They Made Me a Killer (1946)

No renewal found Free in the US since 1 January 1975, on the registry's reading: registration LP315 of 1946 by Paramount Pictures, Inc was not renewed in the volumes searched. Record.

Frame from the Internet Archive copy TheyMadeMeAKiller

Copy: TheyMadeMeAKiller on the Internet Archive; registered 1946
Read: 113 shots over 1:04:19 · 939 transcript lines · JSON
Record: They Made Me a Killer No renewal found
Wrong?: Report a problem

Check before citing the shot count. A 18:58 shot at 44:54 (shot 111): either a static hold or a run of missed cuts. Treat it as unverified.

How this page was made

113 shots over 1:04:19, read from the Internet Archive copy TheyMadeMeAKiller (TheyMadeMeAKiller.mp4, 720×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: They Made Me a Killer No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 113 shots judged colour), average shot 34.2s long, a frontal face detected in 12% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 939 segments kept, 336 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

0:30 The Lone Ranger.
1:19 All right, hold her there, Joe.
1:23 What are you gonna do with it, Tom?
1:24 Junkin'.
1:25 We could fix it up.
1:27 You heard me, scrap it. Oh, now ease up.
1:29 We could salvage a good piece of it and... I don't want any part of it.
1:33 That he killed Chick. I don't want to ever see it again. I know it's tough.
1:36 Losing your kid's brother?
1:38 But you can't go on like this. You've got to let down. I will. Soon as I get out of town.
1:42 Well, what good's that going to do? You got a good job here and a real future.
1:46 Yeah, sweating extra speed out of jalopy.
1:49 so thrill-hungry kids can get themselves cracked up.
1:51 Got a partnership in the garage if you'll stay.
1:54 Thanks, Patris. Well done.
1:56 I'm practical.
1:57 The way you take those heaps and juice them up,
2:00 Why, we could take a lot of old has-been crates and make them into custom-built.
2:05 Thanks, Pat.
2:06 This is the way it's got to be.

919 more segments

2:16 Well...
2:17 You'll need some dough wherever you land.
2:20 Well, I've got enough. If I get stuck, I'll sell the car when I get to California. I can see your mind's made up.
2:25 If you ever come back, I'll have a spot for you.
2:27 Thanks, Pat.
2:48 Come on.
3:06 Don't look so hot, do they?
3:10 Like a stack of hearts on a cold griddle.
3:12 Is this your lot, mister?
3:14 No, I'm waiting for the owner.
3:15 and find me a customer with a big enough bankroll, I'll sell this baby.
3:18 Well, I might be interested.
3:20 as fast as she looks.
3:22 120 fast enough for you?
3:24 You're talking my language.
3:25 Good. Get in.
3:31 My name's Tom Durley.
3:33 Mine's Betty.
3:34 All right, Betty.
3:35 Hang on and watch the speed cops roll past.
3:49 Fast enough for you?
3:51 Like a short order cook. Good. How about making a quick deal? Not me. My boyfriend has to give it the once-over first. Boyfriend, huh? When can I see him? Tomorrow morning. That's the way it has to be.
4:05 I'm sure I can talk him into it. Yeah, I'm sure you can. Know where I can put up for the night? Well, I'm at Mrs. Randall's boarding house, Hash and Whistler's mother at 3:50 a day. Good enough.
4:36 Oh, gosh, it's him.
4:38 Who was the boyfriend?
4:39 No, the kid just lives here.
4:41 He works in the bank. He's got a crush on me.
4:43 Don't tell him about the car. He's the jealous type.
4:45 Maybe you could get him to buy it for you.
4:47 He couldn't buy me a refill for a cup of joe.
4:50 Hello, Steve. Hello, Betty.
4:52 Steve, I want you to meet Tom Derling, an old friend of mine from out of town. This is Steve Reynolds.
4:56 Howdy.
4:56 How are you?
4:57 We had a date, Betty, remember?
4:59 I'll change.
5:00 Steve.
5:02 Tom's staying overnight. Will you help him get a room? Sure.
5:05 Good night, buddy.
5:07 Happy birthday.
5:07 Her birthday.
5:09 I'll let you get her something.
5:11 She's only been here a week.
5:12 Quite a gal.
5:13 Yeah, quite a go.
5:28 Is your boyfriend the jealous type?
5:30 Maybe I'll lose the sale because Steve took you to the show last night.
5:33 Oh, wreck it.
5:35 I'm sorry, it's late.
5:36 I could demonstrate the card for you if you have something else to do.
5:39 All I want to do in this town is leave it.
5:45 Here they come.
5:47 Hello, dear. Hello. Sorry to keep you waiting.
5:50 I want you to meet Tom Dirling.
5:52 This is what I told you about.
5:54 Howdy.
5:55 - Glad to know you, darling. - And his brother Frank.
5:57 I, uh...
5:58 So this is it, eh?
6:00 This and what's under the hood. I'd like to show you.
6:02 In just a few minutes, if you don't mind.
6:04 Got a little business in the back.
6:05 Let me take a minute.
6:06 Take a little ride then, huh?
6:07 Okay.
6:12 Better turn on the glamour.
6:14 boyfriend doesn't seem very interested in your birthday present.
6:17 Don't worry, you've got things on his mind.
6:19 This is only a 10 minute parking zone.
6:21 We're waiting for a friend in the bank.
