1. Other
Model synopsis: The beat displays opening credits on wooden signs against a water background, listing actors including Richard Arlen, Jean Parker, and Russell Hayden. No people, actions, or dialogue are visible or audible in this segment.
No renewal found Free in the US since 1 January 1972, on the registry's reading: registration LP12472 of 1943 by Paramount Pictures, Inc was not renewed in the volumes searched. Record.
A deserter returns to the Navy under another name, giving this wartime picture a tension between useful service and unfinished business.
The man who returns to the Navy in Minesweeper has already deserted it once.1 Richard Houston, played by Richard Arlen, responds to the attack on Pearl Harbor by enlisting under the name Jim “Tennessee” Smith.14 His return is therefore another concealment. The service gets a willing sailor without knowing whom it has taken back. This is a more complicated starting point than the straightforward conversion of a civilian into a fighting man: Houston must become dependable while withholding the fact that would give his comrades reason to doubt him.
Released by Paramount in 1943, Minesweeper belonged to a production business built around economical pictures.25 Its producers, William H. Pine and William C. Thomas, made 81 films during their association with Paramount from 1940 to 1957.5 Arlen was part of that business from the beginning. In a 1954 interview, the producers recalled making their first picture, Power Dive, with Arlen for $86,000.9 They put its gross for Paramount at $1,000,000.9 Those figures describe the commercial precedent for putting a recognisable leading actor at the centre of a low-cost production, not the finances of Minesweeper itself. Directed by William A. Berke, Minesweeper had a recorded production period from 3 May to late May 1943.12 That short span fits the compact working method the producers would later describe.
Edward T. Lowe and Maxwell Shane’s screenplay brings the older dramatic machinery of the assumed name into a naval assignment.12 The war supplies Houston with a reason to return without erasing the circumstances of his departure. A change of allegiance would make for a simpler story than a man trying to recover an allegiance he has already betrayed. Even his new name divides the character into the person the crew encounters and the person the audience knows about. The suspense begins with that unequal distribution of knowledge, before any question of whether he can perform his duties. His problem is whether service under a borrowed identity can answer for what he did under his own.
The film’s classification as a comedy-drama suggests a broader register than its title alone promises.2 Naval duty need not make every encounter a step towards an operational objective. Jean Parker plays Mary Smith.4 The assumed identity gives personal acquaintance a particular uncertainty: whatever Houston reveals of himself in company, his name remains a means of withholding the past. The premise makes trust more than a matter of proving useful aboard a ship.
Robert Mitchum is listed as Seaman Chuck Ryan.8 For someone approaching the film through Mitchum, the interest lies in finding him within an ensemble rather than at its centre. The film’s present circulation includes a streaming listing on Amazon Prime Video.14 That commercial availability should not be mistaken for evidence of an exclusive claim to the underlying film. Nor does availability alone explain how a particular copy reached viewers. The surviving registration and renewal evidence bears on the film’s term of protection, not on the route by which it entered a streaming catalogue. The sources supplied here do not establish which later distributors, if any, relied on that term’s expiry.
The record: Registration LP12472 by Paramount Pictures, Inc is dated 10 November 1943. The registry found no renewal in the renewal volumes for 1970 to 1972, nor in the Copyright Office's records from 1978 on; on that reading the term ended on 31 December 1971 and the film has been free in the US since 1 January 1972. That record does not settle the rights in material added to later editions. It also leaves open the film’s status outside the United States.
Written 6 September 2026 by gpt-6-astra from the registry record, the atlas's own evidence and the sources below, gathered by Qwen/Qwen3.8-Max with web search and questioned by deepseek-ai/DeepSeek-V4-Pro. Numbered notes are the sources; a claim marked unverified has no source yet; times open the atlas at that second. How these are made and checked.
608 shots over 1:05:43 · 269 beats in 149 sequences · 605 transcript lines · JSON
608 shots over 1:05:43, read from the Internet Archive copy Minesweeper_1943 (minesweeper.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Minesweeper No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 608 shots judged colour), average shot 6.5s long, a frontal face detected in 25% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1943 (Internet Archive).
269 beats in 149 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 269 of 269 beats annotated, 264 passed the checks, 5 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
Model synopsis: The beat displays opening credits on wooden signs against a water background, listing actors including Richard Arlen, Jean Parker, and Russell Hayden. No people, actions, or dialogue are visible or audible in this segment.
Model synopsis: Two frames from the opening credits of a 1943 film show text on wooden planks listing crew roles and names, with a blurred shipyard or dock background. No people, dialogue, or actions are visible or audible in this beat.
Model synopsis: The beat shows title cards for a Pine-Thomas production and director William Berke, followed by a dark, indistinct frame. No people, dialogue, or actions are visible or audible.
Model synopsis: The beat displays on-screen text thanking the Navy Department and Commander Louis H. Gwinn for assistance with filming. The final frame shows a dark, indistinct outdoor scene with no visible action.
“I'm.” 1:00
1:24Model synopsis: A man in a dark uniform and cap is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
1:28Model synopsis: A man in dark clothing and a cap is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men stand in a dimly lit interior while a third man sits on the floor; one standing man offers a cigarette. The dialogue suggests tension and a reference to domestic life.
3 people observed.
“Last of my. Got a cigarette.” 1:31 · “Likewise the last. Thanks. I'm delighted for you old boy.” 1:38
Model synopsis: Three men are present in a dimly lit interior space; one stands holding a gun while another sits and a third stands nearby. A line is spoken calling out 'Sheriff!' at 2:14.
3 people observed.
