0:221. Desert
Model synopsis: The beat shows a title card with credits over a desolate outdoor scene. No people or actions are visible, and no dialogue is present.
No renewal found Free in the US since 1 January 1965, on the registry's reading: registration LP6450 of 1936 by Republic Pictures Corp was not renewed in the volumes searched. Record.
John Wayne’s displaced Pony Express rider tries to make a living where the telegraph has made his old skills redundant.
The first force to defeat John Wayne in Winds of the Wasteland is not an outlaw but the telegraph.4 John Blair’s skill as a rider cannot preserve his job once messages no longer need to travel on horseback.5 The film turns this displacement into the beginning of another enterprise. Blair and his fellow rider, played by Lane Chandler, try to establish a stagecoach route.5 Its Western landscape is therefore more than territory to cross or conquer. It is a place in which people must find a reason for traffic to stop.
The film builds its story from a change in communications rather than a feud or a pursuit.4 The Pony Express supplies the heroes with qualifications for work that has ceased to exist. Their knowledge of the country must now serve a business of their own. Wayne’s Blair belongs to the familiar Western world of practical competence. The stagecoach scheme gives that competence a commercial test, making a livelihood depend on whether other people need what the riders can offer. Courage alone cannot supply passengers.
That dependence gives the encounters away from the horses some weight. At 23:42 in the atlas copy, two people converse outside a building while others gather nearby. One person carries a child. The machine transcript gives the line, “The child needs a rest.” The exchange brings the settlement down to the scale of a bodily need: somewhere to stop and receive attention. It also interrupts any easy equation between progress and speed. For these former express riders, the new undertaking requires not simply getting somewhere quickly but making somewhere worth reaching.
A rival stagecoach company tries to stop them.5 The opposition is organised on the same practical scale as the undertaking. At 30:48, a man in a dark coat stands behind an interior counter. The transcript indicates an instruction to prepare men for action. The threat comes through an instruction rather than an eruption of anger. Obstruction takes the form of ordinary business conducted indoors, at a distance from the road where its consequences will be felt. Blair’s attempt to build a livelihood meets another operator’s power to direct men against him. The film’s action is one means by which its business contest is conducted.
When a horse-drawn wagon travels along the dusty road at 43:31, the open country becomes the working surface of that contest. The vehicle has to cover actual ground. An enterprise discussed in town depends on the passage between settlements, with the effort visible in the moving wagon. Against the telegraph’s displacement of the riders, the image preserves a distinction the premise needs. Passengers still require transport even when messages have found another way to travel. The Western’s customary movement through landscape becomes the substance of the characters’ work.
The film’s later circulation presents a different problem of passage. One Internet Archive copy carries a Public Domain Mark 1.0 usage statement.9 A usage label attached to an offered copy does not establish the history of its copyright. The absence of a renewal is also reported in a Republic-library filmography.8 That remains a secondary account. The film has circulated internationally on DVD in a condensed version retitled The Stagecoach.10 That title shifts attention from the wasteland to the vehicle. The condensation raises a more material distinction: finding the film and finding it complete are different achievements.
The record: Registration LP6450 by Republic Pictures Corp is dated 6 July 1936. The registry found no renewal in the renewal volumes for 1963 to 1965, nor in the Copyright Office's records from 1978 on; on that reading the term ended on 31 December 1964 and the film has been free in the US since 1 January 1965. The record does not settle the provenance or completeness of any particular circulating copy.
Written 6 September 2026 by gpt-6-astra from the registry record, the atlas's own evidence and the sources below, gathered by Qwen/Qwen3.8-Max with web search and questioned by deepseek-ai/DeepSeek-V4-Pro. Numbered notes are the sources; a claim marked unverified has no source yet; times open the atlas at that second. How these are made and checked.
390 shots over 55:41 · 193 beats in 93 sequences · 423 transcript lines · JSON
390 shots over 55:41, read from the Internet Archive copy Winds_of_the_Wasteland (Winds_of_the_Wasteland.mp4, 640×480, 25.00 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Winds of the Wasteland No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 390 shots judged colour), average shot 8.6s long, a frontal face detected in 23% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1936 (Internet Archive).
193 beats in 93 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 193 of 193 beats annotated, 192 passed the checks, 1 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:22Model synopsis: The beat shows a title card with credits over a desolate outdoor scene. No people or actions are visible, and no dialogue is present.
1:18Model synopsis: A title card dedicates the film to unsung heroes of the Old West who established communication across the American Desert. No people, actions, or objects beyond the text and background are visible in the single frame.
2:05Model synopsis: A group of people stands near a wooden structure with a horse-drawn cart in the foreground. The scene is outdoors with trees and a building visible in the background.
3 people observed.
Model synopsis: Two people discuss the Pony Express and the telegraph while a horse runs across open land. The setting is an outdoor, hilly landscape with no visible structures.
2 people observed.
“I think they're flum crazy to do away with the Pony Express.” 2:42 · “Well, so do I, but...” 2:45
Model synopsis: Two men in cowboy hats and period Western clothing converse outdoors; one asks what the other will do next, and the other replies he will hunt buffalo. The dialogue references Pony Express riding and saving money in Hyde.
2 people observed.
“What are you going to do now, Jim? Punch cows again, I reckon.” 2:58 · “Seemed pretty tame after Pony Express riding. Yeah. I guess I'll hunt buffalo.” 3:03
Model synopsis: Two men in cowboy hats converse outdoors; one is named Johnny Blair per dialogue. A horse is ridden away from a building with a striped awning. No names are assigned to visible persons beyond what dialogue establishes.
Named: Johnny Blair (t:3:13). 3 people observed.
“What's Johnny Blair gonna do? I don't know, but he won't starve. He's been saving his nickels.” 3:13 · “He's still here in 10 seconds. He'll be here in... Hurry, come now!” 3:19
Model synopsis: Two men in hats speak indoors, then a group of men in cowboy hats stand together. The dialogue refers to a final mail run and the end of a phony express service.
Named: Blair (t:3:40), Mr. Dodge (t:3:40). 5 people observed.
“Here you are, Ed.” 3:38 · “Right on time, Blair, as usual. Wouldn't want to be late on my last run, Mr. Dodge. Sorry to see it end. So am I.” 3:40
Model synopsis: A group of men in cowboy hats are addressed by a man who announces a gift of two pony express horses for each of them. The men respond with thanks and express intent to go to the corrals to pick the horses.
