Of Human Bondage (1934)

No renewal found Free in the US since 1 January 1963, on the registry's reading: registration LP4873 of 1934 by RKO Radio Pictures, Inc was not renewed in the volumes searched. Record.

Copy: humanbondage on the Internet Archive; registered 1934
Read: 317 shots over 1:22:38 · 1139 transcript lines · JSON
Record: Of Human Bondage No renewal found
Poster: Wikimedia Commons, public domain
Wrong?: Report a problem

Check before citing the shot count. A 3:03 shot at 56:17 (shot 233): either a static hold or a run of missed cuts. Treat it as unverified.

How this page was made

317 shots over 1:22:38, read from the Internet Archive copy humanbondage (HUMANBONDAGE.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Of Human Bondage No renewal found. JSON

Measurements: black-and-white film on its keyframes (36 of 317 shots judged colour), average shot 15.6s long, a frontal face detected in 60% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 1139 segments kept, 470 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

0:00 *Bell rings*
1:30 Arrêtez au point, s'il vous plaît.
1:57 Mr. Funny.
2:00 Yes, monsieur?
2:01 Can I speak to you for a moment?
2:05 about
2:06 I've been studying...
2:07 painting with you for some time now.
2:10 Do you think it's worth my while to go on?
2:12 Why do you ask?
2:14 Well, I feel there's no sense in my staying here and...
2:15 unless I have talent.
2:17 If you are not certain about your talent,
2:19 Why did you stay until now?
2:21 Because all this is so...
2:23 So beautiful.
2:24 In my youth, it was all so beautiful to me.
2:27 But now, it is the city of lost illusions.
2:31 Is your studio very far? No, not very.
2:35 Let us go there. You will show me what you have done. Yes.

1119 more segments

2:41 Amen.
2:46 Have you any money?
2:47 A little.
2:49 Not enough to live on.
2:57 Then I must tell you.
2:59 There is no talent here.
3:01 merely industry and intelligence.
3:03 You will never be anything but mediocre.
3:06 and that it's very cruel to discover one's mediocrity
3:09 Only when it is too late.
3:12 I know.
3:15 Do you see that?
3:16 That name does not belong there.
3:18 It belongs somewhere else.
3:21 Take your courage in both your hands and make something of your life.
3:34 Have you anything in mind?
3:36 Well, you see...
3:39 I have my limitations.
3:42 My father was a doctor. I've always been interested in medicine.
3:45 And if I can't be great,
3:47 At least one can be owed.
3:48 Some use to people.
3:51 I'm.
4:27 Amen.
4:36 I don't know why I should have such a thing upon my bird. I don't. I've never had a day's illness in my life. You look at me to know that.
4:43 It's what we call a winter cotton.
4:45 A great many middle-aged women have it.
4:47 Well, I never. That's a nice thing to say to a lady. No one's ever called me middle-aged before. It's time you've got used to it.
4:54 All the same. You're a nice one, dearie. Unfortunately, I can't say the same for you. Good day, madam.
5:00 That'll be all now.
5:02 The rest you come back tomorrow.
5:03 - Get him ready. - All right, sir.
5:08 Go ahead and run it down to that road.
5:11 Are you the boy's father? Yes, sir.
5:15 What's the matter with you now?
5:18 You see well enough what the matter is.
5:20 The boy has a club foot.
5:21 Oh, uh...
5:24 Carrie, you better take this case.
5:25 It's a subject you ought to know something about.
5:37 It's only for the looks of the thing, you know. I don't find it no trouble. Don't you?
5:41 That's wonderful.
5:43 I always did. Oh, that's because you let them go on at you. You seem to be a little slow, Carrie. I think I'll have to instruct the class.
5:49 There are many varieties of club feet.
5:52 This is one of the less interesting.
5:54 Yours would probably prove more interesting.
5:57 You have Telepisa Queenus, haven't you?
6:00 Yes, I believe so. Don't mind taking off a sock, do you, Kerry?
6:07 No, not at all.
6:25 Keeps his feet nice and clean, doesn't he?
6:29 Hmm, yes, just as I thought.
6:31 Telepes Aquinas.
6:33 Malformation requiring you to walk on the outside of the foot. A very interesting example, I must say.
6:39 Do you mind if I have a look?
6:42 Congenital club foot.
6:44 In simple language, a foot twisted inward.
6:46 The cause of this twisting is not clear.
6:49 Hereditary influence plays a part here.
6:51 As pointed out by Dr. Little, who traces recurring deformity through four generations. Well, when you've quite finished...
7:00 I say, old man, I like that.
7:03 Mm-hmm.
7:04 French, isn't it?
7:05 Yes, she was a model in Paris.
7:07 You know, I can't for the life of me understand why you gave up painting.
7:10 Ha, ha.
7:11 I'd rather look at that all day long.
7:14 than at this.
7:15 Woman, you know. You can tell by the pelvis. Yeah.
7:19 I like them with a little more...
7:25 oh there's life in the old girl yet don't inhale dearie
7:29 I say, I've got to be getting along.
7:32 It's a little matter of a barmaid.
7:33 At the crown and anchor.
7:35 And very nice too. Cheerio.
7:37 Funny fellow, isn't he?
7:39 Oh, I say carry.
7:41 It must have been wonderful having that life in Paris. Well, it was. And do you mean that you really knew all those fascinating women? Well,
7:48 Some of them. I see you're just the man I'm looking for. I wonder if you couldn't help me.
7:52 In what way?
7:53 Well,
7:54 There's a girl and I can't get anywhere with her. And you've been to Paris and all that.
7:59 I'm sure you could say something that would give me a starter.