“Against what? The sticker.” 2:00 · “Go ahead. Go ahead.” 2:06
Model synopsis: Two men are in a dimly lit interior; one stands while the other bends over a table. A man in a hat reads a newspaper aloud, quoting a government announcement about conscription and defense work.
2 people observed.
“You got those things trained. If they were, I wouldn't be here.” 2:15 · “Get a load of this.” 2:33
Model synopsis: Two men argue in a dimly lit interior space; one, wearing a hat and dark coat, holds a cup while the other, in a light shirt and cap, confronts him. The dialogue references Pearl Harbor and conscription, with one man refusing to enlist.
Named: Madigan (t:2:51). 2 people observed.
“Why don't you get wise to yourself, Madigan?” 2:51 · “The Japs attacked Pearl Harbor last week. We're at war.” 2:53
3:22Model synopsis: A dark, indistinct figure moves through tall grass or brush in a low-contrast, grainy black-and-white frame. No dialogue or on-screen text is present, and the setting is not clearly identifiable beyond being outdoors.
1 person observed.
3:25Model synopsis: A person lies motionless on a dirt road. No dialogue or on-screen text is present in this beat.
1 person observed.
3:28Model synopsis: A single frame shows a blurry, grainy, grayscale image of an indistinct outdoor surface with no identifiable objects or people. No dialogue or on-screen text is present in this beat.
3:30Model synopsis: A vehicle is seen from a low angle on a dirt road, casting a long shadow. No people or dialogue are visible or audible in this beat.
3:32Model synopsis: A man is visible inside a vehicle with 'SMITH' painted on its roof. No dialogue or additional context is provided in this beat.
1 person observed.
3:35Model synopsis: A dark, indistinct object lies on a dirt road beside a grassy embankment. No people or vehicles are visible in the single frame provided.
3:40Model synopsis: A vintage truck drives on a paved road with trees and hills in the background. No people are visible, and no dialogue or on-screen text appears in this beat.
Model synopsis: Two men are shown in an outdoor setting, one holding the other's arm; a vehicle is visible nearby. One man speaks to the other, questioning his condition and stating he is 'out'.
2 people observed.
Model synopsis: Two men are in a vehicle; one is driving and the other is in the passenger seat. The transcript reveals they are discussing names, with both men sharing the name Jim Smith.
Named: Jim Smith (t:4:07), Jim Smith (t:4:07). 2 people observed.
“Couple of hobos running down our country. It's a fine howdy-you-do.” 4:07 · “Mate Jake told me your name. Smith. It's plain Jim Smith.” 4:07
Model synopsis: Two men are in a vehicle, speaking about family names and naval service. One identifies as Tennessee Smith and mentions his family's Navy background and a past ship, the Sinclair.
Named: Tennessee Smith (t:4:44). 2 people observed.
“Arkansas. Buck-eye, I think it was. Yep, Buck-eye it was. Because my uncle used to always call him Buck. You know, Buck left home when he wa…” 4:22 · “It couldn't be me. I'm no April Fool, baby. And besides, I'm one of the Tennessee Smiths. How do you do, Tennessee Smith? Glad to know you.” 4:44
5:22Model synopsis: A man in uniform is seen inside a vehicle, gripping the steering wheel. The vehicle's roof displays the name 'SMITH' in large letters.
1 person observed.
Model synopsis: Two men are in a vehicle, one driving and one in the passenger seat, discussing past work and future plans. One man mentions being a deep sea diver and the other suggests he could be a Gunner's mate in the Navy.
2 people observed.
“He's commander of the section base of San Pedro now. A mighty tough Joe to shave, but you'd never want to meet a greater little guy.” 5:26 · “No, not exactly. Until a couple of months ago, I was knocking around the South Pacific.” 5:40
Model synopsis: A man in uniform drives a vehicle while another man sits beside him; a newspaper headline reports a naval officer missing. The vehicle's windshield displays the name 'SMITH' and 'P. SMITH'.
Named: Lieutenant Richard Houston (frame:4). 3 people observed.
“Sure, I will.” 6:13
6:19Model synopsis: A newspaper clipping shows a missing naval officer, Lieutenant Richard Houston, with a photo and text indicating he is sought by naval authorities. No spoken dialogue or additional context is provided in this beat.
Named: Richard Houston (frame:1). 1 person observed.
Flagged: name not grounded (Richard Houston)
6:24Model synopsis: A man in dark clothing sits at a desk, writing on paper. The setting appears to be an interior office or study with wooden furniture and shelves in the background.
1 person observed.
6:32Model synopsis: A close-up of a Western Union telegram form is shown, filled out with handwritten details including names and addresses. No people are visible or audible in this beat.
6:39Model synopsis: A close-up of a Western Union telegram form from the Recorder's Office in Buckeye, Arkansas, filled out with handwritten details including a birth certificate request for James Smith. No people or spoken dialogue are visible or audible in this beat.
Model synopsis: Two men stand outside a house; one enters a kitchen where another man stirs a pot. Dialogue includes greetings and mentions of food and family.
Named: Marlin (t:7:08). 3 people observed.
“I'll fix it all, pal. It really makes us cousins.” 6:42 · “Hey, Mom, it's me, Vicky.” 7:03
Model synopsis: Two men in suits talk in a kitchen; one holds a paper. A line mentions 'Vincent's Market' and 'put the potatoes on the boil,' suggesting domestic preparation. Another line refers to 'liberty' and 'Elliot's,' indicating a military or service context.
2 people observed.