Named: Mr. Dodge (t:4:07). 5 people observed.
“In appreciation of your loyalty, the company is giving each of you a gift. Two pony express horses, toughest and fastest in the country.” 3:59 · “Thanks, boss. Just go down to the corrals and pick out the ones you want. Best of luck to you, boys. Thanks. Thanks, Mr. Dodge.” 4:07
Model synopsis: Two men in cowboy attire discuss starting a stage line and acquiring horses, walking outdoors near trees and a fence. They mention heading to Buchanan City to get a stagecoach.
2 people observed.
“Two thoroughbreds each. Well, that's a real gift. Yeah, let's go ahead and pick them up.” 4:18 · “What are you going to do with your horses? Sell them. Oh, no, you're not. I got a better idea. Yeah.” 4:28
Model synopsis: Two men on horseback approach a Western town called Buchanan City, discussing the possibility of buying a stagecoach from someone named Drake. The town is shown with wooden buildings and a dirt street, and the men are seen in conversation while mounted.
2 people observed.
“There she is.” 5:08 · “Buchanan City.” 5:09
Model synopsis: A group of men in cowboy hats are gathered around horses in a dusty town setting; one man on horseback speaks about leaving, and another says they have arrived. The scene is outdoors under daylight, with wooden buildings and a street visible.
3 people observed.
“I'm going to go.” 5:28 · “Well, here we are.” 5:36
5:48Model synopsis: A man in a cowboy hat and vest walks beside a white horse on a street with other people in the background. The transcript contains only the exclamation 'Oh.' at 5:47.
2 people observed.
“Oh.” 5:47
Model synopsis: Two men enter an office where a seated man greets them. One of the standing men identifies himself as Cal Drake in response to being sought.
Named: Cal Drake (t:5:59). 3 people observed.
“We're looking for Cal Drake.” 5:57 · “That's me.” 5:59
Model synopsis: Two men in cowboy attire enter an office and ask to buy a stagecoach from a seated man named Drake, who questions their lack of a franchise. The conversation reveals they have not yet decided on a route or legal authorization for their stage line.
Named: Drake (t:6:11). 3 people observed.
“What can I do for you?” 6:07 · “We want to buy a stagecoach, Mr.” 6:09
Model synopsis: A man in formal attire speaks to two men in cowboy hats inside a dimly lit room; the transcript indicates a discussion about funding a stage line. One man gestures toward a map or display of routes while the others listen.
3 people observed.
“Well, you boys are settling you at the game.” 6:33 · “You've got to go through a lot of red tape to start a stage line.” 6:37
Model synopsis: Two men in cowboy hats negotiate the sale of a stagecoach line to a third man in a suit, referencing a town called Crescent City. One man shows a document while the other listens, with a map visible in the background.
3 people observed.
“I kind of bit off a little more than I could chew, and I've been neglecting the Crescent City line lately.” 6:54 · “How much do you want for it? $3,000?” 7:04
7:53Model synopsis: Two men in cowboy hats converse indoors; one holds an open book. They discuss a town’s amenities and whether to inspect it in person.
2 people observed.
“Water supply excellent.” 7:47 · “School and church.” 7:48
8:14Model synopsis: Two men in cowboy hats stand while a third man is bent over; dialogue suggests a transaction or agreement with Mr. Drake. The setting appears to be an interior space with minimal decoration.
Named: Mr. Drake (t:8:01). 3 people observed.
“We'll take it, Mr. Drake.” 8:01 · “Fine, fine.” 8:04
8:28Model synopsis: A dirt road runs through a sparse settlement with low buildings and scrub vegetation under bright daylight. No people or moving vehicles are visible in the single frame provided.
Model synopsis: Two men on horseback are shown in outdoor shots; one speaks about advertising and then says he is out. The transcript mentions Crescent City and stage lines.
2 people observed.
“Crescent City, home of the Adams and Blair stage lines.” 8:31 · “Mail, passengers, and freight carried from coast to coast.” 8:34
Model synopsis: Two riders on horseback move through a dusty street lined with low buildings. The scene is shot in black and white with motion blur and overexposed lighting.
2 people observed.
Model synopsis: Two men on horseback converse in an outdoor setting; one speaks about 3,500 people being quiet or possibly on a picnic. No names are given, and no indoor or time-of-day cues are visible.
2 people observed.
“3,500 people don't make much noise.” 9:23 · “Well, maybe they're out on a picnic.” 9:28
9:38Model synopsis: Two men in cowboy attire stand beside a horse; one speaks, saying he hears someone. The scene is outdoors, likely in a Western setting.
2 people observed.
Model synopsis: A man in Western attire stands by a door marked 'POPULATION 2' and then steps outside. The scene appears to be set in a small, possibly remote, building with wooden construction.
1 person observed.
9:59Model synopsis: A man in Western attire stands beside a white horse in an outdoor setting. A wooden barrel is visible nearby, and the scene appears to be shot in daylight.
1 person observed.
10:04Model synopsis: A man in a cowboy hat and vest is visible in a dimly lit interior, leaning over a wooden surface. No names, dialogue, or clear time of day are established in this beat.
1 person observed.
10:12Model synopsis: Two men in Western attire stand indoors beside a chalkboard showing partial text. No dialogue or action is visible in the single frame.
2 people observed.
10:23Model synopsis: Two men in Western attire stand indoors and speak. One man reassures the other that he was also deceived by a third person.
2 people observed.
“It's all right. I talked you into him. Forget it. He fooled me, too.” 10:19
10:35Model synopsis: Two men in cowboy attire stand side by side indoors, smiling. One speaks to 'strangers' while the other is silent.
2 people observed.
“Giving us the hee-haw.” 10:33 · “Hey, strangers.” 10:36
Model synopsis: Three men in cowboy hats converse outdoors in a town setting; one identifies himself as Rocky Bryan and mentions Doc Forsythe. The dialogue references roles as sheriff, mayor, and council president, and asks about other residents.
Named: Rocky Bryan (t:10:49). 3 people observed.
“Was that you I heard shooting? Sure, what of it? As sheriff, I could arrest you for that. But as mayor, I welcome you to Crescent City.” 10:40 · “As president of the council, I gave myself the afternoon off. I am Rocky Bryan. Does anyone else live here besides you and the pigs?” 10:49
Model synopsis: Three men in Western attire meet another man outside a building; they discuss buying a stage line and being misled, then are led to a stagecoach. The setting is a dusty town with wooden buildings and a picket fence, suggesting a frontier environment.
