Africa Screams (1949)

No renewal found Free in the US since 1 January 1978, on the registry's reading: registration LP2771 of 1949 by Nasbro Pictures, Inc was not renewed in the volumes searched. Record.

Frame from the Internet Archive copy AfricaScreams

Copy: AfricaScreams on the Internet Archive; released 1949
Read: 78 shots over 1:18:55 · 3 beats in 1 sequence · 993 transcript lines · JSON
Record: Africa Screams No renewal found
Wrong?: Report a problem

Check before citing the shot count. Few shot boundaries: 78 shots in 1:18:55 is under one a minute. The detector misses cuts on dark, faded or damaged prints and treats dissolves as continuous; the count is a floor, not a measurement. A 14:51 shot at 35:22 (shot 33): either a static hold or a run of missed cuts. Treat it as unverified.

How this page was made

78 shots over 1:18:55, read from the Internet Archive copy AfricaScreams (Africa_Screams.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Africa Screams No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 78 shots judged colour), average shot 60.7s long, a frontal face detected in 23% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1949 (Internet Archive). Credited cast, film-level, from archive description: Clyde Beatty, Shemp Howard. A cast credit does not place an actor in any particular beat.

3 beats in 1 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 3 of 3 beats annotated, 3 passed the checks, 0 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

4 of 40 shots sampled

1. Shop

0:00–1:05:51 Machine checks passed (partial)

Model synopsis: A man named Stanley Livingston, working in a bookstore, is approached by two men seeking a map from a rare book; he later pretends to be a big game hunter for a woman named Diane Emerson. A separate scene shows a man in a tent, suggesting a shift to an outdoor or expedition setting.

A man in a safari outfit stands inside a tent. [frame:4]

Named: Stanley Livingston (t:3:08), Diane Emerson (t:5:48), Buzz (t:2:04), Bob (t:6:14). 5 people observed.

“Do you happen to have a copy of Dark Safari by Cuddleford?” 2:54 · “Could I draw it? For a thousand dollars?” 3:41

Evidence, details and a link to share

1:08:32

1:11:21

2 of 2 shots sampled

2. Jungle

1:05:51–1:11:28 Machine checks passed

Model synopsis: A man named Stanley is pursued through a jungle after hiding diamonds; he is captured by armed men who threaten him while searching for the gems. The scene takes place in dense jungle foliage with no clear time of day indicated.

Named: Max (t:65:53), Stanley (t:66:22), Gunner (t:68:44), Reza (t:67:37), Harry (t:69:40), Mr. Buck (t:67:23). 6 people observed.

“What's this? My diamonds. Little fat man got him. Oh, you snitch. Oh, no.” 66:02 · “My diamonds! My diamonds!” 66:26

Evidence, details and a link to share

4 of 36 shots sampled

3. Jungle

1:11:28–1:18:55 Machine checks passed (partial)

Model synopsis: The beat shows a jungle fight scene followed by a character lamenting lost wealth and a final office scene with dialogue about raises and morning greetings. The cast list is shown on screen, naming actors like Bud Abbott and Shemp Howard.

Two men are fighting in a jungle path. [frame:1]
One man is grabbing another from behind. [frame:2]
A man is running away down a jungle path. [frame:3]
1 more under Evidence and details.

Named: Stanley Livingston (t:77:43), Buzz Johnson (t:76:14), Harry (t:77:21), Marshall (t:75:51), Mr. Myleson (t:77:43), Kaluma (t:77:21). 8 people observed.

“Why don't you watch where you're going, you clumsy ox?” 71:44 · “I had an empire in the palm of my hand...” 73:36

Evidence, details and a link to share

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 993 segments kept, 179 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

1:09 Stay right where you are.
1:12 Don't move. Stay there now. Steady. Now, sit up! Sit up! Sit up, you! Up, you fool! Up! Sit up, I said!
1:31 Get up! Up!
1:46 Really, Mr. Livingston? Oh, I'm sorry. Please, let me help you.
1:51 I'll be back.
1:55 Oh,
1:55 Yes.
1:56 I'm not.
2:01 Bugs!
2:02 Oh, Bars!
2:04 - Fuck! - Get it easy, what's the matter?
2:07 Wait a minute. Wait a minute. Take it away. Take it away.
2:10 Not here! Wait a minute. He's excited. This is a harmless little kitten. Buzz, I'm scared of death. Look at the wild look in his face. Oh, no.
2:20 I can't understand why you had this terrible fear of animals in you. What is it? When I was a little baby, I was scared by my piggy bank. Oh, that's nonsense.
2:29 You want to hear something worse? What?
2:31 I was 15 years old before I ate my first animal cracker.
2:35 Come on. The store's about to open up. Fix up your columns. I'll get you to work.
2:39 Go on, go on.
2:41 I'm sorry.
2:45 In the house.

973 more segments

2:47 Yes, sir. That's the truth.
2:53 How do you do? May I help you?
2:54 Do you happen to have a copy of Dark Safari by Cuddleford?
2:56 I'll find out.
2:58 Hey, Bob.
3:04 How do you do gentlemen?
3:06 We like to speak to the salesmen, pal.
3:08 Well, I'm the salesman, Stanley Livingston.
3:10 I'm the clerk in charge of all jungle books.
3:13 And 11 o'clock.
3:14 Give it a lecture.
3:15 Yeah, yeah, yeah. You got a book by the name of... Dark Safari by Cuddleford.
3:19 Doc Safari, my Cuddlefish.
3:21 We did have it.
3:22 We got rid of it some time ago.
3:24 I want to tell you, gentlemen...
3:25 I read that book...
3:27 I had nightmares for nine months.
3:34 How well do you remember that book? Why?
3:36 You remember a map that...
3:38 A map of that book?
3:39 Of course I remember it. Could you draw it?
3:41 Could I draw it? For a thousand dollars?
3:43 Draw that map and that book for $1,000?
3:46 For $1,000, I could draw that map in oil. Okay, then meet us in the alley tonight at 7.30.
3:51 And we'll take you to somebody who'll give you $1,000 a minute to lay down the pencil.
3:55 Is it a deal?
3:57 Shake.
3:58 Okay, pal.
4:04 See you in the alley tonight at 7.30.
4:05 Huh?
4:06 And be there, chum.
4:07 Get me?
4:10 $1,000. Draw that map.
4:12 Ha ha.
4:16 I'm sorry, but that book is out of print.
4:18 In fact, we sold the last one some time ago.
4:20 Dear, I was afraid of that. I've been to every bookstore in the city.
4:24 There's a map in that book that I'd give $2,500 for.
4:28 Will you give me that again, please?
4:30 I said there was a map in that book that I'd give $2,500 for.
4:35 Excuse me, I'll be right back
4:40 What are you doing?
4:41 Hey, Buzz, this you'll never believe. There were two guys in here. Look, I understand. Look, Stanley, how well do you remember that book you read about Doc Safaree?
4:47 That's what I'm trying to tell you. There was two guys in here. Now, look, you remember there was a map in it.
4:52 You, too. Now, go away. Go away. Go away.
4:54 What are you doing there?
4:55 I'm drawing that map now. Oh, no, you don't. Oh, you can't. Buzz, don't tear that up. I've got a chance to make a move. Quiet, quiet. Come on, follow me. Take it easy, take it easy. Madam.
5:06 You are the luckiest person in New York this morning.
5:09 Allow me to introduce Stanley Livington.
5:12 One of the world's greatest wild game hunters. Oh, how exciting. Wild game hunters are my weakness.
5:17 This is really a thrill, Mr. Livington.
5:19 so nice meeting you too but I'm really not as it might interest you to know that
5:23 When Mr. Cuttleford wrote Doc Safari, Mr. Livington was right there. Oh!
5:28 Then...
5:29 You must be very familiar with the map that is in that book.
5:32 The lap?
5:32 Yes. Oh, sure.
5:34 That's one map I could draw in a darkroom even without a pencil. You see, your troubles were all over.
5:38 I could make arrangements to bring him over to your home this evening. Oh, marvelous. I think it's a wonderful idea. My name is Emerson, Diane Emerson. How do you do, Miss Emerson? No, I got a date in the alley. She'll have to wait. She'll have to wait. Here's my address.
5:50 See you tonight, then. Goodbye.
5:55 That's the kind of girl I dream about.
5:57 But you should see the ones I get.
5:59 Meow!
6:02 I tell you, boss, the guy said he knew the map back.
6:05 So we make a date to meet him, bring him in, have him draw it.
6:08 Yeah, and the little muslin never shows up after us offering him a grand.
6:11 Well, you can relax.
6:12 I found somebody myself...
6:14 morning. Is it boss?
6:15 Where? The Clopper's department store. That's where we found our guy.
6:19 Wait a minute.
6:21 Was he a silly-looking little fat guy? That's him.
6:24 Why that two-timer?
6:27 You offer him $1,000 and he holds out for a higher price.
6:29 The minute he puts his foot through the door, I'll break every bone in his head. You do no such thing.
6:34 When he leaves, you boys can meet him outside.
6:36 and get my money back.
6:38 We get you, Bob.
6:39 Now go out the side entrance. I'm closing a deal with the man who's going to lead the
6:45 Won't you come in, Mr. Beattie?
6:50 I'm not.
6:56 This is the place. Now, don't forget, she thinks you're a big game hunter. Buzz, why do you keep getting me in the middle? I wish you hadn't.
7:01 Why you ingrate.
7:03 Here I'm giving you a chance to make me $2,500.
7:06 Is that the way you want to repay me for all the things I could have done for you?
7:09 Come on.
7:10 What?
7:12 I'm sorry.
7:13 Oh, come on.
7:25 Stanley, will you come on?
7:26 I'm shutting off the water.
7:28 Well, turn it off and come on.
7:32 I stopped it. Good. Come on up here.
7:35 May I see you a minute, please?
7:40 Come on.
7:43 Now what's the matter?
7:44 My finger's stuck.
7:46 Leave it then. Come on. Okay. What's the matter? Let me see this.
7:51 Not that one, not that one! Not that one! That one! Don't call it. Don't call it that one!
7:57 Well...
7:59 Harry, did you answer the door?
8:01 No.
8:01 Do I have to? Answer the door. Oh.
8:05 All right.
8:07 I don't do everything around here.
8:09 Look at this. The office. I gotta be a cook and a butler. One of these days I'll just...
8:16 Well, Saul, I'll just...
8:19 Do it.
8:22 Yes? Mr. Johnson and Mr. Livington to see Miss Emerson. Well, come in.
8:32 Who's knocking? Well, come in!
8:37 Miss Emerson is busy for the moment. Will you step in the living room, please? Pats...
8:41 Eh?
9:01 Ow, that hurts.
9:09 That was an outside yeah, I can't get it off help me get it off I
9:15 Well, you did get him. Well, not so hard. Get your hand out. I'll pull it off. Pull it off.
9:19 Get your hand out of the way now. Get your hand out of the way, I do it. Get your hand out of the way. Get your hand out of the way, I do it.
9:25 Naturally, I haven't publicized the expedition because I could easily become the victim of unscrupulous people
9:31 If that map's one of the few in existence,
9:33 The owner would practically have you in the palm of his hand.
9:35 This man coming tonight is the gullible type, but fairly intelligent.
9:39 If he can remember the map accurately, we'll proceed at once.
9:42 That'll be fine with me, Miss Emerson.
9:44 And now regarding your fees.
9:46 Suppose we say 5,000 in advance and 15,000 on completion.
9:51 That's very liberal.
9:52 On the contrary.
9:53 Money is no object.
9:55 As long as I get what I'm after.
9:57 Come on, will you?
9:59 Ha-ha, there it is. Oh, not that hand, this one. Well, put this hand in your pocket.
10:07 Get your hand out of it. Oh.
10:11 Oh.
10:12 Oh.
10:12 Oh, sometimes it's...
10:14 Oh, God.
10:17 Stanley.
10:18 I just found out that map is worth more than $2,500 that woman.
10:22 I can't get over it. All I did was go like this and the water came out. Are you listening?
10:26 Come on.
10:28 Come on.
10:30 You go in the living room and wait. I'm gonna snoop around here and find out more about this deal.
10:35 Go ahead.
10:43 Who was at the door, Harriet? Mr. Livington and Mr. Johnson. Good. Where are they?
10:47 They're in the living room.
10:48 I'll see them in a minute and we'll have coffee in the library.
10:55 Harry, I'm phoning Gunner to come over. Please leave the door open.
10:57 Yes, ma'am.
11:06 Excuse me. I didn't order anybody in the room. I'm awfully sorry.
11:10 Say, hold it.
11:11 Right what you want.
11:11 You know, you standing in front of this here picture reminds me of my last expedition in Africa.
11:15 And that's so. Yes, indeedy. Yes, indeedy. And it was my most dangerous expedition.
11:22 We were after cats. Pig cats. You know what cats are?
11:25 Lines, I imagine. Oh, there's no imagine about it, my friend. Lines are lines. Here or any place, they're lines.
11:31 You can't imagine her lines.
11:32 Oh, no, indeedy. I want to tell you something.
11:35 My first afternoon out, I bagged 64 lines...
11:38 Dad, what a hunt!
11:40 Really? Oh, yes. And then I ran into an old friend of mine, Clyde Beatty.
11:44 No. Yeah. And was he hurt? He didn't bag a lion for two weeks. Really?
11:52 Ha! I bagged them all! He couldn't get one of them! Ha! Ha!
11:55 Of course, when it comes to handling lines, he don't know from nothing.
11:58 I am the boy right over here. I want to tell you something else, too, between you and I.
12:03 Clyde Beattie is a phony.
12:06 On the side, pretty nice fella, but between you and I, a phony.
12:10 Ha, ha.
12:11 Something else I want to tell you, friend.
12:13 Who do you think tames the lines that he has inside the cages?
12:19 Me, Stanley Livington, the world's greatest hunter.
12:24 No kidding. Yes, sir. Well...
12:26 One of the greatest.
12:29 By the way, what's your name?
12:30 Clyde Beatty. Clyde Beatty. Clyde, it's nice knowing you. I want you to stick around because I'm going to tell you how I used to go in myself and tame those lions.
12:37 Now, when it comes to taming the animals, Clyde,
12:39 Clyde! Clyde!
12:45 Come on.
12:46 *thud*
12:47 I'm going to go.
12:55 Oh, good evening. I see you've met Mr. Livington, our big wild game hunter, eh? Yes, indeed. Swell. You just didn't tell me about some of these exploits. Oh, swell, swell, that's fine. Tell them about the time you and Clyde Beattie went tiger hunting in India. Yes, I'd like to hear about it. Yes, indeed. Stanley tells me that he outshot Beattie five to one. All right, all right, all right. By the way, I don't think you've introduced me to this gentleman.
13:20 Clyde Beattie. Clyde Beattie.
13:23 Pride Beattie.
13:24 I'll be seeing you around, though. Mr. Beatty, I'm sorry for what I said about Mr. Beatty. Excuse me.
13:30 Why, Mr. Johnson and Mr. Livington, please forgive me for keeping you waiting.
13:33 You've met Mr. Beatty?
13:35 It seems Mr. Livington and our old hunting pals.
13:37 Won't you gentlemen have some coffee?
13:42 And after coffee, we'll have Mr. Livington draw the map.
13:44 I'm terribly sorry. Mr. Livington will not be able to draw the map.
13:48 But he's got to.
13:49 The whole success of my trip depends on it.
13:51 You mean you intend to take a trip to Africa?
13:54 Very definitely. I'm planning a safari. I wonder if I may be excused. I know you folks would rather talk business in private. If you don't mind, I think it would be better.
14:02 Mr. Beatty's hat, Harry. Excuse me, gentlemen. Good night, old friend.
14:13 Quick, Grappler and Boots are outside waiting to slug Johnson and Livington. Tell them the plans are changed and to lay off. Yes, ma'am.
14:19 Look, Buzz.
14:21 Let me draw the map. We'll get the $2,500 and get out of here. Certainly not. Now, if I pay your cards right, we'll get more than $2,500.
14:27 Listen...
14:28 You heard her. She's organizing a safari. I wish I was there. Where? On the home of a safari right now. Uh, uh...
14:34 Stanley, you're absolutely right. As you surmised...
14:38 I'll be frank with you.
14:39 I don't blame you for having the desire.
14:41 Desire to what? Of course, I'll have to explain everything to the lady. Explain it to me.
14:46 Mr. Livington insists on journeying your safari to Africa. I insist? There you are. You heard it from his own mix. Just, uh, hello. Just a minute. How do you do? You see, with Mr. Livington in Africa...
14:58 He'd feel right at home, and it'd be very simple for him to draw the map without any difficulties. I think it's an excellent idea. Once we're there, he can lead us to the East Fork of the Tarabongo and Okavangi River. Lead you to the fork? Shelley, of course, it'll be the regular $5,000 fee in advance, and...
15:13 $15,000 on completion. Of course, that includes my services.
15:17 Splendid. That's fine.
15:19 And for your safety, I'm going to assign you my best follow-upper. Uh...
15:23 Follow-up?
15:24 Yes, he's the man who follows you in the jungle. And if you miss a shot at a charging animal, he shoots and saves your life.
15:32 Oh.
15:33 That's him now.
15:34 Excuse me.
15:35 Miss Shelley.
15:37 Listen, Buzz, I'm not going to go over there. You've got no right to put me in a thing like that. Oh, what kind of money? You're always putting me right in the middle of it. Don't tell me what kind of money is. Don't you give me that. Listen, you've got no arguments. I'm not going to go over there with all those lines.
15:47 I'm going to start going to get away. I'm not going to go over there. No arguments.
15:50 I would...
15:56 Gunner, I'd like to have you meet Mr. Johnson and Mr. Livingston. Gunner Jensen. Gunner Jensen.
15:59 Aye.
16:01 I don't want to seem inquisitive.
16:02 but, uh,
16:03 Just what are we going to Africa for? Well, we're going after an orangutan gargantua. Orangutan gargantua?
16:08 Excuse me, please. May I see you?
16:12 What's the orang-up thing going into? It's a big ape.
16:15 Oh, Biggie, yeah, stop worrying.
16:17 Excuse me, excuse me. Pardon me.
16:20 Big ape? Yeah. You mean like the thing I see in a circus, like the father to the monkey? Yeah, it's only bigger. Bigger. Ping!
16:26 And he's going to protect me? Mm-hmm. Mm-hmm.
16:29 Gunner, show them how you can shoot the Winchester.
16:41 Good.
16:43 You missed a lion. I raised a gun to my shoulder, looked through the peep sight, and I...
16:53 I looked through the peep sight, put my finger on the trigger, grabbed for the pump slide, and I...
16:57 I...
17:00 No pump flying
17:05 Stanley.
17:07 Stanley. Now, where did he go? Stanley!
18:21 Bawawawatu, Bawawatu, Bawawawu
18:32 The calm river.
18:33 Yes, Stanley.
18:35 Suppose a north wind should come up, what would you do? I throw out another anchor. If a west wind came up, what would you do? I throw out another anchor. And a south wind came up, what would you do then? I throw out another anchor. And an east wind blew up, what would you do? I throw out another anchor. Where are you getting all the anchors? The same place you're getting all the wind.
18:49 You keep quiet.
18:53 Unroll your boat. You've been a very bad boy the last couple of days.
18:56 I want you to change. I'm warning you.
19:00 I don't like it a bit.
19:02 All you do is snap at me.
19:05 Me snap on you?
19:08 Oh, ain't that a laugh? Me snap it at you. Why should you laugh?
19:14 Yeah.
19:24 - Don't splash!
19:28 well for the part of the world the
19:44 Good.
19:58 What are you doing?
20:30 Oh, Gunnard. Look, not me. The post.
21:00 Oh, I'm complaining.
21:08 Oh, Lord.
21:23 Hello
21:26 The camp's coming along fine, Miss Emerson. And in the morning, we'll start for the interior. Very good.
21:32 Well, we've looked the whole place over.
21:34 You want to know something, boss?
21:36 It doesn't look like a place to find diamonds.
21:38 You fool.
21:39 ever mention the word diamond.
21:41 We're supposed to be after an orangutan.
21:44 And another thing, boss, I'm getting awfully sick of these two guys you're depending on.
21:48 They're always fouling us up.
21:50 Just be patient.
21:51 It won't be long now before the map is in my hands.
21:57 Stanley! Stanley! Drop everything! Huh? Drop everything! Hey, come here. Come here, Stanley. Get out. Get out from under there.
22:05 Hurry up.
22:06 Come here.
22:07 Come on Sammy. Oh, but this one I had to turn on my intent come over here draw that map oh
22:12 The map? The map. If I draw, will you let me go home? Why do you want to go home? I forgot something. What did you forget? I forgot to stay there. Draw the map. Come on.
22:18 Boy, oh boy, can you picture me a tycoon?
22:22 building yachts railroad
22:24 I don't know. I might even buy an airline.
22:26 Well, now I see you.
22:27 Bye-bye.
22:28 Winters in Maine, summers in...
22:31 Florida
22:32 Oh, it's unbelievable. Get him. He can even get his laundry out.
22:36 Have you got it ready yet? Come on.
22:38 You got it? Attaboy. Oh, this paper here is worth a million dollars. A million dollars? I mean, I thought I did it. Give me something. I got to have something for it. Oh, sure, sure. I intended to. Here. Here's a nickel. Thank you. Attaboy. Oh, a nickel.
22:52 Hello, Diana.
22:53 Harrison people mr. Johnson and plenty of sugar
22:57 Wonderful day we're having. You're looking marvelous yourself. You're in fine spirits. I have all the reasons in the world to be.
23:03 I finally persuaded Stanley to draw the map.
23:06 Oh, may I see it? Uh, I also made some very interesting discoveries.
23:11 Aside from the orangutan, there are far more important things to be found in that particular territory. Really?
23:18 Yes, and due to the facts, I personally think I'm entitled to a new deal.
23:22 What kind of a deal did you have in mind? Well, I'd say 20% of the safari's profits would be fair.
23:29 Very liberal.
23:30 In view of your generosity, may I see the map? Oh, yes, Shirley, Shirley, Shirley.
23:35 Now, this map will take you right to...
23:44 Um...
23:45 Uh, there seems to be something lacking here. Uh...
23:49 I'll see Stanley there's some detail working. He hasn't really completed the map.
23:55 I'll be right back. Here's your tea. I put plenty of sugar in it. Drink it yourself. Oh, drink it yourself. Drink it yourself.
24:02 Harry, I want to see Boots and Grappler immediately. Ooh, all right.
24:07 Come here. Come here. Come here. Why is Alicant? Now, what's the matter with you? I thought you were putting something over on me.
24:13 This is not the map that was in Cuddleford's book. Oh, yes, it is. This thing tells you how to get the Clopper's department store. Well, that's the map. I used to keep that map in Cuddleford's book.
24:21 Listen, you nitwitted numbskull. These people want a map of the Bangy Territory. The Bangy Territory?
24:27 Bangy territory? Yes. I was wondering why they want to pay all that kind of money just to find the directions how I get the croppers department store. That I couldn't understand. Just a minute. Do you realize we're in the most dangerous spot we've ever been in our lives?
24:39 Dangerous spot? Dangerous spot! Buzz, what? Is it worse than a time when Skinny Marine knocked the ship off my shoulder? Ah, certainly. Worse than that? I should say it is. And the time I drew the line like that?
24:49 Far more? Yeah, but that time he came over the line.
24:52 It's worse than that? Never mind that. It's worse than that. Oh, are we in trouble? Wait a minute. Oh. We've got to do something.
24:58 I have it. We've got to get out. Come on. Come on, hurry up. Come on. Let's go.
25:05 What you doing, boys?
25:06 Going somewhere, fellas? We were just gonna take these little trunks inside the tent.
25:11 Get moving.
25:15 Go ahead.
25:16 Not the chip off my shoulder. Not that. Your head's liable to go with it.
25:19 Oh.
25:22 Go on, get moving.
25:34 Um...
25:35 Get sick and tired of getting pushed around by you guys.
25:38 Did you hear me? I get sick and tired.
25:42 Hey.
25:42 Come on, Matt.
25:43 Come on back.
25:45 *crickets*
25:47 *whistling*
25:48 Meow, meow.
25:49 Hey!
25:50 Come up there.
25:56 Hey!
25:59 Amen.
26:02 Step on that side of the line.
26:04 Come on.
26:05 Mm-hmm.
26:09 Stanley! Stanley, no. Don't bother me. Stanley, you're not going to kill anyone. Don't hold me back. Don't do that. Somebody's got to get it. And when I get this mad, somebody's got to get it. Stanley. Ha, ha. Ha, ha.
26:23 Fine friend you are. You bring me away out here in the heart of the jungle.
26:27 Why?
26:28 Because you told me that you could draw the map.
26:31 You can't draw, can you?
26:32 You knew you couldn't. Why'd you bring me away out here? Now what am I going to do?
26:36 What am I going to do with the boats I was going to buy, the buildings I was going to buy, the railroads I was going to buy? Put that down.
26:43 That's a fine hottie you do. Nice goings-on from a pal, from a friend.
26:47 And every
26:48 I never expected from you...
26:50 I'll have to go in the bankruptcy, that's all. That's all that's left for me to do. Then what'll my friends say?
26:55 I think it's you, my bosom friend. Look, where are you going with the water? Oh, my tent's on fire!
27:05 Well...
27:05 What have you got to say for yourself?
27:08 Hold it, hold it! Stop! Hold it further! Hold it!
27:23 What are you stopping here for? It's early yet.
27:25 Well, this is where Clinton stopped.
27:27 Now, on the bottom of page 389...
27:29 According to Cuddleford, he wrote that he had a very uneventful day. Therefore, he made camp on the bank of the Crocodile River.
27:35 Now over there is the Crocodile River.
27:38 Over here.
27:41 You'll have to forgive me. You see, Stanley is actually living the book.
27:45 That's not all.
27:46 That night, Cutterflip, he posted a double guard because he was nearing the Fange country.
27:50 which was full of ferocious animals and chemicals. Stanley's right.
27:53 this is pretty dangerous territory
27:55 I suggest we pitch cap on this side tonight.
27:58 But that means we'll lose an entire half day. Well, if you cross over, you're going to lose two days anyway.
28:02 Why? Well, according to Cuttleford, when he crossed the river, he was brought down by jungle fever. Why?
28:06 And he was that way for 36 hours.
28:09 Miss Emerson, I think we should look for a location at the pitch camp. All right, Mr. B.
28:13 Thank you to me
28:19 You better use a little more tech when you talk to Miss Emerson.
28:22 Well, she's liable to send us back to the States.
28:26 What's a matter?
28:27 Oh, my goodness.
28:30 You worrying about that?
28:31 That's just a little baby lion.
28:34 Wait a minute, wait a minute, I'll get a hold of him.
28:42 remember what happened coppers department store don't do it now don't get excited this little cat was raised on milk suicide but I ain't meat now take away go ahead go back to us mother that's it now go ahead and say yeah you see yeah yeah yeah
28:57 There he is. Look how cute he runs. Hey!
29:00 I got my finger back. What do you mean you got your finger? You touched them. I touched a real line. That's all there is to it. A real line. I...
29:07 Brave! Too late! Well, that's it. Just like that! That'll take that fear out of you. Ha ha!
29:12 I'm going to capture that little baby lion, and I'm going to bring it back to Diana.
29:16 Hey, wait a minute.
29:18 That's a good idea. That'll put us in good with it. Yeah. Go ahead, kid. I'll see you at camp.
29:26 Kitty, kitty, kitty, kitty, kitty. Kitty, kitty, kitty. Kitty, kitty. Kitty, kitty. Oh! Hey, Nuss! Nuss, come out!
29:52 Nuss!
29:56 Come on.
29:59 Well, Buzz, I guess we lost that pussycat. Well, Buzz.
30:05 Oh, no.
30:10 Hey, bud.
30:11 Up, budge!
30:12 Hey, it's stuck down there. I can't see a thing.
30:15 Hard to throw a bullet trap anyway, you clumsy boy.
30:18 I'm gonna throw you some rope down there.
30:21 Can't see a thing so fast first.
30:24 Yeah, boy.
30:28 Oh, my God.
30:38 What? Now.
30:39 Buzz, you better go on a diet because she'll get awful fat and awful heavy.
30:44 Give me the other one in the room. Thank you. Now we'll leave it here for whoever applauds her.
30:51 No.
31:03 Come, come.
31:04 No!
31:06 Oh, my God.
31:07 I
31:13 What?
31:16 Come on.
31:18 Here.
31:21 Huh?
31:22 Please! Look! Get him out! Fast!
31:37 We better go over and check on that trap.
31:45 Stanley!
31:48 Stanley!
31:53 All right, boys. You've done a good job now.
31:56 Take them back to the truck.
31:58 Come on, boys. Back to the truck.
32:05 Stanley!
32:06 All right.
32:07 Family!
32:10 There we
32:13 Look out there fellow is a trap right in front of you
32:15 A trap. Thanks, Ranger.
32:17 Hey, my name is Buzz Johnson.
32:20 I'm looking for a little...
32:21 Chubby guy by the name of Stanley Livington. Have you seen him? No, I haven't.
32:26 My name is Frank Buck. Frank Buck? Well, I'm certainly glad to know you. Glad to see you. I'm looking for a great...
32:32 Big guy called orangutan gargantua.
32:35 Have you seen him? No, no.
32:37 Well, I just built this trap for him.
32:39 Come on, you better get away from this trap. I think we better.
32:45 Say, Mr. Buck.
32:46 Is there really such an animal as an orangutan or a gantua? Of course there is. There is. There's one right around this district now.
32:53 Great big fellow.
32:54 About 20 feet high.
32:56 face almost human.
32:58 Matter of fact, I've got traps all around here, except for them.
33:01 Mm-hmm.
33:02 Hey, boss!
33:06 Uh, Mr. Buck, I... I wonder if you'd help me find my camp.
33:10 What? Drop! One! Oh, please!
33:22 Got one! We don't need a baby, though. But we got him. What? Bring the net around there. Come on, now. Now get him in the net, sir. Bring him up. Pull him up. Mr. Johnson, that's the first of the species.
33:33 Ever captured by a human being.
33:36 You two, take the bullseye. Drop the net.
33:42 Come on, come on. Get him up there. Get him up. Heist him up.
33:47 Get the slack out of the way.
33:49 Careful, boy. Hi. Is he ferocious? We don't know. I don't know.
34:03 Oh, no!
34:06 It's Stanley!
34:08 Stanley! Where have you been? I've searched this jungle all night long for you. Last night I want to take that... There is no time for clowning.
34:16 while this is what he tried to make a monkey out of yourself that's it's a work it is my man here this is a good idea that this whole yes i am least you could have done was put a red lantern there i'm gonna report you to the african women i certainly have to get easy to try to build anyway crap
34:29 Yeah, it's a trap. You're doing it all wrong. What do you mean I'm doing it all wrong? This guy don't know for nothing about building a trap. I showed Frank Buck how to build all his traps. Every one of them. He listens to me.
34:38 I'm one of the biggest game hunters in the whole world. That's why I'm over here. Wait a minute. You got the whole thing. It's... It's... Will you keep quiet? It's... It's...
34:46 When you keep quiet after what I saw last night, I'm the boss. I don't know what I'm talking about.
34:50 it's but that's what
34:51 Who's this character? Frank Buck!
34:54 Frank Buck.
34:55 How you do?
34:56 I'll see you later, Mr. Buck. Yeah, well, get on with the truck and stand over there. Boy, set the trap again now. Get it all ready.
35:01 Mr. Buck, the boys have finished resetting the traps. All right, go down the other way now and set the other one.
35:06 I'm sorry I found your trap.
35:07 Oh, that's all right.
35:09 But last night I saw something like I never saw before in my life. Now, even in a nightmare, I never saw anything like this.
35:13 I'm sorry, he had a head like that. Oh, good. I'm not looking right at him like that. I'll just... Here. Eat your food, come on.
35:35 Come on.
35:36 I'm
35:49 Oh.
35:50 Come for that.
35:52 Stop!
35:56 Oh, my God.
36:06 Brrrr.
36:08 - Okay.
36:15 *crickets*
36:17 I'm going to get you.
36:20 Come on, man.
36:22 Ah!
36:30 Oh, Phil.
36:31 Oh, my God.
36:39 Ah!
36:41 Don't you so nervous. Don't play with it. Eat it.
36:46 *crying*
36:52 What's the matter with you?
36:54 Huh?
36:56 He must be tired.
37:01 What's the matter? You see anything over there?
37:03 Certainly not.
37:04 Then I got jungle fever.
37:06 I'd better get him back to our camp. I think he'd better, too.
37:09 I just followed the trail exactly as I told you.
37:11 And you won't miss it. And look out for my traps.
37:13 I think you better take a gun along with it. Well, George, I think we can use one. Yeah.
37:17 Thanks a lot.
37:18 So long, Mr. Buck. So long. So long. Bye-bye. Come on. Come on. Take it.
37:30 What a business for a guy to be in.
37:32 Crocodiles and lions bring a lot of dough back in the States.
37:35 You can have it.
37:39 Okay, boys, you're finished. Let's go back to compound.
37:46 I'm going to go.
37:53 Oh, my God.
37:55 Well, Buzz, after this swim, I'll feel like a diamond in the rough. Yeah. Diamond? That's right.
38:02 Family?
38:03 I think Diane is trying to put something over on us.
38:06 Doesn't it seem funny to you that as soon as Clyde Beatty goes out to bag lions,
38:11 She lets us come down here to take a swim in the river. Oh, Tush, Tush. Now, never mind the Tush Tush. I can use it. I can use it. Just a minute. We made her in the Diamond Territory.
38:21 Maybe she knows where the diamonds are.
38:23 Buzz. Maybe she has the diamonds. Buzz, you've got to take it easy.
38:26 You need more sleep nights, kid. Now, forget about diamonds. I'm a little worried. Don't get worried. Hold it. I know. Come on.
38:34 Let's go in and take a bath. A bath or something. And swim nicely. All right, put it down. Put it down. Put it down.
38:40 Come on, let's go. Well? The last one in this hole made. Wait a minute.
38:44 Where are you going? I'll dive in. In there? Of course you're there. I gotta dive in over there. I'll get your head over there. Yeah, did you read this sign? What? Do you know what that sign says?
38:53 Who's walking on the grass? Hey, wait a minute. You can't dive in there. There's nothing but crocodiles in there. Oh, no. What? Crocodiles.
39:01 Wait a minute, don't get excited, don't get excited. You see over here, there's nothing but nets. I dive inside the nets. Yeah, the crocodiles can't get in the nets. That's good. That's well. Go ahead, ride in, enjoy yourself. Okay.
39:11 Can you make it?
39:12 Oh, come on. That's warm. It's cute. Sure.
39:18 That a boy. Whoa, boy. What you got?
39:21 What a belly flop. Hey, Buz. Hi. Watch my appreciation. Oh, you...
39:28 You do impersonation? Yeah. What? My first one. A seal. A seal. Here I go.
39:33 I'm here.
39:40 Pretty good, huh? The line. Hey, watch my other one.
39:42 - What's this? - A whale! A whale!
39:44 Yes.
39:48 That's a whale. Yeah, watch this one. Buzz that.
39:50 uh... i want to go to the other way i can't let me go
40:04 Yeah!
40:05 Come on.
40:06 Watch! Watch!
40:08 Like that, the guy couldn't wait. He had to dive in.
40:14 I'll post.
40:15 Buzz, stop tickling.
40:17 Stop!
40:19 Stop tickling, Buzz.
40:21 He's a playful little sucker gun.
40:24 Come on.
40:25 Boss, come up with me!
40:29 Bunch, William!
40:32 Oh, my God.
40:37 - Bush. Bush. Will you cut her off? Bush, will you stop? I don't want to play anymore. Bush, come on now. Will you come up where you are?
40:50 Oh, boss, I'm... My God! My... My...
41:02 I'm
41:05 Oh, my God.
41:08 I'm not.
41:12 I'm going to go.
41:14 Oh, my God.
41:16 Oh!
41:18 *thud*
41:19 I don't understand why he has to try those cats out before he sends them back to the stage. Who worries me? Doesn't worry me half as much as those two knotheads you brought along with us.
41:29 Relax.
41:32 Oh, my God.
41:41 - Please don't make me do this. - You're going to do it. - I don't wanna.
41:45 the back of the car out of the army and how you just go around this camp
41:49 Stanley's a coward. Stanley's a coward.
41:52 Afraid of a little teeny-weeny alligator like that. Big alligator. Oh, stop it.
41:56 You afraid that I think so. Oh stop. It's only a skin feel it feel it. I
42:00 Don't be afraid of it.
42:01 Hello.
42:03 I'm going to make a hero out of you, whether you like it or not.
42:06 I'm going down that path.
42:08 You know where the water bag is? Yeah. You meet me there. I'll be in this skin. Uh-huh.
42:12 And make sure you bring Diana with you. Oh, you want me to get Diana and bring over by the pass by the water bag? And then you're going to have the lines you get on and then... That's it. Just act like Clyde beating.
42:21 Okay, Buzz. Attaboy. I'm going over to have a chit-chat with Diane. Yeah, now. I'm going to show her I'm a pretty brave kid, and I don't like this kind of talk all around. Why are you talking? Don't forget by the pass by the waterbed. I'll be there.
42:33 I'm sorry.
42:38 Well, boys, in a little while we can say goodbye to Mr. Beattie and his lions and crocodiles and cages.
42:44 I'm back this week for shipment back to the state is a good one
42:50 And get the other three ready.
42:51 For the training cage.
42:53 I'll be back later then to work him out.
42:55 Okay.
43:04 Sayan?
43:05 Yes, Danny. I would like to have a chit-chat with you, if you don't mind. Of course. Excuse us, fellas.
43:10 Now...
43:11 A few things I want to get straightened out. I, uh...
43:13 Yes?
43:14 Let's tell you over here.
43:19 Diana?
43:20 There's some talk going around this camp and I don't like it.
43:23 I don't like it no how.
43:24 And I'm getting plenty peeved about it. And I have a right to have a drink.
43:28 People are going around saying that I'm afraid of lines.
43:30 Well, that's not true. That's a lie.
43:32 I'm one of the finest big game hunters in the world.
43:35 No one surpasses Stanley Livingston.
43:39 You think the lines that Clyde Beattie catches are big ones?
43:43 They're nothing but kittens.
43:45 Little bit of kittens.
43:47 *whistling*
43:48 Yeah.
43:49 I want to tell you something. I'm going on a big game hunt myself.
43:52 I'm going to catch a line just for you to show you how big I can catch them.
43:56 You a fiddler, Ainz? - No. - Good.
43:58 Take a look.
43:59 Ah!
44:05 Sammy!
44:06 Stanley, what's the matter with you?
44:09 She scared me.
44:10 Oh, never mind. Listen, I'm going into the cage.
44:12 And you behave yourself.
44:14 You can't understand why he gets so scared.
44:27 Oh, my God.
44:32 Oh, my God.
44:41 I'm going to go.
44:48 Stand back!
44:50 Have no fear, fair lady of that wild beast. I, Stanley Littleton, will protect thee and you, too.
45:00 Get back, Stanley. I'll put them for you.
45:02 Why not let the line chew on it for a while? No line's going to spoil my fun. Let him alone, Greggler.
45:08 I swear, Buzz.
45:16 Look!
45:17 He's heading him towards the cage. Well, I'll be.
45:20 Come on, come on. Get in the case now. I'll show you who's the boss. Come on, come on.
45:45 The key!
45:45 I need it no more! Diana!
45:49 Watch!
45:51 Enough, St. Alliance. And the gun, that's only for Clyde B.
45:55 Ho ho! Oh, me oh my!
46:01 Don't get scared!
46:02 I've got him under control. Why, listen.
46:05 Look at that lady. It's shown off like that.
46:10 Come on, boss. Get up on the box.
46:12 Do a good job, sir.
46:13 Come on, stop stalling. Get up there.
46:16 Come on, get up there. We didn't have a point.
46:18 Hey, boss. This I gotta tell you.
46:20 You open the keys like a real lion.
46:22 You even hopped around like a real lion.
46:27 You want to know something else?
46:29 You even smell like a real lion.
46:31 That's the part I don't understand.
46:33 Stop breathing down my neck, too.
46:34 I like that.
46:37 I'll be
46:38 Oh, this is gonna be horrible. Hey! You come off a close!
46:43 Now, cut it out or I'll hit you right in the push with a chair. I'm not afraid of nothing.
46:48 What are you doing?
46:49 I'm a pretty brave kid.
46:51 I don't care about kittens, I don't care how big the kittens are.
46:54 How we doing?
47:00 Hey, Buzz.
47:02 Get those nails filed. They hurt.
47:11 I've seen enough.
47:14 Stanley! Stanley!
47:21 Stanley!
47:23 Come out of there.
47:26 Hey, Buzz, did we fool them? I wish you could have got the look on their faces when they saw you in here.
47:32 Then come out. I can't. I locked the door over here. Well, throw the key out. I threw the key out a little ago.
47:40 Where?
47:40 Over there!
47:44 Hey, look!
47:45 Hey!
47:46 Hey, I'm not putting it up. Now go away before you clear it. What are you talking about? They don't know you're inside the lion's skin.
47:52 I'll look for the key.
47:56 Ha!
47:57 Oh, the big guy. What a look on his face.
48:04 I'm sorry.
48:15 Oh, honey. We didn't know you were such a wild skin.
48:24 I know that you're inside.
48:33 I don't know.
48:51 It's up!
48:53 Oh, get the lady out there.
48:55 I'm paralyzed.
49:13 Hey, Stanley! Stanley!
49:14 I found the key.
49:15 Everything's all right. You've got nothing to worry about.
49:18 Stanley!
49:20 Stanley!
49:23 Oh, no.
49:24 No. Oh.
49:30 Stanley.
49:31 Tim.
49:33 Wait.
49:34 What'd you do with my buddy?
49:38 All my fault.
49:40 Should have never let him do it.
49:42 My bosom pal.
49:45 - No.
49:49 I'm
49:50 Oh
49:52 Why is this cat in here?
49:55 You lock this gate.
50:02 Come on.
50:07 All right, let's rest them in.
50:14 Come on.
50:18 I'm going to go.
50:23 *Burps*
50:24 Oh, my God.
50:33 Oh, my God.
50:41 Oh, my God.
50:49 Hey, sir.
50:50 Good boy. Good boy.
51:05 Oh, my God.
51:12 Oh, my God.
51:24 I'm going to go.
51:33 Here.
51:48 I'm
52:08 Jesus.
52:09 All right, boys, send the others in.
52:12 Oh, my God.
52:26 Oh, this is terrible.
52:27 Stanley.
52:28 Stanley, it's all my fault. Don't blame anyone else.
52:32 Please.
52:34 Stabbing now as I know...
52:35 a real life we're going to the day
52:39 This is terrible, family.
52:42 How could I all stab? I just lost the best friend I ever had.
52:47 with
52:49 There's a kid that's never done a bit of harm to anyone.
52:53 He was a nice boy. What a man he was. I don't appreciate it.
52:58 No, you didn't. You must mean to him all. No, it's too late. It's all over again.
53:03 God.
53:04 Yes.
53:05 You know what I used to talk to?
53:07 Sentiments of things that were all wrong. I wouldn't send my worst enemy out to do the things I taught him to do.
53:16 That way I used to cheat him. He used to slap that poor kid all over the...
53:20 I'm gonna... Oh, he's a cheater. That kid never did nothing to nobody. He was only here. He was a nice, a nice boy, that kid.
53:31 Oh, I feel like jumping off a cliff. That's what I should do. Poor Stanley. But no, no, no, I've got the nerve. He's only here to tell me what to do, Stanley.
53:44 What should I do, Stanley? I know what I'll do. It's that lion. What?
53:49 That's a lion!
53:51 The one that got him.
53:52 I'll spend the rest of my days right here in this forest. I'll get that lion. I'll get that lion if it's the last thing I do. I'll spend my life here in this forest. You don't have to get this. Call, boss.
54:06 Stanley, what's the matter? Stanley, Trump, it's really you. Shut up, Huss. Wait a minute.
54:14 Why, you all there? Sure, isn't it?
54:17 The lion didn't hurt you?
54:19 No!
54:19 It's really you, Stanley? What do you think I am, a mirage or something?
54:23 You know Mirage? I know Mirage. You're real. Sure.
54:28 Double cross. Double cross.
54:34 What's the matter with you? What's the matter?
54:37 No!
54:39 How do you like that? I was sitting on a piece of broken milk bottle. Wait a minute, wait a minute.
54:44 That's a diamond. That's all the way. No. That's a real diamond. That's a real diamond. That's what I've been looking for.
54:49 That is, that is, that is... Oh, don't touch...
54:52 Don't get hoggish.
54:53 It's mine. I found them. I found a diamond. Diamond, that's a piece of broken milk bottle. Don't tell me what it is. There's another piece over there. I've been looking at that one for a long time. Stanley.
55:02 It's another diamond.
55:04 A real diamond! Look at him! Look! Stanley, look at here! Come here! Follow me! There's another one! This is unbelievable!
55:12 Yes.
55:13 Come on, come on Stanley!
55:16 Stanley, look, another one.
55:18 I'm rich. I'm wealthy, Stanley. Can you imagine?
55:22 Look, Sammy. Come here.
55:23 Look at here.
55:24 What's there? Another one.
55:27 I can buy buildings.
55:29 I can buy polo ponies. I can buy yachts. I can buy everything that my heart desires.
55:34 Hai!
55:35 Stanley.
55:37 Do my eyes to see me? Look, Stanley.
55:38 Stanley, another one!
55:40 Stanley! Stanley!
55:41 Look at that!
55:42 Look at the size of that diamond!
55:44 Well, don't stand there.
55:46 Think of something I can buy for myself. Think of something.
55:49 I...
55:50 Put that away.
55:51 Señor...
55:52 Stanley, look at here, look at here!
55:53 Stanley! Two of them! Hold these. Hold these, Stanley. Hold them. Don't drop them, Stanley. What your eyes see, your heart must believe.
56:00 Two of them!
56:01 Real?
56:03 I don't want my diamonds trying to steal them. Yes, no. That's my diamonds.
56:14 It's another diamond! Another diamond! We're on the right field! Stanley!
56:19 Look, Stanley, come here.
56:22 Stanley, my back is broken. Pick that up. Hurry up. Put it on here.
56:27 I know something. What? What?
56:28 There's another one. Well, pick it up. Put it on here. I'm watching you. Come on.
56:34 *crying*
56:35 Who?
56:36 Another one. Another one. Come on, put it on here. Boy, oh boy. Another one. In your
56:52 I'm not playing.
56:54 Let's go, Kunjawa.
57:34 Fine mess you got us into. All on account of your lust for money.
58:05 Oh, Buzz.
58:07 Now I know what they mean when they say, boy, are you on hot water? Oh, Buzz.
58:11 Never thought there was going to be anything like this, though. No excuses.
58:16 Come on.
58:23 What?
58:24 Buzz.
58:26 How did you get yourself untied?
58:29 Quiet.
58:29 Quiet.
58:31 You're smart, Buzz. I take back everything I've ever said about you.
58:36 Good luck.
58:39 Tell me what you do, Buzz.
58:43 I'm going to stay like this.
58:44 Don't make a move till I make a break for it.
58:46 I can see him. Get back over there.
58:48 Make out your tide.
58:54 - Get ready. You're turning away. Come on!
58:59 Come on, boss. Come here.
59:03 Come on, will ya? Ken, I am still tired. You're not tired. You untied me.
59:07 I did nothing of the kind. You untied yourself.
59:09 - Did not. - Well untie me, come on.
59:14 - Get these off, hurry up.
59:15 Hurry up, here he comes! Come on!
59:53 Oh!
1:00:20 What's on your mind?
1:00:22 You know, Diana, I never did go for that talk of yours about a 20-foot monkey.
1:00:27 Really?
1:00:27 Yeah.
1:00:28 And as for bringing Clyde Beattie out here to capture wild animals...
1:00:32 You didn't fool me for a minute. Well, just why did I come to Africa, Mr. Johnson?
1:00:36 Diamonds.
1:00:39 And I know just where they are.
1:00:41 And you can lead us to these diamonds that I can but first we'll talk business I
1:00:46 You and I will cut this pie right down the Senate. Isn't that wrong? Now, no bickering. Take it or leave it.
1:00:52 I don't seem to have any alternative. That you have.
1:00:55 So when you make up your mind, just give Buzz a buzz, huh?
1:00:59 Yeah, big boy, hold on to that.
1:01:03 Boss.
1:01:04 About splitting that pie down the center. I'll handle this my own way.
1:01:08 Get ready to break up camp while I give Mr. Beattie his walking papers.
1:01:19 Hey, boy.
1:01:20 Boy, come here.
1:01:22 There.
1:01:23 Gather up my belongings that are scattered around here. I might be moving to better quarters.
1:01:28 By the way,
1:01:30 Leave these things right here in case that little fat boy, you know, little fat boy...
1:01:34 Eh?
1:01:34 If he does show up, this is good enough for him.
1:01:37 Go.
1:01:46 That's it, Chau, and that's it.
1:01:48 Chief wants to see head mad.
1:01:50 Yes, sir. And so I've decided there's no such thing as an orangutan gargantua. And now that we have enough animals to have made the expedition worthwhile, I suggest that you and your men prepare to leave for the coast. That's all right with me, Miss Emerson.
1:02:04 I'm going to tell my men. All right, Mr. Peter. Miss Emerson, Miss Emerson, there's some fellas out there wanting to see you. They want to hold a conference. I think you'd better hurry. All right, Harry.
1:02:18 Chief, what talk? We'll talk in the hut.
1:02:30 Hi.
1:02:30 - Bye, Lala.
1:02:33 Shanti kata roho, kuhua manuwa meh
1:02:37 Chief, say...
1:02:38 Many white men come to land the bankers for diamonds.
1:02:42 Many white men die.
1:02:44 Why does the chief want to see me?
1:02:45 Chief won't be your friend.
1:02:47 Chief wants to make deals.
1:02:49 Want trade these?
1:02:51 Diamond!
1:02:55 What does the chief want for the diamonds?
1:02:57 Chief have sweet tooth.
1:02:59 For a little fat man.
1:03:01 Him oh no, I got him little fat man oh
1:03:05 Hey, hey.
1:03:07 Roll! Scroll! Scroll!
1:03:10 Little fuck man!
1:03:12 Friend of Paul, thin man.
1:03:14 Oh.
1:03:15 Stanley!
1:03:18 Tell the chief he's made a deal.
1:03:20 Jackalbon.
1:03:22 Mmm.
1:03:26 Chief Say, deal good. Excellent. She's going to sell them on the hoof.
1:03:34 Come on. Come on. Who is it? It's me, Buzz. Have you seen Stanley? Stanley.
1:03:39 Well, if you see him...
1:03:40 Tell him to hide until he sees me.
1:03:42 If I see him, I'll tell him. Yeah. But so far, I haven't even seen Africa.
1:03:46 How is it? Oh, Gunner.
1:03:53 Hey!
1:03:55 I'll tell him later.
1:03:58 Come on.
1:04:00 up I'm gonna tell you we're in very dangerous territory that's my first night captured by the cannibals man-eating cannibals you know what they did they tied us up to the stakes and one guy looked at me anyone like this and I know that was for no good and I want to tell you something else I escaped and then I untied Buzz and he's it and then he were all these cannibals and I was starting to fight him and I hit one right and another on the right and one with a fancy uppercut I went like this
1:04:25 Boom! And I hit another one right. And I... And I... I kept heading...
1:04:29 One guy looks just like him.
1:04:31 He had a hat on like that, too.
1:04:32 And this guy that had a hat on like this, I hit him such a belt. I went... Right on the side of the head over here, I hit the guy.
1:04:40 Oh, he's got the bump. There it is.
1:04:41 I'm going to go.
1:05:11 Come on.
1:05:13 Oh, diamonds. Diamonds.
1:05:42 Tom!
1:05:43 I can't let Stanley know about these. They're all mine. I won't share them with no one. I won't... Hey, Max!
1:05:53 Max!
1:05:57 Max!
1:05:58 Bush, come on, quick. Get up, will you? Come on.
1:06:02 What's this? My diamonds. Little fat man got him. Oh, you snitch. Oh, no.
1:06:22 Can you see them, Stanley?
1:06:24 Stanley.
1:06:24 What am I going to do?
1:06:26 My diamonds! My diamonds!
1:06:28 That's what they're after, my diamonds.
1:06:31 Oh, no, they can't take my diamonds from me.
1:06:33 ruin all my dreams.
1:06:35 What happened to my boots?
1:06:36 My buildings...
1:06:37 Give me my diamonds.
1:06:39 I know what I'll do.
1:06:42 I'll hide them. They'll never find them. I can always come back and get them, Stanley.
1:06:46 Well, there's a good place right here.
1:06:54 Now mark the tree.
1:07:21 Come on, boys, load the truck.
1:07:23 And then I finished setting the traps, Mr. Buck. Said we shall get a pretty rough cover. Well, I hope we bag some big ones, dear. More!
1:07:31 The page! Come on!
1:07:34 Get me out of here! Someone get me out of here! Come on!
1:07:37 All right, all right, all right. Come on, Reza, get her out of there.
1:07:40 Have you seen a short fat man and a tall thin man running through the jungle? No, I don't want to either. Now I'll never catch up with him.
1:07:46 Where are you going? Wait a minute. Where are you going? I've got to find them.
1:07:49 You're not gonna run around this jungle alone. You stay right here with me.
1:07:52 for for
1:08:09 Come on, Stanley.
1:08:17 Stanley, Stanley, I'm going back to the diamonds. You keep running. How can I keep running? You've got a hold of me. Go ahead. Keep going.
1:08:39 We got him! That's Stanley!
1:08:44 Keep him covered, Gunner!
1:08:47 Not me, him!
1:08:49 I'll go get help.
1:08:50 Oh, you're such a nuisance.
1:08:52 Don't give me no trouble Stanley I shoot shoot to kill I
1:08:56 I know you do, Gunner.
1:08:57 I'm going to be in trouble.
1:09:00 You won't even know I'm here.
1:09:02 Don't press in so hot. Oh, oh scared, eh? Oh
1:09:06 Look at your face. It's getting greener and greener, inch by inch.
1:09:10 And you're getting spots on your kisser.
1:09:13 Stanley.
1:09:15 Don't force me to pull this trigger.
1:09:17 I got on the chief finger.
1:09:25 Ah, here it is. My diamonds.
1:09:32 Where are my diamonds?
1:09:33 I thought of here. My diamonds.
1:09:35 Who's that? Is that you, Harry?
1:09:40 It's me, Harry.
1:09:43 He's scared stiff. He didn't butt an inch.
1:09:46 She didn't?
1:09:46 Now, did you find Boots and Grappler? No, I didn't.
1:09:49 I'll tell you what you're doing.
1:09:50 Keep Stanley covered.
1:09:51 I got a seat covered.
1:09:52 Got him? We'll bring him back to camp.
1:09:54 He's a pretty dangerous kid to stand. He's a pretty dangerous kid to stand.
1:09:57 You did a good job there, kid. Oh, not a smoke out of him. Keep walking. Hands high, keep walking.
1:10:02 Diamond! It's got to be around here someplace!
1:10:07 Yeah, that's the mark. Why should this happen to me? I planted it right here.
1:10:13 Me who's been so good to his friends.
1:10:16 They've got to be here. They must be here. We've got to be here. We're on it. Keep walking. Keep walking.
1:10:22 How did you ever get into this mess? I don't understand. Go on, keep going. Stay down. Keep going. I got my eye on you. What are you trying to do, make a monkey out of me? I see you.
1:10:37 Oh, oh.
1:11:14 Oh, my God!
1:11:44 Why don't you watch where you're going, you clumsy ox?
1:11:47 me yes you know what you know
1:11:52 What are you kicking me for? Who's kicking who? You kick me!
1:11:58 I didn't even touch it.
1:11:59 I'm not.
1:12:03 Look, I told you to lay off of me.
1:12:06 I didn't trip you and I didn't kick you.
1:12:07 So now leave me alone.
1:12:09 Oh, yeah? Yeah! I'll leave you alone!
1:12:12 Look, I'll hit you harder than Lewis ever did. Oh, yeah? Yeah.
1:12:51 I'm sorry.
1:13:00 BELL RINGS
1:13:02 I'm sorry.
1:13:25 But Simon, no, no.
1:13:32 Huh?
1:13:33 Oh, I can't understand it.
1:13:36 I had an empire in the palm of my hand...
1:13:40 You just slipped through my fingers.
1:13:43 I can't understand it. I can't understand it.
1:14:13 Come on, son.
1:14:43 Oh, my God.
1:15:27 Can't understand. My big buildings.
1:15:32 My airplane!
1:15:33 My railroad.
1:15:37 My yachts. I should be on one of my yachts right now.
1:15:42 Good.
1:15:43 Look at that guy.
1:15:44 A rat.
1:15:45 I can't understand him. Push! Push!
1:15:51 Marshall, where are you going?
1:15:53 I'm going home. Away from me. No, you don't. I've had enough of you. Who's the rap over here? Oh, nothing over there. You're nothing but a little jinx. You've always been a jinx to me. I don't understand. You don't understand. I don't understand.
1:16:06 Go on, get yourself lost.
1:16:14 Hey, Buzz! I'm coming on that rack!
1:16:19 Ah! Now I'm all alone.
1:16:28 What's gonna happen to me now?
1:16:32 Fox!
1:17:15 Morning, sir. Good morning, Mr. Leningen.
1:17:16 Polish every one of the letters. They're important, you know. Yes, sir.
1:17:21 Mark, Mr. Leving. Good morning, Kaluma. Have you my paper?
1:17:26 Yes, sir. Thank you.
1:17:43 Morning, Mr. Livingston. Morning, Mr. Myleson.
1:17:45 How do we stay in the general army game? Boy, you owe me about 22 cents.
1:17:48 See you at two. Yes, sir. Don't forget.
1:17:56 Can't understand it.
1:17:58 Sunday driver. I'm sorry sir.
1:18:07 Mr. Livington, what about that raise I've been asking you about? I'll talk to my partner.
1:18:12 If he's in...
1:18:13 Thank you, sir.
1:18:26 Easy.

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By the average clip vector of the keyframes; a measurement, not a judgement