6:23 It'll make it snappy, you'll get a ticket.
6:24 Okay, I'll drive around the block.
6:26 Never mind that. Stay here.
6:32 Hello, Betty.
6:33 - Hello, Tom. - Hello, Steve. I was just going out to lunch. Maybe you'd like to go-- No, I can't. Excuse me. I'm busy.
6:37 I'd better move before that cop gets back. I said stay here. Anything long?
6:42 If I can be of any help,
6:47 - What's going on? - Keep the motor on. Get rid of the shovel. - What is this? - You heard me.
6:52 They're taking orders.
6:56 All right, come on, get going. Hold.
7:06 Hold.
7:07 All right, get going. Step on it. Hold it. Hey, what is this? You hurt. Let's take an audit.
7:54 Pour it on.
8:23 Okay, good luck.
8:37 Anyway, the information I pumped out of him helped Sonny, didn't it? - Yeah, it helped. - How much did we get? Oh, around 100, geez. Sonny's talking to me. What do you expect me to say? Oh, look, mister, I've been a good boy. Here I have a couple of niggos. - I didn't have much choice, did I? - No, you weren't kind of a spot. And you're still on a spot. Yeah, we all got a murder rap hanging on us. - That copper croaks. - Shut up.
9:07 - No, that's where you drop us. - We're leaving you behind, Sonny. You can take care of yourself. - Yeah? - Maybe I can. - Look out!
9:56 They're here with Tom Derland.
9:58 All right, send them in.
10:02 Yeah.
10:12 Stay on your feet.
10:14 - He's kind of banged up. - Yeah?
10:16 The bank guard is dead.
10:19 Looks like the cop might kick off too.
10:21 I didn't shoot them.
10:23 No.
10:24 Then what were you using this for?
10:26 To pick your teeth?
10:27 It's the gun that shot 'em both, and it's the gun we found on you. It's not my gun. I was framed into the stick-up.
10:33 That girl was trying to... Are you going to stick to that fairy tale?
10:37 The big bad girl forced the good little boy
10:40 - To shoot two men? - I didn't shoot anybody.
10:43 Steve Reynolds saw the whole thing.
10:46 It happened along just then, and--
10:48 Reynolds just happened along then.
10:50 And you just happened to be there at the same time. What do you take us for? I want the truth. You've got it there in my statement.
10:58 From Chicago, huh?
11:00 What did you come out here for?
11:02 It's all in there. I was asking a question.
11:05 My brother was killed.
11:06 I don't want to live there anymore.
11:09 sensitive type.
11:15 I ran out of dough.
11:17 I stopped in Santa Marta to sell my car. And those two?
11:21 Jack and Frank Conley.
11:22 They come out here with you?
11:23 I never saw him before today at the bank.
11:25 And you thought they wanted to buy your car.
11:28 Nice car, too.
11:29 A real nice car. It's not hot, if that's what you mean.
11:33 Buying old cars and fixing them up is my racket. Oh, so you got a racket, huh? It's my work.
11:38 I'm good at it.
11:41 In there, you'll find the name of a man in Chicago, Pat Travers.
11:45 He'll tell you all about me. Tell me what?
11:47 That you worked there, that you went to church on Sunday?
11:50 You weren't in Chicago this morning.
11:52 You were right here, sticking up a bank. And Reynolds gave you and your girlfriend all the information you needed. Is that what he said?
11:59 He's not saying much.
12:00 He may not live either.
12:02 Mr. Booth, believe me, Steve Reynolds had nothing to do with this.
12:06 Let me talk to him. He'll set you straight on both of us. He'll set you in the gas chamber, and that's where you're headed, darling.
12:12 If you weren't in on this, why didn't you jump out of the car in front of the bank? I couldn't. They had their guns on me.
12:18 Oh, what's the use? You won't let me talk to him.
12:21 Sure we will. We'll all talk to him.
12:24 If he comes too.
12:26 Call me when Reynolds is conscious.
12:28 Take Darling to the hospital and wait.
12:31 Okay, come on.
12:42 I'm sorry, Miss Reynolds. That's about the whole story.
12:47 Oh, just a moment. Here's Dr. Lee. He'd like to talk to you.
12:51 Doctor, it's Miss Reynolds, Steve Reynolds' sister.
12:54 Dr. Reed.
12:56 We can't wait, Mr. Reynolds.
12:58 We're going to operate in a few minutes.
13:00 I'll leave right away. I should be there in two hours.
13:04 - Please.
13:04 Please do everything you can for him.
13:12 Children! Mrs. Reynolds!
13:15 We just heard over the radio. I know about my brother. I was just leaving for Santa Marta.
13:20 Miss Reynolds, uh...
13:22 Before you go...
13:25 Inasmuch as your brother's mixed up in this thing,
13:27 Don't you think we should get a substitute teacher
13:30 For the time be.
13:32 You know how the parents are. Mr. Willoughby, you have my resignation.
13:36 If you'll excuse me, I'll just miss the client. Of course, once your brother's cleared, Mr. Reynolds, we want you back.
13:43 We can't let sentiment interfere with our duty. Can we?
13:52 Well?
13:53 He just came out of the operating room.
13:55 Go on.
14:01 What about him?
14:03 We've done all we could.
14:04 I'll give him just a few minutes.
14:06 You can go in now.
14:07 Go on.
14:23 All right.
14:24 Talk to him.