Named: William Forsythe (t:11:28), Blair (t:11:37), Larry Adams (t:11:39). 4 people observed.
“I'd like to customers for our stage line. Yeah. Are you going to run the Crescenton stage, stranger?” 11:11 · “These fellows have taken over the Crescent City stage line. We're the suckers who bought it, all right. I'm sorry to hear that. I'm Willi…” 11:28
Model synopsis: Two men in cowboy hats converse near a wooden building; a horse-drawn stagecoach is shown nearby. One man is described as crooked in the dialogue.
2 people observed.
“Drake's crooked as a snake.” 12:27 · “Well, there it is.” 12:34
12:45Model synopsis: Three men in Western attire stand outdoors, one holding a long stick. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: Three men in cowboy attire stand near a wagon wheel; one speaks with an older man holding a stick. The dialogue references a mail contract and the postmaster's role in the city.
4 people observed.
“Oh, my God.” 12:50 · “Well, it isn't much to look at.” 12:53
13:16Model synopsis: Two men in hats stand outside a building with a 'PAWN SHOP' sign. One man speaks, saying 'Look at that.'
2 people observed.
“Look at that.” 13:12
Model synopsis: Two men in cowboy hats stand outside a wooden building while one holds a document listing government mail contract terms. A voice says they will go, comments on a field, smells something funny, and agrees twice.
2 people observed.
“I'm going to go.” 13:30 · “That field doesn't sound so bad after all.” 13:41
Model synopsis: Two men in cowboy hats react to a skunk inside a vehicle; one exclaims about the animal while the other appears alarmed. A hat rests on a surface nearby as the skunk is visible near it.
2 people observed.
“McCart, it's a skunk!” 14:00 · “Oh, my God.” 14:02
Model synopsis: Two men in cowboy hats talk near a stagecoach; another man updates a population tally on a chalkboard; three men, including one in a suit, converse indoors. The transcript mentions cleaning a coach, a franchise to Buchanan, and welcoming a player arriving by stagecoach.
5 people observed.
“That was a close one. It sure was. Where can I get a rag and some water? Did he get you? No, we got to clean that coach up.” 14:08 · “Our franchise calls for a round trip to Buchanan twice a week. We gotta get started.” 14:15
15:43Model synopsis: Two men in cowboy hats stand side by side in a dimly lit interior. One speaks, urging others to give someone a send-off.
2 people observed.
“Don't forget, boys. Let's give them a great send-off.” 15:43
Model synopsis: A street scene in a Western town shows a crowd gathered around a stagecoach, with two men in cowboy hats conversing nearby. The transcript mentions 'Captain City' and 'ghost town,' suggesting a thematic reference to a place associated with death or abandonment.
3 people observed.
Model synopsis: Two men in hats talk outside a building; one invites the other inside to sign up for a mail race. The transcript mentions a $25,000 prize and that others are scared to enter.
Named: Blair (t:16:18). 4 people observed.
“I didn't know school let out so early.” 16:11 · “Well, Blair, how's it going? It's fine. It'll be a lot better after I land that mail contract.” 16:18
16:53Model synopsis: A group of people on horseback and a man standing near a striped pole are visible in a street scene. No dialogue or on-screen text is present in this beat.
2 people observed.
17:06Model synopsis: A person says they are all right while standing near a large vehicle with others around. The setting appears to be outdoors with multiple people in period attire.
5 people observed.
17:21Model synopsis: A woman asks if a stage is leaving for Crescent City; a man confirms and directs her. The scene shows three people in a dim interior, one man in a hat and another older man with a scarf.
Named: Crescent City (t:17:16). 3 people observed.
“Is there a stage leaving here for Crescent City?” 17:16 · “Yes, ma'am.” 17:16
17:33Model synopsis: Two men stand outside a wooden building; one wears a hat and vest, the other a hooded coat. No dialogue or on-screen text is present in this beat.
2 people observed.
17:42Model synopsis: A woman in a hat and coat is visible in a single frame. No spoken dialogue or other events are recorded in this beat.
1 person observed.
17:52Model synopsis: Two men in hats stand close, one speaking to the other in a crowded outdoor setting. The transcript suggests a question about crowding, but no names or specific events are established.
3 people observed.
Model synopsis: Two men in cowboy hats stand outside a wooden building while others gather nearby; one man speaks about charging half-fare for Jack S's. The scene takes place outdoors during the day, with visible wooden architecture and a crowd.
3 people observed.
“Hey, Blair, I got a bass in here for you.” 18:01 · “I charge half-fair for Jack S's.” 18:06
18:13Model synopsis: Two men are engaged in a physical struggle outside a wooden building while several onlookers watch. The scene is set during daylight and appears to be in a Western-style town.
3 people observed.
18:15Model synopsis: A man in a dark suit, bow tie, and wide-brimmed hat stands indoors near a window. No dialogue or other actions are visible or audible in this beat.
1 person observed.
18:17Model synopsis: Two men grapple on a wooden porch while others watch from the doorway and steps. The setting appears to be a building entrance in a Western-style town.
5 people observed.
18:21Model synopsis: Two men are engaged in a physical struggle on a sidewalk outside a building, with a crowd watching. A horse is tethered nearby, and the scene appears to be set in a town during the day.
3 people observed.
18:23Model synopsis: A man in a vest and light shirt lies on a wooden floor near a door. No dialogue or other people are visible in this beat.
1 person observed.
18:25Model synopsis: A child in a hooded coat stands outdoors near a vehicle. No dialogue or on-screen text is present in this beat.
1 person observed.
18:28Model synopsis: Two men are engaged in a physical struggle outside a building while a group of onlookers watches. The scene is set during the day, as indicated by the lighting and outdoor setting.
3 people observed.
18:31Model synopsis: A person in a wide-brimmed hat and light dress stands beside a vehicle in an outdoor setting. The image is overexposed and details are indistinct.
1 person observed.
18:34Model synopsis: A group of men in cowboy hats are gathered in a dusty outdoor setting; one man in light clothing is lunging forward with a stick or club. No dialogue or on-screen text is present in this beat.
5 people observed.
Model synopsis: Two men are shown in a physical struggle near a wooden building; one man is thrown to the ground. A third man is visible in a separate shot, standing near a sign that reads 'U.S. POST'.
