No renewal found Free in the US since 1 January 1963, on the registry's reading: registration LP4790 of 1934 by Monogram Pictures Corp was not renewed in the volumes searched. Record.
219 shots over 54:27, read from the Internet Archive copy TheLuckyTexan (TheLuckyTexan.mp4, 640×480, 23.98 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: The Lucky Texan No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 219 shots judged colour), average shot 14.9s long, a frontal face detected in 21% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1934 (Internet Archive).
136 beats in 88 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 136 of 136 beats annotated, 135 passed the checks, 1 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:51Model synopsis: Two men recognize each other after a long time; one recalls teaching the other to trap coyotes and ride horses. They agree to sit down and talk.
Named: Jake (t:1:24), Jerry Mason (t:1:24). 2 people observed.
“Morning, stranger.” 1:17 · “Well, Jake, I guess it's a long time since you taught me how to trap coyotes and ride rocks. Jerry Mason as I live. Well, well...” 1:24
Model synopsis: Two men converse outdoors near a tree; one, wearing a cowboy hat, is addressed as Jake and speaks about a ranch with cattle lost to rustlers. The dialogue confirms a familial relationship and a recent move to live together.
Named: Jake (t:1:45). 2 people observed.
“Finished college and true to your dad's last request, you've come to live with me, huh?” 1:45 · “I can't tell you how happy I am, she is.” 1:50
Model synopsis: Two men discuss reopening a business, possibly a blacksmith shop, while standing outdoors near trees. One man wears a hat and smiles; the other has a mustache and appears to be listening or speaking.
2 people observed.
“Can we stock it up again?” 2:04 · “Starting some other business?” 2:06
Model synopsis: A man in a vest speaks outdoors near a tree and fence; the transcript suggests a plan to cook chicken and drink coffee. No names, times, or interior settings are established in this beat.
1 person observed.
“What do you say we go in and fry us the chicken and gargle some coffee?” 2:18 · “What do you say, huh? Sounds like a good idea, especially that chicken.” 2:22
2:39Model synopsis: A person examines a horse's hoof, finding it damaged. The transcript suggests the damage explains why the horse was limping.
1 person observed.
“Well,” 2:36 · “No wonder this horse was limping.” 2:37
2:50Model synopsis: A person crouches near a barrel in a dim wooden interior with tools on the wall. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man interacts with a horse near a wooden building and a wagon wheel; dialogue suggests the horse got stuck in water after taking a shortcut. The scene ends with a farewell and an exclamation of concern.
2 people observed.
“Well, go and pick it up.” 3:05 · “Looks like you've been through plenty of water.” 3:12
4:19Model synopsis: A man reads a letter from his granddaughter Betty, who is coming to live with him after school ends. Another man, Jerry, is present and reacts to the letter.
Named: Grandy (t:4:28), Jerry (t:4:54). 2 people observed.
“I just picked this up at the post office.” 3:42 · “It's from Betty.” 4:00
Model synopsis: A dog runs past a wooden wheel in an outdoor dirt area, then two people interact with the dog indoors. One person is addressed as 'Freddy' in the dialogue.
Named: Freddy (t:5:04). 2 people observed.
“Well, hello, Freddy.” 5:04 · “Hey.” 5:08
5:20Model synopsis: A dog is visible on a dirt ground in a single frame. No people, dialogue, or on-screen text are present in this beat.
6:13Model synopsis: A person and a horse are shown near a creek at night; dialogue reveals they are tracking a prospector who found gold. The group plans to backtrack the prospector’s route to find the source.
1 person observed.
“That's that piece of quartz that came out of the horse's hook.” 5:34 · “It's gold.” 5:37
7:10Model synopsis: Two men in hats kneel outdoors examining sand; one speaks about the creek being full of color. The scene is set in a natural, unpaved environment with no indoor structures visible.
2 people observed.
“Wait a minute, look at that.” 7:05 · “Hey, that's the real stuff, son.” 7:08
8:15Model synopsis: Four men in a private office discuss buying gold, revealing they have made a rich strike and plan to keep it secret. One man mentions buying a dog a porterhouse steak and expresses interest in acquiring Benson's ranch.
Named: Benson (t:7:29), Harris (t:8:39). 4 people observed.