14:28 Well...
14:30 Remember me, darling?
14:32 The fellow in the car was Betty.
14:35 I didn't think I was in on this stickup. Tell them what you saw.
14:38 They had their guns on me. Tell them, Steve. You saw them.
14:41 Steve, you've got to tell him I'm charged with murder.
14:54 Well, there's your alibi.
14:55 Go on.
14:56 Let's go.
14:58 I'm sorry.
15:28 And.
15:40 - I think you're right. - I think you're right.
15:44 What's that compound going to take me?
15:49 No.
15:51 All right.
15:53 I'm going to go.
15:55 - Right, go.
16:04 When did it happen?
16:05 A few minutes ago.
16:06 Upstairs.
16:08 - Oh, yeah.
16:19 Oh, baby.
16:20 Oh, boy.
16:23 and the date
16:30 All right.
16:51 Orton.
17:00 Close the door.
17:09 If only I could have talked to him or done something.
17:13 There's nothing more you could have done.
17:15 I'm sorry, Miss Reynolds.
17:17 In the third place, gentlemen...
17:19 I hardly need warn you against the danger of causing any injury.
17:23 to the muscles, blood vessels,
17:24 and nerves of the abdominal wall.
17:31 What do you want? Can't you see we're operating?
17:34 There's a murderer in the building, Doctor.
17:36 There's nobody here but my students.
17:38 What do you mean breaking in like this?
17:40 No gown, no mask.
17:41 Get out!
17:47 Ronald, sir, that you showed up.
17:50 You stay here and check everybody who comes out of this room.
17:53 You bring her in, this girl, my office.
17:59 - Did he ever mention Tom Derling to you? - No.
18:02 - Anybody named Frank? - No.
18:06 This girl, Betty,
18:07 Maybe he wrote you about her, where she came from.
18:11 Mr. Booth, suppose my brother was in front of the bank. He worked there.
18:14 Derling says he was framed too.
18:17 You believe him?
18:18 Miss Reynolds.
18:20 Let's just say that your brother got in with the wrong guy, or maybe fell for a pretty face. It happens, you know.
18:27 You'll find the others. You'll know he had nothing to do with it. We'll find them, all right.
18:31 Any ideas as to where we should look?
18:45 What about Durley? Not yet, Chief.
18:48 Shall we follow the girl?
18:49 Get Darling.
18:54 Pretty interesting job. What did that guy mean, Werder? Some guy said he got away.
18:58 Probably meant to be in it.
19:23 You're serious about surgery, aren't you?
19:27 You know you can take off that mask now.
19:32 I'm sorry, but I'd have to run.
19:35 I'll be out in a few minutes.
19:40 Come on.
19:44 Come on.
19:46 I'm sorry.
19:55 Come on.
19:56 Oh.
20:04 I don't want to hurt you.
20:05 Be quiet.
20:05 All I want is five minutes to get out of here.
20:08 If I let you go, do you promise to be quiet?
20:09 Good.
20:10 I'm sorry, but you asked for it, Sister.
20:56 Train's late. Oh, it's late. Sometimes later than other times.
21:00 It's always me, you hope.
21:11 Miss Reynolds.
21:12 Don't yell. Just stand there and listen, please.
21:14 Don't you want to...
21:15 You're the man in the hospital.
21:17 Darling! Wait, I need your help.
21:19 I'm just as innocent as your brother. Can you prove that?
21:22 If I could get my hands on those guys who framed us, I could prove plenty. Why should I believe you? You have to. You want to kill your brother, don't you?
21:31 You're locked to him and you kill the last chance of clearing him.
21:36 Come on.
21:38 Pardon me, we're looking for somebody. Young fellow. Dark, about six foot.
21:44 Pretty black hair.
21:45 Seen someone like that hanging around?
21:49 - Wait.
21:49 No, I haven't seen anyone.
21:52 Sorry, mister, I've got to take this away.
21:56 Yeah.
21:59 We kind of thought this guy might try to get on the train tonight.
22:02 You better watch yourself, miss. Be the killer.
22:05 Come on, Dan. The train's in.
22:10 Come on.
22:14 Why'd you do it?
22:17 I know. One minute I...
22:19 That's my train. Wait.
22:21 I've been following you all day.
22:22 Watch at the funeral this afternoon.
22:24 Do you want to clear your brother or don't you?
22:27 - The police said-- - Would I be here risking my neck talking to you if I went on the level?
22:32 All aboard!
22:34 - Well, what can you do? - By myself, nothing. I can't show my face.
22:37 But with you, someone who can work out in the open,
22:39 Together we might be able to untangle this thing.
22:45 Alright
22:47 What do we do?
22:48 First thing, we try to get this off.
23:17 Working late tonight, huh?
23:19 Always work late. Helps hard to get.
23:22 And they're lonely out here. I like it. Nobody to--
23:25 Pester me.
23:26 Got a radio?
23:28 I don't like radios.
23:29 Blah, blah, blah. What a nonsense. It's lucky for me you're here.
23:34 the silliest thing happened.
23:35 I should be mad at the kid, but...
23:38 After all, it was as much my fault as his.
23:40 I...
23:41 Shouldn't have let him play with it.
23:46 I can't very well go downtown. The guys have kid me the rest of my life.
23:50 Let my kid lock me up in my own handcuffs. I feel like an idiot.
23:54 Where's the key?
