Rain (1932)

No renewal found Free in the US since 1 January 1961, on the registry's reading: registration LP3326 of 1932 by Feature Productions, Inc was not renewed in the volumes searched. Record.

Copy: rain1932 on the Internet Archive; registered 1932
Read: 97 shots over 1:33:38 · 1370 transcript lines · JSON
Record: Rain No renewal found
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Check before citing the shot count. A 20:46 shot at 50:05 (shot 75): either a static hold or a run of missed cuts. Treat it as unverified.

How this page was made

97 shots over 1:33:38, read from the Internet Archive copy rain1932 (Rain.mp4, 540×360, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Rain No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 97 shots judged colour), average shot 57.9s long, a frontal face detected in 22% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 1370 segments kept, 267 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

1:25 I'm going to go.
2:10 When I was in Stibby's, the Slants S&P
2:14 If you want to see Helen, just sign up with me.
2:18 Hey, hey, hey, hey, good luck way. I've looked for the South Sea three years to one day, a day, a day. Because in the South Sea the wind never blows. The rain never rains and the snow never snows.
2:48 And scream, and scream, and scream. He says in the South seas, now you take your leave. You never get to leave. You do as you please. All day nothing but play. Just living in paradise drawing your face, your face, your face.
3:18 And nothing can happen in this crazy spot. Smile, smile, you tropical isle. We've had enough heaven to last us a while, a while. A while, a while. A while.
3:38 Crows, halt. The freaks and hush and fall out. Sergeant Williams, take care of the crew. Have a right.
3:49 Your donors coming in. If we don't get horned down at the doctor's cigarettes, these boys will tear down his store.
3:56 I'll go to more, Mr. Loppa.
3:57 Let's go!
3:58 Let's go!
4:02 That's not that nice.
4:03 Blindness.
4:04 Don't forget to out.
4:11 Hello, Hara. How's it by you today? Hello, Hara.
4:16 - We're kind of curie this morning, ain't we? - Hey, Paul, come down.
4:21 What?
4:21 Come on, give me a lift. All together now. Evil!
4:25 Hey.
4:26 I tell it, Mama.

1350 more segments

4:28 Where's the old man? Where's the word, huh? Cigarettes.
4:31 We got that to know that here.
4:32 That's just it. Where's Horne?
4:36 Asleep, huh? Well, we'd have that bird on us feet and down to the docks, chop-chop front. I think so, no. I think so, yes.
4:43 Get 'em, boys.
4:45 What's the matter, Mama?
4:46 The old man acting up again? How you thought?
4:49 What do you see?
4:50 My husband is a very good man. What's all this?
4:54 What's all this? Relax.
4:56 Where am I?
4:59 Tom!
5:01 To be sure. The orduna's in, Joe. Well, what of it?
5:07 And no cigarettes.
5:10 On your feet, Vink.
5:11 Fall in! Wait! Wait!
5:15 Much too early in the morning for life, Burton. Like you said.
5:20 Oh, well, if I must, I must.
5:25 Passports.
5:26 - Ready, please. - Have you ready?
5:29 Let me see. You want my passport, don't you? Yes, ma'am.
5:37 My husband and I usually use the same passport. We have separate ones at this time, in case I should wish to visit the other island while he's working. I wonder why, Mr. Ray. Doesn't it ever stop? Yes, ma'am.
5:52 A little more efficiency. We wouldn't be kept waiting so long. Wait just a minute. There you are.
6:23 Thank you. Just put it down, please.
6:25 Either way, officer, I was wondering, what does pongo pongo mean? I don't think it means anything at all, sir.
6:31 Then it's certainly well made. Unusual weather, of course. Of course. What will it be like in the pier? Unusual.
6:53 Welcome to Ponga Ponga, Mr. Davis. Thank you. But we'll only be here for an hour or two. We're taking this good this afternoon for the pier.
6:59 Not this afternoon, I'm afraid.
7:00 Sorry, sir.
7:06 Your landing cards and passports are anywhere. What's the matter, Alters? Has anything happened? Unwelcome news. We cannot sail for a pier this afternoon. Not sail today? Why? Why?
7:17 One of the sailors aboard the schooner has come down with cholera.
7:20 I can't start until it is certain that none of the rest of the crew are affected.
7:25 It may mean a delay of several days. I think I prefer the collar open.
7:29 But where, Commissioner?
7:30 Stay.
7:31 General Store.
7:34 Now listen, Mr. Horn. It's on.
7:38 Whale upon my soul.
7:42 This is a treat.
7:43 How do you do, Mrs. Davidson? Greetings, Mr. Horn. Our poor island is honored. Doctor and Mrs. McPhail, Mr. Horn, how do you do?
7:51 You're leaving soon? Well, the schoonfer appears delayed on account of the corridor. We shall have to ask you to put us up.
7:57 That's tough luck.
7:58 For you folks, I mean.
8:00 Can nothing be done? Barely possible. I can persuade the government to make an exception in our case. I'm going to see him now.
8:12 Come on.
8:13 Hey, Joe, if my guests will pardon me for a few minutes, they shall have my personal escort to the hotel.
8:21 What's the matter, Joe? If anything I hate, it's reformers. Huh? So that's what's the matter with them? Yeah. You'd better watch yourself while that lovely couple is on the island. They'd break your back to save your soul. What's his badge? An investigator of native condition. A professional reformer.
8:41 He wields more influence in the South Sea, in the sun, in the planets, in the American government.
8:47 The worst against the cow pearl, the whistle. The worst against the cow pearl.
8:56 Now, look here.
8:58 You may take the British lion by the chair. You may twist it. You may jerk it. You may yank it. You may tie it in a big, bold knot. But dash it on, you can't pull it up by the roots. I say, can't you take a joke?
9:13 Hello, lads. Boys, I want you to meet Thompson. Sadie, meet the boys.
9:20 Boys. And this is Mr. Horn. Mr. Horn, you'll climb its bone. Sorry, Sadie, it's the best we got.
9:28 I'm not blaming you. Say, what's this about the delay? How long am I booked for this bird, do you know?
9:32 Well, I've composed myself for a two-week stage.
9:35 Whee!
9:37 Well, that being the case, what can't be helped can't be helped as a saying good. That job in the field keep all right setty, so I shouldn't worry about it. Oh, I never worry, little one.
9:46 Make the best of things today 'cause it can't be worse tomorrow.
9:49 Besides, I like the boys here.
9:54 Hello, handsome. When did you leave Kansas? She got you that time, kid. Shut up, you hyena. He's very shy, miss. Don't mind him.
10:04 Lay off, sailor, or I'll swab the deck with you.
10:07 Oh, don't hurt him, handsome.
10:09 I came from Kansas once myself.
10:11 As fast as I can hoop it.
10:14 - Are you? - Fine.
10:17 Very pleased to meet a lady.
10:32 So you'll find a Sardy someplace to sleep, won't you, Joe?
10:35 With pleasure.
10:36 And now shall we discuss our sordid business matters?
10:40 Now, you know how it is when you're traveling a bit short. You see, Sadie left on a little bit sudden-like.
10:45 She's a good kid, although she's down in the luck of it.
10:47 Now, she can't pay over a dollar a day for her room, and you've got to take care of her that, will you, Joe?
10:52 Yeah, I was telling the quartermaster he had bored myself. I got a gr...
10:56 Burn her with me and besides I don't eat so much.
10:58 Oh, that'll be all right.
11:01 Mrs. Horn will take care of you.
11:04 Well...
11:05 Here's Bubbles.
11:56 I hear life's terrible back home in the States now. How so?
12:00 Everybody being made to behave. Yes. We live in the day of the new commandment. Thou shalt not enjoy thyself. I saw it coming 20 years ago.
12:11 That's why I left Chicago. I wanted peace.
12:15 Yeah, I found it, too.
12:18 Friend.
12:19 You behold here the last remnants of an earthly paradise.
12:24 That's my quarrel with reformers. They won't let it alone. Yes, I can readily see how a reformer might feel a little out of place here.
12:32 Uh, sort of like a school mom waking up in a harem.
12:37 You remember what we were talking about the other night?
12:40 Have you told Dr. McPhail yes?
12:42 You mean about marriage customs and the moon dancing?
12:46 Yeah
12:47 What did he say?
12:49 Well, he never says very much, but I'm sure he thought it was practically awful.
12:53 Now take these islanders, Doctor. They're naturally the happiest, most contented people on earth.
12:59 They asked nothing of life.
13:01 except to be allowed to eat and sing.
13:04 And dance.
13:05 Sleep.
13:06 Lincoln gives him a headache.
13:08 The trees and the sea gives them all the food they want, so they don't have to fight.
13:12 They're satisfied with their gods of wind and wave.
13:16 And along comes Mr. Davidson and tells them they're lost souls.
13:19 They've got to be saved whether they want to be or not. Too bad man couldn't develop a soul without losing the Garden of Eden.
13:26 You're a philosopher, Doctor.
13:27 No, I just look out. Ditto, brother. And I guess we both see the joke.
13:37 And now...
13:39 Welcome to Villa Horn.
13:41 He's new here, and besides, his eyesight's bad. Yeah, I know.
13:45 His is bad and yours is good.
13:48 But mine's better, and I'm taking Hanson.
13:51 You boys can pick up those packages and tag along in packages, don't I?
13:54 But don't get run over.
13:57 That's done it.
13:59 The jackass said, no, not now. It's too hot. But in the cool of the evening, I'll be there.
14:07 Mother's on a mountaintop. So this is the sunny top, please.