8:01 I'd ask Griffiths only
8:03 He couldn't do it and remember whom he was doing it for.
8:05 Oh, but you're just the man.
8:07 You know.
8:07 Say something to make her laugh.
8:14 What?
8:14 You don't believe it?
8:16 You are useless.
8:28 I say she's marvelous, isn't she?
8:31 No, she's anemic.
8:43 You don't suppose she likes that bounder, do you?
8:45 Of course.
8:47 Now's your chance.
8:48 Say something.
8:53 Well, I see your friend's going.
8:54 I don't know what you mean.
8:57 I was referring to the nobleman with the sandy moustache.
9:01 Has he left you for another?
9:05 Some people would do better to mind their own business.
9:09 Why?
9:14 You'll have a very nice back.
9:16 Am I on speaking terms with your back?
9:18 Woman, you know.
9:20 You can tell by the pelvis.
9:22 And that.
9:24 calls himself a gentleman.
9:27 I apologize.
9:28 What for?
9:30 I promised you something charming.
9:31 And she's turned out to be ill-natured and contempt of her.
9:34 I'm sorry, I let you in for it. Oh, that's all right.
9:36 You don't suppose I care what an anemic little waitress says to me, do you? Well, I do.
9:42 I must be going.
9:43 Coming along.
9:45 No, I think I'll have some more tea.
10:18 Anything you want?
10:20 Yes, if you don't mind, I'd like to talk to you.
10:22 Um...
10:24 Guilty weather, isn't it?
10:27 Makes no difference to me.
10:28 I have to be here all day.
10:30 Oh, don't talk like that. I don't want to say something.
10:33 Well, say it.
10:35 You know...
10:36 You have a lovely smile.
10:38 you should use it more often.
10:40 Now, don't go spoofing.
10:42 Girl that works hard all day like I do.
10:45 Don't have much reason to smile.
10:47 Perhaps I can find a reason.
10:50 Will you let me try?
10:52 Well, I don't know whether I will or whether I won't.
10:55 Well, I hope you'll decide you will.
11:12 Amen.
11:17 I'm sorry.
11:20 I'm sorry.
11:22 I'm sorry.
11:28 Yeah.
11:33 - Mm-hmm.
12:02 Okay.
12:07 Like doctors?
12:09 Like so.
12:39 a nice little
12:40 have you?
12:52 Excuse me, won't you?
12:54 LAUGHTER
12:57 How do you do?
12:59 seem to be in a great hurry.
13:01 I'll be waiting ten minutes.
13:05 I didn't know you could draw.
13:07 Didn't you? That meant to be me.
13:09 Looks like you, doesn't it?
13:12 If you look at it that way.
13:14 Tea?
13:16 You are a strange source.
13:20 I say.
13:21 Will you die with me sometime?
13:23 And we'll go to the theatre.
13:25 I don't mind. When will you come?
13:27 I'm off first.
13:29 All right. Shall we say Thursday?
13:31 7 o'clock Victoria Station.
13:38 All right.
13:39 I'll meet you in Victoria in the second class waiting room.
13:46 All tickets, please.
13:49 Show your ticket.
13:51 All the way to get to play.
13:53 Get on the game.
13:56 Paul, take it, please.
13:58 Yeah, yeah.
14:00 All tickets, please.
14:02 Boat strength, battle 19.
14:05 All the tickets.
14:06 Please.
14:08 Kill your ticket.
14:10 Don't take it with me.
14:13 All tickets free.
14:15 Okay, please.
14:17 - I'll tell you all I'm checking.
14:19 Hold the gate straight.
14:21 Kill your tickets.
14:23 All tickets, please.
14:26 Tell me I'll take it.
14:27 All tickets.
14:30 Beltran, platform 19.
14:33 - Call, take it.
14:34 Please.
14:39 Well, I thought you were never coming.
14:41 I like that.
14:42 After keeping me waiting.
14:44 I almost went home.
14:45 I was in the second class waiting room. I thought you said you'd be there.
14:48 Now I say.
14:50 Is it likely I'll sit in the second class when I could sit in the first?
14:54 for a gentleman of brave, but you don't use him.
14:56 Do you?
14:57 Ha ha.
14:58 Perhaps not.
14:59 Anyway, you're here, so it's all right, isn't it?
15:01 certainly do make a girl feel important.
15:07 I love that music.
15:11 Whenever I hear it,
15:13 I think of you.
15:17 How pale you are.
15:20 strange.
15:26 You are going.
15:28 You always order champagne.
15:32 No.
15:33 Then why'd you do it now?
15:38 I was hoping it would make you...
15:40 more thinly.
15:43 You think it will?
15:46 One piece.
15:47 I can see.
15:49 gentleman in every sense
15:50 win.
16:03 Amen.
16:06 I'm going to go ahead and get some more questions.
16:19 May I see you again?
16:20 I don't mind.
16:23 Doesn't it make any difference to you?
16:25 Now...
16:27 You don't take me out, someone else will.
16:30 Mm-hmm.
16:44 *whistling*
16:54 I'll say goodnight to you.
16:57 Why don't you stay for a moment? No.
16:59 Why not?
17:00 People would think I don't know what all.
18:01 I love that music.
18:04 Whenever I hear it, I...
18:06 with you.
18:07 Whenever I hear it.
18:09 I think of us.
18:32 Hmm.
18:43 I've never danced with anything.
18:45 He danced like you.
18:49 I've been looking for you
18:51 All my life.
19:12 It doesn't seem to have much to do with your time.
19:14 I should be studying.
19:16 And why don't you?
19:17 Well, I'd rather see you.
19:20 And if the girls notice you're waiting
19:22 for me.
19:22 I don't know.
19:23 What difference does he make?