23:55 The kid lost him.
23:58 Well, I guess we can get you out of it without cutting your arm off.
24:01 You, sir...
24:03 Yes, Thomas. I don't recollect seeing you around before.
24:05 I'm a new man.
24:07 Oh.
24:09 Well, I think I may have a...
24:11 - There's a key over here. - Henry!
24:13 Nancy, you come in here. Henry, Mr. Brace, your phone wants you to come downtown right away. I thought he would. He's sort of man.
24:20 You're gonna take these off before you go, aren't you? Sure, sure.
24:23 They've got the roads all blocked. They're looking for that bank robber and they want you to help.
24:26 - Start with him, young man. - What are you doing, Henry? - The Tim, the bank robber. - The Tim, the bank robber.
24:30 Now hold this gun on him, Nancy.
24:32 That's it.
24:34 So you was playing as a kid, was you, young man?
24:37 You ashamed of yourself trying to fool an old man?
24:40 Hold on, Nettie.
24:42 Watch him.
24:44 All right, give me a bit.
24:46 Give me the gun, Nancy.
24:48 There.
24:49 Now go on out and phone the sheriff, tell him I'll be right down.
24:52 See, I've got a surprise for him. Oh, land safe.
24:59 What?
25:00 Oh, my God.
25:03 Sheriff Blake, please.
25:07 Jeff?
25:08 Henry just caught that bank robber.
25:10 Yes!
25:12 In a blacksmith shop!
25:14 We're starting right away.
25:18 Henry, shall I get the car?
25:26 You must be tired. You better rest a while.
25:29 Come on.
25:33 Well, that was a swell idea I had, but it hadn't been for you.
25:37 You must have cat blood in it.
25:38 The way you crept up behind that blacksmith, you never knew what hit him.
25:41 Hope he's all right.
25:42 Don't worry.
25:45 You know what you did when you hit him, don't you?
25:47 You jumped in at this thing with both feet.
25:50 real life.
25:53 He said you had some kind of plan.
25:54 That's right.
25:55 The first thing I want you to do is go to Mrs. Randall's boarding house and get everything your brother left behind there.
26:00 And that girl, Betty, might have left something too.
26:02 What am I supposed to find?
26:04 I don't know.
26:06 But at least it's the place to start.
26:08 You ready?
26:09 Come on.
26:12 - No.
26:29 No dice.
26:30 We might as well have left this at the boarding house.
26:33 Try the suitcase of Betty.
26:35 Shouldn't have been kicked around. No wonder she left it.
26:40 It's empty.
26:43 Those guys got away with 100,000 bucks.
26:45 They left us holding two Morthean bags.
26:48 You're not after the money.
26:50 The spot I'm in will become mighty-handed.
26:52 Just a minute. If I thought that's what you wanted, another... Forget it. We don't even know where they are or have any idea how to get started finding them.
27:00 You better take the train home in the morning.
27:02 What are you going to do?
27:03 - See you.
27:06 Cut out paper dolls and wait for them to find me.
27:10 Wait a minute.
27:12 What?
27:12 These are restaurant doilies, aren't they?
27:14 Yes.
27:19 Use them to patch the holes in the lining.
27:22 Why wouldn't she use newspaper? Why doily's?
27:25 The checks.
27:27 The way she talks.
27:28 When I asked her if the car was fast enough, she said,
27:31 Like a short order cook.
27:32 That's it, and a cup of joe.
27:34 What does it mean? A lingo. Hash house talk.
27:37 And now these doilies.
27:39 The River Ford Inn.
27:42 The Glen Grove Tea Room.
27:45 Pixel Cafe, Glendale.
27:47 You think she was a waitress and worked in these places?
27:49 Maybe.
27:50 Just maybe.
27:52 One of these spots is in Glendale and the others are a couple hundred miles away.
27:56 We'll have to take the back road if you get caught with me. Oh, you wouldn't dare show your face. I'll have to take that chance.
28:41 I never heard of them.
28:43 She must have just eaten there once and picked up the mattress.
28:54 She said she came from somewhere.
28:56 A waitress named Betty Forrester.
28:59 Yeah.
29:00 My wife and I were wondering what happened to her.
29:03 We met her on our honeymoon.
29:05 Well, not this place.
29:07 Never had any women working here.
29:09 Sorry.
29:13 Well, let's go.
29:15 One more stop.
29:17 That's not it.
29:25 Betty they was asking about her.
29:28 Yeah.
29:30 Extra gangster trail to Sacramento!
29:36 Extra, extra, read all about it, gangsta trail as Aquamanoo!
29:47 You'd better try this one alone.
30:16 You're the most persistent guy I ever saw. You know what it says in the book?
30:20 It also says something about patrolling your beak.
30:27 - Dishes, dishes.
30:28 You've got another thing to look.
30:31 Nobody can do around a tea room without help.
30:35 Mr. Rosen, Mr. Wilson, I was wondering where you two have been keeping yourselves. Hiya, Ma.
30:40 Hi, Ma.
30:41 Hey, what's cooking?
30:42 Circus.
30:44 Welcome to Milo. - Thanks.
30:46 Say, some coffee go good with these, Ma.
30:48 Are you still all alone here?
30:50 He's hoping his girlfriend might have come back.
30:52 Ain't seen high for hair, Betty, since you left two weeks ago.
30:56 What can I do for you, dear?
30:57 I just got into town and thought maybe you could use some help.
