm getting dizzy. Why, that two-faced jumping bean stuck us in. How do you fare if this hocus-pocus?
44:39 Keeler ordered me to take the stage after.
44:41 That was Anderson's job.
44:42 He wasn't there.
44:43 When I brought the stage back, he still wasn't there.
44:46 That's when I went to Keeler's office.
44:48 There was Martinez.
44:54 How about the bullion? How about the wagon? It'll roll on schedule.
44:57 That's why I had Anderson there. That Keeler crowd will see through the whole darn business.
45:01 Gabby, when you're sitting in a crooked poker game and you know the cards are stacked against you,
45:05 What do you do?
45:06 Well, when I know it's crooked, I...
45:09 Well, doggone it, I just cram a next release up my sleeve. Oh, come on, we're going to start cramming.
45:35 There's the mail, Judge. Yep.
45:37 Now when they attack, they'll be robbing the United States government.
45:41 Come on.
46:11 Give it to him!
46:50 Come on.
47:39 Oh, my God.
47:51 You don't have to say it, Cassidy. One of your rabbits beats you to it. All right, all right. They're following us.
47:56 We'll get upstairs and pick them off when they come in. Hurry.
48:13 This is as far as we go. Remember what Queenie told Bill about those sharpshooters.
48:26 I'm not sure.
48:35 Amen.
48:54 Oh, my God.
49:00 All right, Cassidy.
49:01 Drop your gun and stick your wrist behind you.
49:09 I've got you covered, Crawley.
49:13 Amen.
49:13 Get going down the back there.
49:37 Come on.
49:44 I'm going to go.
49:47 Come on.
49:52 Come on.
49:57 I'm going to go.
50:01 I'm going to go.
50:08 Come on.
50:11 Get Crowley out of there.
50:16 I'm going to go.
50:28 Oh, my God.
50:38 Come on.
50:44 I'm going to go.
50:52 Circle around, come in from that side.
50:57 We're coming in, Keeler. You're under arrest.
51:02 Hold it.
51:05 I'm going to go.
51:16 Look out behind!
51:17 Come on.
51:31 I'm not.
51:35 They are dead.
51:37 Cassidy's dead!
51:39 They got shotguns at us!
51:41 Well, folks, you've all been wanting law and order.
51:43 And at last you're going to get it.
51:45 Keillor Slade and Anderson here are going to be locked up and tried in the court of law.
51:49 The first fair trial in Tombstone.
51:51 All right, boys. In you go.
51:53 Unless I miss my guess, you'll be a long time coming out.
51:57 Come on, Pop. Where's your daughter?
52:04 To the stage depot. More's arriving. Oh, no.
52:18 I want to buy that one for... Annie?
52:20 Why, she won't be wearing one of these for a long time.
52:28 We'll save it for it. And with you wearing it only once,
52:32 Why, Brett?
52:33 It'll be just as good as new.