“I'm going after this Vincent's Market. If you get home first, put the potatoes on the boil. Elliot, telephones.” 7:29 · “We'll have this 40 hours and be here next week.” 7:34
Model synopsis: Two men in suits are in a room; one speaks while the other moves toward a doorway. The transcript includes dialogue about a bedroom, a brother named Jacks, and a trip to Spence's to pick up Mom.
Named: Jacks (t:8:07). 2 people observed.
“Come on, let me down, will you?” 7:55 · “Team 2 and throw out your anchors. Now, wait a minute. I'm not going to take your bedroom away from you. Who says it's my room?” 8:01
8:45Model synopsis: A close-up of a woman with styled hair and a smile, looking upward. No dialogue or environmental context is provided in this beat.
1 person observed.
Model synopsis: A man in a dark room reacts with alarm, looking at a framed portrait and then turning toward a doorway. The transcript shows him repeating 'Oh, my God' during this interval.
1 person observed.
“Oh, my God.” 8:50 · “Oh, my God.” 8:51
9:06Model synopsis: A man in a suit holds a white cloth while looking down. He speaks an apology, saying 'I'm sorry.'
1 person observed.
“I'm sorry.” 9:06
9:10Model synopsis: A woman stands in a doorway inside a room with a framed picture on the wall. No dialogue or action occurs in this beat.
1 person observed.
Model synopsis: A close-up shows an engraved medal from the U.S. Naval Academy dated June 1932. A man in a dark suit is visible in a dimly lit room, leaning over a desk with a lamp.
1 person observed.
“I'm” 9:16 · “Put your hands.” 9:33
9:36Model synopsis: A man stands in a dimly lit room holding a coat while a woman in a dark coat stands in a doorway. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A woman holding a gun confronts a man in a room; they exchange dialogue about identity and clothing. The man is identified by name in the transcript as Harry Smith, and the woman as Mary Smith.
Named: Mary Smith (t:9:56), Harry Smith (t:9:48). 2 people observed.
“What are you... what are you doing here?” 9:38 · “Harry Smith.” 9:48
Model synopsis: A man introduces himself as Jim Smith while holding an object; a woman responds and then fires a gun, after which she and the man move toward a doorway. The setting is an interior room with wall sconces and framed pictures.
Named: Jim Smith (t:10:06). 2 people observed.
“Oh, didn't I tell you? I'm Jim Smith, one of the Tennessee Smiths.” 10:06 · “You see, Fixit told me that I--” 10:10
Model synopsis: A man carries an unconscious woman through a room while another woman and a man observe; dialogue introduces 'Tennessee Smith' and 'moms' and suggests leaving 'Mary' behind. The setting is an interior room with furniture and a doorway.
Named: Tennessee Smith (t:10:35), Mary (t:10:35), moms (t:10:35). 4 people observed.
“No, she painted. She thought I was the burger. Can you imagine that?” 10:27 · “Oh, hey, moms, this is Tennessee Smith I was telling you about. Tennessee, this is moms. Ain't she cute? How do you do? I've heard of you. W…” 10:35
11:00Model synopsis: A silhouette of a naval vessel with crew visible on deck and gun mounts, viewed from a low angle. The scene is shot in high-contrast black and white with no visible dialogue or on-screen text.
11:06Model synopsis: A black-and-white shot shows several boats moored in a harbor, with no people visible. The scene is static and depicts maritime vessels in a docked state.
11:11Model synopsis: A dark vessel is visible on choppy water, with a larger ship and cranes in the background. No people are clearly visible, and no dialogue or on-screen text is present in this beat.
11:18Model synopsis: A long pier extends into water with snow-covered trees on the left and a stone structure on the right. No people or spoken dialogue are visible or audible in this beat.
11:24Model synopsis: A recruiting poster for the U.S. Naval Reserve is displayed behind a chain-link fence next to sandbags. A sign reading 'RECRUITING' is visible to the left.
Model synopsis: Two men in civilian clothes interact with a group of sailors on a ship deck; one man is greeted by name. A voice-over discusses promotion requirements for sailors.
Named: Smith (t:11:46), Freshwater Hines (t:11:46). 6 people observed.
“Your ship offered you the same opportunity for promotion whether you've graduated from the trade school or not. But to be promoted you must …” 11:36 · “Fix it Smith! Freshwater Hines! How have you been? Great! Glad to see you! Glad to see you! Oh boy, I bet we get that off of you in a hurry.…” 11:46
12:08Model synopsis: A large group of uniformed men marches in formation along a paved road, with trees and a low wall visible in the background. The scene is shot in black and white with strong shadows, suggesting bright daylight.
1 person observed.
12:13Model synopsis: A wide shot shows a large group of uniformed men standing in formation on a paved area, with a cannon barrel visible in the foreground. The background includes distant trees and open land under a bright sky.
1 person observed.
12:22Model synopsis: A single frame from a 1943 film shows a chaotic, high-contrast black-and-white image of indistinct figures in motion. No dialogue, names, or clear setting are visible or audible in this beat.
12:34Model synopsis: A military parade is shown in formation on a paved area, with soldiers marching and carrying flags. A voice says 'I'm' at 12:30, but no further context is provided in the transcript or frames.
1 person observed.
“I'm” 12:30
12:39Model synopsis: Two men in naval uniforms stand side by side on a dock with a ship and sandbags visible behind them. No dialogue or on-screen text is present in this beat.
2 people observed.
12:48Model synopsis: A dimly lit interior scene shows a person moving near a draped structure while two figures in uniform stand in the foreground. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: Two men in uniform speak in an office while a third man enters; one is addressed as Frickson and is offered a mine sweeper. The setting is an interior office with blinds and framed pictures.
