Public Reel

Enter the Lone Ranger (1949)

No renewal found Free in the US since 1 January 1978, on the registry's reading: registration LP186 of 1949 by The Lone Ranger, Inc was not renewed in the volumes searched. Record.

Frame from the Internet Archive copy enter_the_lone_ranger
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enter_the_lone_ranger on the Internet Archive; released 1949
Read
449 shots over 1:08:48 · 222 beats in 116 sequences · 897 transcript lines · JSON
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Enter the Lone Ranger No renewal found
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Lands on the beat covering that second.
116 sequences; each is also a heading below.
Check before citing the shot count. A 4:20 shot at 57:37 (shot 401): either a static hold or a run of missed cuts. Treat it as unverified.
How this page was made

449 shots over 1:08:48, read from the Internet Archive copy enter_the_lone_ranger (enter_the_lone_ranger.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Enter the Lone Ranger No renewal found. JSON

Measurements: black-and-white film on its keyframes (19 of 449 shots judged colour), average shot 9.2s long, a frontal face detected in 16% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1949 (Internet Archive).

222 beats in sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Frame at 0:08, shot 00:08
1 of 1 shots sampled

1. Other

0:00–0:17 Not yet checked

Model synopsis: The opening title card displays 'THE LONE RANGER' over a shot of a rider on horseback. No characters are named or described beyond the title.

  • The title 'THE LONE RANGER' appears on screen over a rider on horseback. [frame:1]

“The Lone Ranger.” 0:00

Evidence, details and a link to share

Sequence 2 from 0:17

Frame at 0:20, shot 10:20Frame at 0:31, shot 20:31
2 of 2 shots sampled

2. Trail

0:17–0:38 Not yet checked

Model synopsis: A masked man on horseback rides through a dusty trail, followed by a title card introducing 'The Lone Ranger'. The narrator describes him as a mysterious, fabulous character from the early West.

  • A man on horseback rides along a dusty trail. [frame:1]
  • Title card 'ENTER THE LONE RANGER' appears over a close-up of the masked rider. [frame:2]

1 person observed.

“A fiery horse with a speed of light, a cloud of dust, and a hearty hi-o silver. The Lone Ranger.” 0:18 · “This is a story of one of the most mysterious characters to appear in the early days of the West. He was a fabulous individual.” 0:30

Evidence, details and a link to share

Sequence 3 from 0:38

Frame at 0:51, shot 30:51
1 of 1 shots sampled

3. Map of Southwest Territory of the U.S.

0:38–1:05 Not yet checked

Model synopsis: The beat shows a map of the Southwest Territory of the U.S. and includes narration describing the Lone Ranger’s role and the hardships of pioneers. No characters are visible; the setting is established through text and voiceover.

“A man whose presence brought fear to the lawless and hope to those who wanted to make this frontier land their home.” 0:38 · “He was known as the Lone Ranger.” 0:45

Evidence, details and a link to share

Sequence 4 from 1:05

Sequence 5 from 1:22

Frame at 1:24, shot 81:24Frame at 1:29, shot 91:29Frame at 1:34, shot 101:34
3 of 3 shots sampled

5. Field

1:22–1:35 Not yet checked

Model synopsis: A close-up of a Texas Ranger badge is shown, followed by shots of mounted riders moving through a wooded area. The transcript identifies them as six Texas Rangers on patrol in a western landscape.

  • A close-up of a Texas Ranger badge is shown. [frame:1]
  • Riders on horseback are seen moving through trees. [frame:2]
  • Three riders on horseback are visible in silhouette under trees. [frame:3]

3 people observed.

“An organization called the Texas Rangers. Ever on the job of maintaining law and order, six Texas Rangers ride alertly across a western la…” 1:22

Evidence, details and a link to share

Sequence 6 from 1:35

Frame at 1:44, shot 111:44
1 of 1 shots sampled

6. Private office

1:35–1:53 Not yet checked

Model synopsis: A man in a patterned shirt is shown in a room with a map on the wall; dialogue references a wounded half-breed scout and a Captain addressing Collins. No names are spoken that can be attached to visible individuals.

1 person observed.

“At their head is a stranger, a half-breed scout, who one day earlier had appeared at a ranger encampment, suffering from a severe wound.” 1:36 · “There you are, Collins. Nothing you worry about now.” 1:47

Evidence, details and a link to share

Sequence 7 from 1:53

Frame at 2:34, shot 202:34Frame at 2:38, shot 212:38Frame at 2:45, shot 222:45
3 of 3 shots sampled

9. Private office

2:31–2:52 Not yet checked

Model synopsis: Two men discuss pursuing a group with a five-hour head start; one, injured, agrees to ride despite needing only one arm to guide a horse. The setting appears to be an interior room with a map visible on the wall.

  • The injured man is shown in close-up, listening or speaking. [frame:1]
  • The cowboy-hatted man is shown in close-up, speaking. [frame:2]
  • Both men are shown together, facing each other in conversation. [frame:3]

2 people observed.

“We got a chance to catch him.” 2:31 · “Even if you overtook them,” 2:34

Evidence, details and a link to share

Sequence 8 from 2:52

Frame at 3:03, shot 233:03
1 of 1 shots sampled

10. Private office

2:52–3:14 Not yet checked

Model synopsis: Two men are seated inside a wooden room, one handing something to the other; dialogue refers to rations, a detachment, and the Cavendish gang. No names are spoken that identify the visible individuals.

  • Two men are seated at a table, one handing an object to the other. [frame:1]

3 people observed.

“Boys, back five days rations.” 2:52 · “Got ten minutes to be in the saddle. Right.” 2:54

Evidence, details and a link to share

Sequence 9 from 3:14

Sequence 10 from 3:26

Frame at 3:43, shot 253:43
1 of 1 shots sampled

12. Field

3:26–3:59 Not yet checked

Model synopsis: A group of riders on horseback moves through a grassy, hilly landscape with mountains in the background. Two lines of dialogue urge the group to move forward.

  • A group of riders on horseback moves through a field with hills and mountains in the background. [frame:1]

3 people observed.

“Let's go, boys.” 3:27 · “Come on.” 3:53

Evidence, details and a link to share

Sequence 11 from 3:59

Frame at 4:03, shot 264:03Frame at 4:07, shot 274:07
2 of 2 shots sampled

13. Canyon

3:59–4:08 Not yet checked

Model synopsis: Two men in cowboy hats crouch outdoors examining ground tracks; one points toward a canyon. The transcript indicates they are following fresh tracks heading into the canyon.

  • Two men crouch and examine tracks on the ground. [frame:1]
  • One man points toward a canyon. [frame:2]

2 people observed.

“These tracks can't be more than three hours old.” 4:01 · “They're heading off into that canyon.” 4:04

Evidence, details and a link to share

Frame at 4:17, shot 284:17Frame at 4:49, shot 294:49
2 of 2 shots sampled

14. Field

4:08–5:13 Not yet checked

Model synopsis: Two men in cowboy hats discuss scouting a canyon; one rides ahead on horseback. Later, a man is confronted and addressed as 'Whitey' in a tense moment.

  • Two men kneel and discuss scouting a canyon. [frame:1]
  • A man rides a horse up a hillside. [frame:2]

Named: Whitey (t:5:07). 4 people observed.

“Have you been in this vicinity before?” 4:09 · “I'll go ahead and scout the place.” 4:18

Evidence, details and a link to share

Frame at 5:44, shot 325:44Frame at 5:47, shot 335:47
2 of 2 shots sampled

16. Field

5:43–5:49 Not yet checked

Model synopsis: Three men are in an outdoor setting with rocks and sparse trees; one man speaks about a trap. A close-up shows a smiling man in a cowboy hat holding a rifle.

  • Three men are gathered outdoors among rocks and trees. [frame:1]
  • A man in a cowboy hat smiles while holding a rifle. [frame:2]

Named: Collins (t:5:44). 3 people observed.

“I knew they'd fall from my little trap, Collins.” 5:44

Evidence, details and a link to share

Frame at 5:52, shot 345:52Frame at 6:03, shot 356:03
2 of 2 shots sampled

17. Forest

5:49–6:11 Not yet checked

Model synopsis: Four men in Western attire are gathered outdoors among trees; one speaks of an ambush and a bullet wound while another gestures toward a location. The dialogue references Cavendish and a plan to deter Rangers from patrolling the area.

  • Four men are gathered in a wooded area, one holding a rifle. [frame:1]
  • Two men face each other, one holding a rifle, appearing to discuss a plan. [frame:2]

Named: Cavendish (t:5:53). 4 people observed.

“That bullet I put in your arm really convinced him.” 5:50 · “Yeah, Cavendish.” 5:53

Evidence, details and a link to share

Sequence 12 from 6:11

Frame at 6:13, shot 366:13
1 of 1 shots sampled

18. Rocky hillside

6:11–6:15 Not yet checked

Model synopsis: A person in a fringed coat and hat stands on rocky terrain, looking toward a distant hill. No dialogue or on-screen text is present in this beat.

  • A person stands on rocky ground facing a distant hill. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 13 from 6:15

Frame at 6:15, shot 376:15
1 of 1 shots sampled

19. Field

6:15–6:16 Not yet checked

Model synopsis: A man in a feathered hat and patterned shirt stands outdoors against a brushy background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 14 from 6:16

Frame at 6:17, shot 386:17
1 of 1 shots sampled

20. Rocky slope

6:16–6:18 Not yet checked

Model synopsis: A man sits on a rock holding a rifle while two others crouch nearby on a rocky slope. The scene is outdoors in daylight with sparse vegetation.

3 people observed.

Evidence, details and a link to share

Sequence 15 from 6:18

Frame at 6:19, shot 396:19
1 of 1 shots sampled

21. Forest

6:18–6:20 Not yet checked

Model synopsis: A man in a feathered hat and patterned shirt is shown in a close-up against a natural backdrop. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 16 from 6:20

Frame at 6:21, shot 406:21
1 of 1 shots sampled

22. Field

6:20–6:22 Not yet checked

Model synopsis: A single frame shows a rough, textured outdoor surface with dark patches and a small dark object. No people, dialogue, or identifiable location are visible.

Evidence, details and a link to share

Sequence 17 from 6:22

Sequence 18 from 6:24

Frame at 6:25, shot 426:25
1 of 1 shots sampled

24. Mountain

6:24–6:26 Not yet checked

Model synopsis: Two men sit on a rocky slope beside a dirt road in a mountainous area. One man holds a rifle while the other sits beside him, both looking down the road.