14:11 What a place.
14:13 Nothing but quiet and mud.
14:16 Farewell, pretty ones.
14:18 Farewell. You ain't looked like that since our first auto ride. Take that stuff and put it down anywhere, boys.
14:25 Well, I guess my dear me looking neat and chipper when I get to a pier's shop.
14:29 Oh, I shouldn't worry about that, Serti. With all this heat, you'll soon be as dry as a blotting pad. Oh, she can't again. She can't again.
14:36 That's I should worry in Jeff, Buttercup.
14:40 Miss McPhail, tomorrow you and I must sow the mosquito netting, or the nights will be unendurable. Why not sow them today? I have no fancy for being eaten up tonight. I prefer not to do any sowing on the Sabbath.
14:53 It would be different if...
14:54 one were indecently exposed.
14:56 buy a tear in one's clothing, for instance.
14:58 But under the circumstances, it might be a very bad example for the natives.
15:05 Suppose I find it pretty slow down the pier, won't I, Grandpa? Things ought to brighten up considerable after you get there.
15:10 Oh, Mr. Horner!
15:15 Say, I thought you'd been thirsty enough to locate it by instinct. Here, I'll look. There's the shark, Kentucky Refugee.
15:23 Who's got a corkscrew?
15:26 Here you are, Sadie.
15:30 Thanks, Ballie.
15:34 Well, boys, let's dip the beat. Well, now, ain't that a beautiful sight? After you, Art's delight to me, gizzard. I'll find a glass for you, Miss Thompson. What for? Down the hatch.
15:44 Now there's a lady after me own art.
15:47 Friend of mine slipped me there just before I left Honolulu. Not that you'll need it, Sadie, said he. And like he was, Sadie, you're not the type that needs Hooch to pep you up. I wasn't born Hooch.
15:56 Holy woolly, look at this. The Wabash Blues.
15:59 Music and a nip of liquor. That's what a rainy day is for, says I.
16:04 Can you dance, handsome?
16:05 No, Miss Thompson. I'm a club porter. I never could twist my legs right. Well, I'll learn you before I leave. That's a threat. Quartermaster, here's a great little step up. You'll see him shake a shoulder. For one of his brains in years, you'd be surprised. Go on, Ethelbert. Let's show these island boys how hip-me-tip in the gay cafes of Honolulu. Right, though. Let's have a go at it.
16:27 Here, bought my cabbage. Now nothing too fancy now.
16:39 Shake that thing, shake that thing! Easy, not easy, Paul. What the fuck? I've heard that. Oh, woo! Thank you. Don't bounce, dearie. Put him up right and put him down. Easy.
16:50 That's weird. The word you remember is "glide." That's the stuff, Batesy. I think the high-five. This is the rhythm of constant emotion. Come on, now, glide. How a fortune. Young woman. Look out this way now, Bertie. Young woman, have you no respect for the lowest day? Come on. This is Sunday, young woman.
17:09 If you speak to me, I am simply reminding you that this is the Sabbath.
17:13 - That's right, Mrs. Lester. - Right, Mrs. Lester. - I say this must stop. Do you hear me? - I say, Mama, we're disturbing you. - Brother, I am being disturbed to knowledge of no consequence.
17:25 There's six days in the week to dance, if you must dance. Mr. Horne, is this sort of thing general in your store? Well, it's a general store, ma'am. Oh, enough, then. Complaints, legislator.
17:37 But throw to my private suite if you've no objection, Mr. Horn. No objection as far as I've been, sir. Come on, then, poor bird. Come on, boys. We're moving. You bring the records, handsome, and you the hoops, children. Drop in later if you feel like it, Mr. Horn. Always glad to see you.
17:56 Who is that young woman?
17:58 Her name, ma'am, is Thompson, as far as I know. I mean, what is she? She's a...
18:03 I didn't inquire.
18:05 She was on the Orduro, wasn't she? I am aware she was.
18:11 I'm afraid Mr. Davidson will not like this at all.
18:19 I've argued it out to the governor, but there's nothing to be done.
18:22 That means 10 days here.
18:24 Two weeks, Father Blaney.
18:26 Well, I've prepared for the worst. I've taken rooms for us upstairs. Two weeks with nothing to occupy us. Disenforced an activity is likely to prove weird. The only thing to do is to portion out the day to different occupations.
18:40 Certain hours of the day, we will set aside for study.
18:43 Certain hours for exercise. They don't shine. M2 certain hours will go for...
18:49 Recreation. Recreation may be hard to find. Someone appears to have found it.
18:53 It's a person from the second class.
18:56 exceedingly common.
18:57 Very flashy dressed.
19:00 In fact, she looks rather...
19:01 fast to me.
19:04 Perhaps you noticed her on the boat. I met her. Rather good natured girl. I'll wait for position and appear. I'm a girl.
19:10 - Oh, just an ordinary human being. - Not over a prosperous, I should say. I think it's perfectly outrageous for her to keep that music up, don't you? She wishes to play her own machine, and it's not our right to interfere. By the way, Doctor, we can visit the Naval Hospital tomorrow if you think will interest you. It's a busman's holiday, but I'll go.
19:29 The Arjuna must be going out before her scheduled time.
19:33 I hate to see her go.
19:35 She seemed to be our last link with hope. So long, my darling boy. Bye-bye. You'd better hurry, little money. You're going to get left. Right, though, Sadie, I'm sorry I can't stay for lunch, but I'm off. But I hope I'll see you again sometime because you're a good kid and I like you. I'll tell you what you do. You write me a nice little loving postcard. Well, I do. A nice little postcard. And won't you write it? Just drop it in the ocean.
19:59 Bye-bye.
20:00 Hello. Hello, Ed. Dynaro?
20:03 I'm off. I just feel in the frozen north in the land of the Eskimo.
20:11 Goodbye, Mr. Davidson. I got stranded on a merry day, and I guess I never will get home again.
20:19 Goodbye, Mr. Davidson. The queen of the first name is Gumdrop Sal and she's very nice.
20:26 Goodbye, Mr. Davidson. To me, oh, the green, thin rock.
20:32 Hello, Mr. Davidson. You'd better get aboard, quartermaster, as fast as you can. Righto. Well, goodbye, everybody. Bye-bye, folks. The queen of business, and gun drop salad, she's very nice to me.
20:46 The king's in wrong, but I'm in right.
20:50 stays out most every night
20:52 and the nights are six months long. Why, Mr. Davidson,
20:57 Yes.
20:58 Come on, the tea's getting cold.
21:14 How long has this been going on? All morning. Where did those Marines come from? They just appeared from nowhere in her wake.
21:21 If we're to have a fortnight of this sort of thing, I don't know what we shall all feel like at the end of it.
21:27 What's the matter, Alfred? Of course it just occurred to me the woman's out of evil aid.
21:32 The thought came to me when I first saw her, but I didn't dare speak of it. What's evil, eh?
21:36 See you.
21:38 Thanks, Father, Honolulu. That long-haired guy in there just gave me the filthiest look. What are you going to do, Alfred? You expect me to do? I'm not going to have this house turned into a brothel.
21:48 I'm going to stop it. She has a number of men in there. Isn't it rather rash to go in now? You know, Mr. Davidson, very little. If you think that fear of physical danger...
21:57 is going to stop him in the performance of his duties.
22:01 Top, this has gone far enough.
22:05 Hey! Boys, the skids. Come on, come on.
22:10 Next time, I'll get sore. There'll be no next time. Come on.
22:14 When you bust into a lady's room, you ought to get someone to introduce you, fella.
22:20 Fall in, sweetheart.
22:24 Alfred! Alfred!
22:29 Come on.
22:31 I don't know what he'll do.
22:34 All I know is I wouldn't be in that girl's shoes for anything in the world.
22:55 Oh.
22:56 the power.
22:58 Amen.
22:59 Yes.
23:04 Healthy my day, love, my heart
23:09 Let me get it.
23:12 Hey.
23:12 Yes.
23:15 Let's go, I'm going to go.
23:19 Amen.
23:20 Amen.
23:22 - You can see.
23:30 Hello, Doc.
23:31 Hello.
23:32 Get out for a walk.
23:33 That's two steps.
23:35 Like walking through a hot beast too.
23:38 What time of day is it?
23:40 Going on six.
23:41 A whole hour to put in before dinner.
23:43 - Been to the hospital today? - No.
23:46 Dave, it's been too busy.
23:48 Nothing left to do but twiddle my thumb.
23:50 Why twiddle?
23:52 His false idleness makes him rest.
23:56 Back in Illinois, where I was raised,
23:59 It was generally believed that a person who stayed away from business more than one working day in every 10 years
24:05 was a loose, dangerous, and depraved carrier.
24:12 You don't see a bottle around here anywhere, do you, Doc?
24:17 Have a drink.
24:20 Stop that sound.
24:22 Well, the offer still holds.
24:24 There's more in the store.
24:26 Now what was I saying?
24:27 Subject, I believe, was the evil of too much work.
24:30 So it was.
24:31 There's a lot too much misdirected energy
24:34 Are you speaking biographically or autobiographically?
24:37 confidentially.
24:39 That was a mighty foolish thing Davidson did.
24:42 That girl Sadie Thompson wasn't doing any harm. I see what they're getting at.
24:46 He's been after me for letting her have her own. It's her own house, isn't it?
24:50 Yes, but people like that have got a lot of influence.
24:53 Once they get down on the traitors,
24:55 He might as well shut up shop and quit.
24:57 Surely he isn't asking you to turn this poor girl out into the rain.