3 people observed.
“I got enough.” 18:39
18:52Model synopsis: A man in a cowboy hat and plaid shirt stands among others in a dim interior; one man holds a hat near his face. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: A man and a woman converse beside a stagecoach; the woman asks for transport to Crescent City, and the man states it is the only available stagecoach. The woman reveals her father owns the town and is Dr. Forsythe.
Named: Dr. Forsythe (t:19:36). 2 people observed.
“Oh, are you the driver? Yes, why? Why?” 18:59 · “Then isn't there any other way I can get to Crescent City?” 19:02
Model synopsis: A man and a woman are shown in conversation outdoors, with the woman speaking about stores and storekeepers. The setting appears to be a town with visible fencing or structures in the background.
2 people observed.
“And all about the lovely stores. Oh, there's plenty of stores. And the plenty of storekeepers.” 20:00
20:17Model synopsis: A man in a wide-brimmed hat speaks during a conversation about shopping and surprising a father. The scene includes a reaction shot with laughter and an exclamation.
1 person observed.
“I can hardly wait to go shopping. Say, does your dad know you're coming? Oh, no. I want to surprise him.” 20:06 · “Oh. You're gonna be disappointed if you expect... I'm not expecting to see New York or Paris.” 20:06
20:39Model synopsis: Three men in cowboy attire are present, one on horseback, in front of a wooden building. One man speaks about having captured a laundry, which was run out of Mud Springs for using perfume soap from miners' shirts.
3 people observed.
“Well, what do you got there?” 20:33 · “Captured me a laundry.” 20:35
Model synopsis: A man writes on a chalkboard inside a building while two other men stand nearby; outside, a stagecoach approaches down a dusty street. The transcript mentions the stage and a character named English John.
3 people observed.
21:21Model synopsis: A man and a woman sit side by side outdoors in period Western attire. The background shows a flat, open landscape under a bright sky.
2 people observed.
21:32Model synopsis: A single frame shows the exterior of a wooden building with a porch and railing, likely a saloon or general store in a Western setting. No people or movement are visible in the frame.
21:39Model synopsis: A group of riders on horseback moves along a dusty street in a town. The scene is shot in black and white with high-contrast lighting.
3 people observed.
21:46Model synopsis: A man in a cowboy hat leaps from a moving stagecoach while a woman in a bonnet and ruffled dress sits inside. The stagecoach is on a dirt road with wooden buildings in the background.
2 people observed.
Model synopsis: A woman in a bonnet and dress is seen near a wagon and then embraced by another woman on a wooden sidewalk; three men in cowboy hats stand together; a man and woman face each other closely. Dialogue includes calls of 'Barbara!' and 'Dan!' and a lament about 'this awful place.'
Named: Dan (t:21:53), Barbara (t:21:50). 7 people observed.
“Barbara!” 21:50 · “Dan!” 21:53
Model synopsis: Two men and a woman speak in a Western town setting; one man says he cannot leave because everything he has is there. A stagecoach is visible on a dusty street with wooden buildings.
3 people observed.
“What's she going on about?” 22:10 · “That stagecoach would jolt anybody.” 22:15
Model synopsis: A man identifies himself as a horse doctor and president of the Board of Health while attending to a sick horse; others refer to him as 'Doc Forsyte' and mention a daughter with 'the favor.' The scene takes place outdoors near a wagon with several people and horses present.
Named: Doc Forsyte (t:23:07). 4 people observed.
“Anyone here know how to treat a sick horse? I'm a horse doctor. I'm president of the Board of Health, too.” 22:36 · “Your horse got the box” 22:54
Model synopsis: Two people in period Western attire converse indoors; one speaks about another man's loss of confidence and failure. The dialogue suggests a conflict over whether to stay in the town or return east.
2 people observed.
“I'd like to speak to you about your father.” 23:23 · “He put everything he had into this town.” 23:28
Model synopsis: Two people converse outside a building while others gather nearby; one person carries a child. A man offers to help the child in his office, and another mentions amenities of the town.
7 people observed.
“I don't think I need your advice.” 23:45 · “The child needs a rest.” 23:48
24:16Model synopsis: A single dark frame is shown with no discernible objects, people, or text. No audio transcript is provided for this beat.
24:19Model synopsis: A man in a hat stands near horses and a wagon in front of a building labeled 'HOTEL'. No dialogue or named characters are present in this beat.
3 people observed.
Model synopsis: Two men in cowboy hats are near a stagecoach; one is on horseback, the other on the coach. A second frame shows the stagecoach moving past a hotel with people waving from the porch.
4 people observed.
“I remember, Larry.” 24:20 · “Only allow seven passengers in the coach at one time.” 24:22
Model synopsis: Three people converse outdoors near a white horse; one man mentions a work crew installing a telegraph line. A woman named Barbara and a man called John are addressed; one man departs after announcing he will speak to the crew.
Named: Barbara (t:24:52), John (t:25:13). 3 people observed.
“Morning Miss Barbara” 24:52 · “Let's be getting back, Dad. I promised to give the children a reading lesson.” 24:58
25:23Model synopsis: A man and a woman stand outdoors in period Western attire, discussing a person named John. The woman expresses that John is too bossy for her liking, while the man counters that bossy men are necessary to succeed in their environment.
2 people observed.
“John's a fine lad, isn't he?” 25:20 · “too bossy to suit me.” 25:22
25:31Model synopsis: A lone figure stands on a ridge in a barren, tree-lined landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
25:36Model synopsis: A single frame shows a rugged outdoor scene with sparse vegetation and a wooden structure in the distance. No people or text are visible, and no dialogue is present in the transcript for this beat.
Model synopsis: A man in a cowboy hat is seen outdoors near tall grass; another man warns him not to drink the water. The scene is shot in black and white with natural lighting.
2 people observed.
“Hey!” 25:39 · “Don't drink that water!” 25:41
Model synopsis: Two men in cowboy hats are in a brushy outdoor area; one is seen drinking from a canteen while the other approaches on horseback. They converse as the transcript reveals suspicion of poison in water, which they believe is causing illness among their men.
2 people observed.
“what's the matter with you will you creepy had to keep him drinking that water it's poison” 25:46 · “Somebody must have knocked his sign over. Poison! Yeah, it's deadly.” 26:03
Model synopsis: A man sits beside another man lying on the ground near a wagon, while two other men stand and talk nearby. One of the standing men says he thought it was the heat and will get a doctor.