19:25 They all laugh at you, you know.
19:27 Do they?
19:28 Why?
19:29 say you're in love with me.
19:32 Hahaha.
19:37 May I call you Militant?
19:38 I don't mind.
19:41 Look here.
19:42 Don't say that anymore, will you?
19:45 Why not?
19:45 Well...
19:47 Let's end it. I'll call you Mildred.
19:48 And you call me Philip, will you?
19:51 I think of it.
19:54 I am.
19:56 I'm a little awkward at this,
19:58 Will you kiss me goodnight?
20:00 ...and I have.
20:02 Oh, Mildred.
20:04 Will you come to the theatre with me on Saturday?
20:07 I don't mind.
20:17 - You're sure there for Saturday? - Certainly.
20:20 I'm going to go.
20:39 My name is Miller.
20:40 Emile Miller. We should know each other. Why? Well, we are both interested in the same thing. Thing? My dear young man, you are so...
20:51 So,
20:53 Artistic.
20:54 You, you should be more...
20:57 Like so?
20:59 Thanks. Thanks very much.
21:00 That's...
21:02 That's all right.
21:03 Oh, I'm sorry. I'm sorry.
21:10 What time should I see you?
21:12 Oh, I forgot to tell you, Philip. I can't go.
21:15 Why not?
21:16 Me, auntie.
21:21 Oh.
21:26 No.
21:29 What's the sense in that?
21:31 You don't suppose I want to go by myself, do you?
21:33 I only got them for your sake.
21:35 Well, you needn't go on about this.
21:44 - Please, Bob.
21:49 Violet.
21:50 - Hi.
21:52 Violent, something.
21:53 Hmm.
21:55 She's violent.
21:56 We're going to go.
21:58 You're spying on me. I always thought you was a gentleman.
22:01 at every sense of the word.
22:03 Are you going out with Miller? No.
22:06 Hi, Ellen.
22:09 Well, what if I am?
22:11 I can go out with him if I want to, can't I?
22:16 He's keeping you waiting, isn't he?
22:18 Well, I'd rather wait for him than if you wait for me.
22:26 Won't you change your mind?
22:28 I'll get some more tickets and we'll... Now.
22:32 We find it.
22:35 I'm not everything.
22:38 You keep looking for him the way I look for you.
22:43 - Come on, Alice.
22:45 If you don't come out for me tonight, you will never see me again.
22:48 Good riddance.
22:48 for bad rubbish.
22:58 *crying*
23:08 Ray?
23:13 What?
23:14 All right.
23:16 I'm sorry.
23:21 - Come on, love.
23:39 - What's going on?
23:40 *crying*
23:42 Woo!
23:43 I'm going to go.
23:58 I'm going to go.
25:16 I'm sorry.
25:56 Sorry, old boy.
25:57 How about a...
25:58 A nice and large...
26:00 Beer.
26:01 It wouldn't help.
26:03 Well, what would?
26:26 I'll feel it.
26:28 Of course.
26:29 Shows the waiter who you are.
26:33 He knows who you are.
26:38 And so do I.
26:40 What do you mean?
26:42 I'm sorry, I...
26:43 I didn't mean it.
26:45 You're a bit too superior for me, my fine young friend.
26:48 Mm-hmm.
26:52 Mildred.
26:59 Of course you don't like me. I'm crippled.
27:01 How beautiful.
27:03 Oh, yes, I filled it all along.
27:05 Foolish.
27:10 My hand.
27:11 - Say they?
27:12 You are plump.
27:14 Amen.
27:35 You're off your nut. You don't know what you're doing. What sort of practice can you expect to have with a wife like that?
27:40 I don't know.
27:40 Let me ask you something.
27:42 Why do you want to marry this girl?
27:45 because I'm so in love with her.
27:47 - Ah.
27:57 That ring with the little design
27:59 Very popular.
28:00 I celebrate many of them.
28:01 They're 30 shillings.
28:06 Thank you, sir. Hello.
28:08 Were you surprised?
28:10 I asked me to take me to dinner tonight.
28:13 I was delighted.
28:14 - Well, yeah. - Yeah.
28:16 Why?
28:17 Oh, I don't know. You've been so sweet to me all day.
28:20 I've got something to ask you and...
28:21 It makes it so much easier for me.
28:23 Makes easier for me too.
28:26 I have something to tell you.
28:27 No, no, no, that's...
28:28 Let me tell you first.
28:32 - There it is.
28:36 I want you to marry me.
28:38 I'm so sorry, Philip.
28:41 That's just what I was about to tell you.
28:43 Shouldn't have waited so long.
28:46 Fact is,
28:48 I'm going to be married.
28:53 Are you?
28:55 To whom?
28:56 A man on air.
28:58 He earns very good money.
29:01 Yes, Hal.
29:02 I'm sure I...
29:04 Now you won't go all about it.
29:06 will you?
29:09 All right.
29:10 I'm getting old.
29:13 Time I settled down.
29:15 - I've got ten better than seven pounds.
29:16 prospects.
29:20 I hate to eat and run, Philip, but...
29:22 I'll take you to the next one.
29:24 I'm going to the theatre with...
29:25 Gentlemen, I'm going to marry.
29:40 What?
29:41 I'm going to go.
29:48 All the ladies, soldiers of the day, love me tonight, you'll come to school. Love me tonight, all the ladies. Love me tonight, you'll make the song of the day, you'll come to school.
30:02 Don't take the light.
30:04 All right, please.
30:05 All the ladies, help me today. Help me tonight.
30:19 Come speak tonight.
30:20 All the ladies. All the ladies.
31:06 Amen.
31:10 You've seen us since?
31:12 Nope.
31:14 Well, London is the largest...