25:00 No, not exactly.
25:02 He knows there'd be no place for her to go except a native hut.
25:06 Not but what I think she'd do better to go to one than stay here.
25:09 Now that he's on tour,
25:11 Just what does he want you to do? Well, he said he wanted to be fair to her and to me.
25:16 But he wouldn't stand for any doings. What do you think, Horne? Is she out of Bebelay, that Honolulu place?
25:22 I don't know and I don't care.
25:24 What if she is?
25:25 We've all crossed thresholds we don't brag about.
25:45 - Hello, Doctor. - Good evening.
25:48 Evening, Joe.
25:52 Aye, the merry water sprites should do carry on, don't they? Why, aye. Oh, let's don't mention the heat.
25:58 Just got around to get myself dressed and it's most time to go to bed.
26:02 I've been playing solitaire all afternoon, trying to decide what to have for supper.
26:06 Toony fish or beans? Beans won.
26:11 Then I played beans against tamales. Just for something to do when tamales got to set.
26:16 Got any can of Molly's, Mr. Hornes?
26:17 I guess so. Poke around until you find them.
26:22 Oh.
26:23 Oh, no hurry. Lots of time.
26:27 There's so much time lying loose around this island. Somebody ought to bottle it up and send it back when they need some.
26:34 You don't mind, do you, seeing we're here all by ourselves? If I sit down and have a skag with you boys,
26:38 Not at all. Have a drink.
26:42 You haven't seen that Marine Sergeant around that I call handsome, have you?
26:46 No, he hasn't been around today.
26:50 Oh, it don't matter.
26:52 I just wanted to ask him something.
26:55 If you do seem to tell him to drop around this evening, will you?
26:57 You know what I said to you last night?
27:00 As friend to friend get me.
27:02 I'd go slow on company for a day or two.
27:05 I see.
27:06 till Davidson gets over his terrible experience, huh?
27:10 You think I've been to blame for what happened?
27:12 I ain't blaming anyone.
27:14 cushioning himself in on the subway.
27:16 What harm are we doing?
27:17 Just talking and singing?
27:19 Not a word or thought out of the way when bang goes to the door and then he comes, knocking the phonograph over.
27:24 Here, I says, put that.
27:26 Then he began to bawl us out.
27:28 Well, the boys naturally thought he was going crazy, so they put the skids under him.
27:31 I know.
27:32 Anyway, I wouldn't attract his attention any more than I had to just now.
27:36 Well, if it comes to that, he'd better not attract mine.
27:40 I've never known anyone like him and I don't want him.
27:46 Yes.
27:47 What kind of an egg is the governor of this place? Do you know?
27:50 -The governor? -Yeah.
27:51 Let's see.
27:53 Oh, pretty good sort, I'd say. Why?
27:56 Honaka.
27:58 I just wanted to know. That's all.
28:01 The nerve of him.
28:03 Going to see the governor about me.
28:05 You ever hear the like of it? How do you know he went to see him about you?
28:07 Oh, Haritose.
28:09 He's reported O'Hara to his officer for drinking.
28:12 I don't want that boy to get any trouble through me. Oh, I guess old Hara can take care of himself.
28:17 Yeah, well, so can I if it comes to that.
28:19 Miss Thompson, I'd be careful. Of what?
28:22 I'd be careful for my own good.
28:24 You can't fail.
28:26 Give me strength.
28:28 How many times have I got to tell you that old Sin Butcher don't mean a thing to me?
28:32 If he minds his own business, I'll mine mine.
28:34 And if he's looking for trouble, I'll see that he gets it, that's all.
28:37 Mr. Davidson's opinion of people is never wrong.
28:42 Really?
28:44 He thinks I hear the winds of reform whistling down the chimney.
28:48 Swear out the low-hussy. Follocks off the vile supper.
28:55 Where do you keep your can of Molly's, old partner?
28:56 If there's any left, you'll find them on that shelf by the door.
29:06 Anyway,
29:07 There's no ill feeling between any of us, is there?
29:10 Well, I wouldn't say the doc had been exactly chappy.
29:16 Life just peems with quiet fondness.
29:23 Has Mr. Davidson returned yet? Not yet, Mr. Davidson.
29:26 How's the headache? Any better?
29:27 Very little.
29:34 Uh...
29:37 That girl, Miss Thompson.
29:39 I have an idea she's sorry for what happened.
29:43 If she knew what she'd really done, she'd be sorrier still.
29:48 Mr. Davidson has a wonderful heart.
29:50 and no one has ever gone to him in trouble.
29:53 without being comforted.
29:55 But he has no mercy for sin.
29:58 Do you find your demolished, Saeed? Yeah.
30:01 Don't look around. Here she comes now.
30:04 Yes, here I come now. Why shouldn't I come now?
30:07 See here, let's settle this.
30:09 I'm paying for my own room here. Isn't that so, Mr. Horne? That's so, Miss Thompson. Will you kindly tell your guests then that I have just as much right here as they have? No, Miss Thompson. There isn't anyone saying you haven't.
30:18 Don't look at her.
30:20 Don't speak to her.
30:22 Amen.
30:24 No, I wouldn't if I was you.
30:33 She's brazen!
30:35 - Outrage yourself. - You'll only harm yourself.
30:39 Oh, it's foolish, I know.
30:42 But it's the first time I've ever had words with a woman of that sort.
30:48 Well, there's one comfort. We shan't have to suffer this sort of thing much longer.
30:53 Mr. Davidson is attending to that.
31:02 Hello, Davidson.
31:04 Alton
31:04 Please change your wet clothes.
31:06 No, I shall be going out again, probably. Again?
31:09 Oh, Alfred, you must be.
31:11 Try to get a little rest.
31:12 -Alpha, you must.
31:14 My wife, like Martha.
31:15 Thou hast troubled thyself about many things.
31:17 but mostly about me.
31:19 I do not know what I should ever have done without my dear wife.
31:22 In the early days of our island work,
31:25 It was she who gave me the strength and courage to go on.
31:30 Alfred.
31:31 Just before you got back, that girl spoke to me.
31:34 She did?
31:35 screamed at her.
31:37 What are you going to do about it?
31:39 Dinner ready, Bamba.
31:40 Strange how one's thoughts run to food when there's nothing else to think of. It happens. There is a great deal to think of.
31:47 This Thompson woman you say spoke to you? Yes.
31:49 herself in upon us with low insults.
31:52 The governor tells me the affair is no concern of his.
31:56 But if I find her incorrigible, I shall see to it that he acts.
32:00 I'm afraid he has no backbone. I suppose that means he won't do exactly as you want, whatever it is you want him to do. I only want him to do what is right. There may be differences of opinion as to what is right.
32:10 If a man had a gangrenous foot,
32:12 Would you have patience with anyone who hesitates to cut it off? Gangrene is a matter of fact. And is not evil?
32:18 To me, it has always seemed a matter of opinion.
32:20 Anyway, the poor thing will only be here until the boat for a pier goes.
32:23 - And after she gets to appear. - I can't see how that concerns us.
32:26 That's where you and I differ, Doctor.
32:29 I think it would be best if I spoke to her.
32:30 Alfred, why do you see her?
32:33 I cannot act until I have given out every chance.
32:35 She'll only insult you. Let her insult me. Let her spit on me.
32:39 She has an immortal soul.
32:41 And I must do all in my power.
32:55 Miss Thompson, I want to talk to you.
32:56 I'm eating my supper.
32:58 I'll wait until you're through.
32:59 Well, I guess there's something to stand by, if it's
33:02 talking.
33:20 Miss Thompson, I have come to make you a gift.
33:23 the most precious gift that life can offer.
33:27 - You want to give me something? - Yes, I want to give you something.
33:31 I guess I'm not following you. The gift I offer is free.
33:39 I don't know why I get all this attention from you, Mr Davidson.
33:43 I guess you mean well...
33:46 I think I can worry along as I've been worrying along for these several years.
33:50 I go my own way and don't ask any favors.
33:53 Those who have the key of salvation offered them and fail to open the door must be destroyed.
33:59 Oh, I see what you mean.
34:00 But I won't get it.
34:02 I always make out one way or another.
34:07 That's all, Mr. Davidson. I'll go on eating.
34:09 I'm hungry.
34:10 You are hungry for the bread of the Spirit. You are thirsty for the waters of eternal life.
34:16 You mean right by me, Mr. Davidson, and I'm grateful.
34:19 especially after what happened the other day.
34:23 You know...
34:24 just between ourselves.
34:26 I had a feeling you were laying to get me for that little trouble we had.
34:30 I felt awful bad about it and I've been wanting to apologise.
34:33 I see you are mistaking me, but I do not think willfully.
34:36 They all said you were sold.
34:39 Well, I didn't think a man as big as you could...
34:41 Hold a grudge over a little misunderstanding. This is all beside the point, Miss Thompson.
34:45 The thing that concerns me now is that you be given your chance before I act.
34:51 My chance for what? Your chance to be saved.
34:57 One more, right?
35:00 Don't you worry about me a bit?
35:03 You see, I'm a happy-go-lucky sort of a fella.
35:06 True, I'm broke now, but God don't worry me.
35:09 I'll be all right as soon as I get to appear.
35:11 I got friends there.
35:12 Yes, what sort of friend?
35:15 Your friends?
35:18 The girl I used to work with was there.
35:19 and some American boys have opened up a sugar plant.
35:22 She wrote me I could have a job as cashier.
35:24 It's pretty quick, it figures. For some time you've lived in Honolulu, haven't you?