31:00 Uh-uh.
31:01 I don't think so.
31:02 What's the matter, Ma? You know you could use some help.
31:06 I don't know. I've been getting along all right.
31:08 Oh, go on. You told me yourself your dishwashing machine was busted.
31:13 You don't do a job.
31:14 It looks like
31:15 It'll be good, too.
31:15 Well, I...
31:18 Oh, all right.
31:20 I pay 20 a week for meals. You sleep out.
31:22 That's all, I...
31:23 You can start now.
31:25 I'll tell you for a full day, of course.
31:28 Uh, could you now spare a little time for the state?
31:43 And once he went in bed to the policeman, I was sure it was the right place.
31:46 And later in the afternoon, while washing dishes, I saw her sneak out a tray
31:50 with three plates of food, but there was no one in the dining room.
31:54 serving three people who weren't there.
31:56 Looks like they hide out all right. It has to be. Now the thing to do is to go to the police. Nothing doing. Where will that get it?
32:02 First thing they'll do is throw me in the clink, and I've had another clink.
32:04 But when they get the real crooks, it will... Suppose they turn around and say that your brother and I went on the hold-up and stick to that story. Then where are we?
32:10 Back in the stoop with him for company.
32:13 What else?
32:16 I live in my own way.
32:18 How? What are you going to do?
32:19 From now on, you're out of it.
32:21 - But you... - You're not going back there.
32:23 If anything could happen, your life wouldn't be worth two cents.
32:26 I still think we should...
32:27 calling the
32:28 Forget it.
32:29 We'll get you a place to sleep.
32:32 In the morning, I'm going to pay a little visit to our pal.
32:42 Amen.
32:47 Come on.
32:58 Come on.
32:59 Come on.
33:02 There's a cop in front of the filling station next door.
33:04 He didn't see you.
33:05 No. Now wait until he takes after a speeder.
33:14 Oh, no. I've picked up something for you in there.
33:24 What's this?
33:25 An ironing board.
33:28 An ironing board?
33:29 Oh, it's better than a boxcar.
33:31 Yeah, I can go to sleep and get my pants pressed at the same time.
33:35 Thanks, June.
33:37 You know, I was just thinking.
33:39 Here we are in this flea bag, and what I could do for you with all that dough those guys got away with.
33:44 Will you stop thinking about that money? All we're interested in is getting you and Steve cleared.
33:49 Okay, okay. I was just supposing.
33:52 Don't you ever suppose?
33:53 Of course I do, but not about that.
33:56 I have been thinking about you.
33:59 Being free.
34:00 and a lot of other things.
34:29 Tom, about the police, don't...
34:35 Tom.
34:36 He took the blacksmith's gun.
34:38 Why didn't you tell me? Why did you hide it?
34:40 Why shouldn't I carry a gun? I might need it.
34:42 Those men we're looking for aren't packing water pistols.
34:45 'Til we would get caught in the police find a gun on them.
34:48 What's the difference? I'm wanting for murder anyway.
34:51 Tom, I want to believe in you.
34:54 I want to trust you.
34:55 Right now, I don't know what to believe.
34:56 because I've got this gun?
34:58 Like that.
34:59 Other things?
35:01 Not wanting to go to the police.
35:03 worrying about the money.
35:05 You blame me?
35:06 Thomas, you find them, you will turn them in.
35:09 You won't do anything else.
35:12 How can I convince you?
35:16 Almost helped.
35:18 A lot.
35:19 No more doubting.
35:21 Oh, my God.
35:25 You'd better get some sleep.
35:26 Good night.
36:00 Tom!
36:04 Tom!
36:11 Amen.
36:36 Mmm.
36:43 Mm.
37:08 Come on.
37:55 Get 'em up.
37:57 Hold it.
37:59 On a table.
38:02 Sterling. Get over there with him.
38:05 How do you get by more?
38:06 So she's your ma.
38:08 It's a nice, big, crooked family.
38:10 Now look here, darling, whatever you want.
38:12 That rod won't get it.
38:13 Maybe not.
38:14 Maybe all it'll get me is a nice sweet feeling of putting a bullet in each of you.
38:18 For the way you made me sweat.
38:20 You wouldn't do it.
38:21 Oh, wouldn't I?
38:22 been dreaming about it.
38:23 Ever since I started looking for you.
38:25 Give us a break, would you?
38:26 Like you gave me.
38:28 You got away, didn't you?
38:29 Sure. For how long?
38:30 If I get caught, I burn.
38:32 For what?
38:33 So you guys can enjoy that hundred grand?
38:35 If you want to cut down that gat, we'll talk about it.
38:38 I don't want a cut. I want it all. Where is it?
38:40 We haven't got it.
38:41 I'm itching to use this.
38:43 It's not here.
38:44 We haven't got it, so it won't do any good to pop us.
38:47 You expect me to believe that?
38:49 If I get away, I'll have something to enjoy.
38:51 And if I fry,
38:52 I'll have something to fry for.
38:54 I tell you, we haven't got it.
38:55 Another guy planned this job and he's got it.
38:58 I wait for him to fix our getaway.
39:00 Do I get the dough now or do I let you have it?
39:02 Don't move. Put your hands up.
39:04 Put 'em up. Give it all, Ma. Ma, fix the lights! Oh! Come on, come on.
39:22 Oh, my God.
39:29 I'm not.