Named: Frickson (t:13:10), Gilman (t:13:08). 3 people observed.
“We're hoping for some old timers for the mine disposal unit, sir.” 12:56 · “Pardon me, Gilman.” 13:08
Model synopsis: Two men converse in an office; one, in uniform, speaks to another in civilian clothes. A third man is briefly visible in the background. The dialogue references medical shots and a character named Jim Smith.
Named: Ichabod Ferdinand Smith (t:13:24), Jim Smith (t:13:41). 3 people observed.
“Ichabod Ferdinand Smith.” 13:24 · “And Mr. Harley will take care of you.” 13:30
Model synopsis: A man in a naval uniform speaks with two civilians in a room with blinds; one civilian is later shown in a tight shirt with a large emblem on the chest. The dialogue reveals the civilian's name is Smith and that he is a deep-sea diver, with a brief mention of past locations like Hawaii and Florida.
Named: Smith (t:13:56). 4 people observed.
“Did you say your name was Smith?” 13:56 · “Afraid not, sir, unless it was down in Florida in the salvage business or in the South Sea.” 14:05
14:37Model synopsis: A shirtless man faces another man in a dark suit in an interior room; no dialogue is present in this beat. The setting appears to be a private space with a window and a coat hanging on the wall.
2 people observed.
14:46Model synopsis: Two men stand in a room; one is shirtless and the other wears a suit. No dialogue or on-screen text is present in the frames.
2 people observed.
14:54Model synopsis: A sign reading 'INOCULATIONS' is shown in a close-up. No people, actions, or dialogue are visible or audible in this beat.
14:59Model synopsis: A group of men in white shirts and aprons stand in a line at a counter, one man looking down at bottles. The setting appears to be a kitchen or mess hall with bright overhead lighting.
5 people observed.
Model synopsis: A group of men in white undershirts are gathered indoors; one speaks about playing 'Nipponese poker' while others react. The scene includes dialogue about returning to an activity and a joke involving two jabs to open.
4 people observed.
“I'm going to go to paint and put me on that car over there and when they get busy again not slip out.” 15:03 · “Oh, this never bothers me. Laugh at all, I always say. Say, Doc, did you ever play Nipponese poker? Go ahead, ask me what's Nipponese pok…” 15:09
Model synopsis: A group of men in a dimly lit interior space interact; one man in a white undershirt speaks while others listen or respond. The transcript includes dialogue about feeling unwell and receiving a 'blue plate special'.
4 people observed.
“Thank you, boys. So you're in again, huh? You said it. You said it.” 15:24 · “Hey, you don't look for good. I'm feeling all right now look no go pulling any more those phony things. Oh me Is if I can't take it?” 15:31
15:54Model synopsis: A dimly lit interior room with furniture and curtains is shown. No people or actions are visible in the single frame provided.
Model synopsis: A woman named Mary receives a birthday gift from two men in a room with a staircase and furniture. One man is addressed as 'Fix-It' and another is referred to as her uncle.
Named: Mary Smith (t:16:09), Fix-It (t:16:13), uncle (t:16:18). 3 people observed.
“Miss Mary Smith?” 16:09 · “Happy birthday, Mary, and many of them. Thank you, Fix-It.” 16:13
Model synopsis: A woman receives a gift from a man in uniform while another man in uniform enters the room; a note reads 'Happy Birthday to Blue Eyes'. The scene takes place indoors with three people present and a fourth person visible in the background.
Named: Blue Eyes (t:16:48), Mr. Elliot (t:16:56). 4 people observed.
“It's beautiful.” 16:43 · “Really, it's too nice, I shouldn't accept it.” 16:46
Model synopsis: A man greets Mary, presents her with a birthday gift, and introduces two other men, one of whom is identified as Tennessee Smith. The group is in a room with furniture and a ship's wheel on the wall, and they discuss converting fishing boats to minesweepers before leaving to do something.
Named: Mary (t:17:01), Tennessee Smith (t:17:19). 4 people observed.
“Hello Mary. I'm late had a lot of important things talk over the end. I'm” 17:01 · “Hope you like the present, Mary.” 17:11
Model synopsis: A woman laughs while two men stand nearby in a room with patterned curtains; one man is addressed as 'Blue Eyes' and another enters holding a cake. The scene includes a close-up of packaged hairbrushes with a logo.
Named: Blue Eyes (t:17:43). 4 people observed.
“Happy birthday to Blue Eyes from Tennessee Smith.” 17:43 · “Blue eyes, huh?” 17:47
17:56Model synopsis: The frame is entirely black with no visible content. No events, people, or objects can be identified from the provided visual or textual material.
17:58Model synopsis: A person stands at a podium facing a seated audience in a dimly lit room. No dialogue or on-screen text is visible in the single frame.
2 people observed.
Model synopsis: A man in uniform stands before seated sailors in a classroom, reading from a manual while others react. The transcript includes remarks about humor in the Navy and a reference to 'Sambo' and the Blue Jackets manual.
Named: Welsh (t:18:15). 3 people observed.
“I didn't know there was anything that funny in the Blue Jackets manual.” 18:04 · “Sambo his jokes and funny things.” 18:11
Model synopsis: Two men are in a room with a blackboard; one seated, one standing with arms crossed. The standing man is prompted to tell a joke, which he does, followed by a command to write on the blackboard.
Named: Mr. Bones (t:18:36). 2 people observed.
“Say something funny.” 18:18 · “Read me one of those jokes and if it makes us laugh we'll forget the whole thing.” 18:23
Model synopsis: A man in uniform stands with arms crossed while another sits in a room; later, a group of men in uniform marches outdoors. The transcript includes commands for drill and a comment about someone being funny.