35:28 What did you do there?
35:30 - Had a job? - What kind of a job?
35:34 Well,
35:35 Part of the time I had sort of a singing job.
35:38 My voice ain't so bad if you don't listen too hard. Before you went away to Honolulu, where were you?
35:44 Where they come from, you mean? Yes, where did you come from?
35:47 Well...
35:48 I was born in Kennesaw, Kansas, if that means anything.
35:52 Ma and Pa got the California fever, so they sold the farm and bought a ranch just outside Los Angeles.
35:57 I was about 15 then, I guess.
35:59 And Ma Darvish.
36:01 Pa and I didn't get along so well, so I went up to San Francisco.
36:05 I worked there up until the time I went to Honolulu. What made you go away to Honolulu?
36:10 I don't know.
36:12 wanted to change us, but... Oh, you wanted to change. Well, Sadie Thompson, this gift I have to offer you, what are you going to do about it?
36:18 do about it.
36:20 I don't know.
36:25 I don't know what you're talking about.
36:30 See here.
36:31 I told you I wasn't asking anything from anybody. I can take care of myself.
36:35 Up or down, then Jack or broke. What's the odds?
36:38 Wherever night overtakes me, that's my resting place. That's my way.
36:45 Thank you, though, for your interest.
36:47 kind of you after what happened.
36:49 I'm mighty glad John saw it at me, because
36:51 Well, I like to keep friends with everybody.
36:56 Miss Thompson, I see I must be patient with you.
36:58 I see I must try and make you understand, my poor lost child.
37:02 What happened the other day is of no importance.
37:04 Do you imagine what you or those sailors said to me makes any difference?
37:09 You sure are all the good, Mr Davidson.
37:12 And I want to say this.
37:14 Don't be afraid with it. I'll keep to myself.
37:16 I know oil and water don't mix.
37:19 Those ladies in your party won't even know I'm under the same roof with them.
37:22 I'll be as quiet as I'm out.
37:23 Honestly, I will.
37:25 So I'd--
37:27 I don't want to get any more black looks from him. No, no, you will get no more black looks from him, my poor child.
37:32 They are only waiting for the moment when they can be your friends to help you with your burden.
37:36 Oh, no.
37:38 You don't know the ladies like I know them.
37:41 You don't need a spyglass to see those ladies from me will never be shipmates.
37:46 This is your chance, Sadie Thompson. If you will accept your atonement without resentment or grief, the way will be found for you.
37:55 I'll admit you've got me stalled.
37:57 What are you driving at?
37:59 What have I to atone for?
38:01 Your life.
38:04 Mr. Davidson.
38:05 Why do you worry about me?
38:08 You have had your own soul and trust and you have failed.
38:11 It is my business to show you the way to redeem it.
38:15 Haven't I anything to say about myself then?
38:17 You can choose but one of two paths.
38:21 What's the second choice?
38:24 destruction,
38:27 And who's gonna destruct me?
38:30 The powers which find no place for evil.
38:33 And you?
38:34 What are you going to do?
38:35 Only my duty.
38:37 Yeah, no.
38:38 You went to see the governor about me, didn't you? All right, Miss Thompson. I have been to see the governor.
38:43 So all you said just now about letting bygones be bygones, calling quits on that bust-up we had was just a block. Silence!
38:48 Are you ready to put away your sins, to live a righteous and decent life, to pray for forgiveness? If you are not, be it on your own head. Hey, hey! I shall not let you go to appear, Sadie Thompson. You are an evil woman. You have lived an evil life and you have come here to carry your infamy to other places. You're a liar!
39:01 Who do you think you all stand there calling me names?
39:04 Do you deny that you have escaped from evil, eh? I've listened to you all in Goldmester.
39:08 Now you listen to me.
39:10 You just told me I'd better be careful. Well, you'd better be careful yourself.
39:13 Lay off me or I'll show you what it means when I start to get mad.
39:16 It'll be worse for you if you don't.
39:21 The devil in you is strong, my poor Sadie Thompson.
39:24 Evil has claimed you as its own. You take care of your own evil and I'll take care of mine.
39:28 I know what you want. You want another scalp.
39:31 Will you, don't get mine.
39:32 You don't fool me.
39:34 You want to make me over your way, do you? Will you just try it?
39:36 This is your last chance, Lady Thompson. Kneel with me and pray. Let go of me!
39:41 Sadie Thompson, you are doomed. Oh, you make me laugh.
39:59 Delance.
40:00 Young man, I should not come here if I were you. Why? You are likely to get into more trouble than you are in already.
40:08 This isn't my first year away from home, ma'am.
40:11 And I ain't been run over yet.
40:12 Do you know what kind of a girl that Sadie Thompson is?
40:16 Yes, ma'am.
40:18 My advice?
40:19 to you is to keep away from bad company.
40:23 Bad company presents.
40:29 You'll excuse us, won't you?
40:33 Mr. Foyne?
40:48 What's the matter?
40:50 He looked low.
40:51 Hello?
40:53 Maybe.
40:55 It's this rain, I guess.
40:59 Makes me jumpy.
41:02 Makes me want to knock my head against the wall.
41:05 It's worse when it don't rain. When the sun comes out for a minute, you think you're in a steam room.
41:10 You ought to try getting out for a walk.
41:12 I was out this morning.
41:14 I went to see that half-caste family you told me about.
41:19 You slammed the door in my face so fast, you'd have thought I had smallpox.
41:24 Being an orphan's a wonderful thing. Sadie, please.
41:28 You want to get me in a jam? Okay, Joe.
41:31 Thank you, Sadie.
41:43 Listen to it.
41:45 Don't it make you want to scream?
41:48 When you do scream, what good does it do?
41:51 You haven't any strength left.
41:54 They're hopeless.
41:55 You too.
41:57 Don't talk like that, Miss Sadie.
41:58 Don't sound like it.
41:59 Oh, forget it.
42:02 I got the fan plugs, I guess.
42:04 I'll get a one.
42:07 You see?
42:09 I just had a run-in with Ed Davidson.
42:11 Yeah? What about?
42:13 He's not going to let me go to a pier, so he says.
42:16 And anyone can see with two glass eyes at this side of the equator. He's in right and I'm in wrong.
42:23 The only thing I can't figure out is what devil's trick he'll use to stop me.
42:28 I don't see what he can do. Yeah, neither do I.
42:31 We don't say it was Bell, either of us.
42:34 You know, there's something about that old crow that isn't human.
42:38 It is deep.
42:40 Free food.
42:42 I guess it's his eyes.
42:44 They seem to look right into you and know what you're thinking.
42:52 Something tells me I'm gonna need friends soon, Manson.
42:55 Martin, no.
42:57 You just keep your chin up. It'll be all right.
43:01 Yeah, but it's not knowing what's going on.
43:03 I could be in here alone.
43:05 All right.
43:07 Grain.
43:10 I feel about so big.
43:12 Like a kid feels in a bad dream.
43:15 things coming at you. You yelling for help and...
43:18 Nobody hears you.
43:19 Well, any time you call for help, I'm right here. Don't forget that.
43:23 Thanks, handsome.
43:24 Say, look ahead.
43:26 if something should go wrong.
43:28 That is...
43:28 about you getting to appear...
43:30 What'll you do?
43:31 You might as well make plans.
43:33 What'll I do?
43:35 You mean you're afraid something will go wrong? No, no, but if that old nose pusher gets around the governor somehow...
43:41 And they do stop you somehow.
43:42 For the other one.
43:45 I don't know.
43:47 Go back to the States, I suppose.
43:48 No.
43:50 There's no way they could make me go back, is there?
43:52 I don't see how, unless you want to.
43:54 Well, I...
43:55 Don't wanna go back to the States.
43:57 Yes, it was.
43:58 Might be bad to run back and see you folks.
44:02 I haven't any, folks.
44:05 Going back to the States doesn't mean anything to me.
44:08 Don't tell me either.
44:13 Right.
44:13 What's the matter, Miss Sadie? I won't go back.
44:16 They can't make me, can they?
44:18 You don't want to go to Honolulu either, I suppose. No.
44:21 You could go to Sydney.
44:24 Australia?
44:25 What did you say?
44:27 Work's easy to get.
44:28 Livin's cheap, they say.
44:30 I'd head that way instead of a peer if I were you.
44:33 You think I'd do better than that? You'd never get much of anywhere in a pier.
44:37 Greece is part of the world, he says.
44:38 and hot holy bilge water.
44:42 I never thought of Sydney.
44:44 Can I get that from here? There's a boat twice a month.
44:47 I'm headed that way just as soon as I shed these hash marks. Yeah?
44:49 That'll be a month and three days.
44:51 What are you going to do there, handsome?
44:52 Going in the building business.
44:54 Old shipmate of mine has a place and mine's a partner.
44:57 These three years, Lefty's been that way to get my discharge and come in with them. You'd like Lefty.
45:02 Me and him joined the service same time 12 years ago.
45:05 Oh, I'm glad you're fixed, Hanson.
45:07 You ought to do fine.
45:09 You know...
45:10 Two times Lefty and me joined over.
45:12 When it comes to number three,
45:13 that he was.
45:14 Guess what I'm gonna do, Tess Ledman?
45:16 Well, I knew without guesses.
45:18 So I stood up with him and the bride...
45:20 and they shoved off to Sydney, me throwing the rice. I'll bet you'll be glad to see him. If you should go to Sydney, Lucky and Maggie have put your wife what to do.
45:30 Yeah, can't I just hear Lefty's wife yelp them with joy at the sight of me? Huh?