31:15 in the world.
31:17 And you know the cure for one woman.
31:19 Another. Right-ho.
31:32 Nora.
31:33 You don't read such junk, do you?
31:36 No, I'll write it.
31:39 That's how I earn money, Mr.
31:41 I didn't know.
31:43 Successful?
31:44 Very.
31:45 I have an immense popularity amongst kitchen maids.
31:48 They think me so refined.
31:54 Let's not talk about that.
31:58 Let's talk about us.
32:10 Amen.
32:11 Nora.
32:14 You're not really fond of me, are you?
32:17 You ask such foolish questions.
32:21 Mm-hmm.
32:21 Oh, my dear, it never struck me that you could be.
32:24 Please?
32:25 Delighted.
32:27 and so proud and so happy and so happy.
32:30 So grateful.
32:31 I wish you hadn't been in love with me.
32:34 What was in it?
32:36 Mildred.
32:38 Because if she hadn't cleared it,
32:42 It wouldn't have taken you so long to understand.
32:55 Hmm.
33:04 I saw you.
33:05 I wasn't very quick.
33:08 Let's go out and talk.
33:12 Not until you pass that exam.
33:45 Tell me, darling, what do you get out of it?
33:49 You'll never know.
33:51 I'm afraid you don't get much fun with me.
33:54 I wish
33:57 If only I could take you dancing.
34:00 I know how you love it.
34:01 Philip, it's ace.
34:02 silly of you to be so sensitive about you
34:05 You know, other people don't think about it nearly as much as you do.
34:09 They notice it when they first see you, and after that, they forget all about you.
34:16 You know, I only see
34:17 because I love you.
34:19 I don't want it to make you unhappy.
34:23 Now, will you...
34:23 Please stay here and go on cramming for that exam.
34:39 There's a lady to see you, sir. - Oh, is there? - Yes. I shouldn't have let her in.
34:43 but she was that upset. I...
34:46 Nora!
34:54 What do you want?
35:01 I didn't think I'd ever see you again.
35:12 What's the matter?
35:14 He's left me.
35:17 Email.
35:20 Oh, has he?
35:23 Yes.
35:26 Because I'm going to have a baby.
35:46 Why don't you sit down?
35:56 I suppose you want him back.
35:59 He'll never come back.
36:00 Why not?
36:02 He just won't, that's all.
36:04 Your wife, he has to provide for you.
36:07 He won't give me any...
36:14 Even if he did, I wouldn't take it.
36:16 Why not?
36:19 What's happened?
36:20 I've still got me pride.
36:23 That's something, isn't it?
36:27 You got me money.
36:30 Nope.
36:33 Well, you better get yourself a place to live.
36:36 After that, we'll see what can be done.
36:39 Oh, Philip.
36:41 You're always so good to me.
36:42 That's why I knew I could come to you.
36:51 Now, look here, Mr Miller.
36:53 I'd like to know what you intend to do about Mildred.
36:56 I?
36:56 What you expect me to do?
36:58 Well, I expect you to take care of her.
36:59 You married her, you know.
37:01 I
37:02 I married, Milaghan?
37:04 - Okay.
37:05 I'm married to...
37:06 I'm going to go.
37:09 Stephen Lund.
37:16 Well...
37:16 Oh, same. I'd still like to know what you intend to do about it.
37:19 Me?
37:21 I can do nothing.
37:22 One man cannot solution the problem of the unmarried mother.
37:34 Why didn't you tell me?
37:38 I just...
37:42 Brace her.
37:43 Everything will be all right.
38:08 Do you still...
38:10 Like me.
38:15 Really?
38:18 Strange as it may seem, I always have.
38:21 I suppose I always shall.
38:24 I did everything I could to make you love me.
38:27 I thought you were incapable of loving anybody.
38:31 It seems horrible to think that
38:33 that you were willing to sacrifice everything for that man.
38:36 I'm awfully sorry, Philip.
38:39 I shall never forget you wanted to marry me.
38:56 Philip.
38:58 Yes.
39:01 You've been so nice to me.
39:06 I'll do anything you want.
39:10 Will you?
39:11 Why? Why, I went to you.
39:16 Oh.
39:17 Do you?
39:23 You're not angry.
39:26 Yeah.
39:32 Then we'll just stay and have some dinner.
39:35 Yes, if you want me to.
39:37 - Of course.
39:39 Nothing could like me more.
39:42 Just a moment, I'll have everything ready.
39:45 I'm sorry.
39:51 Amen.
39:58 Amen.
40:00 The
40:12 Amen.
40:19 Come in.
40:26 Hello, darling.
40:27 Nora.
40:30 How did you happen to come?
40:33 Just passing by.
40:37 I wanted to rub my nose against your door.
40:43 Phillips.
40:44 Why haven't I heard from you?
40:47 I was just going to write.
40:49 Why haven't you come to see me?
40:51 - I'm like.
40:52 I've been busy.
40:57 Wifes.
41:00 But you see...
41:03 Nora.
41:05 I've got something strange to tell you.
41:07 You've been so good to me, it only makes it
41:12 Philip, what's wrong?
41:15 I'm sorry.
41:16 It's just over.
41:18 You mean you don't care for me?
41:23 What have I done?
41:24 Nothing.
41:25 You've been wonderful to me.
41:27 It's just that I...
41:28 Amen.
41:33 Because I...
41:35 Knew you never loved me, isn't it?
41:37 Yes, I'm afraid that's usually the case.
41:41 is usually one who loves
41:43 Is it?
41:45 Oh.
41:45 It's always the same.
41:48 If you want a man to be nice to you, you have to be
41:50 to him.
41:51 If you treat a man honestly or...
41:59 - I'm still there.