39:37 Oh, God!
39:40 - Break it here and try and grab the door, will ya? - Aye, Jack.
39:42 That's enough.
39:43 Yeah.
39:44 Enough of that.
39:47 Stop it. There's been enough killing already.
39:49 - The rest of them are... - Stop it!
39:50 There'll be no more killin'.
39:53 - I'd like to know what else we can do with him. - Right.
39:55 Find out how he got here.
39:57 Yeah.
39:57 Maybe he'd told us everything.
40:00 Hey, Sonny, you want to do a little more talking?
40:02 Come on, get up.
40:05 What's wrong?
40:10 How did you find it?
40:12 - Sure.
40:13 He's crazy. I never told him anything.
40:16 How'd you know where we were?
40:17 It's a restaurant, Doily. She left it an old suitcase.
40:20 Had the name of the place on it.
40:22 That was smart.
40:23 It's lucky I found the daughters before the cops had a chance to search her things.
40:26 Maybe the cops let him come here purposely. They're trailing him.
40:29 You think I'd come here alone if I had the cops with me?
40:32 Sonny figured he'd bump us out of the dough and scram.
40:35 Not bad figuring.
40:36 All right, Ma, you don't want to stop bumping.
40:38 What do we do with him?
40:40 Oh, wait a minute.
40:41 I did come here for the doves.
40:43 I'm hot.
40:44 After all, I was taking your rap, you'd have done the same. - Now what? - The spot I'm in, I can't hurt you.
40:49 I'm worse off for the cops than you are.
40:52 Let me hang around till you pull out.
40:55 Or if you like.
40:55 Give me a small cut.
40:57 Take me with you. I'm good with the car.
40:59 - It might not be a bad idea. - I don't want him around here.
41:02 Like he says, he can't hurt us none.
41:05 Maybe we could use him. Joe says that he... Shut up about Joe.
41:08 Okay, it's only for a couple of days.
41:10 Yeah, we'll let him hang around.
41:11 And if he don't behave, we can always take the screws out of him.
41:14 That I'll enjoy.
41:15 Okay for now, Mom?
41:16 Right.
41:17 I'll get him some coffee.
41:25 I'm awfully sorry. I'm late. I missed the 8 o'clock bus.
41:29 The back of this thing was very slow this morning.
41:31 I'll be glad to see you later tonight if you like.
41:35 That's all right.
41:47 What do you want me to do first? Get the dining room set up for lunch.
41:56 I'm going to go.
42:12 Ever fiddle around with airplanes, Sonny? Yeah.
42:15 I'm good at any kind of engine. Why? I might come in handy sometimes.
42:19 The small pie you make for lunch, Ma.
42:22 Glad you liked it, son.
42:24 That new girl's really a worker.
42:26 It helps the body out.
42:29 Oh, that crack was aimed at me.
42:31 Oh, you have the shoe fixed, dear.
42:33 Tell your old lady to lay off. I'm getting fed up. You weren't so such a good thing when you were slinging ash. All right, cut it out, the boat here.
42:41 Hey, you.
42:42 Help Ma, I'll carry that upstairs.
42:44 Sure.
42:54 I thought you were afraid that he might... You know, there's something awful funny about that new Dan coming.
42:59 for him.
43:01 Maybe there's nothing to it.
43:02 Then again, maybe there is.
43:04 Very smart.
43:11 Put him in the sink.
43:13 Oh.
43:14 This is Tom, a friend of ours.
43:16 Hello, Sister.
43:17 Hello?
43:18 Um, Ma's put me up for a couple of days.
43:22 Go on with the dishes. I'll get back.
43:27 I thought
43:28 Anything I can do to help, sister?
43:31 Yes.
43:31 Stop calling me sister.
43:34 Ma sure knows how to pick her help.
43:45 It's okay, relax.
43:46 Thought I told you to stay away from him.
43:48 I was afraid...
43:51 Did they hurt you very much?
43:53 He's got the first installment.
43:55 How did you know?
43:57 I followed you here.
43:59 You put out the light.
44:02 We're together in this.
44:03 Please don't leave me behind again.
44:05 - You might. - Might what?
44:08 He'll get killed or kill them.
44:10 And even if you did get the money, you'd never be free.
44:14 I'm not free now.
44:15 There's still a chance.
44:18 You're certainly in this with both feet.
44:20 Sister.
44:22 Bonjour.
44:29 Hey, you sure do things with that apron. Here we go again.
44:33 Take my advice, miss, and go back to the kitchen.
44:35 This guy's the Wolf of Highway 106.
44:37 Amen.
44:38 Take my advice and don't take his advice.
44:40 Let's eat in there.
44:41 Hey, I thought we were gonna eat in the car.
44:43 We were.
44:45 Bring the coffee, Kurt.
44:46 Any table will do.
44:52 Let me see. Number 16.
44:55 That one again? Give 14 a whirl. Stop kibitzing, will you? 16's my favorite.
45:02 I bet you're pretty sharp on the dance floor. No, I'm not really. That's what I like, the modest guy. He likes anything, as long as it wears skirts.
45:11 I guess you're some churgy.
45:13 Oh, why does everybody pick that piece?
45:17 Why don't you take it easy?
45:19 Come on, Jack, let's dance.
45:22 You've got to get this.
45:22 bow sticks.
45:24 Too bad that gun can't cook.
45:26 I think she'll blow it, David.