45:35 You haven't any cause to worry about Maggie.
45:37 You two would get along swell.
45:39 Baby boy, I know females. You don't.
45:43 I got an idea what time you mind, but Maggie ain't the kind of a dame you'll meet him.
45:47 She's square from the toes up.
45:49 Twenty-three.
45:50 Them that kick highest always seem to settle down harder.
45:57 You mean Miss Maggie was sort of gay before Lefty came along?
46:00 Lefty met her in Honolulu.
46:02 They were both nuts over each other right from the start.
46:04 It never mattered to either of them that they met me, Billy.
46:09 - An evening?
46:11 Yes.
46:12 Knowing the worst to begin with isn't always the worst way to begin.
46:16 Of course.
46:17 If there's some reason why you're set for a fear,
46:20 If there's someone you're wanting to see there,
46:24 I wouldn't want to persuade you.
46:26 I'm not looking forward to appear with any wild joy. Then there's another thing.
46:31 If you go to Sydney now,
46:32 I'll be holding in sight in a few weeks.
46:35 Not this.
46:35 That might mean so much to you, maybe.
46:39 I haven't too many friends, handsome, but what I can do with one more...
46:48 You know, you're an awful funny fellow, Hanson.
46:51 I guess I'm the dumbbell king, all right.
46:58 Are there any kids?
47:00 - Ooh.
47:02 That's very serious and silly.
47:05 I was thinking of something else.
47:07 too.
47:09 How about it?
47:11 Huh?
47:12 How about what?
47:13 Changing your route and going to Sydney instead.
47:15 Sure. Why not?
47:17 I guess no one can stop me from doing that.
47:19 What a simp I was getting a wind up all over nothing. Here I was jumping with the shakes and nervous as a witch, 'cause that dismal crumb wouldn't let me go to a pier.
47:28 Well, a PMI foot. It's Sidney for mine. What belong do you want?
47:32 Yes, ma'am.
47:33 Saka Luna Mia, make go. Thank you.
47:35 It's for you.
47:37 For me?
47:38 Who's writing me a letter?
47:44 It's from the governor's office.
47:46 We've had a lot.
48:00 Hey!
48:01 What's the matter?
48:04 I won't go back. They can't make me.
48:06 There's reason.
48:07 I've got some lights, haven't you? What's the matter?
48:10 The governor's ordered me back to San Francisco.
48:12 And don't get nervous.
48:13 I'll tell you what to do.
48:15 You go see the governor. Ask him as a favor. Let's just stay here until the city boat leaves.
48:18 - That'll only be three or four more days. - Will he see me? Hurry up before he goes to supper. It's only a few steps. You want me to go with you? Yeah, will you? Wait a minute. Get my coat. I'll let him move.
48:38 So, you're back, are you, you low-down skunk?
48:43 What have you been telling the governor about me? I've been hoping to have another talk with you, Miss Thompson. Why, you miserable snail snatcher. I wouldn't talk to you if you and me were the only two people left on Earth. Why, you're so doggone mean it makes me sick even to look at you.
48:55 That's what I think of you.
48:56 Coming to me with all that guff you spilled about salvation.
48:59 Then go on and have me deported on top of it. Why, you low-living... Sadie! I'm wholly indifferent to the abuse you think fit to heap upon me. Fill in the governor with a lot of filthy lies about me. Now this comes. I've got to beat it on the next boat. You're hardly expecting to let you stay under the circumstances. Yeah, well, what did the governor know or care about me? You went and hauled your hooks into me. It's you that did it. You did it all. I don't want to deceive you, Miss Thompson. I urged the governor to take the only steps consistent with his obligations. Well, why couldn't you let me be? Was I doing you any harm? You may rest assured if you had been, I would be the last one to resent it.
49:29 You don't want to stay in this rain hole, do you? You're being given every opportunity of getting out. Come on, Sadie, don't say any more. You do, I know your kind.
49:36 You dirty two-faced mutt!
49:38 I bet when you were a kid you caught flies and tore their wings off.
49:41 I bet you suck pins in frogs just to see them wiggle and flap while you run them a lecture.
49:45 I know you.
49:46 Why, you'd tear the heart out of your grandmother if she didn't think your way and tell her you were saving her soldiers! Something incredible!
49:54 You will be glad to hear that the governor has acted at last.
49:57 He's a weak man.
49:59 For days he has shilly-shallied, saying it was none of his concern.
50:02 I can readily see why.
50:04 How did you convince him?
50:07 I finally had to speak straight from the shoulder.
50:10 The foundation that I represent in Washington is not entirely without influence.
50:14 Miss Thompson will sail on the next boat that goes.
50:17 How soon will that be? The Golden Gate is due here from Sydney next Tuesday.
50:21 Fuel sale on that.
50:23 Four days more.
50:27 Are you ready?
50:34 Well...
50:35 That settles Thadie Thompson's hash, I guess.
50:46 Mrs. Davidson tells me she hasn't closed her eyes ever
50:49 that girl came to live under
50:50 same roof
50:51 Yes.
50:52 The founder of her religion wasn't so squeamish.
50:55 Don't joke about such things. Please, Robert. Excuse me, Doc.
50:59 Miss Thompson isn't feeling well.
51:00 Will you see it for a moment?
51:01 Certainly.
51:05 She's right out here.
51:16 Well, you're not feeling well.
51:18 I'm well enough. Not really sick.
51:21 O'Hara said that just because I had to see you. Yes, Miss Alvin.
51:24 I gotta get back for inspection now.
51:27 I'll see you later.
51:28 Keep your chin up.
51:29 Thanks, handsome.
51:34 Lucky meeting, Sarge. What's up?
51:37 Hey, what have you been doing lately? Your book for the break.
51:41 That's right, Sarge.
51:42 Fall in.
51:43 Okay.
51:45 I don't know exactly what I can do.
51:48 I thought maybe you wouldn't mind asking him if he'd let me wait and go to Sydney instead. It's only three or four days longer.
51:54 - I lost him. - Tell him I can get work in Sydney. Straight stuff.
51:57 Tell him I just can't go back to San Francisco now. There's reason.
52:00 Will you please?
52:01 I'll do what I can.
52:03 Thank you. Thank you.
52:06 Oh, Davidson.
52:08 I love the doctor.
52:10 I want to speak to you about something. Shall I come up?
52:12 No, come right down.
52:14 Tell him I ask his pardon.
52:15 Tell him I'm sorry. - Better get into your room now, Miss Thompson.
52:22 Well, Doctor, what can I do for you? It's about Miss Thompson.
52:28 The governor has told her that if you have no objection, he will allow to remain here until she can take the boat for Sydney. I'm sorry, doctor, but it is useless to discuss the matter. It appears a girl has reasons for not wanting to return to San Francisco.
52:40 I don't see that it makes any difference if she goes to Sydney instead.
52:44 It's only a matter of a few days. Well, you mean this interference for the best, but my mind is made up.
52:49 If you want to know what I think, I think you're harsh and tyrannical.
52:53 I'm terribly sorry you should think that of me, Doctor.
52:55 Believe me, my heart bleeds for that unfortunate young woman.
52:59 But I cannot find it in my conscience to change my decision.
53:02 However, if the governor wishes to do so on his own account...
53:05 That is his business. He won't.
53:08 And you know why.
53:10 Please don't bear any malice toward me because I cannot accede to your wish.
53:14 I respect you very much, Dr. McPhail.
53:16 And I should be sorry indeed if you thought ill of me. I have no doubt you have a sufficiently good opinion of yourself to bear mine with equanimity.
53:38 I'm sorry.
53:43 Don't give us hope, Miss Thompson.
53:45 I think it's a shame the way they're treating you.
53:47 I'll go and see the governor myself.
53:50 Will you?
53:52 Will you now? Now.
53:54 Oh, you're awful good. Awful good.
53:57 You don't know what this means to me, Doctor. Don't cry, Miss Thompson. I think I can do something. God bless you.
54:18 The earth is the Lord.
54:20 Thank you, sir.
54:22 The world remains with women's aliens.
54:25 If you've got problems, it's a common problem.
54:26 Hmm.
54:27 Mr. Stanton.
54:30 You've got a same...
54:33 ...and we could spend in the state of...
54:36 Let me tell you something.
54:38 Mr. Davidson's long done big, I do it.
54:42 Okay.
54:43 What are you saying?
54:45 All the same I know, she's bigger, poor.
54:59 What did she say?
55:01 What were you saying, Amino?
55:03 All the same, I know he big or two or...
55:07 A witch doctor, a species of wizard, you perceive. Knew everything, saw everything.
55:14 lived by the power of thought.
55:16 A great old goat shop.
55:17 had no charms for him. When hungry, he simply ferreted out a devil and ate him up for tea.
55:25 That gun of pork gives me the woolly.
55:29 and be in the air.
55:30 Let me have it.
55:35 Yes.
55:37 That's Davidson up there, isn't it? Sounds like his voice.
55:41 What are you saying?
55:43 He said...
55:44 Amen.
55:52 You know, that's the...
55:53 Jinx for Ryan, huh?
55:56 Can't seem to feel it.
55:59 Maybe there are tours last morning.
56:03 What's that the old jig does?
56:05 Seize everything.
56:07 No, sir.
56:13 You know?
56:14 That's the kind of an R. Davidson has, all right.
56:19 Look, try it in, dear.
56:20 Enough what you're trying to hide.
56:24 I guess it wouldn't be any use to try and hide much from him, would it? Not much.
56:36 What do you say?