3 people observed.
“Corny Welch is as funny as a crutch. And write it 500 times.” 18:50 · “Yes, sir.” 18:54
Model synopsis: A group of sailors in uniform stand at attention outdoors while an officer addresses them; one sailor speaks about shoulder pain. A close-up shows an officer in uniform, followed by a shot of sailors holding rifles.
3 people observed.
“Right shoulder hurt!” 19:34 · “Left shoulder hurt!” 19:38
Model synopsis: A group of sailors in uniform are shown handling ropes and equipment on a ship's deck, with one man in civilian clothes observing. The scene includes a loud explosion sound effect at 20:00, followed by sailors reacting and looking toward the horizon.
4 people observed.
“*BOOM*” 20:00
Model synopsis: A target with concentric rings and numbers is shown, followed by a scene with sailors in uniform on what appears to be a ship deck. One sailor faces the camera while another stands with arms crossed in the background. The target reappears at the end.
3 people observed.
20:31Model synopsis: Two men in naval uniforms converse closely on a ship deck; other sailors are visible in the background. The scene is shot in black and white with high-contrast lighting.
3 people observed.
20:37Model synopsis: A man in a military uniform stands beside a sign labeled 'RIFLE RANGE' with rules listed. The setting appears to be an outdoor shooting range with a structure visible in the background.
1 person observed.
20:43Model synopsis: A group of sailors in white hats is gathered outdoors near a brick wall, with one crouching in the foreground. The scene is shot in high-contrast black and white with strong backlighting.
3 people observed.
20:46Model synopsis: A group of sailors in uniform are gathered around a mounted telescope on grass. One sailor kneels at the telescope while others stand or crouch nearby.
3 people observed.
20:49Model synopsis: A group of men in dark uniforms and white hats are gathered closely, one looking down. No dialogue or on-screen text is present in this beat.
4 people observed.
Model synopsis: A naval officer reports a plan to a superior while standing with other officers on a ship's deck. The transcript identifies one officer as Smith, number five, during the exchange.
Named: Smith (t:21:05). 4 people observed.
“I'm going to make out with this plan pretty good sir.” 21:01 · “Five three sevens, four three eights, and one four zero, sir. Who's the four zero? Smith, sir, number five.” 21:05
Model synopsis: A sailor named Smith is addressed by officers who commend his adaptation to Navy routine and his aspiration to become a gunner. The scene shows sailors and officers in uniform, with dialogue indicating encouragement and ambition.
Named: Tennessee Smith (t:21:13). 4 people observed.
“Mr. Tennessee Smith? Yes, sir.” 21:13 · “I never saw a rookie take to Navy a routine like Smith does, sir.” 21:13
Model synopsis: A naval officer addresses a group of sailors in uniform, standing in formation indoors. The speech emphasizes the critical, though sometimes monotonous, duty of minesweeping and its importance to naval operations.
4 people observed.
“Most of you will be assigned to duty on minesweepers.” 21:30 · “to work difficult, trying, and at times dangerous. The continual sweeping of the channels may appear dull and monotonous.” 21:35
22:05Model synopsis: Two men in sailor uniforms stand side by side in a dimly lit interior space; one looks off-camera while the other faces forward. No dialogue or on-screen text is present in this beat.
2 people observed.
22:08Model synopsis: Two ships are visible on open water under an overcast sky. No people, dialogue, or on-screen text are present in the frames.
22:13Model synopsis: Three men stand on a ship deck; one in civilian clothes holds a large horn-like object, another in uniform wears binoculars, and a third in dark clothing adjusts his headgear. The setting is a ship deck during daylight, with no visible landmarks or time indicators.
3 people observed.
22:16Model synopsis: A small white object is visible on the surface of a dark, choppy sea under an overexposed sky. No people, vehicles, or structures are clearly identifiable in the frame.
22:18Model synopsis: Three men stand on a ship's deck; one aims a rifle through a gunport, another in uniform observes, and a third holds a rifle upright. The setting is a ship during daylight, as indicated by the open sky and deck structure.
3 people observed.
22:21Model synopsis: A large plume of water and smoke erupts from the sea surface, suggesting an explosion or impact. No people, objects, or text are visible in the frame.
Model synopsis: Two sailors are on a ship deck; one holds a rifle while they speak. The dialogue suggests one is a rookie receiving praise from a more experienced sailor.
2 people observed.
“Good work probably more where that came from Mr. Wells undoubtedly we'll get them.” 22:25 · “You know for a rookie you're a little short of terrific. That coming from you is a real compliment. It took me a year to get where you got i…” 22:30
Model synopsis: A sailor in uniform stands on a ship's deck holding a rifle, while another man in a cap adjusts his belt nearby. The transcript includes dialogue about Navy food and an invitation to dinner.
2 people observed.
“There is around that way you're going to have to throw that belt away. I got your right.” 23:04 · “clean mom's cooking in that Navy chow. They're about to play near with my streamlined figures. Yeah they sure are. Mom's having corned beef …” 23:08
Model synopsis: Two men in naval uniforms stand on a ship's deck and speak. One mentions Mary and tells the other to inform Mama he will be on deck.
2 people observed.
“Oh, by the way, Mary was asking about you.” 23:21 · “She was?” 23:23
23:33Model synopsis: A group of sailors in uniform are seated around a table in a dimly lit interior, engaged in conversation. One man speaks while others listen or react, with dialogue indicating they are learning something quickly.
4 people observed.