2 people observed.

Evidence, details and a link to share

Sequence 19 from 6:26

Frame at 6:39, shot 456:39Frame at 6:46, shot 466:46Frame at 6:50, shot 476:50
3 of 3 shots sampled

26. Field

6:34–6:51 Not yet checked

Model synopsis: Four men in Western attire are positioned outdoors among bushes, discussing a planned ambush. One man gives orders about when to shoot and how to ensure targets are killed, while others listen or prepare weapons.

  • Two men stand close together, one speaking while the other listens. [frame:2]

Named: Jerry (t:6:39). 4 people observed.

“Now, we're going to hold our fire until a lowman right in directly below us.” 6:35 · “You tell the boys I'll shoot first. That'll be the signal to open up on the Rangers.” 6:40

Evidence, details and a link to share

Sequence 20 from 6:51

Frame at 7:05, shot 487:05
1 of 1 shots sampled

27. Road

6:51–7:19 Not yet checked

Model synopsis: A lone rider on horseback moves along a dirt road in a canyon. Dialogue indicates a character named Collins is being praised and ordered to summon the Texas Rangers, while another character reports seeing something off the rim.

  • A rider on horseback is seen moving along a dirt road. [frame:1]

Named: Collins (t:6:51), Chief (t:6:51). 3 people observed.

“Collins, you're doing a good job for a new man.” 6:51 · “Thanks, Chief.” 6:54

Evidence, details and a link to share

Sequence 21 from 7:19

Frame at 7:23, shot 497:23Frame at 7:34, shot 507:34
2 of 2 shots sampled

28. Canyon

7:19–7:41 Not yet checked

Model synopsis: Two men in cowboy hats speak face-to-face while others on horseback ride away through a dusty trail. The transcript confirms a group called the Cavendish outfit is leaving the canyon, and one character confirms seeing their dust.

  • A group of riders on horseback moves away along a dusty trail. [frame:2]
  • Two men stand face-to-face in conversation. [frame:1]

4 people observed.

“The Cavendish outfit is just leaving the far side of the canyon.” 7:19 · “I saw their dust.” 7:25

Evidence, details and a link to share

Sequence 22 from 7:41

Frame at 7:54, shot 517:54
1 of 1 shots sampled

29. Mountain

7:41–8:06 Not yet checked

Model synopsis: A group of riders on horseback moves along a dirt road in a mountainous, rocky landscape. The scene is shot in black and white with no visible dialogue or on-screen text.

  • Five riders on horseback move along a dirt road in a mountainous area. [frame:1]

5 people observed.

Evidence, details and a link to share

Sequence 23 from 8:06

Frame at 8:09, shot 528:09
1 of 1 shots sampled

30. Mountain

8:06–8:13 Not yet checked

Model synopsis: A man in a wide-brimmed hat and fringed jacket sits on a horse against a rocky slope. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 8:14, shot 538:14Frame at 8:16, shot 548:16Frame at 8:17, shot 558:17Frame at 8:19, shot 568:19
4 of 4 shots sampled

31. Rocky terrain

8:13–8:19 Not yet checked

Model synopsis: Two men in cowboy hats are positioned behind rocks in a rocky, outdoor setting; one is visible holding a rifle. A line from the transcript says 'I'm not.'

  • Three men on horseback ride along a dirt path near a rocky hillside. [frame:1]
  • A man in a cowboy hat crouches behind a rock, looking toward the camera. [frame:2]
  • Two men in cowboy hats are positioned behind rocks; one holds a rifle. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“I'm not.” 8:14

Evidence, details and a link to share

Frame at 8:21, shot 578:21
1 of 1 shots sampled

32. Dirt path

8:19–8:23 Not yet checked

Model synopsis: A group of riders on horseback moves along a dirt path in a rocky, arid landscape. The scene is shot in black and white with natural daylight.

  • Riders on horseback move along a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 8:24, shot 588:24
1 of 1 shots sampled

33. Field

8:23–8:25 Not yet checked

Model synopsis: A lone figure in a hat watches from a hillside as a group of riders on horseback moves across a dusty, brushy terrain. The scene is shot from a high angle, showing the observer in the foreground and the riders in the mid-ground.

2 people observed.

Evidence, details and a link to share

Frame at 8:28, shot 598:28Frame at 8:35, shot 618:35Frame at 8:39, shot 628:39Frame at 8:43, shot 648:43
4 of 6 shots sampled

34. Rocky trail

8:25–8:44 Not yet checked

Model synopsis: Four men on horseback react to an ambush in a rocky outdoor setting; one man is thrown from his horse. The transcript indicates they are searching for someone named Collins and realize they are in danger.

  • A man is thrown from his horse during the ambush. [frame:4]

Named: Ben (t:8:38). 5 people observed.

“Must have taken a wrong turn. Look up there. It's a head wall.” 8:26 · “He's right behind us while ago. I saw him. Look!” 8:34

Evidence, details and a link to share

Frame at 8:45, shot 658:45
1 of 1 shots sampled

35. Mountain

8:44–8:46 Not yet checked

Model synopsis: A group of riders on horseback moves along a dirt path in a rocky, mountainous area. One horse stands in the foreground while others ride away in the background.

Evidence, details and a link to share

Frame at 8:47, shot 668:47
1 of 1 shots sampled

36. Field

8:46–8:48 Not yet checked

Model synopsis: A person in a hat and plaid shirt is visible in the foreground on a hillside, looking down at a dusty trail where horses and riders are moving in the distance. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 24 from 8:48

Frame at 8:49, shot 678:49
1 of 1 shots sampled

37. Other

8:48–8:50 Not yet checked

Model synopsis: A person wearing a dark hat and coat is visible from behind, looking down at a gravelly ground. No dialogue or other actions are shown in this single frame.

1 person observed.

Evidence, details and a link to share

Sequence 25 from 8:50

Frame at 8:51, shot 688:51
1 of 1 shots sampled

38. Rocky terrain

8:50–8:52 Not yet checked

Model synopsis: A man in a wide-brimmed hat aims a rifle from behind rocks. The setting is outdoors in daylight, with sparse trees visible.

  • A man aims a rifle from behind rocks. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 26 from 8:52

Frame at 8:53, shot 698:53
1 of 1 shots sampled

39. Field

8:52–8:54 Not yet checked

Model synopsis: A man in a hat and light trousers lies on a gravelly ground holding a rifle. No dialogue or on-screen text is present in this beat.

  • A man lies on the ground holding a rifle. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 27 from 8:54

Sequence 28 from 8:56

Frame at 8:56, shot 718:56
1 of 1 shots sampled

41. Field

8:56–8:57 Not yet checked

Model synopsis: A person is on the ground outdoors, holding a pistol aloft. No dialogue or on-screen text is present in this beat.

  • A person lies on the ground holding a pistol up with one arm. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 29 from 8:57

Frame at 8:58, shot 728:58
1 of 1 shots sampled

42. Rocky outcrop

8:57–8:58 Not yet checked

Model synopsis: Two men in cowboy hats and light shirts crouch behind rocks, each holding a pistol. The scene is outdoors in a rocky, natural setting with no visible structures or time indicators.

2 people observed.

Evidence, details and a link to share

Sequence 30 from 8:58

Frame at 8:59, shot 738:59
1 of 1 shots sampled

43. Field

8:58–8:59 Not yet checked

Model synopsis: A person in a dark hat and light pants lies on their back on a gravelly ground, arms raised. No dialogue or on-screen text is present in this beat.

  • A person lies on their back on the ground with arms raised. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 31 from 8:59

Frame at 9:00, shot 749:00
1 of 1 shots sampled

44. Field

8:59–9:02 Not yet checked

Model synopsis: A man in a cowboy hat holds a rifle behind rocks. No dialogue or on-screen text is present in this beat.

  • A man in a cowboy hat aims a rifle from behind rocks. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 32 from 9:02

Frame at 9:03, shot 759:03
1 of 1 shots sampled

45. Canyon

9:02–9:04 Not yet checked

Model synopsis: A person rides a horse along a dirt path in a canyon. The scene is shot in black and white with no visible text or dialogue.

  • A person rides a horse along a dirt path in a canyon. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 33 from 9:04

Frame at 9:05, shot 769:05
1 of 1 shots sampled

46. Rocky terrain

9:04–9:06 Not yet checked

Model synopsis: A man in a cowboy hat is visible behind a rock formation. No dialogue or on-screen text is present in this beat.

  • A man in a cowboy hat peers over a rock formation. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 34 from 9:06

Frame at 9:08, shot 779:08
1 of 1 shots sampled

47. Field

9:06–9:10 Not yet checked

Model synopsis: A man in a cowboy hat holds a rifle while crouched beside a rocky outcrop. No dialogue or on-screen text is present in this beat.

  • A man crouches beside rocks holding a rifle. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 9:10, shot 789:10
1 of 1 shots sampled

48. Rocky outcrop

9:10–9:11 Not yet checked

Model synopsis: A person in a wide-brimmed hat aims a rifle from behind rocks. No dialogue or on-screen text is present in this beat.

  • A person aims a rifle from behind rocks. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 9:12, shot 799:12Frame at 9:15, shot 809:15Frame at 9:19, shot 829:19Frame at 9:21, shot 839:21
4 of 5 shots sampled

49. Field

9:11–9:22 Not yet checked

Model synopsis: Two men in cowboy hats crouch behind cover in a rocky, brushy outdoor setting; one holds a rifle. A third man in a cowboy hat is seen aiming a pistol from behind a rock. A line from the transcript suggests suspicion about a 'half-breed' and 'her collars'.

  • A man in a cowboy hat crouches and holds his chest as if wounded. [frame:1]
  • Two men in cowboy hats crouch behind brush, one holding a rifle. [frame:2]
  • The two men remain crouched, looking off-camera, one holding a rifle. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Got a chance that half-breed played her collars.” 9:12

Evidence, details and a link to share

Frame at 9:23, shot 849:23
1 of 1 shots sampled

50. Forest

9:22–9:25 Not yet checked

Model synopsis: A man in a cowboy hat kneels beside another man lying on the ground in an outdoor setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 9:27, shot 859:27
1 of 1 shots sampled

51. Forest

9:25–9:29 Not yet checked

Model synopsis: A man in a hat crouches beside a prone figure in an outdoor setting. No dialogue or on-screen text is present in this beat.