42:01 There's someone else.
42:05 Yes.
42:07 Who is she?
42:11 Mildred.
42:12 She's come back.
42:15 After all she's done,
42:19 How could you?
42:21 That's what I'd like to know.
42:24 Just as though you were...
42:26 Boundaries.
42:27 some way.
42:31 As I am today.
42:33 than she was.
42:36 As every human being is.
42:39 To something or other.
42:54 It's a funny-looking little thing, isn't it?
42:57 I can't believe it's mine.
42:59 Now, if you'll excuse me.
43:09 So glad it's over, darling.
43:12 You've been so good to me, Philip.
43:14 From now on, things will be different.
43:23 Now you will take good care of her, won't you?
43:26 That I will, Mum.
43:31 Good day.
43:31 Good day.
43:37 I know you don't like it, Philip.
43:39 I can't do anything else if I'm going to work.
43:42 No, I suppose not.
43:45 But be sure and go over on Sundays and see the baby's properly taken care of.
43:49 I will.
43:53 What are we going to do this afternoon?
43:56 Er, I asked Griffiths to come over.
43:59 Oh, did you?
44:01 Why?
44:02 Well, I know you find him amusing, and I...
44:05 I'm always afraid of...
44:06 It's boring you.
44:17 Sorry I'm late.
44:19 Had to get rid of a girl.
44:21 Why didn't you bring her along?
44:22 Oh, I'm not interested in my girl.
44:24 I'm only interested in other men's girls.
44:27 Do you like me?
44:35 Really, I'm too hungry to know.
44:37 But I think I like you lots.
44:39 I'd like you a lot more if you got him to take us out to dinner tonight.
44:43 And if you do, I'll tell you some funny stories. And you'll laugh and think you're having a wonderful time.
44:46 What will he do?
44:48 Oh, pay the bill.
45:02 There it is. What's that, Bill?
45:05 Your missus? I'm sorry. I thought it was your sister.
45:17 Well, hella-yooop! Hella-yooop!
45:23 I thought it was just this.
45:34 Good night, Philip.
45:39 and eyes.
45:51 Just a moment.
45:53 Are you in love with Mildred?
45:55 I?
45:58 So that's what you've been so funny about, huh?
46:01 - One my dear old boy. - Hello, little kid.
46:02 It doesn't matter to you, Harry. You've got so many women.
46:07 Don't take Mildred away from me.
46:09 But my dear old boy, she's nothing to me at all.
46:12 Nothing at all.
46:30 You like it, Philip?
46:32 Very much.
46:34 See, how nice of you to give it to me.
46:43 What you thinking about?
46:46 You were having quite flirtation with Griffiths last night.
46:49 It's how I was, wasn't I?
46:52 It's a matter of fact, but...
46:54 I'm sort of in love with him.
46:56 I'm not surprised.
46:58 Why, what do you mean?
46:59 Well, Griffiths is good looking, he's amusing, he says the kind of things that make you laugh. Thank you not to make fun of me.
47:04 You're a bit too superior for me, my fine young friend. Oh, good heavens, Mildred, I wasn't making fun of you. Well, you certainly don't act if it's serious. Well, I don't think it is. Oh, you don't, eh? Why not?
47:12 - Because Griffith isn't in love with you. - How do you know?
47:14 I asked him.
47:18 Would you like to read a letter I got from him this morning?
47:28 I've been up all night thinking about you.
47:31 and I've just sent for a special messenger who will take this to you in the dawn.
47:37 You've no notion of the time I had with...
47:39 with your friend last night.
47:42 He kept asking me if I love you and of course what could I say.
47:47 He'll doubtless tell you all this, so I'm...
47:49 Making sure that you...
47:59 Well...
48:01 I'd help it if I love him, can I?
48:03 No, I suppose not, but... Then what's it going on about?
48:06 Nothing.
48:08 Only I was fool enough to think that...
48:10 You cared for me.
48:11 I do, Philip.
48:12 as a friend,
48:15 Not in any other way.
48:18 But you do care for Griffiths in...
48:20 The other way...
48:23 But you're...
48:24 You're rather cold. That sort of thing doesn't mean anything to you.
48:29 That's what you think.
48:32 I'm sorry.
48:41 There's no use going on about it, Philip.
48:45 Said yourself I couldn't help it if I'm in love with him.
48:54 Well, if there's anything else to be said, say it.
48:59 That's a nice dress you have on, Mildred.
49:02 I couldn't afford it, but I paid for it.
49:06 You have a nice apartment.
49:07 I couldn't afford it, but I paid for it. If you're a gentleman...
49:10 You'd throw what you've done for me in the face.
49:12 Do you think it matters to me whether I'm a gentleman or not?
49:15 If I were a gentleman, you don't suppose I'd care for a cheap bugger little...
49:21 I'm sorry, Philip.
49:23 I didn't want to end this way.
49:29 Harry's waiting.
49:31 What do you intend to do?
49:33 were going to parent.
49:37 Get out.
49:38 Get out!
49:43 I'm going to go.
50:00 - I'm sorry.
50:25 Hey.
50:31 I've moved three times.
50:33 And each time this woman's hounded me down,
50:36 I don't like to do that.
50:37 do this, but
50:38 All right, sir.
50:38 I'll move on.
50:40 Come on, young lady.
50:41 Don't stay here.
50:43 Come on now.
50:44 Daddy?
50:59 I'm sorry.
51:10 Look here, Carrie. Mildred and I are all watching.
51:13 Good man.
51:16 If you'll excuse me, I'm due in the ward.
51:36 Anything interesting, Carrie?
51:39 I was just thinking what an unusual name you have.
51:42 It's a very old Yorkshire name.