4 people observed.
26:31Model synopsis: A person is visible in a wooded outdoor area. A single exclamation is heard.
1 person observed.
“Ah!” 26:27
26:47Model synopsis: A group of men in 1930s Western attire are gathered outdoors around a fallen person near a horse and a tripod. No dialogue or on-screen text is present in the frames.
5 people observed.
27:05Model synopsis: Two men in hats converse outdoors; one asks if running a wire through Crescent City would help, and the other agrees if it doesn't cost too much time or money. They decide to look at a map.
2 people observed.
“If you really mean that, how about running your wire through Crescent City?” 26:56 · “Would it help you if I did?” 26:56
Model synopsis: Two men in hats converse outdoors, then one man is seen with a white horse and a wagon. The dialogue mentions Crescent City, supplies, and a deal involving 50 men and a telegraph.
3 people observed.
“Going through Crescent City, I'd have to cut out Buchanan's.” 27:15 · “But I wouldn't be able to get many supplies in Crescent City.” 27:25
Model synopsis: A group of men in cowboy hats gathers on a dusty street in a Western town after hearing about job openings with the telegraph company. One man speaks about the opportunity to reach Crescent City for $10 a day, while others react with surprise.
4 people observed.
“Then the telegraph company needs workers.” 27:53 · “First 50 of you to reach Crescent City. We'll get a job of $10 a day and keep.” 27:56
28:30Model synopsis: Two men in Western attire converse outdoors; one mentions heading to Crescent City and securing a mail contract to revive it. One man urges others to enter, suggesting a group is nearby.
2 people observed.
“That beats 10 and 2 bucks worth of go today. Now I'm heading for Crescent City.” 28:13 · “Well, that's our first step.” 28:24
28:59Model synopsis: A man adjusts his hat in front of a door with a circular sign; another figure is partially visible to the right. No names are spoken, and no time of day or period is established.
2 people observed.
29:16Model synopsis: A man in a cowboy hat gestures while speaking to others near a stagecoach; the transcript indicates he is directing them toward Cranston City. The setting appears to be an outdoor, dusty area with horses and a stagecoach visible.
3 people observed.
“All right, here you are, boys.” 29:11 · “Quickest way to Cranston City!” 29:13
Model synopsis: Two men in cowboy hats stand on a dusty street; one is addressed as Mr. Drake and told to go to Crescent City. Another man in a suit walks past a covered wagon while being told to come to an office, addressed as Mr. Blair.
Named: Mr. Blair (t:29:38), Mr. Drake (t:29:31). 4 people observed.
“You gonna let him get away with it?” 29:23 · “No.” 29:26
29:49Model synopsis: A man in a cowboy hat and dark jacket stands in an interior space with a desk and window behind him. He is visible in one frame and speaks the line 'All right.'
1 person observed.
“All right.” 29:51
Model synopsis: Two men in cowboy hats converse in an interior room; one offers the other a job transporting gold. The setting includes a desk and coat rack, suggesting an office or similar space.
Named: Blair (t:29:54). 2 people observed.
“I got the hair to you, Blair.” 29:54 · “I sold you a lemon and you made an orange out of it.” 29:58
Model synopsis: A man in a cowboy hat and dark shirt speaks with another man seated at a desk; the dialogue suggests a negotiation involving a stage line payment and gold receipt. No names are spoken, and the setting appears to be an interior office or similar space.
2 people observed.
“Why me?” 30:18 · “What I'm sending might be too tempting to my men.” 30:22
30:43Model synopsis: Two men in hats speak in an interior room; one offers an armed escort for a fortune. No names are spoken, and no place is identified beyond being indoors.
2 people observed.
“Oh.” 30:37 · “And I'll give you an armed escort.” 30:39
30:55Model synopsis: A man in a dark coat stands behind a counter in an interior setting, speaking. The transcript indicates he is giving an order to prepare men for action.
1 person observed.
“- Set your men ready.” 30:59
Model synopsis: Two men in cowboy hats speak near a stagecoach; one is called Larry. The dialogue references a stage line and the danger to drivers during hold-ups.
Named: Larry (t:31:02). 4 people observed.
“Larry.” 31:02 · “You know, Cherokee, there's never been a hold-up on my stage line.” 31:08
31:35Model synopsis: Two men in cowboy hats converse near a stagecoach; one insists the other must drive the stage back to Crescent City while he goes alone. The dialogue references a mail race, a thousand-dollar payment, and a character named Blair being escorted to Sacramento.
Named: Murray (t:31:21). 2 people observed.
“I wouldn't do it, John. He's got some trick up his sleeve. I know it, Murray.” 31:21 · “We need that thousand dollars to pay on our franchise.” 31:27
31:52Model synopsis: A street scene from a Western town is shown with people, horses, and a horse-drawn carriage. No dialogue or on-screen text is present in the frames or transcript for this beat.
Model synopsis: A man in a cowboy hat is visible in two frames; one shows him from behind near a building, the other a close-up of his face. A voice says 'Hey!' at 32:07.
1 person observed.
“Hey!” 32:07
Flagged: period without evidence (1917s to 1930s)
32:12Model synopsis: A group of men in cowboy hats and period Western clothing are seated on horseback outside a wooden building. No dialogue or on-screen text is present in this beat.
4 people observed.
Model synopsis: A man in a cowboy hat speaks outdoors near a building; a horse-drawn wagon is visible nearby. The transcript includes the lines 'Well, Blair?' and 'So long.'
Named: Blair (t:32:15). 2 people observed.
“Well, Blair?” 32:15 · “So long.” 32:18
32:34Model synopsis: A wide shot shows a barren, hilly landscape with a lone tree in the foreground. No people or vehicles are visible in the single frame provided.
32:39Model synopsis: A wide shot shows a barren, hilly landscape with sparse trees under a bright sky. No people, vehicles, or structures are visible in the frame.
32:43Model synopsis: A group of riders on horseback moves across an open, dusty landscape with hills in the background. The scene is shot in black and white with strong backlighting creating silhouettes.
4 people observed.
Model synopsis: Two riders on horseback and a wagon are seen traveling along a dirt path near a pass, with one rider speaking about the trip ending. The setting is outdoors in a hilly, open landscape under bright daylight.
3 people observed.
