Forest
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 3 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 34:31 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: cutting rhythm changes. Sequence 86 · shots 299–299. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- forest (forest, exterior) evidence: frame:1
- People
- visible in distance, wearing light-colored shirt and dark pants, standing near trees visible
- Jim (named at t:34:34): not visible, mentioned in dialogue as Jim, injured leg mentioned
- Tonto (named at t:34:34): not visible, mentioned in dialogue as Tonto mentioned
- Mentioned
- The Lone Ranger, Jim, and Tonto approach the site of a secret silver mine after a long ride. [t:34:44]
- Also said
- “A few hours later, after a tedious ride over winding trails and unknown paths, the Lone Ranger, Jim, and Tonto approached the site of the secret silver mine.” 34:44
- Seen
- tree [frame:1], bushes [frame:1], dirt path [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and purposeful; themes: journey, injury and recovery, quest for hidden location; style notes: low-contrast black-and-white, wide shot emphasizing isolation in nature, static framing
The Lone Ranger, Jim, and Tonto travel on horseback toward a secret silver mine after discussing Jim's leg injury. The scene is set outdoors in a wooded area with uneven terrain.
“I'll go along with you. That's fine.” 34:31 · “How's his knee, Tonto? Leg better now. Good. Help me put Jim on Silver's back.” 34:34 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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