51:43 once took a day's riding across our estates.
51:46 Here I am in the charity hospital.
51:48 Because my father loved fast women and slow horses.
51:52 How the mighty are fallen.
51:57 Hello!
51:59 Hello, Father.
52:04 Gary, this is my daughter, christened Maria del Sald.
52:08 Her mother always calls her Sally. Sally.
52:10 This young man is a student here. He's been very nice to me.
52:14 And with some inducement, he might be nice to you.
52:17 Now, Father.
52:18 Father's particular genius is saying the wrong thing.
52:23 thinks it's fun to embarrass me. It is! Why don't you try it sometime, Carrie?
52:28 I will if I get the chance.
52:29 You shall have it.
52:31 You're coming to see us the first Sunday I'm home.
52:35 Oh, yes, please do.
52:36 Hmm.
52:47 *Square*
53:02 What a quaint house.
53:05 Yes, it is, but it's not very sanitary.
53:07 Tanitation be hanged. Give me art.
53:10 I've got nine children and they thrive on bad dreams.
53:14 Look at that now.
53:16 I am, with great admiration.
53:21 Shall I bring the ale, Father? Right, McGill. The sooner the better. The better.
53:27 I hope you didn't have the table in here on my account.
53:29 I'd have been quite happy to have had dinner with Mrs. Athelny and the children. Oh, no.
53:33 I always take meals by myself.
53:35 I like these antique customs.
53:38 I don't think women ought to sit down at table with men. Don't you? Why not? It ruins conversation.
53:46 I'm sure it's very bad for them. It puts ideas in their heads.
53:49 And women are never at ease with themselves when they have idea.
53:53 You sound like the voice of old England. I am, sir.
53:56 And it's this fine old Yorkshire pudding that gives me strength to carry on.
54:01 Now stop getting up and down like a jumping jack every time she comes into the room. She doesn't want you to make a fuss about her, do you, Sally?
54:07 And she won't get rude if you sit still while she waits on you.
54:11 She don't care to hang for chivalry, do you, Sally?
54:14 No, Father.
54:16 You speak quietly while I eat the young man so boldly.
54:21 Yes, Father.
54:24 You know what I'm talking about, Johnny?
54:26 How could I, darling?
54:28 They're so clever.
54:29 Don't stand by my chair in order to make eyes at him.
54:33 Better get Phillip some more ales.
54:41 Ahhhh.
54:44 Ahhhh.
54:46 My word, is there anything better than English ale?
54:50 Let us thank...
54:51 God for simple pleasures. A good appetite, roast beef and beer.
54:57 I was married to a lady one.
55:01 Good heavens.
55:03 Never marry a lady, my boy. Oh, really? Why?
55:06 Because a lady has a point of view, a personality, and an individuality. All to W with.
55:13 Hang it all you want a waifu and cook your dinner and look after your children.
55:17 Don't you think so, Sally?
55:19 Father, I think you'd talk the hind leg off a donkey.
55:22 Well, it's clean fun. Now, Sally, wait it on me, I'll wait on you.
55:25 Take my chair here.
55:27 while I fetch you and the young man some cheese. Thank you.
55:31 What do you think of us?
55:35 You don't know what this means to me.
55:37 You see, I... I practically never had any family.
55:40 This is almost the only place I've ever known that's had the quality of...
55:43 Of home.
55:46 Don't you think we're a little queer?
55:48 Everyone's queer but me and thee.
55:50 and sometimes these
55:56 Thank you, Father.
56:04 It's no use mooning over our carriage.
56:08 Sally never kisses a gentleman until he's been here twice.
56:14 You must ask me again sometime.
56:17 Do it yourself.
56:20 Why don't you come next Sunday?
57:10 May I walk to
57:12 the station, will you?
57:13 No. Why not?
57:14 It's too late and you're a child.
57:17 Twenty.
57:19 Let's talk it over when you're 30.
57:22 I'm not.
57:37 Did you hear what I said, old man?
57:39 Yes, I heard.
57:41 Sorry if I brought up a painful subject, only I thought you'd be interested to hear about Mildred.
57:47 Sorry she's had such a bad time.
57:49 I gave her all I could, but you know me, always.
57:51 Don't need rope.
57:54 I thought perhaps you'd want to... I can't do anything.
57:57 Got another cigarette.
57:58 You're welcome.
58:00 I don't blame you.
58:02 I wouldn't have told you, only...
58:04 She asked me to give you her address.
58:07 Gave you a bit of a jolt, I can tell you, seeing her lugging that baby around and asking for something to eat.
58:12 She has the baby with her.
58:13 Yeah.
58:15 It's not difficult to imagine her next step.
59:08 Baby all right?
59:11 I'm very grateful.
59:12 to you, I feel up.
59:14 If I could afford it, I'd have given you a place of your own.
59:18 As it is.
59:19 You're welcome to my room.
59:21 I don't know what will become of me and...
59:24 Baby.
59:25 You ain't taken us in.
59:27 Oh, you'd have got on, I expect.
59:31 You've always been much nicer to me than I deserved.
59:34 beginning to realise how silly I've been.
59:37 Well, you couldn't help how you felt.
59:40 Let's not talk about it, shall we?
59:42 I don't feel like that now.
59:45 Look here, Mildred.
59:47 Let's have no misunderstanding about this.
59:49 - The reason you're here is because... - I know.
59:52 because you once liked me enough to want to marry me.
59:58 Yes.
1:00:00 Well, at least I can cook for you.
1:00:03 Keep your flat clean.
1:00:08 Maybe someday you'll...
1:00:10 You'll feel better about me
1:00:13 Things will be like they used to be.
1:00:21 I'll smoke it later.
1:00:26 Well, look.