“We're near the pass. Yeah, that's gonna be the end of this trip.” 32:49
Model synopsis: A group of men on horseback are near a mountain pass; one suggests others ride ahead to check if it is clear. The riders then move out, kicking up dust as they go.
4 people observed.
“Boys, we're getting near the pass.” 33:09 · “Well, what about it? Why don't you fellas better ride ahead and find out if it's clear?” 33:11
Model synopsis: A horse-drawn vehicle travels over rough terrain while men in cowboy hats argue nearby. One man is described in the transcript as a 'double-crossing crook'.
5 people observed.
“Where in blazes is he?” 33:49 · “Don't ask me.” 33:49
34:04Model synopsis: A horse stands near a wooden building with a man in a hat visible on the porch. No dialogue or on-screen text is present in this beat.
1 person observed.
34:12Model synopsis: Two men in hats stand outside a wooden building behind a picket fence. One man gestures while speaking to the other.
2 people observed.
Model synopsis: Two people discuss the revival of Crescent City due to John Blair's efforts, mentioning a mail contract race and a full hotel. A stagecoach driver arrives, interrupting their conversation.
3 people observed.
“Well, it certainly looks like old times in Crescent City, and it's all due to John's efforts.” 34:23 · “Every room in the hotel's full. Say.” 34:43
Model synopsis: A group of people on horseback rides away from a wooden structure while dust rises. Three individuals stand on a porch, one speaking about someone named Larry who should be driving.
Named: Larry (t:35:09). 4 people observed.
35:30Model synopsis: A group of men gather around a horse-drawn wagon in a town setting; one man is being moved while others discuss an unseen shooter. The dialogue indicates uncertainty about the shooter's identity but suggests the victim was targeted.
5 people observed.
“Oh, bring him over to my house right away.” 35:39 · “All right. Did you see who did it?” 35:39
Model synopsis: Two men argue in an office over a payment and a stage line franchise; one man holds a gun on another who is seated at a desk. The dialogue references a $1,000 payment, lost money on Parisians, and a government mail race.
4 people observed.
“Why do you expect me to pay you $1,000 for the trip?” 36:02 · “When I lose money on the Parisians and freight you didn't pick up,” 36:05
Model synopsis: A man and a woman are in a room where a man named John is addressed; a discussion follows about a shooting and a medical emergency requiring surgery. The doctor present refuses to operate, citing lack of recent practice.
Named: John (t:36:39). 4 people observed.
“John.” 36:39 · “Did Larry say we shot him? He didn't see them. They fired from the bushes.” 36:45
Model synopsis: Two men speak in a room while a woman looks on with concern. One man asks another to help someone named Larry.
3 people observed.
“I've lost confidence.” 37:12 · “I'd be afraid of... Listen, Doc.” 37:13
37:35Model synopsis: A man and a woman speak to an older man in a formal interior setting. The woman asks for reassurance, and the man affirms their confidence in the older man.
Named: John (t:37:26). 3 people observed.
“Please, Dad. We have confidence in you.” 37:23 · “Haven't we, John?” 37:26
37:48Model synopsis: A man and a woman stand close together indoors; the man is behind the woman, looking down. The setting appears to be a room with patterned wallpaper and curtains.
2 people observed.
37:53Model synopsis: A man and a woman stand indoors facing each other; the woman holds an object. No dialogue or on-screen text is present in this beat.
2 people observed.
38:02Model synopsis: A man stands with his back to the camera in a dimly lit room with curtains and a desk. No dialogue or on-screen text is present in this beat.
1 person observed.
38:11Model synopsis: Three people stand indoors in formal attire; a woman in a light dress, a man in a vest and bow tie, and another man in dark clothing. No dialogue or on-screen text is present in this beat.
3 people observed.
38:18Model synopsis: A newspaper headline announces a government mail race. No people or actions are visible in the frame.
38:32Model synopsis: A newspaper clipping is shown, describing a stagecoach race with a $25,000 government mail subsidy, listing two entries: Cal Drake's coach and the Crescent City coach, with the route from Bantayan through Crescent City to a judge's stand outside Sacramento. No people, actions, or time of day are visible or mentioned.
38:48Model synopsis: Four men in cowboy hats stand around a desk where a fifth man sits; one of the standing men speaks about riding on the box tomorrow and winning a race. No names are spoken, and no objects beyond the desk and papers are clearly identifiable.
5 people observed.
“You gonna ride on the box tomorrow, Drake?” 38:45 · “Sure thing.” 38:47
Model synopsis: Two men greet each other and discuss betting city funds on one of them; one mentions going to the livery's table. A U.S. Post Office sign is visible in the background.
Named: John (t:38:58), Rocky (t:38:58). 2 people observed.
“Hi, John. Hello, Rocky.” 38:58 · “As treasurer of Crescent City, I'm betting the city funds on you, John.” 39:02
39:25Model synopsis: Two men in hats stand in a dimly lit interior; one smokes a cigarette. No dialogue or on-screen text is present in this beat.
2 people observed.
39:32Model synopsis: Two men in hats stand in a dimly lit interior; one faces the other, who is mostly in shadow. No dialogue or on-screen text is present in this beat.
2 people observed.
39:35Model synopsis: A close-up shot shows a metallic object lying among dry grass or straw. No people, dialogue, or identifiable location are visible in this beat.
Model synopsis: Two men in hats are seen in a dark, outdoor setting; one speaks briefly. The scene appears to be at night, with minimal lighting and no clear background details.
2 people observed.
“All right.” 39:43 · “Come on.” 39:43
Model synopsis: A person walks down a dark hallway while another person in a cowboy hat is visible in a vehicle. A line is spoken about a phone being wrong.
3 people observed.
Model synopsis: Two figures are visible in a dark setting; one wears a wide-brimmed hat and appears to be holding a weapon. No dialogue or on-screen text is present in this beat.
2 people observed.
40:13Model synopsis: A dark, indistinct scene with faint shapes visible against near-total blackness. No people, objects, or text can be identified from the frame.
40:17Model synopsis: A single dark frame shows an indistinct figure in near-total darkness. No transcript is provided for this beat, so no spoken content or named characters can be confirmed.
40:24Model synopsis: A single figure in a hat is faintly visible in near-total darkness, with no other details discernible. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two figures struggle in a dark doorway as smoke rises; one holds a long object. A voice exclaims 'Oh, my God.' at 40:30.