56:38 I'm sorry, Miss Thompson.
56:42 That's all right.
57:25 I'm--
57:26 I'm sorry for what I said to you today.
57:28 For everything that's happened.
57:30 I asked pardon.
57:31 I guess my back is broad enough to bear a few hard words.
57:35 You got me beat.
57:37 I'm all in.
57:38 Oh, don't make me go back to San Francisco.
57:40 I'll go anywhere else, you see.
57:42 Why don't you want to go back there?
57:46 I thought it was a bad...
57:47 I guess I don't want him to see me like this.
57:49 I understood you had no people.
57:52 I got a father.
57:53 But you told me yourself your father did not live in San Francisco.
57:58 And that's not the reason, Miss Thompson. What is the reason you don't want to go back there?
58:02 I told you. No, no, you haven't told me.
58:05 Well...
58:06 It's this place.
58:08 I'm trying to go straight now and...
58:09 If I go back there, I can't go straight.
58:12 What will prevent you from going straight if you really want to?
58:15 There's a man back there that won't let me.
58:16 Why won't he let you?
58:18 just hmm.
58:20 You see...
58:21 It's this way.
58:23 I'm scared he'll get me again.
58:25 Who is this man?
58:26 Um...
58:28 Sort of a politician.
58:29 And you fear his influence, eh? Yeah. Yeah, that's it.
58:32 You see...
58:33 He's bad and I'm scared of him.
58:35 Does he need to know that you have returned? Oh, he'll know.
58:39 Oh, but Miss Thompson, San Francisco is a big place.
58:42 It should not be difficult for you to keep out of his way if you want to.
58:45 Well, I'll...
58:46 I'll have to get help once I get back and...
58:48 The only people that'll help me are in with him.
58:50 If you earnestly desire to go straight, it will not be necessary for you to go to your former friends for help.
58:56 My foundation will help you until you are on your feet.
58:58 This man you fear need never know you're in the city. Oh, he'll know, though. All the boats coming in are being watched.
59:05 You mean to tell me that every boat coming into port will be watched on the chance that you are on it?
59:11 Yes.
59:12 Come, come, Miss Thompson. These evasions are getting you nowhere.
59:15 Why are you afraid to return to San Francisco? I told you, because they can't go straight there.
59:20 Shall I tell you why you're afraid to go back?
59:23 This politician you fear is a politician in a uniform. He wears a badge.
59:26 What do you fear is the penitentiary?
59:29 Oh, don't send me back, please.
59:31 I'll be good. Honest I will.
59:32 Is that it, the penitentiary? But I was framed. I got away before they caught me.
59:36 See, they'll nab me the minute I get off that boat. They'll be three years for mine. Three years.
59:41 Oh, give me a chance, will you? Just one chance. I'm going to give you the finest chance you've ever had.
59:48 I don't have to go back, you mean? Yes, you will have to go back. You will sail for San Francisco Tuesday, as the governor has ordered.
59:58 If you are truly repentant, you will accept
1:00:00 this punishment. You will offer it as the atonement for your sins.
1:00:04 When you want me, Sadie Thompson, call me. I will come.
1:00:07 At any hour of the day or night, when you need me, I will come.
1:00:11 I shall be waiting for your call.
1:00:18 Mr Davidson.
1:00:20 Wait a minute.
1:00:22 You're right, Mr. Fletcher.
1:00:24 I am bad.
1:00:25 But I want to be good, only I don't know how.
1:00:28 So...
1:00:28 I'll tell you what.
1:00:29 You let me stay here with you.
1:00:31 And then you can tell me what to do. And no matter what it is,
1:00:34 I'll do it for you.
1:00:37 You can't stay here. You've got to go back. You've got to serve your time.
1:00:42 You mean to say...
1:00:44 if I repent and want to be good.
1:00:46 I still have to go to the penitentiary.
1:00:48 Yes, you've got to go.
1:00:51 All right.
1:00:53 You send me back there and that's my finish. No, it will be your beginning.
1:00:57 But I was framed, I tell you. Innocent or guilty, you have got to serve your sentence. It's the only way you can prove you are worthy of mercy.
1:01:06 Innocent of Jimmy.
1:01:08 What are you talking about?
1:01:10 Where's your mercy?
1:01:12 Anna.
1:01:13 I guess that repentant stuff is off.
1:01:16 Was it ever on, Miss Thompson?
1:01:18 Whether it was or not, it's off now.
1:01:20 You've got to go back to San Francisco. Straight orders from your private Helena.
1:01:25 Oh, no, Mr. Davidson.
1:01:27 Your God and me could never be shipmates.
1:01:29 And the next time you talk to him, you can tell him this for me, that Sadie Thompson is on her way to hell. Stop!
1:01:35 This has gone far enough. Oh, no, it hasn't gone far enough.
1:01:39 You've been telling me what's wrong with me. Now I'm gonna tell you what's wrong with you.
1:01:43 You keep yelling at me to be punished, to go back and suffer.
1:01:46 How do you know what I've suffered? You don't know, you don't care, and you don't even ask, and you call yourself a Christian. Why, you're nothing but a miserable witch friend. That's what you are. You believe in torture. You know you're big, and you know you're strong, and you get the law on your side and the power to hang me. All right. But I've got the power to stand here and say, you hang me and be damned to you.
1:02:07 Lead us not into temptation, but deliver us from evil.
1:02:10 For thine is the kingdom, the power, and the glory.
1:02:13 forever and ever.
1:02:15 Amen.
1:02:16 Oh, Lord, hear thou my prayers for this lost sister.
1:02:20 Close thy ears to a wild and heedless word.
1:02:23 Our Father who art in heaven,
1:02:26 Hallowed be thy name.
1:02:28 Thy kingdom come.
1:02:30 Thy will be done on earth as it is in heaven.
1:02:32 Give us this day our daily bread.
1:02:35 Forgive us our trespasses as we forgive those who trespass against us.
1:02:39 Lead us not into temptation, but deliver us from evil.
1:02:43 For thine is the kingdom, the power, and the glory.
1:02:46 forever and ever.
1:02:47 Amen.
1:02:49 Our Father who art in heaven,
1:02:52 Hallowed be thy name.
1:02:54 Thy kingdom come.
1:02:56 Thy will be done on earth as it is in heaven.
1:02:59 Give us this day our daily bread. Forgive us our trespasses as we forgive those who trespass against us.
1:03:06 Lead us not into temptation, but deliver us from evil.
1:03:10 For thine is the kingdom, the power, and the glory.
1:03:14 - Whatever and never. - Whatever and never.
1:03:16 Amen. Our Father who art in heaven,
1:03:20 Hallowed be thy name.
1:03:22 Thy kingdom come.
1:03:24 Thy will be done on earth as it is in heaven.
1:03:28 Give us this day our daily bread
1:03:30 Forgive us our trespasses as we forgive those who trespass against us.
1:03:36 Lead us not into temptation.
1:03:38 but deliver us from evil.
1:03:40 For thine is the kingdom
1:03:42 The power and the glory.
1:03:44 Forever and ever.
1:04:36 Come on, buddy.
1:05:06 Pull her.
1:05:09 Pull her down. Move. Wait.
1:05:15 Move. Ha. Move. Move.
1:05:29 You got my clothes?
1:05:30 Everything's here.
1:05:32 I'll be out in a few minutes.
1:05:36 Everything go on.
1:05:38 Everything returneth.
1:05:40 eternally roll up the wheel of existence.
1:05:43 Everything die after
1:05:45 Everything blossomed forth again.
1:05:47 ...eternally run upon the year beginning.
1:05:51 Hudson.
1:05:51 Big girl to...
1:05:54 Ah, good old Nietzsche.
1:05:57 Be fine, Joe.
1:05:58 What do you mean?
1:06:02 Tomorrow she go up.
1:06:06 I expect we'd better go back. I have a feeling that something is wrong. But the other dancers are about to begin. We ought to be here to protect them. That girl and her salvation are more important to me now than anything else. I've got to go. If you are going to stop this day, then I'd like to see it through. Perhaps, Doctor, you wouldn't mind escorting the ladies home. I must go.
1:06:42 How is she?
1:06:43 Not so good.
1:06:46 She wondered why I haven't been around.
1:06:49 No.
1:06:50 Didn't you tell the old pelican that they had me in the brig?
1:06:53 Nope, she didn't ask.
1:06:55 She didn't ask.
1:06:56 No.
1:06:57 She didn't even inquire about you.
1:07:02 I'm asking because the last time I seen her, we were pretty good friends.
1:07:06 You don't suppose, do you, that she's had time to think about you or anything else?
1:07:10 With Davidson getting her ready to go back to San Francisco.
1:07:15 What's he been doing to her?
1:07:17 Praying.
1:07:18 praying.
1:07:19 Right.
1:07:21 That a beach with a sand stuff, huh?
1:07:23 Beached and delirious, I'd say.
1:07:26 He took pretty good care to get rid of me before he started, didn't he?
1:07:30 Well, I'll beat him to it tonight.
1:07:32 How did you get out?
1:07:35 Walked out.
1:07:36 Mmmmm.
1:07:38 What's it doing, O'Hara?
1:07:41 You arouse my curiosity.
1:07:44 If I was you, I'd ease off to bed with the old lady and not have any curiosity.
1:07:50 Oh.
1:07:51 You would, would you?
1:07:53 And why would you do that?
1:07:56 I'd do that so as I wouldn't be blamed for anything in case anything happened.
1:08:00 Sounds like another row, Sergeant.
1:08:03 The most unlucky day of my life.
1:08:05 the day that Odoomans came into port,
1:08:07 Amina.
1:08:09 Lock down.
1:08:11 I like my comfort.
1:08:13 Five days now, this whole household is centered on a tormented council, Derry.
1:08:18 with Davidson and old Nick wrestling for her soul.
1:08:22 It's got me nervous.
1:08:24 Cheer up. It won't center around her much longer.
1:08:26 What do you know about it?
1:08:28 safe in the brig all week.
1:08:30 There hasn't been such a casting out of devils since the first chapter of Exodus.
1:08:35 The last vestige of mortal sin lurking in that poor critter's heart has been pouring out.
1:08:40 Sadie Thompson, who blew into my hotel a week ago.
1:08:43 It isn't anymore.
1:08:45 Where do you see her?
1:08:47 You aren't keeping anything from me, are you, Joe?
1:08:48 Will you see her, I say?
1:08:51 She's like a victim. They've got trust up to sacrifices.
1:08:53 some bloody idol.
1:08:55 Yeah.
1:08:56 Don't make you sick to look at her.
1:08:58 Get her out for me. I'll tender the rest of this.
1:09:00 Gladly.
1:09:01 My mind is blank, save for one fact.
1:09:04 Tomorrow Miss Sadie Thompson will be on the high sea. You bet she'll be.
1:09:09 Miss Thompson, you're wanted. All right.
1:09:27 Baby.
1:09:29 Is it possible?
1:09:32 I was wondering whether a stave
1:09:34 - Well, I left.
1:09:35 He's been all so kind.
1:09:38 I'll never forget it.
1:09:40 I want to think.
1:09:48 Look here, Sandy.
1:09:49 How long will it take you to get back?
1:09:51 - I'm pretty well packed now. - That's good.
1:09:54 Briggs and Hartson will be along any minute.
1:09:56 Let her tote your bag.
1:09:58 You hurry up now and get dressed as trashy can.
1:10:02 Good.
1:10:03 You're leaving this place tonight.
1:10:07 My boat don't leave till tomorrow morning.
1:10:10 Your boat's leaving the main.
1:10:11 And I'm going to see you get a border.
1:10:13 I'm going to wait for Mr. Davidson.
1:10:15 He's going to see me on board.
1:10:18 Mr. Davidson isn't going to see you all.
1:10:22 Yes.
1:10:23 What happened?
1:10:25 Where is it?
1:10:27 You're not going to San Francisco. That's what's happening.
1:10:29 You'll leave him here in a few minutes for the Tamarkin Islands on the junk.
1:10:32 Get awake there until the city boat comes along. Then you're going to Sydney.
1:10:39 What do you suppose, Mr. Tate?
1:10:41 I'm afraid.
1:10:42 He came back and found me gone.
1:10:45 You know the old shouter better than I do.
1:10:47 But I don't mind admitting that the side of his face at that moment has slipped me considerable quiet fun.
1:11:02 You've had a pretty bad time these last few days, I guess.
1:11:04 Just forget him.
1:11:06 It's mighty sweet and fine of you.
1:11:08 You've got all this trouble for me.
1:11:10 find. Find nothing...
1:11:12 This ain't one small bit of what I'd like to do if I got the chance.
1:11:15 You know?
1:11:17 You're doing this?
1:11:19 I just thought it makes me want to cry.
1:11:22 But what?
1:11:24 I can't do it.
1:11:26 Why can't you do it?
1:11:29 I'm going through with...
1:11:30 what I've gotta go through it with.
1:11:33 Are you afraid of Davidson?
1:11:34 He'll never get hold of you again. I'll see to that.
1:11:37 No, that isn't it.
1:11:40 It'd be awful hard for me to make you understand what's going on.
1:11:43 Over me.
1:11:44 I can't understand it myself because...
1:11:47 What happened?
1:11:48 Sadie...
1:11:50 This sort of thing don't make you happy.
1:11:51 You don't realize it ain't yourself.
1:11:54 You gotta forget Mr. Davidson.
1:11:57 And come with me.
1:11:59 No, I couldn't.
1:12:00 I couldn't.
1:12:02 You don't know what you're saying.
1:12:04 You haven't any idea what you're saying.
1:12:06 They're not going to send you back there with no one to take care of you.
1:12:10 In Sydney, in a couple of weeks, she'll...
1:12:12 You'll have me.
1:12:14 Remember what I told you about Lefty and Maggie? I won't listen.
1:12:17 No, listen.
1:12:19 What's the Hindi repentant in Sydney as well as in San Francisco?
1:12:22 If you've got to repent,
1:12:24 Oh, you don't understand.
1:12:27 I've got to go back.
1:12:29 and be punished.
1:12:30 Well, what if then?
1:12:32 What's that she's saying?
1:12:37 When I get back to San Francisco, handsome,
1:12:40 I've got to go to the penitentiary for three years.
1:12:50 Mr Davidson says...
1:12:52 It doesn't make any difference.
1:12:54 whether I was innocent or guilty.
1:12:57 of what they trained me for.
1:13:00 He says...
1:13:03 It's the only way
1:13:04 of letting me square myself.
1:13:07 He says...
1:13:09 I've got to accept an unjust punishment
1:13:12 By man.
1:13:14 as a sacrifice
1:13:15 for my son.
1:13:17 Or you listen to me. Get into your room and throw your clothes on as fast as you can. Let go of me.
1:13:22 Let's go!
1:13:23 Don't you dare do that again.
1:13:25 I want you to go away. Here, go away. Sadie, Sadie. I mean it. Go away. Oh, Sadie, listen, please. Oh, handsome, why can't you let me alone?
1:13:34 We're the boys, Sadie.
1:13:36 Come to say goodbye to you.
1:13:38 They're going to put your things about the junk for you. Oh, don't.
1:13:42 Why doesn't Mr. Davies...
1:13:45 Where is he?
1:13:46 I'm...
1:13:49 See if there isn't a coat or something in that room. That old peeler's got a liceous trance.
1:13:53 We're taking her whether she wants to go or not.
1:13:59 Oh, they're taking my things.
1:14:02 They mustn't take my thing. Sadie, don't. Someone will hate you. Let me go. Go away.
1:14:07 Oh, handsome, I can't be.
1:14:08 - I'm not sure what you're doing.
1:14:14 Don't you see, Sadie?
1:14:16 You ain't yourself.
1:14:17 I am.
1:14:18 I am my son.
1:14:21 That's what I've been trying to tell you.
1:14:24 Mr Davidson's a holy man.
1:14:27 is different.
1:14:28 from you and me.
1:14:30 It's made me different.
1:14:31 I've been born all over again, handsome.
1:14:34 Can't you say it?
1:14:35 Yes, I see, and I see something else.
1:14:38 Remember I told you if you ever needed a friend, I'd be here?
1:14:42 Will you need a friend right now?
1:14:44 You're not going to San Francisco.
1:14:46 You're going to Sydney.
1:14:48 Sadie.
1:14:49 Out there you got your whole life before you.
1:14:52 We'll go away where this rain or anything else can't bother us.
1:14:55 Just you and me.
1:14:57 Lefty and Maggie.
1:15:01 You'll be Mrs. Tim O'Hara.
1:15:04 It's Sidney and us.
1:15:06 The whole works against the penitentiary.
1:15:09 And I'm taking you whether you want to go or not. No.
1:15:11 No, you mustn't. You mustn't.
1:15:15 I'm saved, I tell you. You send me to hell. Mr Davidson.
1:15:20 Mr. D...
1:15:22 Seems I got here just about in time.
1:15:25 All evening I had a peculiar feeling you were in danger.
1:15:27 Sadie.
1:15:28 Don't pay any attention to him.
1:15:30 I'm sorry for you, O'Hara. What you are trying to do is a serious offense.
1:15:34 What's your turn to do? It'd make a hyena cry. I'm trying to abduct Sadie Thompson.
1:15:37 You've made an attempt to defeat the Lord. It's likely to go hard with you. That's my lookout.
1:15:41 What kind of a man are you, anyway, picking on this poor kid here?
1:15:44 Get in there so she's half crazy.
1:15:46 Send the associate's going to go back to prison.
1:15:47 You're one choice specimen, Davidson, I'll say that for you.
1:15:50 They don't make your kind every day. You are a reckless, headstrong man, O'Hara. You are breaking barracks and attempting a high-handed crime. You defy the authority of state and God.
1:15:58 You cannot go on the way you are going, and I shall see to it that you do not.
1:16:01 Begging your pardon when I ask what you think you're going to do about it? Back to your barracks as fast as you can and report here to me tomorrow after Miss Thompson has gone.
1:16:08 Where do you get these ideas, anyway?
1:16:10 If it's good advice you want to ladle out, keep it.
1:16:12 on such rare moments as I think I think for myself.
1:16:15 Oh, this is not helping your case. Watch what you say. I'm here to watch out that city don't make any fool breaks.
1:16:20 You've got to do some setting with me before she does any sailing. You're wrong. You're wrong.
1:16:24 I know what I'm doing.
1:16:25 I'm sorry, but I see Cliff.
1:16:28 See, clear.
1:16:29 Well, you've got yourself like you're duped.
1:16:31 I see what you don't see.
1:16:34 What's happened to me don't happen to everybody.
1:16:37 I was nothing.
1:16:38 I was nobody.
1:16:40 Now I'm something.
1:16:42 I'm someone.
1:16:44 It's a wonderful thing to know you're being made of summer cum.
1:16:48 The only thing I can't see is...
1:16:50 How it's happened to me.