1:00:29 Good night.
1:00:33 Night?
1:00:48 Amen.
1:01:00 Mm-hmm.
1:01:26 Land loved it came upstairs a little while ago.
1:01:29 She said.
1:01:30 Mrs. Carey, she said.
1:01:32 How can you say that?
1:01:36 Well, what's the matter with them?
1:01:37 Guarantísima.
1:01:38 Disgusting, I calls it.
1:01:40 have drawings of naked people about.
1:01:44 You want to know what I think.
1:01:45 I've half a mile to take them down myself.
1:01:48 You do nothing of the kind.
1:01:53 I love those pictures, Newtled.
1:01:56 I love them for what they were meant to be.
1:02:08 I'm going to go.
1:02:21 What happened to it?
1:02:23 Hmm?
1:02:24 What?
1:02:26 the way you used to love me.
1:02:28 Oh, I don't know.
1:02:30 I was disappointed so often and hurt so much.
1:02:34 Right.
1:02:35 I don't think I should make any work.
1:02:37 Nothing, only...
1:02:39 Remember how you got when I was so cold to you?
1:02:42 getting me that way.
1:02:45 You're so cold to me.
1:02:48 Now what else is there?
1:03:03 *Loud music*
1:03:06 I'm sorry.
1:03:33 He's not in love with anyone.
1:03:47 Hmm.
1:04:00 I'm sorry.
1:04:16 Where were you?
1:04:18 Ethnolies.
1:04:20 What are you doing up?
1:04:23 I couldn't sleep.
1:04:28 Hadn't you better put on something warmer?
1:04:31 I'll be all right.
1:04:36 Just let me.
1:04:43 Ew.
1:04:46 They are all out of his cell phone.
1:04:48 Oh, nonsense.
1:04:49 Tisn't.
1:04:51 I can't live without you.
1:04:53 Please get up.
1:04:54 You're making a fool of yourself and a fool of me.
1:04:56 Elphil, please.
1:05:12 I can't get on of this.
1:05:17 Nonsense. You haven't anywhere to go.
1:05:19 Stay here as long as you like.
1:05:21 With a definite understanding...
1:05:33 You disgust me.
1:05:38 Me!
1:05:40 I disgust you.
1:05:45 Yo!
1:05:46 You're too fine!
1:05:48 You won't have none of me, but you'll sit here all night looking at your naked females. Mildred! You cad! You dirty swine!
1:05:56 I never cared for you, not once. I was always making a fool of you. You bored me stiff. I hated you. It made me sick when I had to let you kiss me. I only did it because you begged me. You hounded me. You drove me crazy.
1:06:10 And after you kiss me, I always used to wipe my mouth. Wipe my mouth!
1:06:15 But I made up for it. For every kiss I had a laugh. We laughed at you. Miller and Megan Griffiths and me. We laughed at you because you were such a mug, a mug, a mug.
1:06:26 You know what you are, you gippy-leg monster! You're a cripple, a cripple, a cripple!
1:06:39 You love these things. You love what they were meant to be. Well, here.
1:06:46 what they were meant to be.
1:06:50 Come on.
1:06:52 Hey.
1:06:53 Come on.
1:07:05 You want to be a doctor.
1:07:25 Amen.
1:07:34 This will take you no medical.
1:07:55 You're leaving?
1:07:57 Why?
1:07:58 Her money's gone.
1:08:00 What do you intend to do?
1:08:04 Anything?
1:08:07 Before you go out into the world...
1:08:09 Don't you think we ought to try and do something about that foot?
1:08:13 Think it'll do any good?
1:08:15 I'll know better tomorrow.
1:08:22 How are you, Philip? I'm all right, Sally.
1:08:25 How's the foot?
1:08:26 Well?
1:08:28 Let's try, shall we?
1:08:33 Yes, or not.
1:08:51 Amen.
1:09:17 No, me.
1:09:18 All right.
1:09:19 Nothing today.
1:09:20 Horses.
1:09:23 No experience?
1:09:24 I'll give you.
1:09:25 Nothing today.
1:09:26 All situations.
1:09:27 Sorry, no vaguely.
1:09:28 Nothing today.
1:09:29 Nope.
1:09:31 Nothing.
1:09:32 Nothing.
1:09:33 Okay.
1:09:33 Nothing.
1:09:34 Nothing.
1:09:51 Amen.
1:09:59 *Humming*
1:10:26 Why haven't you been to see us?
1:10:28 Why, I don't know.
1:10:29 I've had things to do.
1:10:33 Well, you've been putting on weight.
1:10:36 I'm sure you haven't.
1:10:37 Why do you say that?
1:10:39 the way you love
1:10:40 Oh, that's only my look.
1:10:42 I'm afraid it's more than that.
1:10:44 I sent you a note last Sunday, and when you didn't answer, I went round to your room.
1:10:48 Your landlady said she had to put you out.
1:10:54 Hello, Philip!
1:11:06 My dear fellow, by peer-aid signal my daughter just communicated to me
1:11:11 confirmation of our suspicions.
1:11:13 As you know, I've been on the beach most of my life.
1:11:16 In fact, in Tahiti, I was president of the Beachcombers Union.
1:11:19 And as such, I'd like to inquire into your amateur standing.
1:11:24 Where have you been staying?
1:11:26 Oh.
1:11:28 Anywhere.
1:11:28 Why didn't you come here?
1:11:30 False modesty, I suppose.
1:11:33 Now stop being an Englishman.
1:11:34 When a man's on his opposite time, he came down to earth.
1:11:37 We want you here with us.
1:11:40 Well, I...
1:11:43 Thanks very much, but I... Don't talk trash.
1:11:45 You've got to stay here until you get your bearings.