2 people observed.
“Oh, my God.” 40:30
Model synopsis: Two men stand near a burning structure at night; one speaks about horses and a coach being unharmed and suspects Drake or his men. The second frame shows three men in conversation, one of whom is told he got one of the attackers.
3 people observed.
“Dave, what's harm done? The horses are okay. Well, the coach is hardly scorched. Do you suppose Drake or his men pulled this cheap trick? I'…” 41:00 · “Well, whoever it was, you got one of them anyhow.” 41:12
Model synopsis: A man is being arrested on a warrant sworn by Cal Drake, who is accused of trying to sabotage a mail race. The arrestee claims self-defense and that the warrant is a trick.
Named: Cal Drake (t:41:29), Blair (t:41:21). 6 people observed.
“You're under arrest. What for? For shooting a man.” 41:15 · “Well, we're in self-defense.” 41:19
41:41Model synopsis: Two men speak in a dimly lit interior; one is told to care for horses and guard a coach, while the other promises to rescue someone named John. The scene is shot in black and white with minimal lighting and close framing.
Named: Green (t:41:39), John (t:41:43). 2 people observed.
“Take care of those horses, Green. And stand guard over this coach.” 41:39 · “I'll get you out of this, John.” 41:43
42:01Model synopsis: A man stands near horses and a wagon in an outdoor setting while dialogue references a race starting soon and Blair being in jail. The scene includes a visible wagon wheel and horses, with dialogue indicating urgency about a 9 o'clock deadline.
1 person observed.
“Five minutes to go when Blair is safe in jail. This isn't a race. It's excursion.” 41:48 · “Well, what did you do, Doc?” 41:56
42:22Model synopsis: Two men in hats and vests stand close together outdoors; one gestures while speaking. The dialogue indicates plans to alert a relay station about preparing fresh horses.
2 people observed.
“I'm going to cross the relay station and tell them to have those fresh horses ready.” 42:18 · “Just in case.” 42:24
Model synopsis: Two men discuss bail for John while seated outdoors; a scene in a jail office follows with a man behind bars and another at a desk; a third shot shows two men at a jail cell door with paperwork; the final shot is an outdoor crowd at a government mule race starting point.
Named: Blair (t:42:33). 7 people observed.
“I don't care how it is.” 42:30 · “I know it ain't right, Blair, but I...” 42:33
Model synopsis: The scene shows an outdoor landscape with a horse and rider moving past a structure, followed by a distant view of a group on horseback near a tree. No dialogue or on-screen text is present.
2 people observed.
43:20Model synopsis: A single frame shows a hazy, open landscape with low vegetation and distant hills. No people, structures, or vehicles are visible in the shot.
43:26Model synopsis: A horse-drawn wagon travels across an open, dusty landscape with hills in the background. No people are clearly visible, and no dialogue or on-screen text is present.
43:34Model synopsis: A horse-drawn wagon travels on a dusty road with riders visible. The setting is an open, hilly landscape under bright daylight.
43:40Model synopsis: A wide shot shows a horse-drawn wagon moving across an open, flat landscape with a large tree trunk in the foreground. No people are clearly visible, and no dialogue or on-screen text is present.
43:44Model synopsis: A person in a cowboy hat rides a horse across an open landscape. The setting appears to be outdoors with hills in the background.
1 person observed.
Model synopsis: A man in a hat and overalls is visible in a moving wagon, while another man rides a horse alongside it. The transcript contains urgent commands to hurry.
2 people observed.
“Come on, come on.” 43:46 · “Hurry.” 43:54
44:03Model synopsis: Two men in hats are seated indoors; one is smiling and looking forward, the other is leaning in toward him. The setting appears to be a simple interior with wooden structures visible behind them.
2 people observed.
Model synopsis: Two men sit in a vehicle in a hilly, open landscape; one speaks about another not making it and tells Ron not to stay in a race. No named characters or indoor settings are shown or stated.
Named: Ron (t:44:16). 2 people observed.
“I didn't think he was going to make it.” 44:06 · “Oh, don't go stay in a race, Ron.” 44:16
Model synopsis: Two men in hats are seated indoors while a vehicle moves across a snowy landscape outdoors. No dialogue or on-screen text is present in this segment.
2 people observed.
44:51Model synopsis: A horse-drawn wagon moves across an open, flat landscape with hills in the background. No people are clearly visible, and no dialogue or on-screen text is present.
45:07Model synopsis: Two men in hats are seated together in a vehicle interior; one man has his arm around the other. No dialogue or on-screen text is present in this beat.
2 people observed.
45:09Model synopsis: Two men in hats sit side by side in a vehicle; one holds reins. The setting appears to be an open, arid landscape.
2 people observed.
Model synopsis: A horse-drawn wagon travels along a dirt road lined with trees. The scene is shot in black and white with no visible dialogue or on-screen text.
Model synopsis: Two men in cowboy hats are seated side by side in an outdoor setting with trees and uneven ground. No dialogue or on-screen text is present in the frames.
2 people observed.
Model synopsis: A horse-drawn wagon travels across open terrain, with two men visible in the driver's seat. The wagon is shown from a distance moving through a field and then splashing through water.
2 people observed.
“Here they come!” 45:46
Model synopsis: A stagecoach is at a wooden building with a sign reading 'BAR' and 'SALOON'. People are visible on the porch and on the street, including a man in a hat walking away from the building. A line mentions 'Drake's stage' and 'funny express horses'.
5 people observed.
“Oh, it's Drake's stage.” 46:16 · “Get those funny express horses. Good boy, John.” 46:32
Model synopsis: A group of men on horseback and on foot are gathered near a wooden fence and building in an outdoor setting. One man speaks, instructing another to stop someone named Blair who has escaped.
Named: Blair (t:47:13). 4 people observed.
“Yeah, come on. Come on.” 46:59 · “Yes.” 47:04
Model synopsis: A man climbs onto a stagecoach marked 'CITY STAGE' while another man sits in the driver's seat; a group of horses and riders are gathered nearby. Dialogue indicates someone named John is being sent to stop a person named Blair, with Barbara wishing him luck and offering assistance from inside the coach.
Named: John (t:47:19), Barbara (t:47:21). 3 people observed.