1:16:54 Is that the way it is, Saban?
1:16:57 Cheers.
1:16:59 What do you want me to do?
1:17:03 I don't want you to do anything.
1:17:06 Except.
1:17:07 Just don't say anything more.
1:17:11 All right.
1:17:13 I'll tell the boys to bring the things back.
1:17:18 Say it.
1:17:21 If you and me never see each other again,
1:17:25 I want to say this.
1:17:28 I'll never forget you.
1:17:31 Ever.
1:17:40 If you'd like.
1:17:43 I'll come back tomorrow and put your things aboard the boat for you.
1:17:48 If you want me to.
1:18:03 Don't blame O'Hara, Mr Davidson.
1:18:06 It was all my fault.
1:18:08 No, my poor child, it is not your fault.
1:18:12 In the last few days, you have become very close and dear to God.
1:18:16 Yes, tested you and found you true.
1:18:19 Tonight he sent the devil to tempt you, but you thrust away the devil.
1:18:24 Once your soul lay like a stagnant pool in the lowest pit of the deepest valley.
1:18:29 but tonight it has lifted to the sun.
1:18:32 cleansed.
1:18:33 glorified as the rain of
1:18:37 When you're here.
1:18:39 Everything's clear.
1:18:42 Everything's all right.
1:18:45 On your way.
1:18:46 I'm afraid.
1:18:49 I get to thinking of it.
1:18:51 How wicked I used to be.
1:18:54 I just...
1:18:54 I can't believe it's all forgiven.
1:18:58 The days aren't so bad, but...
1:19:00 It's the night...
1:19:03 Then I began to think and wonder.
1:19:06 Is that bad now?
1:19:09 What are they going to be like?
1:19:10 when you can't come to me anymore.
1:19:12 When I'm alone.
1:19:13 When you are alone, my strength will come to you through prayers, which will always be on my lips.
1:19:19 Little by little, you yourself will go stronger.
1:19:22 Sure, and presently the time will come when sin and terror will be powerless to penetrate the great love that God has wrapped around us.
1:19:31 Then will you be redeemed.
1:19:33 The kingdom and the glory.
1:19:35 to you.
1:19:37 Hmm.
1:19:38 Yes.
1:19:40 When you talk like that.
1:19:43 I'm not afraid.
1:19:45 That whole life I lived
1:19:47 Don't long to me at all.
1:19:50 It wasn't me.
1:19:52 with someone else.
1:19:55 When I feel like that,
1:19:57 Mr. Davidson.
1:19:58 Is it--
1:19:59 I mean...
1:20:00 I'm redeemed.
1:20:01 Yes, it is.
1:20:02 Tomorrow will be a very busy day for you.
1:20:04 You need all your strength.
1:20:07 You must try and get some sleep now.
1:20:15 No.
1:20:18 It will wake up tonight.
1:20:20 I'm getting afraid.
1:20:21 Can I call you?
1:20:23 When I hear you call, I will come.
1:20:27 - It's pretty tired.
1:20:57 Hello, Horn. You still up?
1:20:59 Yep, reading.
1:21:00 Want anything?
1:21:01 No, I'm off to bed.
1:21:04 There's an uncanny concentration about the rain tonight.
1:21:08 Hmm, perhaps.
1:21:10 Everybody in?
1:21:11 Davidson's still out.
1:21:12 Can't sleep.
1:21:14 Can't sleep, eh?
1:21:15 Has uneasy dreams, his wife.
1:21:18 tells me.
1:21:22 Night.
1:21:23 Good night.
1:21:41 Everything's over.
1:21:42 Everything returneth.
1:21:44 All roll up the wheel of existence.
1:21:47 Everything dies.
1:21:49 Thank you, Bob.
1:21:52 So run as the year.
1:21:58 Ah.
1:22:00 Thus.
1:22:01 No, sir.
1:22:24 Mr. Davidson. Hello, Miss Dunstan. What are you up for?
1:22:34 And then thinking about tomorrow.
1:22:39 I don't seem to be able to do much for myself, do I? Not yet, maybe, but every prayer is going to make you strong.
1:22:48 This time tomorrow, I'll be on the sea.
1:22:53 I don't suppose we'll ever meet again. Not in this life, Sadie, probably.
1:22:59 I'll be in prison three years. Just a long time.
1:23:04 What will I do when I come out? What will I be? For hours and hours I've been wondering. Out there in the rain I walked and wondered too. The darkness was full of eyes. I saw things I never saw before. I looked into the awful groves of Aspah herself. Sadie, you don't have to go back to San Francisco. What do you mean? Just that.
1:23:34 Didn't you tell me I had to make a sacrifice? Yes, but I repeat, you don't have to go back unless you truly want to. But I do want to. I haven't got anything else, Dorsey. It's the only thing I've got to give. And I want to give it. I thank thee. I thank thee. Why do you say that, Mr. Davidson? Because you said what I knew you'd say. My every prayer has been answered. I prayed that there might come into your heart so passionate.
1:24:04 I have a definite desire for this punishment which you now lay as a bank offering at your Redeemer's feet, that even if I offered to let you go, you would be doomed. I hope I'll be strong enough to go through with the price.
1:24:18 From now on you will be strong. There is to be no more fear.
1:24:23 Radiant. But beautiful. You will be one of the daughters of the King.
1:24:34 Radiant. Beautiful.
1:24:40 I think I'll go now. Try to get some people.
1:25:04 so
1:26:18 If they were to die, they would die.
1:26:23 It will be a...
1:26:25 El de...
1:26:29 Healthy white night love, papa!
1:26:36 That'll be it.
1:26:39 Let the night light up above
1:26:46 Bill Gates.
1:26:49 If you leave me by the end of the world
1:26:53 Let's go!
1:27:03 - Wait! - What's going on?
1:27:07 What's going on?
1:27:08 Do I have to do it? I'm going to win.
1:27:18 - I'll do it, my brother. - Where are you?
1:27:20 Hey, I do what you want to do, you know?
1:27:38 - My name is Al.
1:27:54 It's Davidson.
1:27:55 He isn't dead, is he? Throat's cut. Been dead for several hours. Suicide. I must tell Mrs. Davis. No.
1:28:00 I'll go back and tell her. I hate to do it, but I guess she knows something already.
1:28:04 She heard the boys calling for you. Better hurry it.
1:28:08 Mmm.
1:28:11 I wonder why he did it.
1:28:40 Joe!
1:28:42 Where's Miss Thompson?
1:28:44 How did you know about it? One of the boys told me. I came over here as fast as I could in case he said he needed me.
1:28:48 You don't think?
1:28:49 There isn't any chance of Sadie being mixed up in this, is there? No, he did it himself. I hope they don't bring him in here...
1:28:56 I don't like men that die that way.
1:28:57 They don't rest easy. Wait a minute.
1:29:09 Pretty cool, I'll say. Yeah.
1:29:11 Well, anyway, I'm glad I didn't have to call her. I wonder how she'll take it. I wonder... Now what? Listen to that.
1:29:23 You see?
1:29:24 She don't know yet. Man, why is she playing?
1:29:28 One of us only wanted to tell her what's happened. She hasn't touched that thing since Davidson went after. What's she playing it now for?
1:29:34 I don't know. Look here.
1:29:37 Last night she was frightened all in about going back to San Francisco. Why is she playing that thing the first thing this morning
1:29:43 when at noon she's going on a journey she's afraid to make. Why? How should I know? What do you infer? I'm not inferring. Who's gonna tell her?
1:29:53 It'll come better from you.
1:29:54 Oh, all right.
1:30:00 - Miss Thompson? - Yeah?
1:30:02 What is it? Let me in. It's Horn. Oh, no, you don't. Stay where you are.
1:30:06 I'll be out in a minute. It's very important, Miss Thompson. Okay. Coming right up.
1:30:23 Hello, Horn. What's going on?
1:30:27 Hello, Hanson. What are you doing up so early? Saving.
1:30:34 Surprised to see me all dolled up, huh? Well, why not? I'd put on my bestness in gay and glorious morning dinner.
1:30:43 Besides, I'm radiant.
1:30:44 Beautiful. You didn't know that, did you? You only believed my eyes when I saw that film this morning. Do I feel fine? I do. I'd race you down at the beach if it wasn't for these pesky deals. Sadie, turn off that cornerback. Why? They'll be back any minute. Who? Mrs. Davidson.
1:31:07 And why should I turn off the phonograph? Because Mrs. Davidson's coming back?
1:31:12 I'm not concerned with what Mrs. David's doing.
1:31:14 Or for that matter with what Mr. Davidson thinks.
1:31:18 My advice to him is to pin on his wings and cry at the end. Joe, turn off that ponytail. Stay out of my room, Joe.
1:31:24 That phonograph stays on. Sadie, something has happened. You bet something's happened.
1:31:29 You men.
1:31:31 -Pigs.
1:31:35 Sadie, Davidson's killed himself. What? They found him on the beach this morning. He put his throat cut.
1:31:47 Killed us. Then I can forgive.
1:31:53 I thought the joke was all on me. But I see it wasn't.
1:32:00 Joe. Please.
1:32:17 No offense to you and that last crack I made, Hansel.
1:32:21 Oh, that's all right.
1:32:24 I'm going to Sydney with you.
1:32:26 If the invitation still holds good.
1:32:50 Let's go.
1:32:59 I understand, Miss Thompson.
1:33:03 I'm sorry for him.
1:33:06 And I'm sorry for you.
1:33:10 I'm sorry. For everybody in the world, I guess.