“First, please, you fellas buy gold? Certainly, that's part of our business. Well, weigh this up and let's see what we got.” 7:31 · “We expect to bring in many times that amount.” 8:31
9:52Model synopsis: Two men discuss their mining operation and evasion tactics near Windy Flats, then greet two others named Pete and Hank. The scene takes place outdoors near horses, suggesting a rural or desert setting.
Named: Jake (t:9:32), Pete (t:10:36), Hank (t:10:36). 4 people observed.
“You know, Jake, it's a good thing we didn't file on that claim.” 9:32 · “Your idea of crossing Windy Flats and entering the town from the other side sure had them puzzled.” 9:45
11:12Model synopsis: Two men are in a private office; one stands near a window while the other sits at a desk. Dialogue references mining luck, papers, and characters named Pete, Hank, Benson, Mason, and Jake.
2 people observed.
“Hi, Pete. Well, well. Hello, Hank. How are you, old woman?” 10:36 · “No pay dirt this time. No pay dirt. Oh, come on. Come on. Wait a minute. Wait a minute.” 10:44
12:37Model synopsis: A man in a suit stands while another man in a cowboy hat sits; dialogue indicates a transaction involving gold and a required signature. The setting appears to be an office with a desk and hanging lamp.
Named: Joe (t:12:15), Jake (t:12:17). 2 people observed.
“That looks kind of fishy to me.” 11:56 · “Let's see. It's $16 an ounce. That's...” 12:03
13:34Model synopsis: Three men in Western attire stand indoors; one hands over money and a canteen while saying he will return soon. No names are spoken, and the setting appears to be a simple interior room with minimal furnishings.
3 people observed.
“There you are.” 13:26 · “And here's your money. Thanks.” 13:28
Flagged: quote not verbatim (And here's your money. Thanks.)
13:57Model synopsis: Two men in cowboy hats sit at a table in a dim interior, discussing money from nuggets and future plans for a blacksmith shop. One man mentions holding out 500 and believes the location will become valuable.
Named: Gary (t:14:07). 2 people observed.
“We got the date to the ranch.” 13:43 · “I'm gonna hold out 500 of that.” 14:01
Model synopsis: Two men in hats stand near a brick wall with a bulletin board; one holds an envelope addressed to 'Betty Benson'. Dialogue suggests financial pressure and threats related to a town official's position.
Named: Jake (t:14:17), Dad (t:14:29), Al (t:14:58), Yomi (t:15:02). 6 people observed.
“I think it's a good investment, Jake.” 14:17 · “Hello, Dad.” 14:29
15:29Model synopsis: A hand holds a small stack of paper currency in a dimly lit interior. No other people, objects, or actions are visible in the frame.
1 person observed.
15:49Model synopsis: A man enters an office and speaks with Mr. Williams, announcing his intent to pay off a debt. The setting is an interior office with a counter and barred window.
Named: Mr. Williams (t:15:46). 2 people observed.
“- Mr. Williams is? - Yes, Jake. You'll find him in his office.” 15:46 · “Hi, Mr. Williams.” 15:57
16:13Model synopsis: A man in a cowboy hat and vest stands in a doorway, looking off-camera. In the background, another man walks near a wooden building.
2 people observed.
16:23Model synopsis: Two men are in an office; one writes at a desk while the other watches. One man is told he will receive a receipt and a deed in a few days.
Named: Skrill (t:16:22). 2 people observed.
“I'll give you a receipt for your money.” 16:18 · “You'll put it in there, Skrill.” 16:22
16:35Model synopsis: A man in a cowboy hat and vest stands indoors near a window. No dialogue or other events are visible or audible in this beat.
1 person observed.
16:52Model synopsis: Two men are in a room with wood-paneled walls; one sits at a desk while the other stands. One man is referred to as William and mentions a plane that is not working properly.
Named: William (t:16:45). 2 people observed.
“Well, William.” 16:45 · “How's the plane coming?” 16:47
Model synopsis: A man in a cowboy hat and vest is seated and then stands in what appears to be an office interior; dialogue includes greetings and a statement of departure. No names are spoken that can be assigned to visible individuals.
1 person observed.
“Howdy, Sheriff.” 17:01 · “Hello, man.” 17:02
17:22Model synopsis: A man in a cowboy hat kneels beside a body lying on the floor in a dimly lit room. No dialogue or on-screen text is present in this beat.
2 people observed.
17:59Model synopsis: Two men in hats face each other in a dim interior; one is accused of killing a doctor. Dialogue suggests the accused, Mr. Benson, was alone in the room and someone may have entered through the back door.