“And Blair got loose somehow, and it's up to you to stop him.” 47:13 · “Good luck, John.” 47:19
Model synopsis: A woman and a man are in a conversation inside a building with signage for 'S. ADAMS STAGE LINES'; outside, a dusty street scene shows a horse-drawn wagon and people. The dialogue suggests disagreement about a person named John, described as obstinate and bull-headed.
2 people observed.
“I do hope John wins.” 47:50 · “Oh, you really don't want him to win.” 47:53
48:09Model synopsis: A single frame shows a bright sky seen through tree branches. No people, objects, or text are visible, and no events occur.
48:15Model synopsis: A horse-drawn wagon travels along a dirt road bordered by trees. No people are visible in the frame, and no dialogue or on-screen text is present.
48:21Model synopsis: A horse-drawn wagon travels along a dusty road, kicking up dust, with trees and open land visible. The scene is shot in black and white with no visible people or spoken dialogue.
48:27Model synopsis: Three men in cowboy hats and period Western attire stand in a brushy outdoor setting, one holding a rifle. No dialogue or on-screen text is present in this beat.
3 people observed.
48:30Model synopsis: A horse-drawn wagon is visible under a tree branch in an outdoor setting. No people or spoken dialogue are present in this beat.
Model synopsis: Three men in hats and period Western clothing are gathered around a large object in a wooded area; one man speaks as they appear to prepare or react to something. A distant shot shows a rider on horseback approaching across an open field with hills in the background.
4 people observed.
“Here he comes.” 48:35 · “This ought to stop him.” 48:46
48:53Model synopsis: A horse-drawn wagon with two riders moves across a dusty, open landscape with hills in the background. No dialogue or on-screen text is present in this beat.
2 people observed.
48:56Model synopsis: A man in a cowboy hat and coat sits outdoors near a wooden structure. No dialogue or on-screen text is present in this beat.
1 person observed.
48:57Model synopsis: A single frame shows a close-up of a rough, textured surface with a thin stick or twig lying on it. No people, dialogue, or identifiable location are visible in this beat.
Model synopsis: A stagecoach is shown moving through a wooded area, with a man visible on top and another exiting the vehicle. A voice asks, "What's the matter?" during the sequence.
2 people observed.
“What's the matter?” 49:05
49:12Model synopsis: A person in a hat and coat is visible holding reins, seated in what appears to be a vehicle. No dialogue or on-screen text is present in this beat.
1 person observed.
49:15Model synopsis: A horse-drawn wagon is shown moving along a dirt path with trees and brush on either side. No people are clearly visible, and no dialogue or on-screen text is present.
49:23Model synopsis: A horse-drawn carriage is visible on an open, grassy slope with hills in the background. No people are clearly visible, and no dialogue or on-screen text is present.
49:32Model synopsis: A wide shot shows a barren, hilly landscape with sparse trees and a small structure in the mid-ground. No people or vehicles are visible, and no dialogue or on-screen text is present.
Model synopsis: Four riders on horseback are shown moving across an open, hilly landscape. One rider is later seen inside a vehicle interior, and the transcript includes two instances of someone saying 'Come on.'
2 people observed.
“Come on.” 49:35 · “Come on!” 50:05
Model synopsis: Two horses pull a wagon carrying several people across an open, hilly landscape. The scene is shot from a distance, showing the vehicle moving through a dry, sparsely vegetated area.
1 person observed.
Model synopsis: Two men in hats ride a horse-drawn wagon through a dusty, hilly landscape. One man is later seen inside a vehicle with diamond-paned windows, and another frame shows a person entering or exiting through a door with similar glass.
4 people observed.
“Oh, my God.” 51:05
Model synopsis: A man in a cowboy hat sits on a bench while another man leans out of a doorway. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A horse-drawn carriage travels along a dirt road through a wooded area, kicking up dust. No people are clearly visible, and no names are spoken in the transcript.
52:28Model synopsis: A rider approaches on horseback in an outdoor setting. The transcript indicates Drake is leading a group coming from a distance.
Named: Drake (t:52:31). 2 people observed.
“right” 52:24 · “They're coming a mile away, and Drake is leading.” 52:31
52:40Model synopsis: Two men in hats sit side by side in a vehicle, one holding reins; one is urged to move forward by a voice saying 'Come on, you girl.' No names are spoken, and the setting appears to be outdoors in daylight.
2 people observed.
52:50Model synopsis: A man in a cowboy hat and vest sits on what appears to be a wagon or vehicle in an outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men in hats ride in a horse-drawn wagon on a dirt road through a hilly landscape. One man urges the horses forward while the other sits beside him, and a wider shot shows the wagon moving away down the road.
2 people observed.
“Come on, come on.” 52:56
Model synopsis: A man in a hat drives a horse-drawn wagon on a dirt road, with other riders and wagons visible in the background. The scene includes close-ups of a wagon wheel and a horse's head, set against a hilly landscape.
1 person observed.
53:37Model synopsis: A man in a wide-brimmed hat and dark scarf sits in a vehicle interior, with a blurred background suggesting motion or an open landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A person lies on the ground in a dusty, open landscape while two vehicles drive away into the distance. The scene is set in an arid, hilly environment with no visible structures or other people.
1 person observed.
Model synopsis: A group of riders on horseback moves along a dirt road, approaching a small settlement with buildings visible. The scene is shot in black and white with high-contrast lighting, and a line of dialogue is spoken during the sequence.
3 people observed.
“Oh, my God.” 53:56
Model synopsis: A man exits a stagecoach at a finish line where a crowd and banner are visible. A voice calls out to someone named Rocky, declaring they have won.
Named: Rocky (t:54:33). 4 people observed.
54:45Model synopsis: A hand writes on a dark surface with chalk-like material, revealing the word 'POPULATION' and the number '410'. No people are visible or audible, and no location or time is established.
54:50Model synopsis: A man in a top hat and suit stands beside a chalkboard sign reading 'Crescent City Lines' and '410' while another person is partially visible. A voice thanks John Blair.
Named: John Blair (t:54:50). 3 people observed.
“And we must never forget, my friends.” 54:47 · “How much we owe to John Blair. That's right.” 54:50
Model synopsis: A man in a suit and hat speaks to a woman and a cowboy; a skunk is shown on the ground; the film ends with a studio logo. No names are established for the characters beyond what is spoken in the dialogue.
Named: John (t:54:58). 3 people observed.
“I don't know how I could ever repay you, John.” 54:58 · “I do.” 55:03
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 423 segments kept, 169 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1936 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement