Public Reel

Enter the Lone Ranger · Beat 161 · permalink

Field

44:06–45:20 Registered 1949

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 8 names checked for a spoken or on-screen source; 2 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 44:1744:17Frame at 44:5144:51Frame at 45:1745:17

Play from 44:06 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 90 · shots 320–322. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(field, exterior) evidence: frame:1, frame:3
People
  • Gary (named at t:44:06): man in light shirt and dark hat, holding a gun visible, audible
  • Pike (named at t:44:08): man in dark suit and bow tie, holding a gun visible, audible
  • man in dark coat and hat, standing between others visible
  • man in light shirt, white hat, and black mask visible
  • man in light shirt and hat, standing near horses visible
  • Doc (named at t:44:34): man referred to as 'Doc', mentioned and audible audible, mentioned
  • Sheriff (named at t:44:30): man referred to as 'Sheriff', mentioned and audible audible, mentioned
  • Cavendish (named at t:44:26): man referred to as 'Cavendish', mentioned and audible audible, mentioned
Seen happening
  • Two men face each other with guns drawn near rocks [frame:1]
  • Three men stand together, one masked, near rocks [frame:2]
  • A man stands near horses behind rocks [frame:3]
Also said
“You all right, Doc? Yeah, I'm all right. Who's the last man?” 44:34 · “Come on, Silver.” 45:14
Seen
gun, gun, horses, rocks, buggy [t:44:46]
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: law enforcement, confrontation, justice, Western frontier; style notes: black-and-white Western framing, medium shots of characters in natural outdoor setting, high contrast lighting

Two men confront each other with guns drawn near rocks; a masked man and others appear, and one man is ordered to tie up prisoners near horses behind rocks. A man addresses a horse named Silver as they prepare to transport a prisoner.

“Gary!” 44:06 · “Cavendish, drop that gun.” 44:26 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Enter the Lone Ranger (1949) at 44:17 (passage 44:06–45:20); US record: No renewal found

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