Named: Mr. Benson (t:17:54). 2 people observed.
“You've killed him, Jake.” 17:46 · “You were the only one in here, Mr. Benson.” 17:54
18:37Model synopsis: A person stands near a white picket fence in an outdoor setting while dialogue references Mr. Benson's ranch. The scene is shot in black and white with no visible interior elements.
1 person observed.
“Come on.” 18:33 · “This is Mr. Benson's ranch, isn't it?” 18:44
Model synopsis: A man and a woman speak outdoors near a fence and trees; the woman invites the man inside after he mentions someone is out prospecting. No names are visible on screen, and no period or time of day is established.
Named: Betty (t:18:47). 2 people observed.
“Are you Betty?” 18:47 · “- And you're Jerry Mason. - Why didn't you let us know you're coming today?” 18:50
19:26Model synopsis: A person speaks to Miss Betty, inviting her to make herself comfortable and mentioning dinner is ready, while another person prepares to ride out. The scene is set on a porch or entryway of a rustic building at night.
Named: Miss Betty (t:19:28). 2 people observed.
“You don't know how glad I am to be here.” 19:13 · “Now, just make yourself comfortable, Miss Betty.” 19:28
19:49Model synopsis: A single frame shows an outdoor scene with a wooden fence and trees; a voice says 'Come on.' No people are visible. The setting appears to be rural or suburban.
“Come on.” 19:50
20:12Model synopsis: Two men in hats converse indoors; one mentions the sheriff's son flashing money after buying a horse. No names are spoken that identify either man.
2 people observed.
“Any news, Gary?” 20:03 · “I'm just gonna give this bank to one silver.” 20:07
20:39Model synopsis: Three men in hats stand in a wooden interior; one holds money while another questions its origin. The dialogue reveals a dispute over funds tied to a banker and a person named Jake Benson.
Named: Miller (t:20:39). 3 people observed.
“Did Al Miller give you this money?” 20:28 · “Where'd you get that money, Miller?” 20:39
Model synopsis: Two men in cowboy hats are shown in a dim interior; one is seen from behind near a doorway, the other is seated with a child beside him. Spoken lines urge someone to come on and state an intent to leave.
3 people observed.
“Oh!” 20:54 · “Come on.” 21:00
Model synopsis: A man in a cowboy hat lunges forward while others watch; another man raises his hands as if surrendering or being restrained. The scene takes place outdoors in daylight with several men in period Western attire present.
5 people observed.
“Yes.” 21:36 · “Come on!” 21:37
Model synopsis: Two men in cowboy hats interact in a dimly lit interior space with wooden furniture. One man gestures toward the other while standing near a bench and a sign on the wall.
3 people observed.
Model synopsis: A man in a cowboy hat stands among others while another man kneels beside a person lying on the ground. Spoken lines suggest an accusation about money and a confession, followed by a demand to be released.
5 people observed.
“Come on.” 22:24 · “Tell these boys where you got that money.” 22:31
Model synopsis: A man in a cowboy hat stands among others outside a building labeled 'GENERAL MERCHANDISE RANCHERS SUPPLIES' while another man leaps from the building's porch onto a horse. A voice asks 'What? What is your way?' during the scene.
5 people observed.
“Yeah.” 22:51 · “What? What is your way?” 22:52
22:57Model synopsis: A physical altercation occurs in a dimly lit interior space with multiple men present. One man is being thrown or falling forward while others watch or move around him.
4 people observed.
23:00Model synopsis: A person rides a horse down a dusty street past wooden buildings. A wagon wheel leans against a structure on the right.
1 person observed.
23:05Model synopsis: A man rides a horse down a dirt street past wooden buildings. The scene is outdoors in what appears to be a Western town.
1 person observed.
23:12Model synopsis: A group of men in Western attire are seen outdoors near a large tree and wooden structures. One man calls out 'Hey!' and another responds 'Yeah, yeah.'
3 people observed.
“Hey!” 23:09 · “- Yeah, yeah.” 23:10
Model synopsis: A group of men in cowboy attire gathers near a tree in a dusty outdoor setting, then a man on horseback is seen moving across rough terrain. A separate shot shows a lone rider on a ridge with a dog nearby. No names are spoken, and no indoor setting is shown.
5 people observed.
