Public Reel

Blue Steel (1934)

No renewal found Free in the US since 1 January 1963, on the registry's reading: registration LP4789 of 1934 by Monogram Pictures Corp was not renewed in the volumes searched. Record.

Poster for Blue Steel
Copy
BlueSteel on the Internet Archive; released 1934
Read
201 shots over 54:16 · 139 beats in 95 sequences · 459 transcript lines · JSON
Record
Blue Steel No renewal found
Poster
Wikimedia Commons, public domain
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Lands on the beat covering that second.
95 sequences; each is also a heading below.
Check before citing the shot count. A 2:41 shot at 36:30 (shot 117): either a static hold or a run of missed cuts. Treat it as unverified.
How this page was made

201 shots over 54:16, read from the Internet Archive copy BlueSteel (BlueSteel.mp4, 640×480, 23.98 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Blue Steel No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 201 shots judged colour), average shot 16.2s long, a frontal face detected in 11% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1934 (Internet Archive).

139 beats in 95 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 139 of 139 beats annotated, 139 passed the checks, 0 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Frame at 0:26, shot 00:26
1 of 1 shots sampled

1. Beat 1

0:00–0:52 Machine checks passed

Model synopsis: The beat shows a title card listing production credits for a film. No people, actions, or settings beyond the text are visible.

Evidence, details and a link to share

Sequence 2 from 0:52

Frame at 0:53, shot 10:53Frame at 1:37, shot 21:37Frame at 2:22, shot 32:22
3 of 3 shots sampled

2. Private office

0:52–2:22 Machine checks passed (partial)

Model synopsis: A man speaks about going and being nervous while another mentions a storm and a bridge; a rope is shown with a small object on it. No named characters are identified from the dialogue or frames.

  • A man is seen lying down or resting in a chair. [frame:2]
  • A small object is visible on a rope. [frame:3]

Named: Hank (t:1:45), Duke (t:1:53), Doc Oat (t:2:17). 4 people observed.

“Hey, Hank!” 1:45 · “Oh, hello, Sheriff. Don't make me a little bit nervous. I've been jumping all night.” 1:46

Evidence, details and a link to share

Sequence 3 from 2:22

Frame at 3:00, shot 43:00
1 of 1 shots sampled

3. Bedroom

2:22–3:38 Machine checks passed (partial)

Model synopsis: A man in a vest and bow tie stands in a bedroom with patterned wallpaper, holding a coat; he speaks to someone named Hank, mentions two beds, and later says he is going to leave. The room contains a vanity mirror, a chair, and a bed.

  • The man stands in a bedroom holding a coat, near a vanity and bed. [frame:1]

Named: Hank (t:2:31). 1 person observed.

“Call him when the stage is in. Will you, Hank? I'll ring the night bell. There's two beds up there. Take which one you want. Good night, Han…” 2:31 · “Oh, my God.” 3:06

Evidence, details and a link to share

Frame at 3:54, shot 53:54Frame at 4:12, shot 64:12Frame at 4:19, shot 74:19Frame at 4:26, shot 84:26
4 of 4 shots sampled

4. Private office

3:38–4:26 Machine checks passed (partial)

Model synopsis: A man in a vest sits at a desk in a dim room, then interacts with another person across the desk. A third man is seen on the floor in a different shot. The transcript includes distressed exclamations and a request for a room with a stove and tea.

  • A man in a vest looks up from his desk. [frame:2]
  • A man in a vest points at a desk while talking to a person in a hat. [frame:3]
  • A man is on his hands and knees on the floor. [frame:4]

3 people observed.

“Oh!” 3:38 · “I want a room with a stove in it.” 4:07

Evidence, details and a link to share

Sequence 4 from 4:26

Frame at 4:59, shot 94:59
1 of 1 shots sampled

5. Private office

4:26–5:32 Machine checks passed

Model synopsis: A man and a woman stand before an officiant in a dim interior; the transcript suggests a wedding and subsequent lodging arrangements. The woman speaks to someone named Mike off-screen at the end.

  • A man and a woman stand before an officiant in a dim room. [frame:1]

Named: Mike (t:5:29). 4 people observed.

“Just sign Mr. and Mrs. right there.” 4:39 · “How much? Well, we always get two dollars for the bridal chamber.” 5:03

Evidence, details and a link to share

Sequence 5 from 5:32

Frame at 5:49, shot 105:49
1 of 1 shots sampled

6. Private office

5:32–6:05 Machine checks passed

Model synopsis: Two men are seated at a table in a dim interior; one speaks while the other listens. The transcript includes fragmented dialogue about water, a mine, and safety, ending with an apology.

2 people observed.

“I have water in the bottom of the lake.” 5:39 · “4,000 in there. Hello to the lost load mine. We're happy to be safe here. It has to take away the safe to get it.” 5:46

Evidence, details and a link to share

Sequence 6 from 6:05

Sequence 7 from 8:38

Frame at 9:07, shot 129:07
1 of 1 shots sampled

8. Private office

8:38–9:35 Machine checks passed (partial)

Model synopsis: A person in a wide-brimmed hat crouches indoors near a dark object while dialogue suggests confusion and an unrelated mention of a chimney. No named characters or clear time of day are established.

  • A person crouches near a dark object on the floor. [frame:1]

1 person observed.

“I'm going to go.” 8:40 · “Sure.” 8:49

Evidence, details and a link to share

Sequence 8 from 9:35

Frame at 10:52, shot 1410:52
1 of 1 shots sampled

10. Private office

9:57–11:48 Machine checks passed (partial)

Model synopsis: A man in a plaid shirt and suspenders holds a gun while standing in a dim interior. He speaks about pursuing someone and is later told to put up his gun, after which another voice reassures him everything is all right.

  • A man stands holding a gun in a dim room. [frame:1]

1 person observed.

“No use trying to trail him tonight.” 10:07 · “Just the same, I'm going to run him down...” 10:12

Evidence, details and a link to share

Sequence 9 from 11:48

Sequence 10 from 12:04

Frame at 12:05, shot 1612:05
1 of 1 shots sampled

12. Other

12:04–12:06 Machine checks passed

Model synopsis: A man in a wide-brimmed hat and bandana is shown in a close-up. No dialogue or action is visible in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 11 from 12:06

Sequence 12 from 12:21

Frame at 12:55, shot 1812:55
1 of 1 shots sampled

14. Other

12:21–13:28 Machine checks passed (partial)

Model synopsis: Two men sit at a wooden table in a dimly lit interior, one pouring from a bottle into a glass while the other watches. They speak about snakes, drinking, and a distant dust cloud near Cotton Creek, suggesting they are waiting or on watch.

  • Two men sit at a table, one pours from a bottle into a glass. [frame:1]

Named: Charles (t:12:30). 2 people observed.

“Pretty slick on the drawer, too, ain't you, son?” 12:26 · “Well, don't get it, Charles.” 12:30

Evidence, details and a link to share

Sequence 13 from 13:28

Frame at 13:51, shot 1913:51
1 of 1 shots sampled

15. Town square

13:28–14:15 Machine checks passed

Model synopsis: A group of men in cowboy hats and period Western attire are gathered outdoors, discussing a cloud of dust near Cotton Creek and suspecting an informant in town. They mention waiting for a letter from Sacramento and the need for ammunition to fight outlaws.

3 people observed.

“Saw a cloud of dust down by Cotton Creek.” 13:28 · “Well, how did they know before? I tell you, there's a skunk in this town, and we ought to run him down.” 13:36

Evidence, details and a link to share

Sequence 14 from 14:15

Sequence 15 from 14:23

Frame at 14:34, shot 2214:34Frame at 14:46, shot 2314:46
2 of 2 shots sampled

18. Field

14:27–14:52 Machine checks passed (partial)

Model synopsis: Two people on horseback ride through a rocky, arid landscape. One person, addressed as 'Dad', is told not to worry by the other, who calls the trip wonderful.

  • Two people ride horses along a dirt path in a rocky landscape. [frame:1]
  • The woman speaks to the man while both remain seated on their horses. [frame:2]

Named: Betty (t:14:40), Dad (t:14:45). 2 people observed.

“No sign of outlaws yet, Betty.” 14:40 · “But I still insist you shouldn't have come.” 14:42

Evidence, details and a link to share

Frame at 14:54, shot 2414:54
1 of 1 shots sampled

19. Mountain

14:52–14:56 Machine checks passed (partial)

Model synopsis: A line of people and pack animals moves along a narrow, rocky mountain path. The terrain is steep and barren, suggesting a high-altitude or arid environment.

  • A line of people and pack animals walks along a rocky mountain path. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 16 from 14:56

Frame at 14:57, shot 2514:57
1 of 1 shots sampled

20. Field

14:56–14:59 Machine checks passed

Model synopsis: A group of riders on horseback moves across an open, rocky landscape under a cloudy sky. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Sequence 17 from 14:59

Frame at 15:09, shot 2615:09Frame at 15:20, shot 2715:20Frame at 15:23, shot 2815:23
3 of 3 shots sampled

21. Mountain

14:59–15:24 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves through a rocky, mountainous terrain. One rider is seen from behind, ascending a steep slope, while others are visible in motion ahead.

  • Riders on horseback move through rocky terrain. [frame:1]
  • A rider in profile gallops forward, kicking up dust. [frame:2]
  • A rider ascends a steep, rocky slope. [frame:3]

3 people observed.

“I'm sorry.” 15:18

Evidence, details and a link to share

Sequence 18 from 15:24

Frame at 15:25, shot 2915:25
1 of 1 shots sampled

22. Field

15:24–15:26 Machine checks passed

Model synopsis: A group of riders on horseback moves through a smoky or dusty environment. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 19 from 15:26

Frame at 15:43, shot 3015:43
1 of 1 shots sampled

23. River

15:26–16:01 Machine checks passed

Model synopsis: A single frame shows a turbulent, rocky river with mist or spray rising from the water. No people, dialogue, or on-screen text are visible in this beat.

Evidence, details and a link to share

Sequence 20 from 16:01

Frame at 16:03, shot 3116:03
1 of 1 shots sampled

24. Snowy plain

16:01–16:04 Machine checks passed (partial)

Model synopsis: Two riders on horseback gallop across a snow-covered plain with a mountain range in the background. The scene is shot in black and white with no visible text or dialogue.

  • two riders gallop across snow [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 16:06, shot 3216:06
1 of 1 shots sampled

25. Snowy field

16:04–16:07 Machine checks passed

Model synopsis: Two riders on horseback move across a snow-covered landscape under a dark sky. No dialogue or on-screen text is present in this beat.

  • two riders on horseback traverse a snow-covered field [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 21 from 16:07

Frame at 16:11, shot 3316:11Frame at 16:20, shot 3416:20
2 of 2 shots sampled

26. Other

16:07–16:25 Machine checks passed (partial)

Model synopsis: Two men in cowboy attire are inside a wooden interior; one handles a sack while the other speaks. The dialogue suggests they are traveling together and anticipate more company.

  • A man handles a sack on a table while another stands nearby. [frame:1]
  • A man in cowboy attire looks forward with a serious expression. [frame:2]

2 people observed.

“Glad you decided to drift along with me.” 16:13 · “It's kind of lonesome trailing alone. Yeah.” 16:15

Evidence, details and a link to share

Frame at 16:33, shot 3516:33
1 of 1 shots sampled

27. Other

16:25–16:41 Machine checks passed

Model synopsis: A person wearing a wide-brimmed hat and coat is seen from behind, standing in front of a wooden wall. A sound effect 'BAM!' is heard at 16:40.

1 person observed.

“BAM!” 16:40

Evidence, details and a link to share

Sequence 22 from 16:41

Frame at 16:46, shot 3616:46
1 of 1 shots sampled

28. Mountain

16:41–16:51 Machine checks passed (partial)

Model synopsis: A vehicle is seen in a wide, barren landscape with snow-capped mountains in the background. No people are visible, and no dialogue or on-screen text is present.

  • A vehicle is parked in a desolate, mountainous terrain. [frame:1]

Evidence, details and a link to share

Sequence 23 from 16:51

Frame at 16:53, shot 3716:53
1 of 1 shots sampled

29. Other

16:51–16:54 Machine checks passed

Model synopsis: A man in a cowboy hat and vest sits on a wooden bench inside a rustic wooden room. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 24 from 16:54

Frame at 16:58, shot 3816:58Frame at 17:02, shot 3917:02
2 of 2 shots sampled

30. Field

16:54–17:03 Machine checks passed (partial)

Model synopsis: Two frames show riders on horseback in a mountainous landscape and a man walking near a wooden structure with horses. The transcript includes the phrases 'I'm not.' and 'Amen.'

  • Riders on horseback move across a dusty field with mountains in the background. [frame:1]
  • A man walks toward a wooden structure while horses stand nearby. [frame:2]

4 people observed.

“I'm not.” 16:56 · “Amen.” 17:03

Evidence, details and a link to share

Frame at 17:10, shot 4017:10Frame at 17:18, shot 4117:18Frame at 17:21, shot 4217:21
3 of 3 shots sampled

31. Field

17:03–17:22 Machine checks passed (partial)

Model synopsis: A person on foot runs across a rocky plain as riders on horseback pursue them near a wooden building. The transcript includes a plea for help addressed to an outlaw.

  • A person runs across a rocky plain. [frame:1]
  • Riders on horseback approach a wooden building. [frame:2]
  • Three riders on horseback gallop across a dusty field. [frame:3]

4 people observed.

“Outlaw, please help us.” 17:11

Evidence, details and a link to share

Frame at 17:26, shot 4317:26Frame at 17:35, shot 4417:35
2 of 2 shots sampled

32. Field

17:22–17:40 Machine checks passed (partial)

Model synopsis: Two riders on horseback move across a dusty plain with mountains in the background; one rider later kneels beside a person lying on the ground. No names or specific time of day are established in the frames or transcript.

  • Two riders on horseback move across a dusty plain with mountains in the background. [frame:1]
  • One person kneels beside another person lying on the ground. [frame:2]

4 people observed.

“Yes.” 17:31 · “Yes!” 17:32

Evidence, details and a link to share

Frame at 17:44, shot 4517:44Frame at 17:49, shot 4617:49Frame at 17:54, shot 4717:54
3 of 3 shots sampled

33. Mountainous desert

17:40–17:56 Machine checks passed (partial)

Model synopsis: Three riders on horseback move across a barren, mountainous landscape, kicking up dust. The terrain is open and arid, with snow-capped peaks visible in the background.

  • A rider on horseback moves across a dusty plain with mountains in the background. [frame:1]
  • Two riders gallop across the plain, one on a dark horse, one on a white horse. [frame:2]
  • Three riders on horseback gallop across the plain with snow-capped mountains behind them. [frame:3]

3 people observed.

Evidence, details and a link to share

Frame at 18:00, shot 4818:00
1 of 1 shots sampled

34. Field

17:56–18:04 Machine checks passed (partial)

Model synopsis: A lone rider on horseback moves across a barren, rocky plain with snow-capped mountains in the background. No dialogue or on-screen text is present in this beat.

  • A rider on horseback moves across a rocky plain toward distant mountains. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 18:10, shot 4918:10
1 of 1 shots sampled

35. Desert

18:04–18:16 Machine checks passed (partial)

Model synopsis: A person on horseback is shown in a desert landscape. No dialogue or on-screen text is present in this beat.

  • A person sits on horseback in a desert landscape. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 18:25, shot 5018:25
1 of 1 shots sampled

36. Rocky ridge

18:16–18:33 Machine checks passed (partial)

Model synopsis: A lone rider on horseback is visible on a rocky ridge under a bright sky. No dialogue or on-screen text is present in this beat.

  • A rider on horseback is visible on a rocky ridge. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 18:37, shot 5118:37
1 of 1 shots sampled

37. Field

18:33–18:40 Machine checks passed (partial)

Model synopsis: A person rides a horse across a barren, open landscape. The scene is shot in black and white with no visible structures or other people.

  • A person rides a horse across an open field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 18:42, shot 5218:42Frame at 18:46, shot 5318:46
2 of 2 shots sampled

38. Mountain

18:40–18:49 Machine checks passed (partial)

Model synopsis: A person on horseback rides over a rocky, misty terrain. A voice exclaims 'Oh, my God.' during the scene.

  • A person on horseback rides over rocky terrain with mist [frame:1]
  • The rider continues moving across a misty, elevated landscape [frame:2]

1 person observed.

“Oh, my God.” 18:41

Evidence, details and a link to share

Frame at 18:49, shot 5418:49Frame at 18:52, shot 5518:52Frame at 18:56, shot 5618:56Frame at 19:00, shot 5719:00
4 of 4 shots sampled

39. River

18:49–19:02 Machine checks passed (partial)

Model synopsis: Two people are seen swimming in a river, while two others ride horses nearby. Smoke or mist obscures a figure in the distance, and dialogue suggests they are confirming the capture of individuals.

  • A figure is partially visible through smoke or mist. [frame:1]
  • A rocky riverbed with water flowing is shown. [frame:2]
  • Two people are swimming in the river. [frame:3]
  • 1 more under Evidence and details.

5 people observed.

“I'm sorry.” 18:54 · “Well, we got both of them.” 18:58

Evidence, details and a link to share

Frame at 19:03, shot 5819:03
1 of 1 shots sampled

40. Forest

19:02–19:04 Machine checks passed (partial)

Model synopsis: Two figures on horseback are visible in a wooded, uneven outdoor setting. No dialogue or on-screen text is present in this beat.

  • Two figures on horseback are seen moving through a wooded area. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 25 from 19:38

Sequence 26 from 19:40

Sequence 27 from 19:44

Sequence 28 from 19:52

Frame at 19:54, shot 6319:54
1 of 1 shots sampled

45. Mountain

19:52–19:55 Machine checks passed

Model synopsis: Two riders on horseback are seen from behind, ascending a steep, rocky slope. The scene is shot in black and white with no visible dialogue or on-screen text.

  • Two riders on horseback ascend a rocky slope [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 29 from 19:55

Sequence 30 from 20:33

Frame at 20:55, shot 6520:55
1 of 1 shots sampled

47. Field

20:33–21:17 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats converse outdoors near horses; one mentions a fight and a girl named Betty arriving. The transcript references a girl, a fight, and someone named Jake being killed.

  • Two men in cowboy hats stand facing each other near horses. [frame:1]

Named: Jake (t:20:48), Betty (t:21:14). 4 people observed.

“They got Jake, but they're on the bottom of the river.” 20:48 · “What about the girl?” 20:50

Evidence, details and a link to share

Sequence 31 from 21:17

Frame at 21:35, shot 6621:35Frame at 21:58, shot 6721:58
2 of 2 shots sampled

48. Field

21:17–22:03 Machine checks passed (partial)

Model synopsis: A group of people gathers outdoors near horses while a woman recounts an attack that killed two men. Two men on horseback are shown in a mountainous landscape.

  • A crowd of people stands near horses in an open area. [frame:1]
  • Two men sit on horses in a mountainous landscape. [frame:2]

Named: Teddy (t:21:46). 4 people observed.

“Dad and Tom are...” 21:39 · “Dead. They killed them. They killed them.” 21:40

Evidence, details and a link to share

Sequence 32 from 22:03

Frame at 22:12, shot 6822:12Frame at 22:44, shot 6922:44
2 of 2 shots sampled

49. Town square

22:03–23:08 Machine checks passed (partial)

Model synopsis: A group of men in cowboy hats gathers around a distressed woman being comforted; a man speaks to another woman, assigning her to care for the first woman while he departs. The dialogue indicates concern for the woman's safety and a plan to send someone for another person.

  • A man holds a distressed woman while others stand around. [frame:1]
  • A man speaks to a woman while another woman stands beside them. [frame:2]

Named: Miss Piggy (t:22:09), Mrs. Willard (t:22:41). 5 people observed.

“There, there, Miss Piggy.” 22:09 · “I... I... Get away from everything. Get away from everything. I'm afraid you're not.” 22:11

Evidence, details and a link to share

Sequence 33 from 23:08

Sequence 34 from 24:07

Frame at 24:14, shot 7124:14Frame at 24:24, shot 7224:24Frame at 24:29, shot 7424:29Frame at 24:31, shot 7524:31
4 of 5 shots sampled

51. Street

24:07–24:32 Machine checks passed (partial)

Model synopsis: A group of men in cowboy hats confronts two others in a street setting; one man holds a gun while another speaks about a gang and a killing. The transcript indicates a demand for information and a decision to kill.

  • A man with a gun orders others not to move. [frame:1]
  • Two men are shown, one holding a gun, the other gesturing while speaking. [frame:2]
  • A group of men, including one with bound hands, stands together. [frame:4]

5 people observed.

“Don't move. Either one of you.” 24:14 · “Where's the rest of your gang in the provision? Why was it necessary to kill?” 24:18

Evidence, details and a link to share

Frame at 24:40, shot 7624:40Frame at 25:11, shot 7725:11
2 of 2 shots sampled

52. Town square

24:32–25:33 Machine checks passed

Model synopsis: A group of men in a Western town confronts Mrs. Mason about accusations related to her father's death; she clarifies they are the ones who saved her life. The town is described as desperate, lacking food and ammunition, and under threat from an outlaw, with residents fearing they will not survive until snowfall.

Named: Mrs. Mason (t:24:49), Mr. Melrose (t:24:49). 5 people observed.

“Mrs. Mason, these men have accused us of killing your father. Oh, no, Mr. Melrose.” 24:49 · “These are the men that drove the unloads away and saved my life.” 24:53

Evidence, details and a link to share

Frame at 25:45, shot 7825:45Frame at 26:02, shot 7926:02Frame at 26:10, shot 8026:10Frame at 26:15, shot 8126:15
4 of 4 shots sampled

53. Town square

25:33–26:19 Machine checks passed

Model synopsis: A man in a dark suit and hat offers money to buy homesteads, while others, including women and men in cowboy hats, react. The speaker proposes a deal to secure provisions within four days in exchange for an order worth a thousand dollars.

Named: Melrose (t:25:43). 6 people observed.

“Then, I have a little money, not much, but I'll do this.” 25:33 · “But I'll risk it. Oh, it's much worse, Melrose. Come on, that's right. That's right. That's right.” 25:43

Evidence, details and a link to share

Sequence 35 from 26:46

Frame at 27:11, shot 8327:11
1 of 1 shots sampled

55. Other

26:46–27:36 Machine checks passed (partial)

Model synopsis: A person in period attire stands beside a horse-drawn carriage outside a building with tiled roofing. A voice speaks to someone named Betty, offering her a spare room and welcoming her to the home.

  • A person stands beside a horse-drawn carriage outside a building. [frame:1]

Named: Betty (t:27:26). 3 people observed.

“Show Miss Mason a spare room.” 27:13 · “This is to be your home, Betty.” 27:26

Evidence, details and a link to share

Sequence 36 from 27:36

Frame at 27:38, shot 8427:38
1 of 1 shots sampled

56. Forest

27:36–27:40 Machine checks passed

Model synopsis: A single frame shows a dark, indistinct figure moving behind a snowbank in a wooded area. No people are clearly visible, no dialogue is present, and no objects or text are identifiable.

Evidence, details and a link to share

Frame at 27:45, shot 8527:45
1 of 1 shots sampled

57. Field

27:40–27:49 Machine checks passed

Model synopsis: A person in a dark hat and coat is visible behind a low wall in an outdoor setting with trees. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 27:52, shot 8627:52Frame at 27:58, shot 8727:58Frame at 28:07, shot 8828:07Frame at 28:19, shot 8928:19
4 of 4 shots sampled

58. Other

27:49–28:26 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats discuss a gold strike and a captured girl while a woman in a hat listens nearby. The dialogue references past violence and plans to control a gold field by removing others from the town.

  • A man in a cowboy hat peeks over a wooden fence. [frame:1]
  • Two men in cowboy hats stand facing each other, one with his arm on a post. [frame:2]
  • A woman in a hat stands near a wooden door, looking concerned. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“I thought you said those two men were at the bottom of the river.” 27:51 · “She's private property.” 28:04

Evidence, details and a link to share

Sequence 37 from 28:26

Frame at 28:27, shot 9028:27
1 of 1 shots sampled

59. Other

28:26–28:28 Machine checks passed

Model synopsis: A person in a hat and coat stands beside a wooden gate, holding it open. Another person in a hat is visible behind the gate, partially obscured.

  • A person holds open a wooden gate while another person stands behind it. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 28:29, shot 9128:29Frame at 28:33, shot 9228:33Frame at 28:49, shot 9328:49
3 of 3 shots sampled

60. Interior

28:28–29:02 Machine checks passed (partial)

Model synopsis: A woman in a patterned dress points and speaks indoors; a man in a hat stands at a gate outdoors; the final frame is dark. Dialogue mentions taking someone to a hideout until the town is deserted.

  • A woman points upward with her right index finger while speaking. [frame:1]
  • A man stands at a wooden gate with his hands open, outdoors. [frame:2]
  • The screen is dark, showing only a silhouette of hills. [frame:3]

2 people observed.

“¡Señor, la muchacha está escuchando!” 28:29 · “Take her to the hideout.” 28:36

Evidence, details and a link to share

Sequence 38 from 29:02

Sequence 39 from 30:18

Frame at 30:25, shot 9530:25
1 of 1 shots sampled

62. Other

30:18–30:31 Machine checks passed

Model synopsis: A close-up shows a hand holding a sign that reads 'LOST LODE MINING CO.' No people are visible or audible. No events occur beyond the static display of the sign.

Evidence, details and a link to share

Sequence 40 from 30:31

Frame at 31:03, shot 9631:03Frame at 31:35, shot 9731:35
2 of 2 shots sampled

63. Bunkhouse

30:31–31:36 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat is seen inside a dimly lit wooden structure, then two men are shown outside near a fence and trees. Dialogue includes questions about Melgrove and instructions not to shoot.

  • A man in a cowboy hat adjusts his belt inside a wooden structure. [frame:1]
  • Two men move quickly outside near a wooden fence and trees. [frame:2]

3 people observed.

“What are you doing in the bunkhouse?” 30:46 · “No shooting.” 30:53

Evidence, details and a link to share

Sequence 41 from 31:36

Frame at 31:50, shot 9931:50
1 of 1 shots sampled

65. Barn

31:46–31:54 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat runs out of a wooden barn. The scene is outdoors, with no visible text or spoken dialogue.

  • A man runs out of a barn. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 42 from 31:54

Frame at 31:56, shot 10031:56
1 of 1 shots sampled

66. Other

31:54–31:57 Machine checks passed

Model synopsis: A man in a wide-brimmed hat holds a coiled rope inside a dimly lit wooden structure. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 43 from 31:57

Frame at 32:18, shot 10132:18
1 of 1 shots sampled

67. Barn

31:57–32:39 Machine checks passed

Model synopsis: A single frame shows a wooden barn with its double doors ajar, revealing darkness inside; the transcript contains only the spoken line 'All right.' No named individuals are visible or audible.

  • A barn with double doors ajar is visible. [frame:1]

“All right.” 32:02

Evidence, details and a link to share

Frame at 32:41, shot 10232:41
1 of 1 shots sampled

68. Barn

32:39–32:43 Machine checks passed

Model synopsis: A wooden barn with a broken upper window and an open lower door is shown in a single frame. No people, spoken dialogue, or on-screen text are visible.

Evidence, details and a link to share

Frame at 32:46, shot 10332:46Frame at 32:54, shot 10432:54
2 of 2 shots sampled

69. Other

32:43–33:00 Machine checks passed (partial)

Model synopsis: A person is seen on a roof peak while another stands at a doorway; one speaks a greeting. The setting appears to be outdoors near a wooden structure.

  • A person crouches on the peak of a roof. [frame:1]
  • A person in a cowboy hat stands at the doorway of a wooden building. [frame:2]

2 people observed.

“Oh, dear.” 32:48 · “Good afternoon.” 32:49

Evidence, details and a link to share

Frame at 33:01, shot 10533:01
1 of 1 shots sampled

70. Other

33:00–33:02 Machine checks passed

Model synopsis: A person wearing a wide-brimmed hat is visible behind a dark structure in an outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 44 from 33:02

Frame at 33:02, shot 10633:02
1 of 1 shots sampled

71. Other

33:02–33:03 Machine checks passed

Model synopsis: A person in a cowboy hat and shirt stands against a wooden wall. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 45 from 33:03

Frame at 33:09, shot 10733:09
1 of 1 shots sampled

72. Other

33:03–33:15 Machine checks passed (partial)

Model synopsis: A person in a cowboy hat is visible leaning over a dark structure. No dialogue or on-screen text is present in this beat.

  • A person in a cowboy hat leans over a dark structure. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 46 from 33:15

Frame at 33:16, shot 10833:16
1 of 1 shots sampled

73. Forest

33:15–33:17 Machine checks passed

Model synopsis: A man in a cowboy hat and vest sits atop a horse under trees. The scene is outdoors and lit by natural daylight.

1 person observed.

Evidence, details and a link to share

Sequence 47 from 33:17

Frame at 33:23, shot 10933:23
1 of 1 shots sampled

74. Other

33:17–33:28 Machine checks passed (partial)

Model synopsis: A person in a hat stands beside a wooden door with a dark shape on the ground nearby. No dialogue or on-screen text is present in this beat.

  • A person stands beside a wooden door with a dark shape on the ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 48 from 33:28

Sequence 49 from 33:39

Frame at 34:18, shot 11134:18Frame at 35:16, shot 11235:16
2 of 2 shots sampled

76. Private office

33:39–35:33 Machine checks passed (partial)

Model synopsis: Two men in Western attire stand indoors against a wooden wall; another man in a cowboy hat is seen outdoors among trees. Dialogue indicates a group is preparing to leave immediately to surprise outlaws, with concern about being expected at a pass and a question about Miss Mason's whereabouts.

  • Two men stand indoors facing forward. [frame:1]
  • A man in a cowboy hat is seen outdoors among trees. [frame:2]

3 people observed.

“What's this all about?” 33:45 · “Where are you leaving?” 34:01

Evidence, details and a link to share

Sequence 50 from 35:33

Frame at 35:36, shot 11335:36
1 of 1 shots sampled

77. Field

35:33–35:39 Machine checks passed (partial)

Model synopsis: A person rides a horse across an open area with trees and a building in the background. The scene is outdoors and appears to be from a black-and-white film.

  • A person rides a horse across an open area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 51 from 35:39

Frame at 35:56, shot 11435:56
1 of 1 shots sampled

78. Bedroom

35:39–36:13 Machine checks passed

Model synopsis: A person sits in a dimly lit wooden interior, looking off-camera. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 52 from 36:13

Frame at 36:13, shot 11536:13
1 of 1 shots sampled

79. Other

36:13–36:14 Machine checks passed

Model synopsis: A hand holds a sign reading 'LOST LODE MINING CO.' in a close-up shot. No people are visible or audible, and no events are described beyond the static display of the sign.

Evidence, details and a link to share

Sequence 53 from 36:14

Frame at 36:22, shot 11636:22
1 of 1 shots sampled

80. Other

36:14–36:30 Machine checks passed (partial)

Model synopsis: A person rides a horse in a dark, indistinct outdoor setting. No names, time of day, or period are established from the frame or transcript.

  • A person rides a horse. [frame:1]

1 person observed.

“I don't know.” 36:20

Evidence, details and a link to share

Sequence 54 from 36:30

Frame at 37:51, shot 11737:51
1 of 1 shots sampled

81. Private office

36:30–39:11 Machine checks passed

Model synopsis: Two men speak in a dim interior; one reports having found a captive woman and learned of a land grab tied to gold deposits. The setting appears to be a rustic room with wooden walls and a barred door.

  • Two men stand facing each other in a dim room with wooden walls and a barred door. [frame:1]

Named: Monroe (t:37:07), Miss Mason (t:37:24), Ken (t:37:45), Naguo (t:37:35). 5 people observed.

“- Hello, Monroe. - Hi.” 37:07 · “Where's the girl? In the strong room.” 37:13

Evidence, details and a link to share

Sequence 55 from 39:11

Sequence 56 from 39:26

Frame at 39:30, shot 11939:30
1 of 1 shots sampled

83. Bedroom

39:26–39:34 Machine checks passed

Model synopsis: A person lies on a bed in a dimly lit room, visible in one frame. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 57 from 39:34

Frame at 39:39, shot 12039:39
1 of 1 shots sampled

84. Forest

39:34–39:43 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across an outdoor setting with trees. No dialogue or on-screen text is present in this beat.

  • Riders on horseback move across a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 58 from 39:43

Frame at 39:45, shot 12139:45
1 of 1 shots sampled

85. Forest

39:43–39:46 Machine checks passed

Model synopsis: Two men in hats move through a wooded area. One man is partially obscured by a tree while the other leans forward, both appearing to be in motion.

  • Two men move through a wooded area. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 39:50, shot 12239:50Frame at 39:59, shot 12339:59
2 of 2 shots sampled

86. Desert

39:46–40:05 Machine checks passed (partial)

Model synopsis: Two men in Western attire stand in a wooded area, then the scene cuts to a wide shot of a desert landscape with distant snow-capped mountains. One man speaks about finding a wagon and getting a girl, while the other begins to respond.

  • Two men stand facing each other in a wooded area. [frame:1]
  • The scene cuts to a wide view of a desert with mountains in the background. [frame:2]

2 people observed.

“You try and find the wagon. I'll go get the girl.” 39:50 · “I...” 39:53

Evidence, details and a link to share

Sequence 59 from 40:05

Frame at 40:33, shot 12440:33
1 of 1 shots sampled

87. Field

40:05–41:02 Machine checks passed

Model synopsis: A man in a cowboy hat and vest is seen handling a rope near a wooden wagon in an outdoor setting. He speaks about rotating the wagon and horses and instructs others to take a man with them.

  • A man in a cowboy hat handles a rope near a wooden wagon. [frame:1]

1 person observed.

“All right.” 40:20 · “Okay.” 40:21

Evidence, details and a link to share

Sequence 60 from 41:02

Frame at 41:04, shot 12541:04
1 of 1 shots sampled

88. Mountain

41:02–41:06 Machine checks passed

Model synopsis: A lone figure stands in a rocky, mountainous landscape under a cloudy sky. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 61 from 41:06

Frame at 41:13, shot 12641:13
1 of 1 shots sampled

89. Road

41:06–41:20 Machine checks passed

Model synopsis: A person in a hat and vest stands on a moving wagon pulled by horses, with dialogue indicating urgency and departure. The scene is outdoors, likely in a rural or wooded area, and includes a spoken reference to 'Miss Nathan.'

  • A person stands on a moving wagon pulled by horses. [frame:1]

1 person observed.

“Miss Nathan.” 41:06 · “Hurry and get ready. They've gone.” 41:07

Evidence, details and a link to share

Sequence 62 from 41:20

Frame at 41:34, shot 12741:34
1 of 1 shots sampled

90. Mountain

41:20–41:49 Machine checks passed

Model synopsis: A lone rider on horseback moves across a rocky, mountainous landscape under a cloudy sky. No people are named, no dialogue is present, and the setting is an open, natural terrain.

  • A rider on horseback moves across a rocky landscape. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 63 from 41:49

Frame at 41:54, shot 12841:54
1 of 1 shots sampled

91. Mountain plain

41:49–42:00 Machine checks passed

Model synopsis: A wide shot shows a barren, rocky plain with snow-capped mountains in the background and small figures moving across the terrain. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 64 from 42:00

Frame at 42:02, shot 12942:02
1 of 1 shots sampled

92. Other

42:00–42:04 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats stand outdoors with a third partially visible behind them; one speaks about being tricked and heading to a hideout. The scene is shot in black and white with no visible interior elements or time indicators.

  • Three people stand outdoors in cowboy attire. [frame:1]

Named: Mel Groves (t:42:00). 3 people observed.

“You've been tricked, Mel Groves.” 42:00 · “Now headed for the hideout.” 42:01

Evidence, details and a link to share

Sequence 65 from 42:04

Sequence 66 from 42:15

Sequence 67 from 42:34

Frame at 42:39, shot 13242:39Frame at 42:49, shot 13342:49
2 of 2 shots sampled

95. Desert

42:34–42:54 Machine checks passed (partial)

Model synopsis: Two men stand near a wagon at the entrance of a rocky cave; in another shot, riders on horseback move across a desert landscape with a large rock formation. No names are spoken, and no interior or time of day is established.

  • Two men stand near a wagon at the entrance of a rocky cave. [frame:1]
  • Riders on horseback move across a desert landscape with a large rock formation. [frame:2]

3 people observed.

“Hey, son, there's enough grub in there to last a year. Come on.” 42:46 · “Mr.” 42:40

Evidence, details and a link to share

Sequence 68 from 42:54

Sequence 69 from 43:28

Frame at 43:32, shot 13543:32Frame at 43:42, shot 13643:42
2 of 2 shots sampled

97. Desert

43:28–43:48 Machine checks passed (partial)

Model synopsis: Two men struggle physically in a wooded area while, in a separate shot, riders on horseback move across a desert landscape. The transcript includes commands to 'Come on' and 'Get up.'

  • Riders on horseback move across a desert landscape. [frame:1]
  • Two men struggle physically in a wooded area. [frame:2]

3 people observed.

“Come on.” 43:36 · “Get up.” 43:41

Evidence, details and a link to share

Sequence 70 from 43:48

Frame at 43:49, shot 13743:49
1 of 1 shots sampled

98. Field

43:48–43:50 Machine checks passed

Model synopsis: A person in a wide-brimmed hat and dark clothing stands beside a wooden fence post in an open, rural area. The scene is shot in black and white with no visible text or dialogue.

  • A person stands beside a wooden fence post in a field. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 71 from 43:50

Frame at 43:52, shot 13843:52
1 of 1 shots sampled

99. Mountain

43:50–43:55 Machine checks passed

Model synopsis: A wide shot shows a rugged, rocky landscape with snow-capped mountains in the distance. No people or man-made structures are visible in the frame.