  • A man crouches beside a prone figure while holding a long object. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 9:31, shot 869:31
1 of 1 shots sampled

52. Forest

9:29–9:32 Not yet checked

Model synopsis: A man in a hat kneels beside a person lying on the ground in a wooded area. Smoke rises near the prone figure, suggesting a recent discharge or injury.

  • A man kneels beside a person lying on the ground. [frame:1]
  • Smoke rises near the prone person. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 35 from 9:32

Frame at 9:33, shot 879:33
1 of 1 shots sampled

53. Field

9:32–9:33 Not yet checked

Model synopsis: A man in a cowboy hat aims a rifle from behind rocks. The scene is outdoors in daylight with no visible structures.

  • man aims rifle from behind rocks [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 9:35, shot 889:35
1 of 1 shots sampled

54. Field

9:33–9:37 Not yet checked

Model synopsis: A man in a hat and vest stands over two men lying on the ground in a grassy outdoor area with bushes. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Frame at 9:38, shot 899:38Frame at 9:39, shot 909:39
2 of 2 shots sampled

55. Rocky outcrop and brushy area

9:37–9:40 Not yet checked

Model synopsis: A man in a cowboy hat is seen on a rocky outcrop, then another man in a cowboy hat fires a pistol near a fallen person in brush. No dialogue or on-screen text is present in these frames.

  • A man in a cowboy hat aims a rifle from a rocky outcrop. [frame:1]
  • A man in a cowboy hat fires a pistol while kneeling beside a fallen person in brush. [frame:2]

3 people observed.

Evidence, details and a link to share

Frame at 9:41, shot 919:41
1 of 1 shots sampled

56. Field

9:40–9:41 Not yet checked

Model synopsis: A man in a cowboy hat and plaid shirt is visible behind a rock, aiming a pistol. No dialogue or on-screen text is present in this beat.

  • A man aims a pistol from behind a rock. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 9:43, shot 929:43Frame at 9:45, shot 939:45Frame at 9:49, shot 949:49
3 of 3 shots sampled

57. Field

9:41–9:52 Not yet checked

Model synopsis: A man in a cowboy hat kneels beside a fallen person in a rocky outdoor setting; another man in a cowboy hat looks up from behind rocks. The transcript includes exclamations and a command to hold.

  • A man kneels beside a fallen person. [frame:1]
  • A wide shot shows a rocky, barren field with scattered objects. [frame:2]
  • A man in a cowboy hat looks upward from behind rocks. [frame:3]

3 people observed.

“Oh, my God.” 9:43 · “Oh, my God.” 9:45

Evidence, details and a link to share

Frame at 9:55, shot 959:55
1 of 1 shots sampled

58. Rocky terrain

9:52–9:57 Not yet checked

Model synopsis: A man in a light shirt and dark pants stands beside a saddled horse in a rocky outdoor setting, holding a rifle. The scene is shot in black and white with no visible text or spoken dialogue.

1 person observed.

Evidence, details and a link to share

Sequence 36 from 9:57

Frame at 9:59, shot 969:59
1 of 1 shots sampled

59. Dirt path

9:57–10:00 Not yet checked

Model synopsis: A lone figure stands on a dirt path in a barren landscape. No dialogue or on-screen text is present in this beat.

  • A person stands on a dirt path holding a long object. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 37 from 10:00

Frame at 10:01, shot 9710:01Frame at 10:03, shot 9810:03Frame at 10:06, shot 9910:06
3 of 3 shots sampled

60. Field

10:00–10:08 Not yet checked

Model synopsis: A man in a cowboy hat calls out from behind rocks, ordering someone named Tyler to check men below. Another man in a fringed shirt holds a rifle in a rocky outdoor setting.

  • A man in a cowboy hat shouts while crouching behind rocks [frame:1]
  • A man in a fringed shirt holds a rifle in a rocky area [frame:2]
  • The man in the cowboy hat continues shouting from behind rocks [frame:3]

Named: Chief (t:10:03), Tyler (t:10:03). 2 people observed.

“Hey, Tyler!” 10:01 · “Yes, Chief?” 10:03

Evidence, details and a link to share

Frame at 10:09, shot 10010:09
1 of 1 shots sampled

61. Field

10:08–10:10 Not yet checked

Model synopsis: A man in a hat and fringed shirt holds a rifle outdoors on rocky ground. No dialogue or on-screen text is present in this beat.

  • A man stands holding a rifle on rocky ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 38 from 10:10

Sequence 39 from 10:12

Frame at 10:17, shot 10210:17
1 of 1 shots sampled

63. Field

10:12–10:23 Not yet checked

Model synopsis: A person walks across a rocky, open area with hills in the background. No dialogue or on-screen text is present in this beat.

  • A person walks across a rocky field toward hills. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 40 from 10:23

Frame at 10:24, shot 10310:24
1 of 1 shots sampled

64. Field

10:23–10:25 Not yet checked

Model synopsis: A man in a cowboy hat and fringed jacket kneels beside a person lying on the ground in an outdoor setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 41 from 10:25

Sequence 42 from 10:27

Frame at 10:30, shot 10510:30
1 of 1 shots sampled

66. Field

10:27–10:34 Not yet checked

Model synopsis: A person in a fringed shirt stands with their back to the camera near a rocky outcrop. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 10:37, shot 10610:37Frame at 10:41, shot 10710:41
2 of 2 shots sampled

67. Rocky outdoor area

10:34–10:41 Not yet checked

Model synopsis: A man in a hat and fringed shirt stands over a person lying on the ground, while another man in a hat peeks from behind rocks. No dialogue or on-screen text is present in these frames.

  • A man stands over a person lying on the ground. [frame:1]
  • A man peeks from behind rocks. [frame:2]

3 people observed.

Evidence, details and a link to share

Frame at 10:47, shot 10810:47
1 of 1 shots sampled

68. Field

10:41–10:54 Not yet checked

Model synopsis: A man in a hat and light shirt kneels beside another man lying on the ground in an outdoor setting. No dialogue or on-screen text is present in this beat.

  • A man kneels beside another man lying on the ground. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 43 from 10:54

Sequence 44 from 11:03

Frame at 11:06, shot 11111:06
1 of 1 shots sampled

71. Field

11:03–11:09 Not yet checked

Model synopsis: A man in a cowboy hat is visible behind rocks, speaking. He is told to return to his horse while others wait above. No names or specific locations are mentioned in the dialogue or visible in the frame.

  • A man in a cowboy hat is visible behind rocks, speaking. [frame:1]

1 person observed.

“You got them all.” 11:03 · “Good!” 11:05

Evidence, details and a link to share

Sequence 45 from 11:09

Frame at 11:12, shot 11311:12
1 of 1 shots sampled

73. Field

11:11–11:13 Not yet checked

Model synopsis: A person in a fringed shirt and hat stands on rocky ground. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 46 from 11:13

Frame at 11:14, shot 11411:14
1 of 1 shots sampled

74. Field

11:13–11:15 Not yet checked

Model synopsis: A man in a cowboy hat and shirt is visible behind rocks in an outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 47 from 11:15

Frame at 11:16, shot 11511:16
1 of 1 shots sampled

75. Dirt path

11:15–11:17 Not yet checked

Model synopsis: A person in a hat and fringed shirt walks away on a dirt path. The scene is outdoors in daylight with no other people or objects visible.

  • A person walks away from the camera on a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 48 from 11:17

Frame at 11:18, shot 11611:18
1 of 1 shots sampled

76. Field

11:17–11:20 Not yet checked

Model synopsis: A man in a cowboy hat aims a rifle from behind rocks. No dialogue or on-screen text is present in this beat.

  • man aims rifle from behind rocks [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 49 from 11:20

Frame at 11:22, shot 11711:22
1 of 1 shots sampled

77. Dirt path

11:20–11:24 Not yet checked

Model synopsis: A person walks on a dirt path carrying a bundle. The setting is outdoors with sparse vegetation and no buildings visible.

  • A person walks along a dirt path carrying a bundle. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 50 from 11:24

Sequence 51 from 11:44

Frame at 11:52, shot 11911:52
1 of 1 shots sampled

79. Forest

11:44–11:59 Not yet checked

Model synopsis: A group of people on horseback are gathered under trees in an outdoor setting. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 52 from 11:59

Sequence 53 from 13:02

Sequence 54 from 14:29

Sequence 55 from 14:33

Sequence 56 from 14:38

Sequence 57 from 14:42

Sequence 58 from 14:45

Sequence 59 from 14:47

Sequence 60 from 18:54

Sequence 61 from 19:29

Sequence 62 from 19:50

Sequence 63 from 20:33

Sequence 64 from 20:36

Sequence 65 from 21:13

Sequence 66 from 21:15

Sequence 67 from 21:16

Sequence 68 from 21:19

Sequence 69 from 21:21

Sequence 70 from 21:24

Sequence 71 from 21:27

Sequence 72 from 21:35

Sequence 73 from 21:37

Sequence 74 from 24:16

Sequence 75 from 25:41

Sequence 76 from 27:26

Sequence 77 from 27:31

Sequence 78 from 27:36

Sequence 79 from 28:24

Sequence 80 from 30:30

Sequence 81 from 30:53

Sequence 82 from 31:14

Sequence 83 from 31:22

Sequence 84 from 31:23

Sequence 85 from 32:02

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Sequence 87 from 35:00

Sequence 88 from 43:01

Sequence 89 from 43:54

Sequence 90 from 43:58

Sequence 91 from 46:34

Sequence 92 from 46:37

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Sequence 99 from 50:58

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Sequence 102 from 52:45

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Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 897 segments kept, 156 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 0:00 The Lone Ranger.
  2. 0:18 A fiery horse with a speed of light, a cloud of dust, and a hearty hi-o silver. The Lone Ranger.
  3. 0:30 This is a story of one of the most mysterious characters to appear in the early days of the West. He was a fabulous individual.
  4. 0:38 A man whose presence brought fear to the lawless and hope to those who wanted to make this frontier land their home.
  5. 0:45 He was known as the Lone Ranger.
  6. 0:48 Before his coming...
  7. 0:50 This new land of the West was a wild, unruly territory.
  8. 0:54 into which brave American pioneers moved in covered wagons on horseback.
  9. 0:59 and a foot. Theirs was a rugged existence.
  10. 1:03 For they not only had to settle and build,
  11. 1:05 They had to fight. Here, beyond the reach of law and order, might was right. The best shot was the best man. Born of necessity in this chaotic period of westward expansion, an organization was developed to combat the evil forces of the times.
  12. 1:22 An organization called the Texas Rangers. Ever on the job of maintaining law and order, six Texas Rangers ride alertly across a western landscape.
  13. 1:36 At their head is a stranger, a half-breed scout, who one day earlier had appeared at a ranger encampment, suffering from a severe wound.
  14. 1:45 Amen.
  15. 1:47 There you are, Collins. Nothing you worry about now.
  16. 1:50 Thanks, Captain.
  17. 1:51 I should worry about a wound.
  18. 1:53 I'm lucky to be alive.
  19. 1:54 You're right.
  20. 1:55 Very few people are after those outlaws have struck.
877 more segments
  1. 1:59 So they killed everybody at the trading post.
  2. 2:01 Everyone.
  3. 2:02 Mr. Simpson, his wife...
  4. 2:05 The young Indian helper...
  5. 2:06 Even old Pete McHenry.
  6. 2:08 That's too bad.
  7. 2:10 How about the outlaws?
  8. 2:11 Any of them get shot?
  9. 2:13 Four of them were in pretty bad shape.
  10. 2:15 They had to be tied to their horses to ride away.
  11. 2:17 I got two of them myself.
  12. 2:19 Too bad you couldn't hit more of them.
  13. 2:21 Where'd they go?
  14. 2:22 They rode up north into the Badlands.
  15. 2:25 That's pretty rough country.
  16. 2:27 I'm with you.
  17. 2:28 wounded men in tow. They can't travel very fast.
  18. 2:31 We got a chance to catch him.
  19. 2:32 They have a five-hour start.
  20. 2:34 Even if you overtook them,
  21. 2:35 They outnumber you.
  22. 2:37 Mr.
  23. 2:37 The Rangers are used to long odds.
  24. 2:39 How about you?
  25. 2:41 You could use your help in locating their trail if you feel strong enough to ride.
  26. 2:44 I don't need two arms to guide a horse.
  27. 2:46 Besides, I've scored we even up, too.
  28. 2:50 I'll go along.
  29. 2:51 Good man.
  30. 2:52 Boys, back five days rations.
  31. 2:54 Got ten minutes to be in the saddle. Right.
  32. 2:56 Bill, send Captain Reed to me. He's leading your detachment. Yes, sir.
  33. 3:01 So came the half-breed Collins...
  34. 3:03 who rides with the detachment of rangers after the most ruthless outlaw band in the West.
  35. 3:09 The notorious Cavendish gang.
  36. 3:17 It's their trail read yeah
  37. 3:21 Indicate they're riding slowly as we figured
  38. 3:24 Yes, it does.
  39. 3:27 Let's go, boys.
  40. 3:53 Come on.
  41. 3:59 Gained on him.
  42. 4:01 These tracks can't be more than three hours old.
  43. 4:04 They're heading off into that canyon.
  44. 4:07 Yeah, look that way.
  45. 4:09 Have you been in this vicinity before?
  46. 4:11 Couple of times.
  47. 4:13 I think it might be a good idea for us to check that canyon from the rim first.
  48. 4:18 I'll go ahead and scout the place.
  49. 4:20 One man would be a lot less noticeable than all of us going.
  50. 4:23 All right.
  51. 4:24 We'll wait here and give the horses a rest.
  52. 4:26 Just my plan.
  53. 4:31 Help.
  54. 4:31 Hey!
  55. 5:03 Hold it, mister. Breach.
  56. 5:07 Hello, Whitey
  57. 5:09 Oh, God.
  58. 5:10 That's you.
  59. 5:11 And you're not, huh?
  60. 5:13 Yeah, it's me.
  61. 5:15 How's the plan going?
  62. 5:16 All right.
  63. 5:17 The range is the back of the canyon entrance.
  64. 5:19 You think they'll keep on coming?
  65. 5:21 Sure, why not?
  66. 5:23 They're pretty smart Umbers, you know. Yeah.
  67. 5:25 We've tried to get them before.
  68. 5:26 Didn't pan out.
  69. 5:27 I wasn't with you then.
  70. 5:29 Where's Cavendish?
  71. 5:30 He's up there a ways.
  72. 5:32 Leave your horse here.
  73. 5:33 All right.
  74. 5:44 I knew they'd fall from my little trap, Collins.
  75. 5:50 That bullet I put in your arm really convinced him.
  76. 5:53 Yeah, Cavendish.
  77. 5:54 It sure did.
  78. 5:55 When I get through around here, it's going to be a long time before any Ranger outfit patrols in this section of the country.
  79. 6:01 We're going to make this something they won't forget.
  80. 6:03 Is the ambush all set?
  81. 6:05 Take a gander over there.
  82. 6:26 You know, my men could slaughter a whole army from up here.
  83. 6:29 WHISTLE BLOWS
  84. 6:31 It looks good to me.
  85. 6:35 Now, we're going to hold our fire until a lowman right in directly below us.
  86. 6:39 Jerry?
  87. 6:40 You tell the boys I'll shoot first. That'll be the signal to open up on the Rangers.
  88. 6:43 Right. And Jerry...
  89. 6:45 When a man goes down, a mortal had to be kept pouring into him till he looks like a seal. You got that straight?
  90. 6:49 You back. Come on, Blakey. All right.
  91. 6:51 Collins, you're doing a good job for a new man.
  92. 6:54 Thanks, Chief.
  93. 6:55 Now get back there and bring on the Texas Rangers.
  94. 6:57 Yeah.
  95. 6:58 Sure.
  96. 7:14 See anything?
  97. 7:15 Yes, but not on the rim.
  98. 7:19 The Cavendish outfit is just leaving the far side of the canyon.
  99. 7:22 About four miles off.
  100. 7:24 Are you sure?
  101. 7:25 I saw their dust.
  102. 7:27 Good.
  103. 7:28 Here we go, ma'am.
  104. 8:14 I'm not.
  105. 8:26 Must have taken a wrong turn. Look up there. It's a head wall.
  106. 8:31 He'll pass you through here.
  107. 8:33 Say where's Collins?
  108. 8:34 He's right behind us while ago. I saw him. Look!
  109. 8:38 It's an ambush, Ben.
  110. 8:40 Turn out and find cover, quick!
  111. 8:42 Ah!
  112. 9:12 Got a chance that half-breed played her collars.
  113. 9:43 Oh, my God.
  114. 9:45 Oh, my God.
  115. 9:49 Okay, man, hold it.
  116. 9:51 Hold it!
  117. 10:01 Hey, Tyler!
  118. 10:03 Yes, Chief?
  119. 10:04 Check those men down there!
  120. 10:06 Make sure they're dead.
  121. 11:03 You got them all.
  122. 11:05 Good!
  123. 11:06 Going back to your horse. We wait for you up here.
  124. 11:24 I thought he was one of us, Chief.
  125. 11:28 He was.
  126. 11:29 Any man who would betray those Rangers might be just as quick to turn on us, I figured.
  127. 11:33 And no one does that.
  128. 11:35 It's going to be a nice little reminder for anybody who tries to stop me from now on.
  129. 11:39 Yeah. Now let's get out of here. I've got a lot of work to do in Colby.
  130. 12:00 Many hours after the Cavendish gang has left the ambush scene,
  131. 12:03 A lone figure moves painfully over the rock-strewn ground.
  132. 12:08 A small spring gurgling in a shady cave is his destination.
  133. 12:12 He alone, the six Texas Rangers...
  134. 12:14 still lives.
  135. 12:16 His one aim is to reach water and shave.
  136. 12:19 Desperately, he fights off the weakness from loss of blood.
  137. 12:22 which threatens to halt his progress. It is deathly hot. The sun beats down unmercifully.
  138. 12:33 Ahead is that cooling, life-giving water...
  139. 12:37 If his strength can only last.
  140. 12:41 Foot by foot. Sheer torture...
  141. 12:44 He pulls himself along.
  142. 12:51 There.
  143. 12:52 Out of the hot glare of the sun...
  144. 12:55 Only a short distance, Father. Father.
  145. 12:57 Amen.
  146. 13:03 There's the spring. There's the spring.
  147. 13:04 Now he's been done.
  148. 13:10 There. There.
  149. 13:11 Cold water never felt better.
  150. 13:14 Never seemed sweeter than now.
  151. 13:17 A hundred yards away, Colin stirs, unaware of the existence of the spring and the ranger who lies beside it.
  152. 13:25 He, too, miraculously has escaped a mortal wound from a Cavendish bullet.
  153. 13:30 And he too, like the Ranger.
  154. 13:32 Knows that death lurks in the hot braises.
  155. 13:36 He must seek shelter somewhere, quickly.
  156. 13:39 within the confines of the canyon.
  157. 13:43 - Yeah.
  158. 13:45 Weakly, he stumbles off to find shade.
  159. 13:48 The nurse's wounds.
  160. 13:50 Then is it time by fate.