“I'm going to go.” 23:20 · “Come on.” 23:38
Model synopsis: A person stands on rocks in a dimly lit outdoor setting, then a figure walks under a structure casting long shadows. The transcript contains a single line indicating intent to leave.
2 people observed.
“I'm going to go.” 23:45
Model synopsis: A person rides a horse across open terrain, then dismounts and walks under a structure with slatted shadows. The transcript includes the lines 'Come on.' and 'I'm going to go.'
2 people observed.
“Come on.” 24:03 · “I'm going to go.” 24:11
Model synopsis: A person rides a horse across a rough terrain, followed by a view of a wooden structure over water with rocks and debris nearby. No dialogue or on-screen text is present in this segment.
1 person observed.
24:46Model synopsis: A person walks through a wooded area near a large tree. The scene is shot in black and white with high contrast lighting.
1 person observed.
25:34Model synopsis: A man in a sheriff's uniform confronts another man while others look on; the transcript indicates an arrest for attempted murder and robbery is being made. The scene takes place indoors, with characters discussing guilt, innocence, and legal penalty.
Named: Harrison (t:25:06). 6 people observed.
“Harrison.” 25:06 · “Jake is innocent.” 25:06
26:42Model synopsis: A group of men in hats stand in a dimly lit interior space; one man speaks to another, mentioning Betty and a sheriff, while another line references meat cages. No names are visually confirmed, and the setting appears to be a saloon or office with wooden walls and a doorway.
Named: Sheriff (t:26:29), Betty (t:26:55). 6 people observed.
“I'm sorry, Benton.” 26:19 · “Here's the rest of the bank's money, Sheriff.” 26:29
Model synopsis: Three people are seated at a dinner table in a rustic interior; one man leaves on horseback, and another man speaks to a woman at the table. A man on horseback stops outside a storefront and calls out to someone named Mason.
Named: Michelle (t:27:12), Glendie (t:27:57), Betty (t:27:50). 6 people observed.
“Never going to see you. Not so, Michelle, for a while, but...” 27:12 · “- The dinner all ready for you. - Yes, and I'm sure ready for dinner.” 27:18
28:18Model synopsis: A man stands beside a horse-drawn carriage on a street; another man sits in the carriage. The scene is outdoors under daylight conditions.
2 people observed.
28:27Model synopsis: Two men converse outdoors near a building; one seated on a horse-drawn vehicle, the other standing. The dialogue mentions young Miller being taken to Cedar City and Banker William recovering.
2 people observed.
“You know they're taking young Miller over to Cedar City?” 28:22 · “Is that so?” 28:25
28:43Model synopsis: A man and a woman stand on a wooden porch during a conversation about Jake Benson's whereabouts. The woman learns he has gone to his claim and will return in the afternoon.
2 people observed.
“Is Jake Benson around?” 28:41 · “Why, no.” 28:43
29:01Model synopsis: A man in a suit and hat stands beside a seated man in a vest inside an office; dialogue indicates they are discussing someone named Benson who is away. The scene is set indoors with minimal props and studio lighting.
2 people observed.
“Benson's out to his claim and he won't be back till late this afternoon.” 28:57 · “This is just what we've been waiting for.” 29:00
29:27Model synopsis: A man kneels beside a horse in a wooded outdoor setting while speaking about nuggets and surprising Jerry and Betty. Another character, Brady, is addressed directly at the end of the segment.
Named: Brady (t:29:32), Jerry (t:29:20), Betty (t:29:23). 4 people observed.
“There's nuggets.” 29:18 · “that Jerry don't know nothing about.” 29:20
29:53Model synopsis: A horse is visible in front of a building with windows and signage. No people are clearly visible or audible in this beat.
30:06Model synopsis: Two men on horseback are shown in a night scene; one speaks the name 'Justin' and mentions 'time.' No interior is visible, and no names are assigned beyond what is spoken.
Named: Justin (t:30:07). 2 people observed.
“Just as we got here, Justin.” 30:07 · “time.” 30:09
30:13Model synopsis: A person on horseback is visible in a rugged outdoor landscape. The only audible line is a single exclamation.
1 person observed.
“Ha!” 30:16
30:18Model synopsis: A man in a cowboy hat and dark coat stands outdoors at night next to a horse. The setting appears to be a field or open land with sparse vegetation.
1 person observed.
30:22Model synopsis: A group of riders on horseback moves along a dusty trail in a rugged, mountainous landscape. The scene is shot in black and white with high contrast lighting.
3 people observed.
Model synopsis: Two men on horseback confront each other in a desert landscape; one demands information about a gold field while the other refuses to disclose it. A dog is visible near the horses, and the men eventually ride away together.
2 people observed.
“Drop your hands, Benson.” 30:25 · “We've decided it's about time you were tipping us off to this gold field of yours.” 30:27
31:02Model synopsis: A single frame shows a desert landscape with hills and sparse vegetation. The transcript includes fragmented dialogue about a canteen and urgency, but no named characters or clear events are depicted.
“He's done for.” 30:52 · “There's a canteen on that patch.” 30:55
31:14Model synopsis: A man stands in a field while another rides a horse away from the camera. The setting is outdoors with trees and hills in the background.
2 people observed.
31:19Model synopsis: A man lies on the ground while another stands over him. The setting appears to be outdoors in natural terrain.
2 people observed.
31:27Model synopsis: A person on horseback is visible in a landscape with hills and trees. The transcript mentions a canteen, but no such object is visible in the frame.
1 person observed.
Model synopsis: A man lies on the ground with a dog sitting beside him; later, a horse runs and a man in a hat appears holding a rope. The transcript includes cries and short commands.
3 people observed.
“Ah!” 31:33 · “*crying*” 31:33
32:03Model synopsis: A man in a wide-brimmed hat and dark coat is shown in a medium close-up against a rocky, outdoor background. No dialogue or on-screen text is present in this beat.
1 person observed.
32:08Model synopsis: A person runs across an open field while another figure follows; a voice commands to 'Get him on!' No named individuals are identified. The setting is outdoors with trees and a building in the background.
2 people observed.
“Get him on!” 32:09
32:12Model synopsis: A man in a cowboy hat rides a dark horse outdoors. The setting appears to be natural terrain with rocks or brush in the background.
1 person observed.
32:16Model synopsis: A lone rider on horseback moves across an open, dusty terrain with a tree-covered hill in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
32:21Model synopsis: A dark, round object lies on dusty ground in a single frame. No people, dialogue, or identifiable location are visible.
32:26Model synopsis: A person lies on the ground outdoors, partially obscured by shadow. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men are in an outdoor, brushy area; one is on horseback, the other crouches with a dog. One man orders the other to go get someone named Jerry. The scene is shot in black and white with natural lighting.
Named: Jerry (t:32:43). 2 people observed.
“I can't get it. Well, come on, we've got to get out of here and get back to town. We can't afford to be seen here.” 32:33 · “I want you to go get Jerry.” 32:43
32:52Model synopsis: A horse runs across a dusty, uneven terrain. No people, dialogue, or on-screen text are visible in the single frame.
32:54Model synopsis: A person lies on the ground outdoors, covering their face with one hand. No dialogue or on-screen text is present in this beat.
1 person observed.
32:58Model synopsis: A dog runs across a dirt path in a wooded area. No people or dialogue are visible or audible in this beat.
33:02Model synopsis: A horse runs across a dusty, brush-filled outdoor area. No people or dialogue are visible or audible in this beat.
33:08Model synopsis: A lone figure is visible on a distant hill in a desolate landscape. The only spoken line is 'Come on.'
1 person observed.
“Come on.” 33:11
33:18Model synopsis: A single frame shows a dusty street in a Western town with storefronts and a person on horseback. No names are spoken, and no events are described beyond the visual.
2 people observed.
“Oh.” 33:21
Model synopsis: A group of people, including a woman and several men in hats, are gathered outside a wooden building. A man speaks of organizing a posse after mentioning Jake Ford and Amy Malloy, while others react with surprise or concern.
8 people observed.
“Why, that's dirty, Father.” 33:28 · “Here comes his pack.” 33:31
34:09Model synopsis: Two figures stand outdoors near a horse-drawn vehicle; one figure is seen from behind, wearing a shirt and trousers, while the other, in lighter clothing, faces away. A distant rider is visible on the horizon. The transcript contains the word 'Friday' spoken twice.
3 people observed.
34:24Model synopsis: A woman stands in a dimly lit room with wooden walls and furniture, speaking to someone off-screen. She is told to go home and wait for news, and she agrees.
Named: Betty (t:34:19), Jerry (t:34:19). 2 people observed.
“Where's Jake?” 34:12 · “You better go back home and wait till you hear from me, Betty.” 34:19
34:37Model synopsis: A person runs along a dirt path in an open, brushy landscape. The scene is shot in black and white with no visible text or dialogue.
1 person observed.
34:47Model synopsis: A single person stands on a dirt path in a dry, brushy landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
35:10Model synopsis: A person rides a white horse across uneven terrain. The scene is outdoors and appears to be in a natural, open landscape.
1 person observed.
Model synopsis: Two men in cowboy hats converse outdoors; one appears dizzy and is reassured by the other. They then walk away together, with instructions to remain silent about the incident to someone named Betty.
2 people observed.
“What's the matter, old-timer?” 35:23 · “Oh, I'm only a little dizzy.” 35:26
36:09Model synopsis: A man in a cowboy hat speaks with a woman and another man inside a wooden interior; the man in the hat mentions being thrown by a horse and needing food. The woman agrees not to tell anyone her granddad is there.
Named: Grandy (t:36:02). 3 people observed.
“What happened, Grandy?” 36:02 · “Horse rode me a little square on my head.” 36:07
36:51Model synopsis: A man retrieves items from a trunk while another man sits on a bed; they discuss theatrical makeup and costumes. One man mentions playing in a show called 'Charlie's Ant' and references Anna Held and Lillian Russell.
Named: Jake (t:36:46). 2 people observed.
“Hey son, open up that trunk and get out my makeup case, will you?” 36:24 · “I didn't know you were an actor, Jake.” 36:46
37:45Model synopsis: Three men in Western attire stand in an interior space, discussing the purchase of a ranch. One man questions the legitimacy of the sale and asks for a bill of sale, while another suggests sending someone named Jake to advise on when they can take possession.
Named: Mason (t:37:22). 3 people observed.
“Hello, Mason.” 37:22 · “We just called to find out when we could take possession of this ranch.” 37:32
38:46Model synopsis: Two men in a rustic interior discuss a fraudulent ranch sale; one reveals he signed a receipt that may have been a bill of sale, and they plan to file claims at the bank using gold nuggets. One man reminds the other he is supposed to be dead.
2 people observed.
“What are they talking about? I ain't sold no ranch. Have you signed any papers lately, Jake?” 38:16 · “I signed a receipt for the money we got for them last nuggets.” 38:25
39:30Model synopsis: A person stands on a wooden platform beside a white picket fence with trees and hills in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
39:43Model synopsis: A man in a cowboy hat rides a white horse past a building with a wooden fence. The transcript contains the spoken line 'Come on.'
1 person observed.
“Come on.” 39:41
39:49Model synopsis: Two men in cowboy hats stand side by side in front of a wooden wall. One is formally dressed; the other wears a vest and gun belt. A voice identifies one as Mason.
Named: Mason (t:39:48). 2 people observed.
“There's Mason.” 39:48
39:54Model synopsis: A white horse stands in front of a building labeled 'TOWN HALL' while several men in hats are visible nearby. The scene is outdoors and appears to be set in a Western town.
39:58Model synopsis: A white horse with a saddle stands tied to a post in front of a building. No people are visible and no dialogue is present in this beat.
40:02Model synopsis: Two men in cowboy hats stand near a wooden structure; one wears a suit and the other a vest and tie. A voice suggests investigating an object on a saddle.
2 people observed.
“Isn't that old Jake's can?” 39:58 · “on the saddle?” 40:00
40:12Model synopsis: Two men stand beside a white horse outside a building at night. One man holds the horse's reins while the other faces him.
2 people observed.
40:27Model synopsis: Two men in hats are shown in a close interaction; one appears to be handing something to the other. A line spoken at 40:19 refers to someone taking something off a borough before arrival.
2 people observed.
“He must have taken it off the borough before we got there.” 40:19
40:55Model synopsis: A group of men in cowboy hats examine a canteen while discussing Jake Benson's disappearance and Mason's whereabouts. One man instructs another to go to the courthouse to find Mason and get an explanation.
4 people observed.
“Uh, you see, Sheriff, will you recognize this canteen?” 40:44 · “It belongs to old Jake Benson.” 40:47
41:15Model synopsis: A person stands at a window holding a basket, viewed from outside. The interior is dimly lit, with a checkered blanket visible inside.
1 person observed.
41:23Model synopsis: A woman in a patterned blouse sits inside a vehicle, looking toward another person whose back is to the camera. The setting is an enclosed space with curtains and a window frame visible.
2 people observed.
41:34Model synopsis: A group of men in cowboy hats stand in a dimly lit interior, one holding a glass. Dialogue suggests they are discussing a mining claim and waiting for someone.
5 people observed.
“He's filing on a mining plane, Jerry.” 41:30 · “that.” 41:32
41:59Model synopsis: A man in a cowboy hat is questioned by others in what appears to be a cantina or office setting; he is told he will be held until Jake Benson is located. He accepts the decision and asks about his preliminary hearing.
Named: Mason (t:41:57). 3 people observed.
“Just how did you come to have this cantina of nuggets?” 41:50 · “Do you know anything about Jake Benson's disappearance?” 42:02
42:33Model synopsis: A group of men in cowboy hats stand in a room; one holds a hat and a rolled document. Dialogue suggests a sheriff is being asked to take charge of nuggets and that someone may have killed 'old Jake.'
5 people observed.
“You better take charge of those nuggets, Sheriff.” 42:20 · “What are they going to do to me?” 42:43
42:53Model synopsis: Three people stand near a brick wall; one holds a basket. A transcript line states Mason is up for murder, and another confirms 'Miranda?' with 'Yes.'
3 people observed.
“What's happened? What's wrong? Mason's up for murder.” 42:48 · “- Miranda?” 42:51
43:05Model synopsis: A woman in a light dress stands near a seated man in a dark suit inside a dimly lit room with wooden furniture; the man is addressed as 'Mr. Maitre' in the transcript.
Named: Mr. Maitre (t:43:03). 2 people observed.
“Yeah.” 43:03 · “May I please have a moment, Mr. Maitre?” 43:03
44:04Model synopsis: A woman speaks urgently to a man about a murder accusation and a preliminary hearing, while another scene shows a woman asking for the courthouse and commenting on murder trials. The setting appears to be a courtroom or jail area.
3 people observed.
“They think I've murdered your granddad.” 43:14 · “I'm looking for the courthouse.” 44:35
45:08Model synopsis: Four men stand together outdoors; one speaks to others, telling them to check their weapons. No names are spoken, and no specific location is identifiable beyond being outside.
4 people observed.
“Well, here comes the church and make them now.” 45:00 · “My goodness, what big things! Go ahead, Bill. Go ahead.” 45:04
Model synopsis: People enter a building from outside while others are seated inside. A voice urges them to hurry as an event is about to start.
5 people observed.
“Come on, let's get in here. This thing is just about to start.” 45:27 · “Nothing else looks good.” 45:32
45:40Model synopsis: A group of men in cowboy hats stands in a doorway or entrance, silhouetted against a bright background. No dialogue or on-screen text is present in this beat.
4 people observed.
Model synopsis: A courtroom scene unfolds where a woman named Veronica Mahitoba Benson identifies herself as Jake Benson's relative and claims to know who shot him. The judge, referred to as Judge McGill, presides over the proceedings as the woman speaks.
Named: Veronica Mahitoba Benson (t:46:55), Judge McGill (t:46:35). 4 people observed.
“The Court of Sonoma County is now open. Judge McGill presided.” 46:35 · “Veronica Mahitoba Benson.” 46:55
Model synopsis: A woman testifies in a courtroom about an attack on a rancher, while two men sit nearby. The transcript indicates she witnessed the events firsthand and refers to the court and sheriff.
3 people observed.
“The men are in this court, Your Honor.” 47:35 · “And I advise the sheriff not to let anyone leave this room.” 47:37
48:01Model synopsis: Two men sit side by side in a dimly lit interior, one in a vest and bow tie, the other in a suit holding a hat. Other figures are visible in the background, suggesting a public gathering or audience setting.
3 people observed.
48:06Model synopsis: A close-up of a person's lower legs and feet in dark boots, standing on a dark surface. No other context or action is visible in this single frame.
1 person observed.
Model synopsis: A man identifies himself as Jake Benson in a room with several others, then the scene cuts to an outdoor view of riders on horseback. A thud is heard and someone urges Henry to come along.
Named: Jake Benson (t:48:25). 8 people observed.
“Garrett?” 48:07 · “I swear, Miss Benson, then.” 48:08
48:51Model synopsis: A man runs toward a house with horses tied outside while someone calls out 'Hey, Colt!' The scene is outdoors in daylight, with a porch and trees visible.
Named: Colt (t:48:51). 1 person observed.
“Hey, Colt!” 48:51
48:57Model synopsis: A person rides a horse past a rocky outcrop at night. The scene is dark and grainy, with no visible text or spoken dialogue.
1 person observed.
49:08Model synopsis: A person in a vehicle interior speaks about driving while another person is visible in the car. The scene is set inside an early automobile with visible mechanical parts and a basket of items.
2 people observed.
“When I twist, Nick.” 49:04 · “How do you run this darn thing? I'll do the driving.” 49:06
Model synopsis: A man walks toward a horse-drawn carriage outside a house while another person is visible on the porch; the scene then cuts to a wide shot of a barren hillside. A voice says 'Shut up, honey' followed by 'Yes, sir' and 'Come on.'
3 people observed.
“Shut up, honey.” 49:15 · “Yes, sir.” 49:17
Model synopsis: Two figures walk away on a dirt path, then a man stands near a building beside railroad tracks; a horse is shown in motion, followed by a rider on a white horse moving through a wooded area. The transcript contains the repeated line 'I'm going to go.'
4 people observed.
“I'm going to go.” 49:40 · “I'm going to go.” 49:57
50:08Model synopsis: A man sits on a handcar on railroad tracks in front of a white building. No dialogue or on-screen text is present in the frames.
1 person observed.
Model synopsis: A man on horseback rides along a dirt road near a small building and fence, with mountains in the background. The transcript contains a single spoken line: 'Come on.'
1 person observed.
“Come on.” 50:18
Model synopsis: Two men in hats sit on a railcar moving along tracks; the scene then cuts to a wider view of the tracks curving through hills, followed by a shot of a dirt road with a water tower and a car approaching. No dialogue or on-screen text is present in these frames.
2 people observed.
Model synopsis: A person on horseback is seen in a hilly landscape, followed by two men in a vehicle near railroad tracks, then a man driving an open car across a field, and finally the car driving away on a dirt road. One person says they are going to leave, followed by laughter.
5 people observed.
“I'm going to go.” 50:45 · “laughter” 50:57
Model synopsis: Two men in hats ride in an open-top vehicle along a railway track near a water tower. The vehicle is later seen from a distance, moving away on a dirt road.
2 people observed.
Model synopsis: A person walks away from a fence as a car drives past; a train is visible near railroad tracks in a mountainous area. No names or specific time of day are established.
3 people observed.
“I'm going to go.” 51:20
Model synopsis: A person rides a white horse along a set of railroad tracks in a hilly, open landscape. The second frame shows the tracks curving into the distance with no rider visible.
1 person observed.
Model synopsis: A man in a suit and hat stands near railroad tracks as another person lies on the ground nearby; a vehicle is parked on the tracks. A line of dialogue expresses shock.
2 people observed.
“Oh, my God.” 51:55
Model synopsis: Two men are shown in an outdoor setting near railroad tracks; one man is on the ground while the other stands over him. A wagon and trees are visible in the background.
2 people observed.
52:43Model synopsis: A person is on the ground near railroad tracks while another stands nearby; a cart and a dog are visible. No names or specific events are mentioned in the transcript.
2 people observed.
“Oh!” 52:31
53:01Model synopsis: A shirtless man stands over another person lying on the ground in a rocky outdoor setting. No dialogue or on-screen text is present in this beat.
2 people observed.
53:22Model synopsis: A group of people stands near a white picket fence in an outdoor setting with trees and shadows. One person in light clothing is central, while others are partially visible or in shadow.
3 people observed.
Model synopsis: A photographer directs a couple in wedding attire for a posed photograph outdoors. The photographer gives verbal instructions while adjusting a large camera, and the couple holds their position as directed.
3 people observed.
“All right now, folks. That looks fine.” 53:40 · “Now, just a minute. Relax for a minute.” 53:42
54:02Model synopsis: A man in dark clothing stands near a couple embracing outdoors; the woman wears a light dress and the man a dark suit. The setting appears to be a garden or yard with trees and a fence visible.
3 people observed.
54:15Model synopsis: A single figure walks away on a dirt path in a rural setting at dusk or dawn. A voice says goodbye, indicating the end of an encounter.
1 person observed.
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 611 segments kept, 385 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1934 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement
Girl O' My Dreams 
West of the Divide 
Riders of Destiny 
Oliver Twist 
Sagebrush Trail 
The Phantom Creeps