45:31 Hey.
45:32 That's pretty good. You get it?
45:33 - I'm hysterical.
45:38 I'll dance with you.
45:40 or what?
45:42 I'll set this one out.
46:00 Let's get it fixed.
46:01 I won't know till I plug it in.
46:07 Fill it up and dry it out.
46:09 My man, the two days you've been here, you've got everything working.
46:13 Yep, everything is kept ready.
46:14 can't be that busy.
46:16 Look, I've got the whole evening off and nothing to do with it.
46:20 - The cops beat us.
46:22 Sorry, I'm busy.
46:26 Oh, why don't we get out of here? I'm getting sick of this joint.
46:29 All right.
46:30 No, that's the main road.
46:32 How long do you expect us to wait?
46:35 Pull the door.
46:36 Yeah, how about that?
46:38 All right, Betty, you'll beat it up to Joe's tonight and find out what's holding them up.
46:41 When do you want me to go?
46:42 They say about 9:30, a quarter, 10.
46:44 What about Sammy?
46:46 We leave here, we'll take him with us.
46:47 Bumpman away.
46:49 All that music will drive me nuts.
46:52 The state cop that used to hang around Betty.
46:54 Cocks hanging around, jukeboxes.
46:55 We ought never to come here.
46:57 In a minute, somebody's gonna hear whine.
46:59 Calm down, will you?
47:01 Joe said this is the best kind of a front we could have.
47:03 It seems wide open.
47:05 Unless Label A.R. had a figure to hide out.
47:07 I wish we were out of here.
47:08 I don't feel good with cops around.
47:22 list of things together.
47:23 You got everything straight?
47:25 Remember, everything has to go like clockwork.
47:28 How about the cops? Can you get a date with him all right?
47:30 We share everything with him.
47:32 Bring him here at 11.
47:33 I'll start my act at 10:30 sharp.
47:35 The lights go off right after 10:00.
47:38 I dumped this and the gas maker bet he's caught it.
47:40 If they should, that'll get well into the country before it clogs it up.
47:45 Well, you know I have everything.
47:47 Just put the things back in the jukebox. If the lights go off on schedule, I'll know everything's okay.
47:51 I was your gag with the fuse who gave me the idea in the first place.
47:55 June.
48:03 It's been long ago.
48:19 What's the matter with the lights in the air?
48:22 Enjoy.
48:28 It's dark suddenly around here, doesn't it?
48:31 Get another fuse, Luke.
48:45 Will one of you come up and fix the lights? They're out all over the house.
48:48 Let this guy do it.
48:50 He's a handyman around here.
49:00 See you now.
49:02 Well, that one's all right.
49:04 Come on, come on, hurry it up.
49:06 Uh-huh. There's a bad one.
49:11 Here's another one.
49:14 Probably a short and a wiring.
49:16 If we don't fix it, it's liable to keep blowing out. Well, fix it.
49:20 Try on there.
49:31 being that jukebox.
49:34 See if you can find the wiring, Diogenes.
49:36 What did you call me?
49:37 Diogenes.
49:40 He was a philosopher, went around with a lamp.
49:41 What for?
49:43 looking for an honest man.
49:45 What for?
49:47 You got me.
49:49 Yeah, here it is.
49:51 How long is it going to take you to fix it?
49:52 I don't know.
49:53 Chandler, save you half an hour.
49:55 You don't need me.
50:06 Come on.
50:11 All right.
52:15 This place needs some fresh air.
52:20 I'll bet this window hasn't been open since the house was built.
52:23 Leave it the way it is.
52:24 It's hot in here.
52:26 I like it, huh?
52:28 I don't.
52:44 I need some air.
52:46 Look, I've had about as much of you as I can stand.
52:48 Yes?
52:49 How do you think I feel about you? What you say? Take it easy.
52:55 I think you'd better listen to me. I'm sick of listening to you.
52:57 Nobody asked you to muscle in here.
52:59 You don't think I'd bust in here with just one trick in my hand, do you? What do you mean?
53:02 I got friends in town. I know where I am.
53:05 They've also got Betty right now. - Why, Jill?
53:07 And if anything happens to me, how do we know he ain't bluffing again?
53:10 Bet he should be where she was going by now, shouldn't he?
53:13 Why don't you check?
53:26 Riverford, 920.
53:27 What is this, another scheme to get the dough?
53:30 Nope.
53:31 What's that big idea?
53:40 I want you to sign a statement that I had nothing to do with that bank holder.
53:43 Either me or Steve Reynolds. You're a screwing. No answer. What have you done with her? He wants us to give him a confession on that bank job.
53:50 Either you start riding or they take care of Betty.
53:53 Well?
54:00 What do you want me to write?
54:02 Just tell the truth about the whole of them.
54:21 We're closed for the night. I...
54:24 I'm watching for Ma.
54:26 This is not a good
54:28 Hey.
54:30 Say, don't I know you?
54:32 I don't think so. I'll get mine. Now, wait a minute. What's all that... Oh, hello, Jill.
54:37 Who's that?
54:38 June, my new waitress.
54:39 - How long has she been here? - A couple of days.
54:41 Couple of days, huh?
54:43 You were in my place with some guy looking for Betty.
54:46 - That couldn't be. She doesn't even know Betty. She just came here looking for a job. - Yeah?
54:51 We'll see.
54:52 Come on.
54:58 Come on.