  161. 13:52 A third figure, an Indian, enters the hot canyon.
  162. 13:57 Surprised, he sees the results of the Cavendish gang's handiwork.
  163. 14:01 Texas Rangers.
  164. 14:03 sprawled in attitudes of violent death.
  165. 14:08 These were men to whom heroic deeds were a part of each day's work.
  166. 14:13 And now their work was done.
  167. 14:18 Then, by chance, the native spies the figure lying beside the distant pool.
  168. 14:22 He moves forward.
  169. 14:35 Lie still.
  170. 14:36 We not hurt you.
  171. 14:47 Why, you...
  172. 14:48 Yukimusabe.
  173. 14:50 Kimo Sabi
  174. 14:54 Sounds familiar.
  175. 14:55 That's right, Kimo Sabe.
  176. 14:57 You trusty scout...
  177. 14:59 trusty scouted.
  178. 15:01 Yes, Ranger.
  179. 15:03 Long time back.
  180. 15:04 when we both young...
  181. 15:06 You remember time Indian camp burned you.
  182. 15:09 Renegade Indians raid settlement when men of tribe await him.
  183. 15:12 Kill my mother, my sisters.
  184. 15:14 They leave me for dead.
  185. 15:16 You found me.
  186. 15:17 nursed me back to help.
  187. 15:19 save me from dying here.
  188. 15:21 When me well, you give me horse to go find my father.
  189. 15:24 Me take horse only when you accept gifts.
  190. 15:27 My ring.
  191. 15:28 It may good luck.
  192. 15:29 Let me call you Kimo Sabi.
  193. 15:32 It means trusty scout.
  194. 15:34 May never forget you.
  195. 15:37 You remember now?
  196. 15:38 Yes.
  197. 15:41 Your tonsil. That's right.
  198. 15:44 Meet Hanto.
  199. 15:45 Now me take care of you.
  200. 15:52 Immediately, the Indian, Tonto, unsaddles his horse and sets up a camp at the entrance of the cave near the pool.
  201. 15:58 And the injured man.
  202. 16:00 The ranger's wounds are cleansed and expertly dressed by the Indian, who calls upon all the lore he knows.
  203. 16:07 to ease his white friend's suffering.
  204. 16:09 Several days of patient vigil.
  205. 16:11 tender care and careful feeding.
  206. 16:13 Bring results.
  207. 16:15 The Ranger gradually regains his strength. He is going to live.
  208. 16:20 Otto.
  209. 16:22 I guess I drifted off again...
  210. 16:25 How long have I been here now?
  211. 16:27 Three days.
  212. 16:28 How you feel?
  213. 16:29 Still a little weak.
  214. 16:31 The other rangers, Tonto...
  215. 16:34 All dead?
  216. 16:35 Mm.
  217. 16:36 One of them...
  218. 16:37 Captain Reed was my brother.
  219. 16:40 Too bad. Too bad.
  220. 16:41 Strangers all fine men.
  221. 16:44 We didn't have a chance, Tonto.
  222. 16:47 It was a perfect ambush and double cross...
  223. 16:51 How did you happen to find me?
  224. 16:53 Me hunt here in Canyon often.
  225. 16:55 Ride in here on Sculpt over yonder.
  226. 16:58 Find rangers and dead horse.
  227. 17:00 I see.
  228. 17:01 While you sleep...
  229. 17:02 He buried other rangers over there.
  230. 17:05 Make great for men.
  231. 17:07 bring belongings here.
  232. 17:11 That was good of you, Toto.
  233. 17:12 them brave men
  234. 17:14 Yes, they were brave.
  235. 17:16 and they won't be forgotten.
  236. 17:19 I've spent a lot of time thinking...
  237. 17:22 For every one of those men, I'm going to bring a hundred lawbreakers to justice.
  238. 17:27 I'll make that Cavendish gang and every criminal that I can find for that matter.
  239. 17:32 I regret the day those Rangers were killed.
  240. 17:35 Tano, from this moment on, I'm going to devote my life to establishing law and order.
  241. 17:40 In this new frontier.
  242. 17:42 To make the West...
  243. 17:43 A decent place to live.
  244. 17:45 That good.
  245. 17:47 But when Cavendish gang know you escape ambush...
  246. 17:50 You marked man.
  247. 17:51 They hunt you down.
  248. 17:52 many against one.
  249. 17:54 No one is going to know I'm alive.
  250. 17:56 I'm supposed to be dead, and I'm going to stay that way.
  251. 18:01 I'll hide my identity somehow...
  252. 18:04 I'll wear a disguise of some sort.
  253. 18:06 You mean like masks?
  254. 18:08 That's it, Tullum?
  255. 18:10 From now on, I'll wear a mask.
  256. 18:14 See?
  257. 18:16 There ought to be some material here I can use.
  258. 18:19 Here.
  259. 18:21 This.
  260. 18:23 My brother's vest.
  261. 18:25 Belonged to one of the bravest of them all.
  262. 18:28 Me help Kimo Saldi.
  263. 18:29 You rest now.
  264. 18:31 All right, Tonto.
  265. 18:41 Their face wounds all healed now.
  266. 18:43 Let me have the mask.
  267. 18:50 There.
  268. 18:51 fits perfectly.
  269. 18:52 Good job, Tuttle.
  270. 18:56 Here hat, me washing streams.
  271. 18:59 die in suns.
  272. 19:00 Make quite a...
  273. 19:01 Thanks, Tonto.
  274. 19:04 Here, gun to kill bad men.
  275. 19:07 I'm not going to do any killing. You not defend yourself?
  276. 19:10 Oh, I'll shoot if I have to.
  277. 19:12 But I'll shoot the wound.
  278. 19:14 Not to kill him.
  279. 19:16 A man must die. It's up to the law to decide that.
  280. 19:19 Not the person behind a six-shooter.
  281. 19:21 That's right, Kimo Sabe.
  282. 19:23 Well, there's just one more thing to be done.
  283. 19:25 What's that?
  284. 19:27 Dig another grave.
  285. 19:29 Out there.
  286. 19:31 Who that's for?
  287. 19:33 That'll be my grave.
  288. 19:46 There.
  289. 19:46 Just like others.
  290. 19:48 That's good.
  291. 19:50 Only you, Tom, will know I'm alive.
  292. 19:53 To the world, I'll be buried here.
  293. 19:55 Beside my brother and my friends...
  294. 19:58 Forever.
  295. 20:00 All alone now. Last man. You are a lone ranger.
  296. 20:05 Yes, Tonno?
  297. 20:06 I am...
  298. 20:08 A lone ranger.
  299. 20:11 Kimo Sade.
  300. 20:12 We help you fight outlaws.
  301. 20:14 But Tonto...
  302. 20:15 Don't you have a family?
  303. 20:17 Anyone?
  304. 20:17 No.
  305. 20:18 me lone like you.
  306. 20:20 Me wants law here too.
  307. 20:22 for all.
  308. 20:23 All right, Tonto.
  309. 20:25 You'll be a lot of help.
  310. 20:27 We'll ride together.
  311. 20:28 Me glad, Kimo Sabi.
  312. 20:30 Me fight good for you. Take cover, Tunnel.
  313. 20:37 That's Collins, the man that led us into ambush. Why him shoot?
  314. 20:41 Undoubtedly, he's after your horse.
  315. 20:43 Collins must have been deserted by the outlaws.
  316. 20:46 He's probably been making his way to that vantage point for some time now. Why him go there, Kim Wasabi?
  317. 20:51 He knows the only way to get Scout is to kill us.
  318. 20:54 He is well protected up there.
  319. 20:56 What we do now.
  320. 20:58 I'm going to keep him back undercover while you make a run for scout.
  321. 21:03 Take Scout into the cave.
  322. 21:05 Collins won't be able to see you from there. Me do.
  323. 21:07 I'll follow Tonto as soon as you're safe.
  324. 21:10 All right. Run!
  325. 21:37 Did you hit him?
  326. 21:38 No, Tano. I didn't try.
  327. 21:40 We're going to capture him alive.
  328. 21:42 That hard...
  329. 21:43 Him in good spots.
  330. 21:44 Yes, but I have an idea how we can do it.
  331. 21:47 You start up the cliff on that side.
  332. 21:49 First, I have scouted.
  333. 21:51 I'll try to draw his fire from the other side of the rocks.
  334. 24:24 Him dead Kimo Sabe, but me glad him deserve to die. No Tano. No one should have his life end like this.
  335. 24:32 Better him dead.
  336. 24:33 Like White Parsons say, this act of providence, now no one know you still live.
  337. 24:39 Yes, that is true.
  338. 24:40 A strange act of providence has protected my secret. May Dick Gray for him. All right. I'll get Scott ready for travel.
  339. 24:49 Oh, fella.
  340. 25:01 All set, Tunnel. Me ready. All set.
  341. 25:04 We go after the rest of Cavani's gang now? As soon as we can.
  342. 25:07 But I've got to get a mount of some sort. We'll head off toward Wild Horse Valley.
  343. 25:12 Here, take scouts.
  344. 25:14 All right, boy.
  345. 25:18 For two days, the Lone Ranger and Toto travel toward the remote valley of wild horses, where a particularly sturdy breed of horses live, unknown and unmolested by the hunters of the West. Later, at the entrance to this valley, the Lone Ranger and Toto hear sounds of a furious battle.
  346. 25:38 Beyond the rocks and a small glen, they catch a glimpse of a huge buffalo about to go the life out of a fallen horse.
  347. 25:46 Ranger reaches for his gun. You hit him, Kimusabe. I hope it was soon enough, Tano.
  348. 26:14 Buffalo dying.
  349. 26:15 Horses look bad.
  350. 26:17 They shoot him?
  351. 26:18 No, Taro. I'm going to try to pull him through.
  352. 26:21 Well, old fellow...
  353. 26:23 You're in bad shape.
  354. 26:24 A lot of bumps and bruises.
  355. 26:27 Tuttle.
  356. 26:27 Get some rags from the supplies and bring the canteen. Me do.
  357. 26:32 So in an instant, the Lone Ranger has made a momentous decision, for he has recognized the sterling qualities of the animal he has saved.
  358. 26:40 For some time, the masked man in the Indian camped beside the wounded horse.
  359. 26:45 Tending his battle hurts and caring for him as best they know how.
  360. 26:50 Now human hands have done all they can to help nature.
  361. 26:53 in healing the animal's wounds.
  362. 26:55 Can the wild stallion rise? Gently the masked man coaxes the horse.
  363. 27:01 Easy. Easy, big fellow.
  364. 27:05 Come on, on your feet.
  365. 27:07 Come on, boy. Come on, boy. Easy, big dog. Easy.
  366. 27:26 He get bridle and lariat. Him run away. No. Wait, Tonto. No.
  367. 27:37 I'd like that horse more than anything in the world.
  368. 27:40 But if he wants to go...
  369. 27:42 He should be free.
  370. 27:49 Him a beauty.
  371. 27:51 Like Mountain with snow.
  372. 27:55 Silver white.
  373. 27:57 Silver.
  374. 27:58 That would be a name for him.
  375. 28:02 Here, Stover.
  376. 28:04 Come back, big fellow.
  377. 28:06 One silver.
  378. 28:09 Come back, big fellow.
  379. 28:11 Come on, Stilver.
  380. 28:16 Me get bridal now. Him come back. No.
  381. 28:19 He wouldn't take a bit.
  382. 28:21 I'll use a hackamore for the time being.
  383. 28:29 Come on.
  384. 28:31 It won't be as strange to his head as a bridle.
  385. 28:39 There.
  386. 28:44 There, Skilber.
  387. 28:45 You only knew how we need you.
  388. 28:49 Oh boy. Oh, oh. Oh big fellow.
  389. 28:56 Ready?
  390. 28:59 Going to do a lot of riding together.
  391. 29:02 We're going to be pals, aren't we, Silver?
  392. 29:05 A few days later, after the horse has recovered her strength,
  393. 29:08 The Lone Ranger tightens the saddle on the back of the white stallion.
  394. 29:12 Quickly, the masked man mounts, and for the first time in his life, silver bears weight upon his back.
  395. 29:22 Soon, under expert and gentle guidance, a horse quiets and responds quickly to the lone ranger's lead.
  396. 29:33 Later, the hackamore is exchanged for a bridle and bit. Here is no conflict between animal and master.
  397. 29:42 and riders. The Lone Ranger and Silver accept each other as equals.
  398. 29:55 He's a beauty, Taro.
  399. 30:01 Dream horse if I ever rode one.
  400. 30:03 Him and Scout, good friends.
  401. 30:05 Yes.
  402. 30:06 They'll do a lot of riding side by side.
  403. 30:09 Huh.
  404. 30:10 Me got everything packed.
  405. 30:11 Here's Paddle Bank.
  406. 30:14 That blanket.
  407. 30:18 We ride after Cavendish gang now?
  408. 30:21 Yes, Tanu.
  409. 30:23 They were headed toward Colby.
  410. 30:25 Then, too, there's an old timer there I want to see by the name of Jim Blaine.
  411. 30:29 All right, let's go.
  412. 30:53 There it is, Tonto. Jim Blaine's place.
  413. 30:56 Looked like him got company. We'll wait until the caller leaves before we drop in.
  414. 31:03 It's nice seeing you, Judge. Be seeing you next week, Jim.
  415. 31:10 Look, the side of the house.
  416. 31:26 Come on.
  417. 31:31 Got him, Chief. Good. But he winked me. Is he out? Cold. He won't be seeing life for hours. Trade guns. Trade guns.
  418. 31:42 Hey, you're bleeding bad. Yeah, I must have hit an artery. You get on the road pronto and spread the news. The shoot men get me a doc. I'll meet you at the glen. All right.
  419. 31:53 Someone's coming. We've got to clear out of here fast.
  420. 32:03 I'm going to go.
  421. 32:16 In that yonder, Chimusabi.
  422. 32:20 How's Jim?
  423. 32:22 He had a hard knock.
  424. 32:24 Me thought maybe murders killed Jim, too.
  425. 32:27 They could have, Tonto.
  426. 32:29 For some reason, they wanted Jim to be found here alive.
  427. 32:34 He's coming to...
  428. 32:35 Help me carry him to the porch.
  429. 32:39 So that's why I'm after Cavendish, Jim.
  430. 32:42 The reason for the mask
  431. 32:44 My real identity is to be kept a secret.
  432. 32:47 No, and only to the three of us.
  433. 32:49 We'll all be hanged.
  434. 32:51 You sure got a job cut out for yourself, Reed. I mean, Lone Ranger.
  435. 32:56 I'll help in any way I can.
  436. 32:58 I was hoping you'd join us, Jim.
  437. 33:00 Live up on our old silver mind.
  438. 33:02 Oh, you're mighty kind to an old ex-ranger who used to nurse me, Jaboy.
  439. 33:07 Sure would like to.
  440. 33:09 Never did like living here trying to farm, only...
  441. 33:12 Only what?
  442. 33:14 Well, I can't run out now with the owner of the bank.
  443. 33:17 Poor old Judge Knox lying dead back there.
  444. 33:20 Folks might think that I did it.
  445. 33:22 Why, they might start blaming me for all the rest of the killings that's going on in town.
  446. 33:26 More murders, Jim?
  447. 33:28 Yes, sir.
  448. 33:29 Locker.
  449. 33:31 first it was
  450. 33:32 Glenn Peters.
  451. 33:33 He owns the newspapers.
  452. 33:35 Then Biff Anderson.
  453. 33:36 Postmaster and telegraph man combined.
  454. 33:39 They next trust the hotel man.
  455. 33:41 And a couple others, too.
  456. 33:44 Why, it seems everybody important in Colby's getting shot.
  457. 33:48 The sheriff's club going crazy.
  458. 33:51 Did you recognize the man who killed the judge?
  459. 33:53 Couldn't mistake him.
  460. 33:55 It was Butch Cabernet.
  461. 33:57 Now, who choose that you're afters?
  462. 33:59 Cavendish.
  463. 34:01 He must be doing these killings in Colby for a very special reason.
  464. 34:05 Yeah, but...
  465. 34:06 Why?
  466. 34:07 Most likely, he wanted the murders to look like a local affair.
  467. 34:11 I'm certain Jim will upset his plans if you're not around to accept the blame for the judge's death.
  468. 34:18 That old silver mine of ours will be a perfect hideout for you.
  469. 34:21 Yes?
  470. 34:23 It wouldn't.
  471. 34:24 My Crikey, I guess you're right.
  472. 34:27 It would be best if I became scarce around here for a bit.
  473. 34:31 I'll go along with you. That's fine.
  474. 34:34 How's his knee, Tonto? Leg better now. Good. Help me put Jim on Silver's back.
  475. 34:44 A few hours later, after a tedious ride over winding trails and unknown paths, the Lone Ranger, Jim, and Tonto approached the site of the secret silver mine.
  476. 35:00 This is it, Tonto. Where am I? Don't say it, do you, Jim? Fool's you just like everybody else. Come on, I'll show you.
  477. 35:18 Here we are, fellow.
  478. 35:20 Must have been 10 years ago that my brother
  479. 35:23 Old Jim here and I discovered the mine and built this shack.
  480. 35:27 Nine years ago, this princess.
  481. 35:29 Still no see mine.
  482. 35:31 Over here, Tyler.
  483. 35:35 Redundant of the bunkers.
  484. 35:39 There. There.
  485. 35:40 Yep, one of the richest veins of silver ever found in these here parts.
  486. 35:44 I never thought I'd care about digging up the ore.
  487. 35:47 That isn't sure now.
  488. 35:49 Watcher there, too.
  489. 35:50 That's the spring we were cleaning out when we found the veins.
  490. 35:53 We drain the water to get to the silver ore.
  491. 36:00 Jim, you and I can fix up this place while Tyler goes into town for the sheriff.
  492. 36:05 His name is Taylor, isn't it? Yep. Oh, two guns. Still on the job.
  493. 36:09 All right, Kimo Tabe.
  494. 36:11 When you find the sheriff...
  495. 36:12 Tell them you know where Jim Blaine is.
  496. 36:14 He'll come with you.
  497. 36:15 That's good. Me go now.
  498. 36:20 Jack seems to be in pretty good shape. I'll be as snug as a bug.
  499. 36:24 All I want out of this place is enough silver for some immediate need.
  500. 36:29 Other than that, all you can dig is yours. Oh, now I couldn't. You're entitled to it, Jim.
  501. 36:35 You'll have to do all the work.
  502. 36:37 You know?
  503. 36:38 I can refine a little ore right here.
  504. 36:42 That's just what I want you to do, Jim.
  505. 36:46 Then in the future, whenever Tano and I come back here, we can get the pure metal core, money and bullets.
  506. 36:51 Bullet.
  507. 36:52 Yes.
  508. 36:53 I want some of the ore cast into silver bullets.
  509. 36:56 Come ration, what's the matter with that bullet? Still killed just as well as... You forget, I told you I vowed never to shoot to kill.
  510. 37:04 Silver bullet will serve as sort of a symbol. Tonto suggested the idea.
  511. 37:09 - Symbol?
  512. 37:11 Of what?
  513. 37:12 A symbol which means justice by law.
  514. 37:16 I want it to become known to all who see the silver bullets
  515. 37:20 But I live and fight only to see the eventual defeat
  516. 37:23 The proper punishment by law of every criminal in the West.
  517. 37:29 By criminy, yes.
  518. 37:31 I think you've got something there.
  519. 37:34 And I'll mold you all the silver bullets you want, Ranger.
  520. 37:38 But from what I know about this here country,
  521. 37:41 There'll be an awful lot of silver shot up before you're through.
  522. 37:45 I hope not, Jim.
  523. 37:47 We have a lot of metal here for that purpose.
  524. 37:49 If we need it.
  525. 37:58 Now, those dirty killers. I wish I knew where to look for them first.
  526. 38:01 Now, Pete.
  527. 38:02 You look up in that old creek section for Jim. Clem, go get Treel and fetch the Doc's body and bring it back into town.
  528. 38:11 This is a fine time for Doc Drummond to be missed.
  529. 38:14 Jim Blaine disappeared.
  530. 38:15 I never suspected he'd ever have anything to do with his killing.
  531. 38:18 Sheriff.
  532. 38:20 Go away, Angie. Can I see I'm busy?
  533. 38:22 Now Bill Keith says the gym course is still at his farm. Oh, he must have gone off on foot. Now we can't be very hot.
  534. 38:29 me know where Jim Blaine is.
  535. 38:32 Look, Indian, will you go away, please? Can't you see I'm busy with these men...
  536. 38:37 What'd you say?
  537. 38:38 me know where Jim Blaine is.
  538. 38:40 Him want to see you.
  539. 38:41 Well, you know where he is. Why didn't you say so? Where is he?
  540. 38:44 I mean not tell.
  541. 38:46 What do you mean by that? You just said you knew.
  542. 38:48 You come.
  543. 38:49 Me take you to Jim's.
  544. 38:50 Now, wait a minute.
  545. 38:51 How do I know that you know where Jim is?
  546. 38:53 You don't know.
  547. 38:55 But you follow me. Jim wants to talk to you about Judge Knox killing him.
  548. 38:59 I bet he does all right.
  549. 39:01 Yeah, and I want to talk to him, too.
  550. 39:03 Hank, you and I are sad luck. We're gonna follow this engine.
  551. 39:05 No one come. Only you.
  552. 39:08 Now, look.
  553. 39:09 You don't think I'd be silly enough to go with you alone, do you?
  554. 39:12 Me think so.
  555. 39:13 You brave lawman.
  556. 39:14 want to solve mysteries.
  557. 39:16 If you're right.
  558. 39:18 Oh, that is right, huh?
  559. 39:20 Uh, how long right is it?
  560. 39:22 Not far for a tough sheriff.
  561. 39:24 Maybe two hours away.
  562. 39:27 All right, Injun. You lead the way.
  563. 39:29 Don't forget it.
  564. 39:30 Any funny business?
  565. 39:32 Hank, keep an eye on things while I come back. All right. See you, darling.
  566. 39:46 Just a minute, stranger.
  567. 39:47 Tell him a gun, Sheriff. I can explain. Howdy, two guns! Jim!
  568. 39:52 What the same hill's going on here?
  569. 39:54 Who are these people?
  570. 39:55 Who's this masked man?
  571. 39:56 What about Judge Knox shooting him?
  572. 39:59 Somebody's getting...
  573. 40:00 I had a heap of explaining to do.
  574. 40:03 And after the killers knocked me out and changed guns with me...
  575. 40:07 My friend and his engine file brought me here.
  576. 40:13 It's a very interesting story, Jim.
  577. 40:15 What's more interesting, maybe, is that...
  578. 40:17 You've convinced me the masked man here is fighting on the right side of the law.
  579. 40:20 I'm glad you're convinced, Sheriff.
  580. 40:22 So Butch Cavendish is the judge's murder, huh? Yep.
  581. 40:26 And right now, he's somewhere in this here vicinity, wounded, with my bullet in it.
  582. 40:31 Wounded, huh?
  583. 40:33 Say.
  584. 40:33 Maybe that explains something.
  585. 40:35 Well, Doc Drummond's the only Doc in these parts, and he's missing.
  586. 40:38 Ten to one, he's been fed to fix up cabbage.
  587. 40:40 Yeah, the problem now is where's Cavendish hiding out?
  588. 40:43 He left a trail leading away from Jim's farm...
  589. 40:47 I think I might be able to follow it, Sheriff.
  590. 40:49 Good. I'll get some men from town. That'll take too much time.
  591. 40:52 It would be quicker for you to come with me now.
  592. 40:55 Tano can ride to town.
  593. 40:57 Me too. Then follow your trail. All right, Injun. See my man Creel at the office.
  594. 41:01 He'll get some men.
  595. 41:04 Watch that leg, Jim.
  596. 41:07 the the
  597. 41:21 Look here.
  598. 41:27 Oh, my God.
  599. 41:29 Wagon track.
  600. 41:32 Cavendish was followed by someone in the wagon, a horseman riding alongside of it.
  601. 41:36 Those tracks were made by Doc Drummond's rig. He's got the only narrow rims around here.
  602. 41:42 So far, so good. Let's go.
  603. 41:44 Oh, my God.
  604. 41:55 Doc, take it easy.
  605. 41:57 Well, I'm doing the best I can.
  606. 42:01 Oh.
  607. 42:02 There, there's...
  608. 42:05 All right, get on with the bandage and I'm in a hurry.
  609. 42:07 What's the matter? Are you, uh, scared of something like, uh...
  610. 42:10 Maybe the sheriff will find us?
  611. 42:12 Why should I be? I'm getting rid of him just like I did everybody else of importance in Colby.
  612. 42:17 You mean to say that you're responsible for all those murders that have happened in the last week?
  613. 42:21 Sure.
  614. 42:22 Might as well let you know. You see, Doc, all the men that have stepped into the air...
  615. 42:27 Vacated positions belong to my organization. It's taken a lot of planning, but we're just about set. I'm taking over Colby.
  616. 42:34 Well...
  617. 42:34 Why are you telling me this?
  618. 42:36 I'm going to be the sawbones in my organization, and I've just decided you're going to be him.
  619. 42:40 Like blazes I am.
  620. 42:42 I'd die before I'd help a pack of coyotes like this. What was that? Doggone nagged.
  621. 42:49 He'd be hurting from you.
  622. 42:50 Somebody over there.
  623. 42:51 Give me that gun. I'll cover the dock. You boys get over there and find out.
  624. 42:56 Did I come...
  625. 42:57 Take cover.
  626. 43:22 Relax, Doc. Whatever's going on out there, my man will take care of it.
  627. 43:29 I'm
  628. 43:59 Mr. Blythe, partner.
  629. 44:00 Watch these men, Sheriff. I'll go help the doc.
  630. 44:06 Gary!
  631. 44:08 Pike!
  632. 44:09 What's going on?
  633. 44:11 Answer!
  634. 44:14 You go take a look. I want to find out what's happening.
  635. 44:16 But don't run.
  636. 44:18 I've got this on your back.
  637. 44:26 Cavendish, drop that gun.
  638. 44:27 Oh, my God.
  639. 44:29 All right, Sheriff.
  640. 44:30 Bring in the others.
  641. 44:34 You all right, Doc? Yeah, I'm all right. Who's the last man?
  642. 44:40 He's on the side of the law. Well, this crook was going to take over Colby.
  643. 44:44 He admitted all those murders.
  644. 44:46 We know, Doc. We overheard him. Sheriff, you can take Cavendish to town in Doc's buggy.
  645. 44:52 These other three will tie up and put on their horses.
  646. 44:55 Doc, do you know where their mounts are? Yeah, it's behind the rocks over yonder.
  647. 45:00 Here you are, Doc.
  648. 45:02 Watch these out who's close. Well, I tie them up. Yeah, I see.
  649. 45:05 I hope they do make a move, especially this one. Remember this, boys.
  650. 45:10 I'm not in jail yet. Shut up.
  651. 45:12 Licking your mouth is making a move.
  652. 45:14 Come on, Silver.
  653. 45:25 Gilbert. Gilbert.
  654. 45:29 What's wrong, Silver?
  655. 45:36 Those are my men. I knew they were due here about this time.
  656. 45:43 So you thought you had me, sir. Well, you have.
  657. 45:48 You, the Sawbones, and that mash man over there behind those rocks can start counting the minutes you've got to live. Beginning right now.
  658. 45:56 Silver.
  659. 46:01 Get her, Nick.
  660. 46:50 All right boys, I got him
  661. 46:52 Get him high, Sheriff.
  662. 46:54 Come on in, men.
  663. 46:55 It's me, Cavendish.
  664. 46:57 The shooting's over.
  665. 47:01 Looks like we got here just in time, boss. You did. Tie these men up. What goes on?
  666. 47:06 I got winged after a shot Judge Knox.
  667. 47:08 The sawbones there was treating me when the sheriff and the masked man took things over. Is that the hombre we seen ride off on the white horse? Yeah, which way did he go? Up the draw. It's all tied up, Bart.
  668. 47:20 Good.
  669. 47:20 I'll watch him. You men get after that masked man before he gets to Colby and spoils our plans. And bring him back dead or alive. You heard it, boys. Let's travel.
  670. 47:31 Meanwhile, unaware of what has happened to the Lone Ranger since last he saw him, Tonto has arrived in the town of Colby. He's on his way to the sheriff's office to ask the sheriff's assistant, Alex Creel, for more men to aid the Lone Ranger in tracking down Bush Cavendish.
  671. 47:46 Oh.
  672. 47:48 The way you keep on cleaning that gun, Corey, you must be figuring on using it soon. Nothing like being prepared. Might a lot have been going on around Colby lately, and the shooting's only just begun. Freel says there's going to be more of it tonight.
  673. 48:04 Which one of you is sheriff's assistant?
  674. 48:06 There's an orphan of Redskin comes looking for the sheriff.
  675. 48:09 It's usually the other way around. Where you on, Indian? Me want to see Creel.
  676. 48:14 At present, he's busy. I'm handling his business. What's on your mind?
  677. 48:18 Sheriff Taylor sent me. Him on trail of Butch Cavendish.
  678. 48:21 Asked for Cleo to come with posse.
  679. 48:24 Oh, he did, huh?
  680. 48:25 You're lying, Indian. Everybody around here knows that Cav and Dish Gang is nowhere around here.
  681. 48:30 That's not so.
  682. 48:31 I see Cavendish myself.
  683. 48:33 You come. I show you a trail.
  684. 48:35 Will you listen to the red skin order in this round? I don't know what your game is, Indian, but if Sheriff Taylor really sent you, you'd have some kind of proof.
  685. 48:44 You follow Tonto.
  686. 48:45 You have plenty to do.
  687. 48:46 Seems to me this Redskin's getting a little ornery, Corey. Should I throw him in jail? No, they can go.
  688. 48:52 Don't come nosing around here again and you won't get off so easy. Creel left orders not to lead a posse anywhere.
  689. 49:02 Say, Corey, do you think he was on a level about the sheriff being on Cavendish's trail? Of course he was on the level. Why do you think I signed to protect Cavendish?
  690. 49:09 With all of our plans set for tonight, we can't let the sheriff mess things up. But if that engine gets back to the sheriff and tells him the creel will... He's not going to get back to the sheriff, because you're going to see that he doesn't.
  691. 49:19 Barry?
  692. 49:20 Oh, I say. You got nothing to worry about.
  693. 49:54 Nothing like making sure, Injun.
  694. 50:44 Come on.
  695. 50:59 It's Tonto Silver.
  696. 51:01 Tarot.
  697. 51:05 Me follow trail Kimo Sabe. Takes long time. Where's the posse?
  698. 51:09 No party.
  699. 51:11 Sheriff's men and Colby wouldn't send men with me.
  700. 51:13 He must be one of Cavendish's men.
  701. 51:15 That's right.
  702. 51:17 Him send men to ambush me.
  703. 51:19 Let me take care of him.
  704. 51:20 You find Cavendish?
  705. 51:22 Yes.
  706. 51:23 But his men rode down from the hills and surrounded the sheriff and Doc Drummond...
  707. 51:27 Will you go back and round him up?
  708. 51:28 No, there are too many of them.
  709. 51:30 We'd need a whole troop of cavalry to capture them all.
  710. 51:34 But I've got a plan, Tonto.
  711. 51:36 Now, here's the idea.
  712. 51:38 We'll circle back...
  713. 51:56 That's Cavendish's horse. He must still be here. The rest of his men are out looking for me. Where, Doc, can Sharon? Over in the glen behind the brush. Come on, Tonto.
  714. 52:46 That's Harry's horse. Yes, Tonto. He still must be here with the doc.
  715. 52:51 I imagine that Cavendish is watching our friends until his men return.
  716. 52:55 We'll sneak up to the glen. If Cavendish is there, I'll want to surprise him. Then you know what to do. A hoodo. Me understand. We'll leave our horses here.
  717. 53:35 Take it easy, you two.
  718. 53:37 I may not be strong enough to travel, but I got strength enough to pull a trigger.
  719. 53:41 You won't get away with this.
  720. 53:43 How long do you think honest people are going to condone activities like yours, Cavendish?
  721. 53:49 You know I've got men in my office who've sworn never to rest until you're captured.
  722. 53:53 Uh, myself included, of course.
  723. 53:57 And that masked man...
  724. 53:58 He's one of my special secret deputies.