Evidence, details and a link to share

Sequence 72 from 43:55

Frame at 43:56, shot 13943:56
1 of 1 shots sampled

100. Field

43:55–43:58 Machine checks passed

Model synopsis: A person in a long coat and hat stands beside a fence in an open, rural area. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 73 from 43:58

Frame at 44:12, shot 14044:12Frame at 44:28, shot 14144:28
2 of 2 shots sampled

101. Mountain

43:58–44:30 Machine checks passed (partial)

Model synopsis: A person is seen lying on the ground in a rocky, mountainous landscape. Voices express alarm and confusion as someone announces that 'they're coming back.'

  • A person is lying on the ground in a rocky landscape. [frame:1]
  • A wide shot shows a mountain range with snow-capped peaks. [frame:2]

1 person observed.

“Stop it!” 44:03 · “I'm not sure.” 44:06

Evidence, details and a link to share

Sequence 74 from 44:30

Frame at 44:30, shot 14244:30
1 of 1 shots sampled

102. Field

44:30–44:31 Machine checks passed

Model synopsis: A person in a wide-brimmed hat is visible outdoors in a natural setting with trees and hills. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 75 from 44:31

Frame at 44:33, shot 14344:33
1 of 1 shots sampled

103. Desert

44:31–44:35 Machine checks passed

Model synopsis: A wide shot shows a dusty, rocky landscape with distant figures moving along a path. No people are clearly visible up close, and no dialogue or on-screen text is present.

Evidence, details and a link to share

Frame at 44:36, shot 14444:36Frame at 44:38, shot 14544:38Frame at 44:48, shot 14644:48Frame at 45:00, shot 14745:00
4 of 4 shots sampled

104. Field

44:35–45:02 Machine checks passed (partial)

Model synopsis: Two men are seen in a confrontation outdoors, one of whom is knocked down; a woman in a hat and uniform stands nearby. A group of horsemen rides across a plain with mountains in the background. The transcript includes exclamations and a line indicating urgency and pursuit.

  • A man in dark clothing confronts another man in light clothing. [frame:1]
  • A woman in a hat and uniform stands in a field. [frame:2]
  • The man in light clothing is knocked or falls to the ground. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“Oh, God.” 44:36 · “Good work, son, but we got a hurry. They're coming back.” 44:50

Evidence, details and a link to share

Sequence 76 from 45:15

Frame at 45:18, shot 14945:18
1 of 1 shots sampled

106. Field

45:15–45:21 Machine checks passed

Model synopsis: A wide shot shows a distant group of figures moving across a snow-covered plain with mountains in the background. Bare branches and a large rock are in the foreground, suggesting a cold, open landscape.

Evidence, details and a link to share

Sequence 77 from 45:21

Frame at 45:25, shot 15045:25Frame at 45:36, shot 15145:36
2 of 2 shots sampled

107. Road

45:21–45:42 Machine checks passed (partial)

Model synopsis: Two frames show a rider on horseback near a tethered horse and a wagon on a dirt road with hills in the background. The transcript includes exclamations but no named characters or clear event descriptions.

  • A person rides a horse near a tethered horse and a wagon. [frame:1]
  • A wagon is parked on a dirt road with hills in the background. [frame:2]

1 person observed.

“All right.” 45:28 · “Oh, my God.” 45:31

Evidence, details and a link to share

Frame at 45:44, shot 15245:44
1 of 1 shots sampled

108. Forest

45:42–45:46 Machine checks passed

Model synopsis: A person rides a horse along a dirt path through a wooded area. The scene is shot in black and white with trees lining the path.

  • A person rides a horse along a dirt path through trees. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 78 from 45:46

Frame at 45:49, shot 15345:49
1 of 1 shots sampled

109. Field

45:46–45:51 Machine checks passed

Model synopsis: A group of riders on horseback moves across a dry, open landscape with sparse trees and distant snow-capped mountains. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 79 from 45:51

Frame at 45:52, shot 15445:52
1 of 1 shots sampled

110. Rocky desert

45:51–45:54 Machine checks passed (partial)

Model synopsis: A lone rider on horseback moves across a rocky, arid landscape under a partly cloudy sky. No people are named or audible, and no objects beyond the rider and terrain are visible.

  • A rider on horseback moves across a rocky landscape. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 80 from 45:54

Sequence 81 from 45:56

Frame at 46:01, shot 15646:01
1 of 1 shots sampled

112. Field

45:56–46:05 Machine checks passed

Model synopsis: A single frame shows an outdoor scene with trees, a wagon, and figures on horseback. No dialogue or on-screen text is visible in the frame, and no names are spoken in the supplied transcript.

  • Figures on horseback move across a field near a wagon and trees. [frame:1]

Evidence, details and a link to share

Frame at 46:10, shot 15746:10Frame at 46:18, shot 15846:18Frame at 46:25, shot 15946:25
3 of 3 shots sampled

113. Outdoor rustic setting

46:05–46:28 Machine checks passed (partial)

Model synopsis: Two men converse near a wooden structure while a group of riders on horseback is shown in a wooded area and one rider on a white horse is seen on a dirt road in an open landscape. The transcript indicates someone reports that a girl was taken.

  • Two men stand facing each other near a wooden structure. [frame:1]
  • A group of riders on horseback are gathered under trees. [frame:2]
  • A man rides a white horse along a dirt road in an open landscape. [frame:3]

4 people observed.

“What happened? What's the matter?” 46:07 · “They took a girl.” 46:09

Evidence, details and a link to share

Frame at 46:32, shot 16046:32Frame at 46:42, shot 16146:42
2 of 2 shots sampled

114. Rocky trail

46:28–46:49 Machine checks passed (partial)

Model synopsis: A horse-drawn wagon travels along a rocky, open landscape. The scene is shot in black and white with wide framing, showing a distant view of riders following the wagon.

  • A person drives a horse-drawn wagon along a rocky path. [frame:1]
  • A group of riders on horseback follows the wagon along the same path. [frame:2]

2 people observed.

Evidence, details and a link to share

Sequence 82 from 46:49

Frame at 47:02, shot 16247:02
1 of 1 shots sampled

115. Snowy field

46:49–47:16 Machine checks passed (partial)

Model synopsis: A horse-drawn carriage moves across a vast, flat, snowy landscape with distant mountains under a dark sky. No people are named or clearly identifiable, and no indoor setting or time of day is established.

  • A horse-drawn carriage moves across a snowy field with mountains in the background. [frame:1]
  • A person is driving the carriage. [frame:1]

1 person observed.

“Oh.” 46:52

Evidence, details and a link to share

Sequence 83 from 47:16

Frame at 47:22, shot 16347:22
1 of 1 shots sampled

116. Open plain

47:16–47:29 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across an open, flat landscape under a bright sky. The riders wear hats and dark clothing, and the terrain appears arid with distant hills.

  • A group of riders on horseback gallops across a flat, open area. [frame:1]

3 people observed.

Evidence, details and a link to share

Frame at 47:32, shot 16447:32Frame at 47:35, shot 16547:35Frame at 47:46, shot 16747:46Frame at 47:56, shot 16847:56
4 of 5 shots sampled

117. Field

47:29–48:04 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across an open, mountainous landscape under a cloudy sky. One rider is seen on a wagon, and others ride alongside; dialogue indicates hesitation or decision-making.

  • A rider is seen on a wagon holding a rifle. [frame:2]
  • Three riders on horseback are shown in profile. [frame:3]
  • Two riders on horseback move across a mountainous landscape. [frame:4]

4 people observed.

“Oh.” 47:30 · “Oh, my God.” 47:34

Evidence, details and a link to share

Frame at 48:05, shot 16948:05Frame at 48:15, shot 17048:15
2 of 2 shots sampled

118. Field

48:04–48:24 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across a dusty, open landscape with mountains in the background. The second frame shows a wider view of the same terrain, now empty of riders, under a cloudy sky.

  • Riders on horseback move across a dusty field. [frame:1]
  • The field is shown empty, with mountains and clouds in the background. [frame:2]

5 people observed.

Evidence, details and a link to share

Frame at 48:25, shot 17148:25
1 of 1 shots sampled

119. Mountain

48:24–48:26 Machine checks passed

Model synopsis: A person rides a horse in front of snow-capped mountains. The scene is outdoors with no visible structures or other people.

  • A person rides a horse across a mountainous landscape. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 48:26, shot 17248:26
1 of 1 shots sampled

120. Mountain

48:26–48:27 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across a dusty, mountainous landscape. The scene is shot in black and white with a wide framing that emphasizes the open terrain.

  • Riders on horseback gallop across a dusty, mountainous terrain. [frame:1]

3 people observed.

Evidence, details and a link to share

Frame at 48:29, shot 17348:29Frame at 48:34, shot 17548:34Frame at 48:39, shot 17748:39Frame at 48:47, shot 17948:47
4 of 7 shots sampled

121. Desert

48:27–48:51 Machine checks passed (partial)

Model synopsis: A man lies on the ground in a desert while another man drives a horse-drawn wagon with a passenger. The driver speaks to someone named Hammer, telling him to keep going while he stops. The scene is set outdoors with mountains in the background.

  • A man lies motionless on the desert ground. [frame:1]
  • A man drives a horse-drawn wagon with another man seated behind him. [frame:2]
  • The wagon moves across the desert with mountains in the background. [frame:3]
  • 1 more under Evidence and details.

Named: Hammer (t:48:29). 3 people observed.

“Keep going, old Hammer. I'll stop.” 48:29

Evidence, details and a link to share

Frame at 48:59, shot 18048:59
1 of 1 shots sampled

122. Field

48:51–49:07 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves through a dusty, open landscape. No dialogue or on-screen text is present in this beat.

  • Riders on horseback move through a dusty field. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 84 from 49:07

Frame at 49:08, shot 18149:08
1 of 1 shots sampled

123. Beat 123

49:07–49:09 Machine checks passed

Model synopsis: A close-up shows hands manipulating a small object. No location, time, or people are identifiable from the frames or transcript.

1 person observed.

Evidence, details and a link to share

Sequence 85 from 49:09

Frame at 49:11, shot 18249:11
1 of 1 shots sampled

124. Desert

49:09–49:13 Machine checks passed

Model synopsis: A rocky desert landscape is shown with no people or vehicles visible. The scene is static and contains no on-screen text or audible dialogue.

Evidence, details and a link to share

Sequence 86 from 49:19

Frame at 49:20, shot 18449:20
1 of 1 shots sampled

126. Beat 126

49:19–49:20 Machine checks passed (partial)

Model synopsis: A person holds several bullets and a coiled wire in their hands. No dialogue or location context is provided in this beat.

  • A person holds bullets and a coiled wire in their hands. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 87 from 49:20

Frame at 49:21, shot 18549:21
1 of 1 shots sampled

127. Other

49:20–49:21 Machine checks passed

Model synopsis: A person in a wide-brimmed hat is visible among a group of horses in a close shot. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 88 from 49:21

Frame at 49:26, shot 18649:26Frame at 49:32, shot 18749:32
2 of 2 shots sampled

128. Canyon

49:21–49:33 Machine checks passed (partial)

Model synopsis: A rocky canyon is shown with smoke rising; a figure on horseback appears in the dust. A voice exclaims 'Oh, my God.' at 49:30.

  • Smoke rises from the canyon floor. [frame:1]
  • A figure on horseback appears in the dust. [frame:2]

1 person observed.

“Oh, my God.” 49:30

Evidence, details and a link to share

Frame at 50:02, shot 18950:02Frame at 50:11, shot 19050:11Frame at 50:21, shot 19150:21
3 of 3 shots sampled

130. Mountain

49:55–50:28 Machine checks passed (partial)

Model synopsis: A group of riders crosses a river and then appears in a mountainous canyon; two men stand beside a wagon in a rocky landscape. One person speaks an apology.

  • Riders on horseback cross a river. [frame:1]
  • Riders are seen in a mountain canyon. [frame:2]
  • Two men stand beside a wagon in a rocky area. [frame:3]

4 people observed.

“I'm sorry.” 49:57

Evidence, details and a link to share

Frame at 50:33, shot 19250:33
1 of 1 shots sampled

131. Mountain

50:28–50:39 Machine checks passed (partial)

Model synopsis: A person walks through a rocky, mountainous terrain. No dialogue or on-screen text is present in this beat.

  • A person walks along a rocky path between mountains. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 89 from 50:39

Sequence 90 from 50:45

Frame at 50:49, shot 19450:49
1 of 1 shots sampled

133. Rocky terrain

50:45–50:53 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and light shirt sits among large rocks. No dialogue or on-screen text is present in this beat.

  • A man sits among large rocks, looking downward. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 91 from 50:53

Frame at 51:00, shot 19551:00
1 of 1 shots sampled

134. Desert

50:53–51:07 Machine checks passed

Model synopsis: Two figures in hats are crouched on a sandy, uneven surface. One figure is partially obscured by dust or spray kicked up from the ground.

2 people observed.

Evidence, details and a link to share

Sequence 92 from 51:07

Sequence 93 from 51:46

Frame at 51:52, shot 19751:52
1 of 1 shots sampled

136. Street

51:46–51:57 Machine checks passed

Model synopsis: A group of men in period clothing stand on a dusty street with horses and buildings in the background. No dialogue or on-screen text is present in the frame.

5 people observed.

Evidence, details and a link to share

Sequence 94 from 51:57

Sequence 95 from 52:13

Frame at 52:27, shot 19952:27
1 of 1 shots sampled

138. Other

52:13–52:40 Machine checks passed

Model synopsis: A man in a light shirt and a woman in a dark uniform stand outdoors near a wooden structure; the man speaks about duty and leaving for Sacramento, announces the woman is going with him, and refers to someone being dead. He then presents her as the future Mrs. John Carruthers.

Named: John Carruthers (t:52:37). 2 people observed.

“Well, don't worry about that.” 52:18 · “It's all in my line of duty as a government marshal.” 52:19

Evidence, details and a link to share

Frame at 53:28, shot 20053:28
1 of 1 shots sampled

139. Other

52:40–54:16 Machine checks passed (partial)

Model synopsis: A man in a hat confronts another man while a woman stands between them; the confrontation involves accusations about identity and a reward. A United States Marshal is revealed to be present, and evidence including a row and items from Danny's room are discussed.

  • A man in a hat confronts another man while a woman stands between them. [frame:1]

Named: Sheriff (t:53:02). 3 people observed.

“Don't you realize I know you're the pokey-dust?” 52:59 · “Why, Sheriff, you must have seen me through the knot hole. You're right, boy. Quacky I did. But you saw the wrong man.” 53:02

Evidence, details and a link to share

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 459 segments kept, 408 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 0:54 I'm going to go.
  2. 1:26 I'm going to go.
  3. 1:38 I'm sorry.
  4. 1:45 Hey, Hank!
  5. 1:46 Oh, hello, Sheriff. Don't make me a little bit nervous. I've been jumping all night.
  6. 1:53 The same stage, Duke.
  7. 1:55 We're all about big, Matt, but the wreckage of the storm will hold it up some. And Middle Fork Bridge will watch out. They'll have to wait here, the storm rover. Got a room?
  8. 2:05 Been riding all night and want to get a little sleep before it's dead, you say.
  9. 2:09 Expecting trouble? I'm always expecting trouble.
  10. 2:13 We've got a place around here where I can watch going on.
  11. 2:17 I got it
  12. 2:19 My rope. You see that, Doc Oat? Yeah. Well, you only got to do is pull it around just to one side and you can see it in every corner of this rope.
  13. 2:28 I swear to you, that's just made order.
  14. 2:31 Call him when the stage is in. Will you, Hank? I'll ring the night bell. There's two beds up there. Take which one you want. Good night, Hank. Good night.
  15. 2:44 Come on.
  16. 3:06 Oh, my God.
  17. 3:15 All right.
  18. 3:22 I'm going to go.
  19. 3:38 Oh!
  20. 3:47 Oh, God.
439 more segments
  1. 4:04 I'm not.
  2. 4:07 I want a room with a stove in it.
  3. 4:09 I'm killing her.
  4. 4:11 And I've got to speak me a cup of hot tea. Well, there's a coal oil stone in every room.
  5. 4:17 is your team
  6. 4:21 Come on.
  7. 4:35 Yes.
  8. 4:37 Amen.
  9. 4:39 Just sign Mr. and Mrs. right there.
  10. 4:49 I suppose you folks would like the bridal chamber?
  11. 5:02 - Bye-bye.
  12. 5:03 How much? Well, we always get two dollars for the bridal chamber.
  13. 5:08 You see, it's the...
  14. 5:09 and that's in the house.
  15. 5:11 Amen.
  16. 5:14 and he's being as quiet as
  17. 5:17 home.
  18. 5:18 The man next to you gets up at five.
  19. 5:22 Oh, my God.
  20. 5:23 I'm going to go.
  21. 5:29 Hello, Mike.
  22. 5:39 I have water in the bottom of the lake.
  23. 5:41 Thank you, Bob.
  24. 5:42 Amen.
  25. 5:43 Talk that up, will you, Hank?
  26. 5:46 4,000 in there. Hello to the lost load mine. We're happy to be safe here. It has to take away the safe to get it.
  27. 5:55 Oh, my God.
  28. 6:03 I'm sorry.
  29. 6:20 Good morning, Frank.
  30. 6:30 I'm going to go.
  31. 6:40 Well?
  32. 6:42 Speak up, young man. What is it?
  33. 6:45 I can't find it.
  34. 6:47 Uh-huh.
  35. 6:48 No.
  36. 6:51 Well, whatever have you lost?
  37. 6:53 I ain't lost nothing. Well...
  38. 6:58 What in the world is it that you... that you can't find?
  39. 7:01 Well, I...
  40. 7:03 - Yes, sir. - Oh, Nancy.
  41. 7:06 Oh, I'm so angry.
  42. 7:09 - Mm-hmm.
  43. 7:21 Come on.
  44. 7:23 Tell me, Cheryl, if it's great for me, I'll be out.
  45. 7:27 Well, Hank, I reckon I had my trip for nothing.
  46. 7:31 See, I was just off of Hokey Duck Bandits here about. Well, you don't expect him out in a storm like this, do you?
  47. 7:38 You can expect him anywhere there's money.
  48. 7:42 - Maybe so, maybe.
  49. 7:53 Come on.
  50. 7:54 Come on.
  51. 8:34 I'm going to go.
  52. 8:40 I'm going to go.
  53. 8:49 Sure.
  54. 8:50 Huh? Huh? Did you hear that? No, no. What is it? I don't know.
  55. 9:09 My chimney is for PokéDoc.
  56. 9:36 Reckon your tip was right, Sheriff.
  57. 9:38 But how did they get to count the nation?
  58. 9:40 I don't know.
  59. 9:43 President!
  60. 9:46 Well, that's a safe combination number.
  61. 9:49 You watch it through the window when you open it.
  62. 9:53 I'm going to go.
  63. 10:07 No use trying to trail him tonight.
  64. 10:09 No, by morning he'd be miles away.
  65. 10:12 Just the same, I'm going to run him down...
  66. 10:16 If it takes me ten years...
  67. 10:37 Whistling
  68. 11:32 Don't move.
  69. 11:35 Put up your gun.
  70. 11:40 Everything's all right, old-timer.
  71. 11:43 Is this in time for me?
  72. 11:45 Sit down.
  73. 11:49 Think you're pretty slick, don't you?
  74. 11:51 No, just careful.
  75. 11:53 Or you might have been the polka dot bandit.
  76. 11:55 or some other notorious outlaw.
  77. 11:57 Yes.
  78. 11:59 How do you know I ain't?
  79. 12:00 Just by your luck.
  80. 12:02 Come on, let's eat.
  81. 12:10 These beans sure smell good.
  82. 12:12 Well, help yourself.
  83. 12:22 All right.
  84. 12:26 Pretty slick on the drawer, too, ain't you, son?
  85. 12:28 No, timer. Just force ahead.
  86. 12:30 Well, don't get it, Charles.
  87. 12:33 See, I carry this for snakes.
  88. 12:34 Oh, I insinuate them, it's your snake, but...
  89. 12:38 Here's to me right now is a good time to open it.
  90. 12:41 You ever drink?
  91. 12:43 Well, in this particular case, yes.
  92. 12:46 Mind if I roll up here for the night?
  93. 12:49 Hello, old time. And I...
  94. 12:50 Be right glad to know you better.
  95. 12:52 Yeah?
  96. 12:55 I ain't so sure.
  97. 12:57 Anyways...
  98. 12:58 Here's mud in your eyes.
  99. 12:59 And how.
  100. 13:03 three-year-old record three-year-old no it's a bad no it's a good one now maybe you know how to do it
  101. 13:25 See any sign of Mason and the gang?
  102. 13:28 Saw a cloud of dust down by Cotton Creek.
  103. 13:30 Maybe the outlaws. Hardly to think so.
  104. 13:33 How could they know when Mason was coming through?
  105. 13:36 Well, how did they know before? I tell you, there's a skunk in this town, and we ought to run him down.
  106. 13:43 We ought to be hearing from Sacramento.
  107. 13:45 That letter was sent three weeks ago. All right.
  108. 13:48 The government don't care nothing about us.
  109. 13:50 We've got to help ourselves. You can't fight outlaws without ammunition, and we can get it.
  110. 14:16 They're just entering the pass.
  111. 14:18 You boys know what to do.
  112. 14:20 Remember...
  113. 14:21 No harm has come to the girls.
  114. 14:40 No sign of outlaws yet, Betty.
  115. 14:42 But I still insist you shouldn't have come.
  116. 14:45 Now don't scroll, Dad.
  117. 14:47 It's been a wonderful trip.
  118. 15:18 I'm sorry.
  119. 16:13 Glad you decided to drift along with me.
  120. 16:15 It's kind of lonesome trailing alone. Yeah.
  121. 16:19 If I ain't mistaken, you're gonna have plenty of company.
  122. 16:40 BAM!
  123. 16:56 I'm not.
  124. 17:03 Amen.
  125. 17:11 Outlaw, please help us.
  126. 17:31 Yes.
  127. 17:32 Yes!
  128. 17:38 I
  129. 18:41 Oh, my God.
  130. 18:54 I'm sorry.
  131. 18:58 Well, we got both of them.
  132. 19:01 We'd better make sure
  133. 19:29 Yes.
  134. 19:35 Yeah.
  135. 19:37 Yeah.
  136. 19:46 No sign of 'em.
  137. 19:48 I reckon they're on the bottom.
  138. 19:56 Yes.
  139. 20:00 Alright, when I got you, old timer?
  140. 20:01 Amen.
  141. 20:02 The feel of my head they did get me.
  142. 20:05 What happened?
  143. 20:07 I only shot you off your horse and you fell over the cliff.
  144. 20:11 Use the water, eh?
  145. 20:12 You pull me out.
  146. 20:15 - Not nice.
  147. 20:16 I reckon I owe you my life.
  148. 20:18 Please forgive me. Don't worry about that, Dad. We gotta get out of here.
  149. 20:23 Think you can make it?
  150. 20:24 Now...
  151. 20:25 I'll make it or bust a cinch.
  152. 20:42 Everything worked out just as you planned, only we bumped into a couple of strangers.
  153. 20:46 We had to run and fight.
  154. 20:48 They got Jake, but they're on the bottom of the river.
  155. 20:50 What about the girl?
  156. 20:51 Are you sure she didn't recognize you? Nah, we didn't get close enough for that.
  157. 20:56 She's probably in town by now.
  158. 20:58 Come on.
  159. 21:09 And then...
  160. 21:11 I got that.
  161. 21:12 Yes, sir.
  162. 21:14 Hello, boys. Any worries from the pack train? Here comes Betty now. Where's your pop?
  163. 21:38 What?
  164. 21:39 Dad and Tom are...
  165. 21:40 Dead. They killed them. They killed them.
  166. 21:44 Who killed them?
  167. 21:45 There they're
  168. 21:46 Tell us all about it, Miss Teddy.
  169. 21:48 Well...
  170. 21:49 We were just coming through the pass...
  171. 21:51 And...
  172. 22:04 Then these men rode after the outlaws.
  173. 22:06 I ran to Dad and found him...
  174. 22:09 There, there, Miss Piggy.
  175. 22:11 I... I... Get away from everything. Get away from everything. I'm afraid you're not.
  176. 22:22 Miss Petty, you must let me take care of you.
  177. 22:26 I want you to consider my ranch your home until we can make more definite plans for your future.
  178. 22:31 I want you to know that I'll do everything possible to help you.
  179. 22:35 And you'll send someone for him?
  180. 22:37 I'm going myself. Right away.
  181. 22:40 Oh.
  182. 22:41 Mrs. Willard.
  183. 22:42 I want you to take care of Betty until I return.
  184. 22:49 I
  185. 23:01 I'm sorry.
  186. 23:17 In Holland, I reckon.
  187. 23:21 Dead?
  188. 23:23 Daughter just told her.
  189. 23:25 We're just gonna bring him into town.
  190. 23:27 Yeah?
  191. 23:29 Well, you can give us a hand, then.
  192. 23:38 I've got a thrill to go.
  193. 23:51 Boy! Boy!
  194. 23:52 Some of you take care of me.
  195. 24:14 Don't move. Either one of you.
  196. 24:16 Now talk and talk fast.
  197. 24:18 Where's the rest of your gang in the provision? Why was it necessary to kill?
  198. 24:22 You could have taken a patch without committing murder.
  199. 24:24 Then...
  200. 24:25 We found these two going through Mason's pockets.
  201. 24:28 Now what's to be done? Kill it! Now that's gone! I keep him covered.
  202. 24:33 Man?
  203. 24:34 We didn't tell Masons.
  204. 24:36 If you'll call his daughter, she'll prove it. His daughter's in no condition to be dragged out here and questioned.
  205. 24:41 We're not trying to question anyone, but under the circumstances, I think Miss Mason will be glad to explain. Here she comes now, of course.
  206. 24:49 Mrs. Mason, these men have accused us of killing your father. Oh, no, Mr. Melrose.
  207. 24:53 These are the men that drove the unloads away and saved my life.
  208. 24:57 Where?
  209. 24:58 In that case, we certainly owe you gentlemen apologies.
  210. 25:01 You, of course, don't realize, but this town is in a most desperate state.
  211. 25:06 We are without food and ammunition.
  212. 25:08 terrorized by a panda murdering outlaw.
  213. 25:10 Two attempts have been made now to bring in supplies.
  214. 25:13 Only to have our men killed.
  215. 25:14 and the fool take him.
  216. 25:16 If we don't get provisions here before snow sets in, we're crap.
  217. 25:20 We're trapped now.
  218. 25:21 We can only last a few days longer. Let's all get out.
  219. 25:25 I tell you it's the only solution.
  220. 25:27 I think you're right.
  221. 25:28 How can we get out when our money is all gone for food that we never got?
  222. 25:33 Then, I have a little money, not much, but I'll do this.
  223. 25:36 In order that we can get out...
  224. 25:38 I'll give you $100 each for your homesteads.
  225. 25:40 I'm taking a long chance of ever getting my money back.
  226. 25:43 But I'll risk it. Oh, it's much worse, Melrose. Come on, that's right. That's right. That's right.
  227. 25:51 Don't you think before you sell your homes for a few dollars that you should take at least one more chance at getting the provisions through?
  228. 25:57 Our men have families.
  229. 25:59 There's been enough killings.
  230. 26:01 Why not let us take a crack at it?
  231. 26:05 If you can get us provisions, I'll pay you well.
  232. 26:07 Forget that.
  233. 26:09 You give us an order and we'll have the provisions back here inside of four days.
  234. 26:13 Good.
  235. 26:13 And come to my ranch this afternoon, and I'll give you an order for a thousand dollar supply. That's it!
  236. 26:20 Get out! All right. Thank you.
  237. 26:28 Yeah, I did.
  238. 26:28 - Perfect.
  239. 26:29 and you can grab your hands.
  240. 26:31 See that pal in the old grove?
  241. 26:35 You're gonna be mighty interested in him right soon. Who is?
  242. 26:38 Even that for a surprise.
  243. 26:41 Huh? I'm keeping a surprise for you, too.
  244. 26:50 Come on.
  245. 27:13 Show Miss Mason a spare room. Yes, sony-o.
  246. 27:25 Remember,
  247. 27:26 This is to be your home, Betty.
  248. 27:28 It's going to be a great pleasure.
  249. 27:31 to have you with me.
  250. 27:51 I thought you said those two men were at the bottom of the river.
  251. 27:54 I swear those were the two we shot down.
  252. 27:57 If it hadn't been for those two meddlers, the town would be moving out right now.
  253. 28:00 Well, anyway, you got the girl.
  254. 28:02 And remember this.
  255. 28:04 She's private property.
  256. 28:05 Hands off.
  257. 28:06 Yeah, you better tell the boys not to be talking around here.
  258. 28:09 She might find out who you really are.
  259. 28:11 Kent made another inspection of Homestead Valley.
  260. 28:14 Swear it'll be the richest gold strike ever discovered.
  261. 28:17 Runs right through the middle of all the ranches.
  262. 28:19 Will you soon be rid of those hombres?
  263. 28:21 The town will move out.
  264. 28:23 And we'll own the gold field.
  265. 28:29 ¡Señor, la muchacha está escuchando!
  266. 28:36 Take her to the hideout.
  267. 28:37 We'll keep her there till the town is deserted.
  268. 28:39 You don't dare.
  269. 29:06 I'm going over to Melgrove's and get that order.
  270. 30:44 Only one came over.
  271. 30:46 What are you doing in the bunkhouse?
  272. 30:48 I don't know.
  273. 30:50 Now is your chance.
  274. 30:51 Remember...
  275. 30:53 No shooting.
  276. 31:19 You boys tell me where Melgrove is?
  277. 31:22 Why, yeah, I think you'll find him right, uh,
  278. 31:26 I'm sorry.
  279. 31:29 Come on.
  280. 31:33 Come on, get in.
  281. 32:02 All right.
  282. 32:48 Oh, dear.
  283. 32:49 Good afternoon.
  284. 33:45 What's this all about?
  285. 33:46 I asked these men here.
  286. 33:49 My boys have orders to hold all strangers.
  287. 33:52 They didn't understand. I'm very sorry.
  288. 33:54 Oh, that's all right, an old girl.
  289. 33:56 We were just playing.
  290. 33:59 Here's your order.
  291. 34:00 And I wish you luck.
  292. 34:01 Where are you leaving?
  293. 34:02 Right now.
  294. 34:03 We expect to be back before daylight.
  295. 34:06 You see, the outlaws won't be expecting us that soon.
  296. 34:09 I hope you'll get through.
  297. 34:11 Well, it won't be our fault if we don't, eh, Jake? You say it, son.
  298. 34:18 Won't be expecting him, eh?
  299. 34:21 All right.
  300. 34:22 They'll find out.
  301. 34:23 It's the things we least expect that usually happen.
  302. 34:38 I thought we was going to Sandy.
  303. 34:41 We're not gonna be that foolish old timers.
  304. 34:43 They'd be waiting for us at the pass.
  305. 34:45 You think Mel Grove and Dandy are with the other ones? There's no doubt about it. What should be done?
  306. 34:51 Well, it all depends on what happens between now and tomorrow morning.
  307. 34:56 What happened to Miss Mason?
  308. 36:20 I don't know.
  309. 37:02 And the tail goes with a high. Well, hey, hey.
  310. 37:07 - Hello, Monroe. - Hi.
  311. 37:09 We'll leave at dawn. They'll be coming too early.
  312. 37:13 Where's the girl? In the strong room.
  313. 37:15 She won't eat.
  314. 37:17 You'll get over that.
  315. 37:18 I'll have a talk with her tomorrow.
  316. 37:24 Miss Mason.
  317. 37:28 Ready?
  318. 37:29 Oh, I'm so glad you found me.
  319. 37:31 Tell me briefly what's happened.
  320. 37:33 They caught me over here in your plants and brought me here.
  321. 37:35 Naguo is the leader.
  322. 37:37 He's trying to force the people out so he can get their land. But why?
  323. 37:40 Well, you see, under their topsoil is a rich gold deposit, and it runs right through all the ranches.
  324. 37:45 Ken is in with them.
  325. 37:47 They'll be leaving early.
  326. 37:49 I'll be back shortly after dawn to get you.
  327. 37:51 Now try and get some sleep.
  328. 37:54 Good night.
  329. 37:54 Yes.
  330. 38:03 Wake up, old diamond. Huh? What's the matter?
  331. 38:06 Clean out them ears. I got a world of news for you. Where you been? I followed Melgrove to the hideout.
  332. 38:11 Hey, that sounds interesting. Go on. Well, they're holding Miss Mason present.
  333. 38:15 And I got to talk to her and she gave me the lowdown on the whole deal.
  334. 38:19 I'll listen to this.
  335. 38:49 All right.
  336. 39:12 I'll be back by noon.
  337. 39:14 I want you to guard this place, boys.
  338. 39:16 Keep your eye on the girl. If anybody comes...
  339. 39:19 Shoot. OK, boss.
  340. 39:50 You try and find the wagon. I'll go get the girl.
  341. 39:53 I...
  342. 40:20 All right.
  343. 40:21 Okay.
  344. 40:45 I've rotated the wagon and the horses.
  345. 40:47 Good. Give me a left here. We're taking this hombre with us. I'll take him. All right.
  346. 40:52 Come on.
  347. 41:06 Miss Nathan.
  348. 41:07 Hurry and get ready. They've gone.
  349. 41:14 Here we go.
  350. 42:00 You've been tricked, Mel Groves.
  351. 42:01 Now headed for the hideout.
  352. 42:17 Keep back. I'm gonna break this in.
  353. 42:23 and
  354. 42:24 All right.
  355. 42:29 Are you ready? All but naming my boots. I'll meet you at the tunnel. All right.
  356. 42:40 Mr.
  357. 42:46 Hey, son, there's enough grub in there to last a year. Come on.
  358. 43:13 Now, just where do you think you're going?
  359. 43:36 Come on.
  360. 43:41 Get up.
  361. 43:59 Come on.
  362. 44:03 Stop it!
  363. 44:04 Yes.
  364. 44:04 I...
  365. 44:06 I'm not sure.
  366. 44:07 Oh!
  367. 44:12 Cut!
  368. 44:13 Jesus.
  369. 44:14 I'm sorry.
  370. 44:24 Look!
  371. 44:25 They're coming back.
  372. 44:36 Oh, God.
  373. 44:39 Yes.
  374. 44:40 Ha!
  375. 44:47 tracks.
  376. 44:48 Oh.
  377. 44:50 Good work, son, but we got a hurry. They're coming back.
  378. 44:55 I'm going to go.
  379. 45:04 Take that lone horse behind those trees and race for town.
  380. 45:10 Hey, son!
  381. 45:12 Here's a box of dynamite. Mike, come in handy.
  382. 45:28 All right.
  383. 45:31 Oh, my God.
  384. 46:00 Oh.
  385. 46:07 What happened? What's the matter?
  386. 46:09 They took a girl.
  387. 46:10 - Huh?
  388. 46:52 Oh.
  389. 47:30 Oh.
  390. 47:34 Oh, my God.
  391. 47:40 I'm going to go.
  392. 47:45 I'm not.
  393. 48:29 Keep going, old Hammer. I'll stop.
  394. 49:30 Oh, my God.
  395. 49:33 They've blocked us out.
  396. 49:35 We've got to swim an arrow.
  397. 49:37 $1,000 to the man who gets that girl.
  398. 49:57 I'm sorry.
  399. 51:11 Here they come, old-timer.
  400. 51:14 Don't miss your mark.
  401. 51:16 means the lives of everyone in town.
  402. 51:18 I'm going to go.
  403. 51:32 Yeah.
  404. 51:35 Mel Grove is the leader.
  405. 51:36 And onto your topsoil is the richest gold field ever discovered. Hooray! Boys, here comes the wagon.
  406. 52:00 Now, men...
  407. 52:01 Your troubles are all over. The outlaws are buried in the past.
  408. 52:07 Tell them all about it, old-timer. All right.
  409. 52:09 I see, sirs. We're like this.
  410. 52:13 I don't know how I can ever repay them.
  411. 52:18 Well, don't worry about that.
  412. 52:19 It's all in my line of duty as a government marshal.
  413. 52:23 But I am leaving for Sacramento today, and...
  414. 52:26 Well, you don't know it, but...
  415. 52:28 You're going with me.
  416. 52:31 And he's dead.
  417. 52:33 Must have got a slug from one of his own men. Sheriff, congratulate me.
  418. 52:37 May I present the future Mrs. John Carruthers?
  419. 52:40 Wait a minute, young man. You can't do this.
  420. 52:43 You see, I know who you are. So does Miss Mason.
  421. 52:46 You mean to say your words, uh, the...
  422. 52:49 Now she's here, young fella.
  423. 52:51 I ain't forgetting you saved my life for what you done for this town.
  424. 52:54 But I got my duty to perform.
  425. 52:57 Can't you see I gotta take you in?
  426. 52:59 Don't you realize I know you're the pokey-dust?
  427. 53:02 Why, Sheriff, you must have seen me through the knot hole. You're right, boy. Quacky I did. But you saw the wrong man.
  428. 53:08 The polka dot bandit left just ahead of me.
  429. 53:11 He left this row sticking in the floor.
  430. 53:13 You must have seen me just as I picked that up.
  431. 53:16 And that row belongs to Danny.
  432. 53:18 No.
  433. 53:19 What do you make of this?
  434. 53:21 Oh, I found those in Danny's room yesterday.
  435. 53:24 Sandy's the folks that are banded.
  436. 53:26 There's a $5,000 reward for him, Sheriff.
  437. 53:30 I guess it's up to you to collect it.
  438. 53:31 Well, if Daddy's a polka dot, who in blazes are you? Well, he's a United States Marshal.
  439. 53:37 He's your man from Sacramento.

Also from 1934

Every free film of 1934 with a copy

Also from Monogram Pictures Corp

Similar frames

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