55:06 What's the matter, Joe?
55:07 this name trying to
55:11 All right.
55:13 That's the guy.
55:14 What guy?
55:15 This dame and her husband pulling on you.
55:17 Husband?
55:18 Says they came to his place looking for Betty.
55:21 They used to know her.
55:22 Well, what do you got to say now, Sonny?
55:25 Must be your wife, huh?
55:29 Where is Betty? What are you doing here?
55:31 You're gonna tell us or... Oh, no.
55:33 Come on.
55:36 This ought to be easy.
55:38 You tell us what he did with it.
55:40 Oh, it's gonna be like that, huh?
55:42 You better spill it, sister, or a...
55:44 He had nothing to do with it.
55:46 All right, you talk now.
55:49 Teddy's probably on her way to his place now.
55:52 Doked up her gas so she'd stall before she got there.
55:54 There's nobody else in on this, would you?
55:56 No.
55:56 Go back to your place, we'll see.
55:58 Yeah, that's a good idea. Wait a minute.
56:00 What are we gonna do with them?
56:01 We're about through here. I just don't give it to him now.
56:03 Yeah, we'll take them with it. Come on. If they're giving us the run around, then we can do it.
56:07 Where you're taking is the roof.
56:16 Come on.
56:17 All right.
56:19 Oh, my God.
56:23 Come on, get going.
56:30 We should be here somewhere. That's our car.
56:42 We'll keep going.
56:44 I may see her down the road.
56:57 One night I get a date with her, I have to be late.
56:59 They're closed.
57:01 I'll wait for it.
57:29 Well, I guess you got tired of waiting. Well, pal, you're batting an even zero.
57:34 Hey.
57:35 Who's that?
57:36 Come on.
57:38 Betty!
57:40 Betty, how have you been? Hello, Al. Hiya, Betty.
57:43 You look like you've been out of New York.
57:46 Yeah, and it's connection.
57:48 Oh, you must be dead.
57:50 Let's go inside. We'll cut up a few touches.
58:00 Baby, are you a sight for sore eyes?
58:02 Where you been keeping yourself anyway? I must look awful. Let me fix up a bit. I'll tell you all about it. Okay, better look out. She don't slip out the back door on you.
58:10 I'll be right back.
58:11 All right.
58:17 So I'm batting zero, huh?
58:18 Oh, ho, ho.
58:21 Give me a nickel.
58:23 Well, not number 16 again. It's driving me batty. Oh, yeah.
58:27 company.
58:28 Oh, you got no ear for music. Come on, Jimmy. Nope.
58:32 Only if you promise to play another one.
58:38 You'll hear it and like it.
58:39 I may hear it, but I won't like it.
58:46 Favorite.
58:47 I'll see you in the morning.
58:50 Right, Sheriff.
58:51 Look, I've had about as much of you as I can.
58:53 Yeah.
58:54 How do you think I feel about you?
58:56 - What? - Hey, take it easy.
59:00 I think you'd better listen to me. I'm sick of listening to you.
59:03 Nobody asked you to bustle in here.
59:04 You know, they got plus in here with just one trick in my hand, do you? What do you mean?
59:08 I got friends in town. They know where I am.
59:10 - They've also got Betty right now. - Why, Joe?
59:13 And if anything happens,
59:15 Riverport doesn't answer.
59:17 I think it's time to get there.
59:19 I gotta get rid of those cops.
59:21 Go and tell him I've got a headache.
59:23 You got yourself into this.
59:26 All right, I'll do it myself.
59:28 Here, hold it.
59:30 I don't know what time to run into him.
59:34 You have to come back here. Why don't you keep on going?
59:37 The ride I could get was this way.
59:39 I had to walk far enough.
59:41 She wants the lady. I'll dry up.
59:44 You've got to fix something to tell that cop.
59:47 You keep trying the phone.
59:53 Now, do I look a little better?
59:57 June better look as good when we find her.
1:00:00 Take him.
1:00:00 Where is this Joe's place?
1:00:03 What's come over you two?
1:00:04 Come on, Betty, you better spill it.
1:00:07 Come on.
1:00:19 Come on, get out.
1:00:23 Well, she isn't here.
1:00:25 Maybe it better he went back to Moore's.
1:00:27 I've got a phone.
1:00:28 You better be there.
1:00:29 Come on, get inside.
1:00:36 Uh-uh.
1:00:43 All right, operator, did you trace that call?
1:00:46 Right.
1:00:47 The Riverport Inn, the rig crew.
1:00:49 Let's go.
1:00:53 What did you do with it?
1:00:57 I told you.
1:00:58 Come on.
1:01:02 Come on, tell me, what did you do with it?
1:01:12 Maybe you want to talk. He's telling you the truth. He doesn't know where she is. Look out!
1:01:28 Come on.
1:01:31 I'm going to go.
1:01:45 I'm going to go.
1:01:55 Give him that hair.
1:01:58 Come on.
1:02:21 Go on.
1:02:30 Come on.
1:03:00 This is for you, Sonny.
1:03:21 Your darling.
1:03:22 Yeah.
1:03:24 Sorry, I'll have to take you in.
1:03:25 Yeah, I know.
1:03:28 - Can I give you a hand? - Thanks.
1:03:36 Hey, tonight's my night off. What'll you be doing? I'm afraid I'll be busy, Al.
1:03:41 Tonight and every night.