  725. 54:01 Your men will never catch him.
  726. 54:09 Uh...
  727. 54:09 You know, Cavendish...
  728. 54:11 The doc here and I and the mask man.
  729. 54:14 We know a lot more about you than you think we do.
  730. 54:17 Why, there's hand builds on you all over this territory. Why?
  731. 54:20 Paste it on every rock and every tree. You'll never get out of here.
  732. 54:24 And another thing.
  733. 54:25 more
  734. 54:31 Attaboy, stranger. You're a sight for sore eyes. Yes. I thought we were goners.
  735. 54:36 Who's the Indian? He's my friend. Are you both all right? Yeah, we're all right.
  736. 54:43 Cavendish is our cold.
  737. 54:47 Where you been, stranger? I was getting worried.
  738. 54:49 I wrote off on silver. Metano coming from Colby.
  739. 54:53 We sneaked in here the back way.
  740. 54:55 Sheriff, your man Creel in town wouldn't send the posse.
  741. 54:58 Him no believed unto us.
  742. 55:00 Well, then that proves he's part of this Murder and Fiends band.
  743. 55:04 And I can name more in town that are working with him.
  744. 55:08 Well...
  745. 55:08 Anyway, we got Cavendish. We can load him in Doc's rig and take him on into town.
  746. 55:13 Wait a minute, Sheriff.
  747. 55:14 I want to capture more of the gang than just Cavendish.
  748. 55:17 He's the leader.
  749. 55:19 With help, we can capture him and his entire band when they return.
  750. 55:22 Take too long to get help from Colby. They'll all get away.
  751. 55:25 There's help much closer than town, Sheriff.
  752. 55:28 Tonto said he saw a cavalry detachment passing a short distance off.
  753. 55:33 We'll get their help.
  754. 55:35 Now, leave Kevin to share...
  755. 55:37 He's out in two weeks to travel anyway.
  756. 55:42 Yes.
  757. 55:43 Well...
  758. 55:46 Whatever you say.
  759. 55:47 All right. Let's go.
  760. 55:49 Come on, Doc. Don't worry. You're not going to lose me.
  761. 56:03 Which way to the cavalry, mister? Take the right fork and circle back to Colby. To Colby? What about the cavalry? There are no cavalry. Thought you said they're passing through hereabouts. What I said was for Cavendish to hear. Well, he couldn't hear anything. He was unconscious. You should have examined him when I did, Doc.
  762. 56:23 Well, if there's no cavalry, just what in turnation you aim it to do?
  763. 56:27 I'm trying to delay Cavendish's plans, Sheriff, to gain time. We have a lot to do tonight in Colby. All right, Doc, let's get down with it. All right.
  764. 56:57 said she didn't head for Colby. I know he didn't. Say, what happened to the prisoners?
  765. 57:00 The masked man must have hidden the brush nearby. While you were out straight in the eyes for him, he'd come back here with an engine, friend. Turn the prisoners loose, huh?
  766. 57:07 Yeah.
  767. 57:08 They all let out fast, but not for Colby. They went the opposite direction. Where did they go?
  768. 57:12 I overheard the masked man tell a sheriff there's a group of cavalry passing nearby. Okay.
  769. 57:16 Now, they've gone up to get them to round us all up. So we got to work fast.
  770. 57:20 Green?
  771. 57:21 You, Sellers, and Shep, stick care of me. We'll go back to the hideout.
  772. 57:24 The rest of you try to head off the prisoners.
  773. 57:26 See if he can spot that calorie, too.
  774. 57:28 This is going to delay my plans concerning Colby a bit.
  775. 57:31 I can't take any chances.
  776. 57:33 Now get stirring.
  777. 57:45 I sure hope Cleo didn't see us come in here.
  778. 57:48 The sheriff's office is practically next door to mine, and I noticed the lights were still on.
  779. 57:52 That's all for the good, Doc.
  780. 57:54 It will give Tata a chance to sneak over there and see if anyone else is in the office with Creel.
  781. 57:59 While he's gone...
  782. 58:00 We can make up that list of the names of the people we want to surprise.
  783. 58:04 Me go now, Kimutabi. Be careful, Taro.
  784. 58:06 Remember, Creel is one of Cavendish's men...
  785. 58:09 You know what happened the last time you tried to see him?
  786. 58:12 May be plenty careful.
  787. 58:13 You make list ready.
  788. 58:14 Time to be back fast.
  789. 58:18 Are we sure that we hid your horses and my wagon far enough out of town?
  790. 58:22 If anybody gets wind right here, there'll be trouble.
  791. 58:25 If we act fast enough, nobody will have time to stop us.
  792. 58:30 Aye, Sheriff. Write down the names of the new men in town.
  793. 58:33 The ones who've been taking over all the top jobs.
  794. 58:37 Well, first of all, it's Creel, of course.
  795. 58:40 Putting his moon at the head of the list.
  796. 58:42 If we take the jail first, we'll have a place to lock up all the others.
  797. 58:46 Then there's Keeler.
  798. 58:47 He took over the bank as soon as the judge was murdered.
  799. 58:50 - Taylor.
  800. 58:51 Yes, old Jim told me about him. Yeah, and what about him?
  801. 58:54 He was put in charge of the telegraph all this mighty sudden.
  802. 58:57 And...
  803. 58:58 I've heard of him, too.
  804. 59:00 Then there's Jessup. He's that new gunsmith.
  805. 59:03 Peters?
  806. 59:03 Jude.
  807. 59:04 And Corey.
  808. 59:06 Well, Tonto, what did you find out? Me take Pete to window of Sheriff's office.
  809. 59:12 He creeled in there with one man.
  810. 59:14 Just two of them, eh?
  811. 59:16 All right, Sheriff.
  812. 59:17 Doc?
  813. 59:17 We'll start with Creel and his friend.
  814. 59:19 And if everything goes well, we'll end up with the whole Cavendish gang. All right, come on, boys.
  815. 59:30 I wonder what's keeping Cavendish.
  816. 59:34 Sure getting to be late enough. Oh, I don't know, Phil. Maybe him and the boys were held out. I'm afraid he just sends a message or something.
  817. 59:46 Who is it? It's me, Doc Drummond. An emergency. Doc, I thought you was out of town, Trish. Quiet, you two. Keep your hands high. Say, what's going on here? What?
  818. 59:56 Come on in, Creel.
  819. 59:57 - Carlo.
  820. 59:58 Get Red's gun.
  821. 1:00:01 We have reasons to believe you two are working for Butch Cavendish.
  822. 1:00:05 And I've got an idea. Those credentials you showed me to get your job were forged. Now, wait a minute. You can't prove that. Shut up.
  823. 1:00:10 Get in that cell.
  824. 1:00:11 You too, Red.
  825. 1:00:12 Tugang, give me that lift. You made a Creole's pal, Stetcher.
  826. 1:00:16 All right.
  827. 1:00:22 All right, Doc. We've got to hurry. It's getting light outside. Come on, Tonto.
  828. 1:00:38 Oh.
  829. 1:00:42 Now, who's there? It's Doc Drummond.
  830. 1:00:47 Yeah? Well, what are you doing here this time of day? Are you running the bank now in place of Judge Knox? Yeah, but what's that got to do? We'll take a gander. The place is on fire. Fire? All right, killer. Killer?
  831. 1:00:58 March.
  832. 1:00:59 huh? Keillor, check. One down and seven to go. Are you the gent that took over the telegraph office when Biff Anderson got his?
  833. 1:01:20 What about it, Doc? Well, come on quick. Your place is on fire. What? Put your hands up, Rivers.
  834. 1:01:26 Fire! On your way, Jessup.
  835. 1:01:37 No trace of the masked man and his friends, huh?
  836. 1:01:39 Well, we spent the whole night looking. What about the cavalry?
  837. 1:01:42 Must have gone through here awful fast, Chief.
  838. 1:01:45 There you are, sign up and down.
  839. 1:01:46 Good.
  840. 1:01:47 Then there's nothing to stop us from moving into Colby right now. Right. Let's go.
  841. 1:01:56 All right, men. You heard the mask, ma'am. Everything goes as we figured. We'll have the Cavendish gang locked up by sundown.
  842. 1:02:04 Anu, are your men all set? Yes, Kimo Sabe.
  843. 1:02:12 Here they come! All right, boys. Let's go get them. Go on, do her!
  844. 1:02:34 They're from Colby. And the masked man's leading them. We can take them. We outnumber them. Let them have it, men.
  845. 1:03:11 Come on.
  846. 1:05:25 You got me, stranger. Drop your gun, Cavendish.
  847. 1:05:32 It's been a long chase...
  848. 1:05:34 No, you're a crew for good.
  849. 1:05:37 I guess you're right.
  850. 1:05:38 All right.
  851. 1:05:39 Let's go. Where to? Back to the fight.
  852. 1:05:43 Where'd you say?
  853. 1:05:44 I said...
  854. 1:05:47 Now get going.
  855. 1:05:54 - Hey, that's an awful-- - Name. One over, Kim. Put 'em in one.
  856. 1:05:58 I sure am glad to see them. Name. Shorty Bush. Finally got you. Put him in two. Let's go. On board. Name. Six Lambert. One. Okay. And I want to tell you that the whole town of Covey is proud of you two guns.
  857. 1:06:14 Well, I appreciate that a lot, Jim, but we had very little income now, Sheriff.
  858. 1:06:21 Maria, Sheriff?
  859. 1:06:23 Hello, Cavendish.
  860. 1:06:25 Didn't think you'd catch him, partner.
  861. 1:06:28 Now we got the whole dang bunch. You and your men are to be congratulated, Sheriff.
  862. 1:06:33 But if it hadn't been for you, we'd have gotten nowhere.
  863. 1:06:36 I'll be with you in just a minute. I'll take care of this one personally.
  864. 1:06:39 Come on.
  865. 1:06:47 Easy, Silver. Now, Captain, you can't catch it, Kimotabe. You take off, Matt. I'm going to continue to wear the mask and keep my identity a secret.
  866. 1:06:56 For how long?
  867. 1:06:57 Our job has just begun...
  868. 1:07:00 We have a lot of trails to follow.
  869. 1:07:02 That good.
  870. 1:07:04 Sheriff.
  871. 1:07:07 Before the lockup, do you mind telling me who the MASH man is? Wouldn't mind at all, except that...
  872. 1:07:12 Hey, where'd the match man go?
  873. 1:07:16 He and his Indian pal are going out to get the horses, Sheriff. Well, guess he isn't going to stick around for a party. Well, who is he?
  874. 1:07:24 I don't rightly know his real name.
  875. 1:07:26 But I've heard him called
  876. 1:07:28 The Lone Ranger?
  877. 1:08:18 The Lone Ranger.

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