1:11:47 And I want no more fang talk about it. It's all arranged.
1:11:54 Well...
1:11:57 Well, here goes my amateur standing.
1:12:01 I really have no place to go.
1:12:03 It's awfully good of you. Lonsense!
1:12:05 As you know, the house is completely unsanitary. You'll probably wind up with some foul disease. Now, let him alone, Father. I want to talk to him. Well, I suppose youth must be served, but I must say I'm sick and tired of serving it.
1:12:18 Nine of them.
1:12:23 Will that do?
1:12:24 It looks as if it might.
1:12:31 Wouldn't be a very nice night to be out.
1:12:33 Not very, no.
1:12:35 It's going to be jolly having you here.
1:12:37 I hope I shan't have to stay very long.
1:12:40 Do I?
1:12:41 I can't go on like this, you know.
1:12:43 I need a job.
1:12:45 That's right, Father, and I discussed that.
1:12:47 There isn't much you've overlooked.
1:12:51 I have to throw that on, too.
1:12:53 And father has a job for you. Has he where?
1:12:56 Why, he worked.
1:13:32 Amen.
1:13:50 You'll be a walk all right now.
1:13:53 Saw you in the window.
1:13:59 Well, I never thought you'd come to that.
1:14:02 *sniff*
1:14:05 Very hoarse.
1:14:07 Said so.
1:14:10 You haven't forgotten your doctor.
1:14:13 No. Because...
1:14:17 That's what I want.
1:14:18 see it.
1:14:20 And I go to a doctor.
1:14:26 Well, there's a free hospital.
1:14:27 Have all them stones staring at me.
1:14:30 Ahem.
1:14:33 What seems to be out of trouble?
1:14:36 Well...
1:14:37 I call all the time.
1:14:38 Yes.
1:14:39 Mm.
1:14:40 Let's have a look at your fruit.
1:15:10 - Yeah.
1:15:13 It's not...
1:15:15 My lungs, is it?
1:15:23 Heh.
1:15:32 Where's the baby?
1:15:36 to die.
1:15:41 You might say you're sorry.
1:15:43 I'm not.
1:15:44 I'm very glad.
1:15:51 I'm afraid I can't help you much.
1:16:01 Don't leave me, Philip.
1:16:03 I know I'm pretty shocking.
1:16:04 But don't leave me.
1:16:05 Love you.
1:16:07 There's no one I can go to.
1:16:09 You're the only one ever to come in, I promise you. You won't.
1:16:12 You are a gentleman.
1:16:14 He only wanted to have this in there.
1:16:19 and
1:16:24 and things you need.
1:17:14 Amen.
1:17:15 Our last day.
1:17:21 My Sally.
1:17:23 Darling.
1:17:27 I was so determined not to let you see.
1:17:30 Oh, that's sweet of you.
1:17:32 I care because I'm going away.
1:17:36 I suppose I'm a fool to care, but...
1:17:39 It doesn't mean you have to do anything about it.
1:17:41 Mm-hmm.
1:17:42 You can't help it just because someone loves you and...
1:17:45 You don't love that?
1:17:47 Sally, look at me.
1:17:52 Darling.
1:17:54 Do you think you'll always feel like this?
1:17:55 about me.
1:17:56 Yes.
1:17:59 I...
1:17:59 I've known it since the first time you came to our house.
1:18:03 Amen.
1:18:05 thought at first that
1:18:07 And I meant something to you, too.
1:18:09 Oh, but you did.
1:18:10 You do.
1:18:13 When I come back,
1:18:15 if you still feel safe.
1:18:18 Will you marry me, darling?
1:18:24 Don't you mean it?
1:18:25 You still feel the same?
1:18:46 Well, this is what you might call the irony of fate.
1:18:50 Come on now, be quick. Get her out of here.
1:18:55 I don't want the likes of her on me, Ann.
1:19:05 I understand there's an interesting case. Look here, old man.
1:19:07 Don't go in there.
1:19:08 Why not?
1:19:11 If you please. It's no use.
1:19:17 Amen.
1:19:39 Oh, Philip!
1:19:42 I'm sorry, Emily.
1:19:44 You're not.
1:19:45 I'm not going.
1:19:54 What's that?
1:19:57 My wedding present.
1:19:59 To my wife.
1:20:03 When do you intend to marry me?
1:20:06 Right away.
1:20:08 I've been around.
1:20:10 I beg your pardon.
1:20:13 You don't seem very pleased.
1:20:15 Well, I am and I'm not.
1:20:17 Why?
1:20:19 I'm afraid it's only a noble gesture.
1:20:21 - That's not for marriage. - No, Sally.
1:20:23 It isn't just that.
1:20:25 Still, I like you far too much to...
1:20:27 Do you ever stand in your way?
1:20:49 Whoooooo!
1:20:57 Philip, you're free.
1:20:59 Yes, but suddenly...
1:21:00 Suddenly there's nowhere to go.
1:21:02 No, sir. No, then. I had to be free to realize that.
1:21:07 I had to be free to understand...
1:21:10 All those years that I dreamed of a
1:21:12 because I was limping through
1:21:14 Do you like it?
1:21:18 Because I was...
1:21:19 found out the
1:21:20 Incredible.
1:21:23 And that's all over.
1:21:25 I'm not limping anymore. My life's all right.
1:21:28 Then why don't you go?
1:21:32 because everything is beautiful.
1:21:33 me is
1:21:34 He's right here. Won't you please marry me, Sally?
1:21:40 Is he right? But don't you want to.
1:21:45 There's no one else out there.
1:21:51 Over, taxi, sir.
1:21:53 What?
1:21:54 How about it, Max?
1:21:56 Yes.