“Oh, you guys wouldn't know it.” 23:30 · “Choke with a hard one.” 23:32
Model synopsis: A group of men in military-style uniforms are seated at a table in a dimly lit interior, conversing. One man is addressed by name, and another mentions a meal and an invitation, which is accepted.
Named: Tennessee (t:23:38), Fixin (t:23:51). 5 people observed.
“Speaking of corn, that reminds me, Tennessee.” 23:38 · “Mom's having her favorite dish tonight, corned beef and cabbage. Did she raise it with a knife and fork? Oh, I'm sharp as a marble. Got a…” 23:40
Model synopsis: A group of sailors is gathered around a table in a ship's interior, followed by a close-up of an engine order telegraph, then a sailor on deck, and finally a view of the ship's bridge with crew at stations. No names are spoken, and no time of day or period is established.
3 people observed.
24:28Model synopsis: A group of sailors in uniform stand together on a ship's deck, looking off-camera. The scene is shot in black and white with studio lighting.
4 people observed.
Model synopsis: A naval vessel is shown on the water with crew members in uniform on deck; one uses binoculars while another speaks about drifting and mines. The transcript includes dialogue about engine failure and a potential mine threat.
4 people observed.
“Edwin sir engine stops we right drifting back along our sweep line for the mind I had one third come left to your car I said” 24:31 · “That could have course for that little number would make a great show with it one way ticket to Davy Jones” 24:46
24:53Model synopsis: A group of sailors in uniform is shown in a medium shot. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: Two officers on a ship's deck give orders about preparing boats and gear; crew members are visible on deck and at stations. The setting is a naval vessel at sea, with equipment and rigging visible.
4 people observed.
“out a detail in boats to unfile the gear.” 25:01 · “Aye, sir.” 25:01
25:14Model synopsis: A group of sailors is visible on the deck of a ship, handling equipment. No dialogue or on-screen text is present in this beat.
2 people observed.
25:20Model synopsis: Two small boats are on open water; one appears to be a motorized vessel moving away while the other is stationary or slower. No people are clearly identifiable, and no dialogue or on-screen text is present.
25:24Model synopsis: Two men in naval uniforms are seated in a small boat on open water. One man gestures while speaking to the other, who faces away from the camera.
2 people observed.
25:27Model synopsis: Two sailors are seated in a small boat on open water, one holding an oar. The scene is shot in black and white with no visible text or spoken dialogue.
2 people observed.
Model synopsis: Two sailors in a small boat on open water approach a floating object; one sailor reacts to its condition. The scene is shot from multiple angles, including a close-up of a sailor holding a net.
2 people observed.
25:55Model synopsis: Two sailors are visible in a small boat on open water. One sailor holds an oar while looking toward the camera.
2 people observed.
25:59Model synopsis: Two men are in a small boat on open water, with another boat visible nearby. The scene is shot from a distance, showing the boats on a choppy sea under overcast skies.
2 people observed.
Model synopsis: Two sailors are in a small boat on open water; one speaks about taking a horn back to the skipper. Two other sailors on a ship use binoculars to observe.
4 people observed.
“Watch yourself, Corny.” 26:01 · “Ah, don't worry about me.” 26:04
26:18Model synopsis: A small boat with several people is on open water. The scene is shot in black and white with no visible land or structures.
3 people observed.
Model synopsis: A group of sailors in a small boat on the sea interact with each other, while two officers on a larger vessel observe through binoculars. One sailor gestures toward a horn-like object while another appears to be removing it, prompting dialogue about the action.
5 people observed.
“What are you colors for? I want to get one of those horns. Help yourself.” 26:24 · “What are those fellows doing? What's as if Smith's removing a horn?” 26:31
Model synopsis: A group of sailors in a small boat on open water are shown in three frames; one sailor hands an object to another while a third looks on. A voice instructs to return the object to the skipper and says 'Cut it. Easy.'
4 people observed.
27:24Model synopsis: Two small boats are visible on open water, one with a person visible at the helm. The scene is shot in black and white with no on-screen text or dialogue.
1 person observed.
27:27Model synopsis: Two men in naval uniforms are in a small boat on open water; one reaches toward the other. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A man in a sailor's uniform is shown rowing a small boat on open water. A close-up shows hands manipulating a mechanical device on a surface, possibly a ship's deck or interior.
2 people observed.
“I'm. What is the. What is. What. What. What. What. What. What. What. What. What. What.” 27:31
28:09Model synopsis: Five men in military uniforms stand in a room with a model ship on a table; one speaks about missing two men named Welch and Ryan. No names are visually identifiable on screen, and no place type is established beyond an interior setting.
5 people observed.
“Sorry about those two men, Wells.” 28:06 · “Welch and Ryan, two good boys.” 28:09
Model synopsis: A group of men in military uniforms discuss a new type of mine in an indoor setting. One man, identified as Smith, explains his reasoning for believing the mine is a new design based on its shape and detonation characteristics.
Named: Nash (t:28:20), Smith (t:28:23). 4 people observed.
“Well at least we have something to work on to prevent any larger tragedies as a result of these new Jap mines.” 28:14 · “What led you to believe this was a new design, Nash?” 28:20
28:48Model synopsis: Two men stand facing an off-screen authority figure who assigns them to a mine disposal unit and recommends mine school. One man thanks the authority; the other repeats the thanks.
Named: Lieutenant Gilpin (t:28:43). 3 people observed.
“I'm turning you over to Lieutenant Gilpin.” 28:43 · “You will both be transferred at once to his mine disposal unit.” 28:46
Model synopsis: A scene in a naval aid station shows sailors and a nurse interacting near a counter; one sailor speaks about trying to get someone to quit. The setting includes visible signage and naval insignia.
4 people observed.
“I think that. Oh never happened to me before. Yeah I tried to get him to quit but he's an awful.” 28:55
Model synopsis: Two men in naval uniforms are in a dimly lit interior, one holding an object while speaking; the scene ends in near darkness. No names are spoken, and no external environment is visible.
2 people observed.
“I think you give me one of those. I'm stuck.” 29:29 · “No I don't you come up the house the mom. My apologies when you make good. They are. What's that. You're going to be your time. Not a strugg…” 29:32
30:04Model synopsis: A man in dark clothing stands near a patterned window screen, looking off-camera. No dialogue or other actions are visible in this single frame.
1 person observed.
Model synopsis: Two men in naval uniforms converse in a dimly lit interior space; one appears to be persuading or confronting the other. The setting includes a wall-mounted light and a poster, suggesting a naval facility.
Named: Jim (t:30:06). 4 people observed.
“Hey, sir. Well, do me a favor, will you? I'll get the bird, Jim. It's not that. It's something else, Jim. It's something else, Jim.” 30:06 · “Come here. Oh, Andy. You like dancing? Naturally. Not me, Andy. Good as friends as my. A sailor out here, they're just down to death. He rea…” 30:12
Model synopsis: Two people converse in a dimly lit interior; one wears a nurse's cap. The transcript includes remarks about someone's timidity and romantic behavior, and a character named Mary is addressed.
Named: Mary (t:30:43). 2 people observed.
“Can't get up his nerves. Isn't he as cool as he's? Oh, he's kind of bad. He's kind of timid-like.” 30:35 · “He's right out there to sell him with a girl.” 30:41
Model synopsis: Two silhouetted figures are in a dimly lit interior, speaking about not celebrating a promotion. One figure is addressed by the name Elliot.
Named: Elliot (t:30:55). 2 people observed.
“I know it, Elliot. I think it's swell.” 30:55 · “Well, what I was about to say was that” 30:57
31:08Model synopsis: A dark, low-visibility interior scene shows two or more silhouetted figures in close proximity. No dialogue or on-screen text is present in the beat.
2 people observed.
31:11Model synopsis: A dimly lit interior scene shows three indistinct figures in shadow. No dialogue or on-screen text is present in this beat.
3 people observed.
31:14Model synopsis: A single figure is visible in silhouette against a dark interior background. No dialogue or on-screen text is present in this beat.
1 person observed.
31:19Model synopsis: A group of people are gathered in a room with a sign reading 'AUXILIARY' on the wall; one man gestures while speaking to a woman. No dialogue is provided for this segment.
4 people observed.
31:27Model synopsis: A man in dark clothing stands near a beaded curtain while another figure is partially visible to the left. The scene is dimly lit with a wall-mounted lantern providing illumination.
2 people observed.
31:32Model synopsis: A single dark frame with a faint vertical line is shown. No people, objects, or text are visible, and no dialogue is present.
Model synopsis: A dimly lit interior scene shows two figures in conversation, one of whom is addressed as Jim. The dialogue includes denials and references to someone named Angie, with one speaker commenting on beauty.
Named: Jim (t:31:35). 2 people observed.
“Jim.” 31:35 · “- Angie. - Angie?” 31:41
Model synopsis: A man is shown in shadowy close-up, then in a brighter group scene with others. The transcript includes dialogue about deceit, mood, and being 'mixed up'.
Named: Jim (t:32:05). 4 people observed.
“So quiet and peaceful. Full of deceit.” 31:55 · “You're in a strange mood, Jim.” 32:05
32:24Model synopsis: A single person is visible in a dimly lit, dark interior space. No dialogue, text, or clear objects are visible in the frame.
1 person observed.
Model synopsis: A man is visible in a dim interior, speaking about someone being set to marry Elliot. The scene remains dark across multiple frames, with minimal visible detail.
Named: Elliot (t:32:31). 1 person observed.
“Oh, no, no, no.” 32:28 · “Until I popped out of nowhere, you were all set to marry Elliot, weren't you?” 32:31
Model synopsis: Two people are in a dimly lit interior, speaking in a tense exchange. One person asks if a person can change, and the other responds with a confused, fragmented statement about dancing and horses.
Named: James (t:32:37), Jim Smith (t:32:47). 2 people observed.
“I don't know, James.” 32:37 · “I know what I'd like to say.” 32:41
Model synopsis: A scene in a dimly lit interior shows a woman and a man interacting near a doorway, followed by a group of men in uniform gathered around a table with one man pointing. A sign reading 'AID AUXILIARY' is visible. The transcript mentions a Nazi secret weapon.
5 people observed.
“Gendon.” 33:15 · “This illustrates but one variant of the Nazi's much-vaunted secret weapon which was supposed to bring England to her knees.” 33:21
Model synopsis: A man in a military uniform addresses two seated sailors in a dimly lit interior, gesturing toward a device. The transcript mentions Lieutenant Commander Overy, the English Channel, and Japanese mines, indicating a wartime briefing.
Named: Lieutenant Commander Overy (t:33:29). 3 people observed.
“But through the extraordinary heroism of Lieutenant Commander Overy of His Majesty's Ship Vernon” 33:29 · “The English Channel was opened again and England was able to receive her necessary war supplies.” 33:38
Model synopsis: A naval officer gives orders to two sailors in an interior setting, directing them to report to a diving launch for harbor net repairs. The scene is lit with studio lighting and features military uniforms and a map on the wall.
3 people observed.
“I see.” 34:02 · “Yes, sir, I'll send the men at once.” 34:03
34:28Model synopsis: A group of sailors in white hats and dark uniforms are on a gangplank leading to a ship; one is using a megaphone. The scene is outdoors on water, with no visible land or sky details.
3 people observed.
Model synopsis: A group of sailors is shown on a small boat near a larger ship, with some handling equipment and others standing or crouching. The setting is on water, with no visible land or time-of-day indicators.
3 people observed.
Model synopsis: A small motorboat with several crew members is shown moving across open water. The crew is visible on deck, with one man standing at the stern and others seated or standing near equipment.
4 people observed.
Model synopsis: A group of sailors in uniform are gathered on a ship's deck; one is being held up by others while another tends to his foot. The scene is shot in black and white with high-contrast lighting, focusing on the physical interaction among the crew.
4 people observed.
Model synopsis: A group of sailors in uniform are gathered on a ship's deck; one is being assisted with a life vest while others stand nearby. The scene is shot in black and white with high-contrast lighting, focusing on the interaction among the crew.
4 people observed.
Model synopsis: A group of sailors in uniform are gathered on a ship's deck, handling equipment near a mounted gun. The scene is shot in black and white with high-contrast lighting, showing a clear sky and open sea in the background.
4 people observed.
Model synopsis: A group of men in naval uniforms assist two individuals in heavy diving suits on a ship deck. The scene shows physical handling of equipment and personnel, with no dialogue or on-screen text visible.
6 people observed.
36:40Model synopsis: A person in a helmet is partially submerged in dark water, with a blurred background suggesting a vessel or dock. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two frames show men on a ship's deck assisting a person in heavy gear; another frame shows a group on deck with one man standing apart. No dialogue or on-screen text is present.
5 people observed.
Model synopsis: A group of sailors is on a small boat on open water; one man is in the water near the boat. The scene is shot in black and white with no visible on-screen text or identifiable names.
4 people observed.
37:23Model synopsis: Four figures in dark uniforms and white hats stand on a small boat on water. The scene is shot in black and white with high contrast, showing no visible land or sky.
4 people observed.
37:25Model synopsis: The frame shows turbulent water with a dark vertical object partially submerged, suggesting a disturbance near a vessel or structure. No people, objects, or text are clearly identifiable beyond the water and the object.
Model synopsis: The water surface is disturbed by an object striking it, creating expanding ripples and splashes across four frames. No people, objects beyond the water and a pole, or on-screen text are visible.
37:31Model synopsis: A single frame shows a dark, disturbed water surface with a vertical pole or mast visible on the left. No people, objects, or text are identifiable beyond the water and the pole.
37:35Model synopsis: The frame is almost entirely black with no discernible objects, people, or text. No events or actions are visible in this beat.
Model synopsis: A group of sailors is on a small boat at sea; one is underwater in diving gear, and another sits in the boat with a medical kit. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: A dark, indistinct scene transitions to a group of men on a small boat at water level, with one man bent over near the edge. No dialogue or on-screen text is present.
3 people observed.
Model synopsis: Two dark frames show indistinct shapes and faint lights against a black background. No people, objects, or text are clearly visible, and no events can be described from the visuals alone.
Model synopsis: Four dark frames show distant, indistinct lights against a black background. No people, objects, or text are visible, and no transcript lines are provided for this beat.
Model synopsis: A sailor on a boat deck tends to a diver in distress, with dialogue indicating the diver is entangled and running out of air. The scene includes dark underwater shots with faint lights, suggesting a rescue operation is underway.
2 people observed.
“Sam.” 38:45 · “Listening. This had an accident. Mine's falling in the net. He isn't getting any air. Just a minute.” 38:46
39:28Model synopsis: The frame shows a dark, low-visibility scene with a single bright light source on the left and a faint, indistinct shape in the center. No people, objects, or text are clearly identifiable, and no events are visible or mentioned.
39:35Model synopsis: The frame shows a dark, indistinct scene with a few small light sources visible. No people, objects, or text can be clearly identified, and no events are depicted.
39:36Model synopsis: A single dark frame with scattered points of light is shown. No people, objects, or text are identifiable, and no transcript is provided for this beat.
39:37Model synopsis: A single dark frame shows minimal visible detail, with a faint light source in the upper left. No people, objects, or text are clearly identifiable.
Model synopsis: The frames show near-total darkness with a single distant light source; no people, objects, or events are visible. No transcript lines are provided for this beat.
39:43Model synopsis: The frame shows a dark, indistinct scene with a few distant lights and a faint, blurry shape in the center. No people, objects, or text are clearly visible, and no events or dialogue are recorded in this beat.
39:45Model synopsis: A dark scene with faint lights is shown; no people, objects, or events can be identified from the frame. No transcript is provided for this beat.
39:47Model synopsis: The frame shows a dark scene with two bright lights against a black background. No people, objects, or text are clearly visible, and no events are described in the transcript.
Model synopsis: A man in a naval uniform is visible on a vessel at sea during daylight; a second frame shows a dark, indistinct scene with distant lights. A voice says someone cannot last much longer and that they are going with that.
1 person observed.
“Thanks. How's it coming. He can't last much longer. I'm going with that.” 39:49
Model synopsis: A sailor is visible on a small boat at sea, with a red cross symbol on the side, while other figures are seen on a larger vessel nearby. The transcript contains repeated affirmations and an instruction to pull someone up, suggesting a rescue or recovery operation.
2 people observed.
40:23Model synopsis: A dark, underwater scene shows a diver with bubbles rising from their headgear. No dialogue or on-screen text is present.
1 person observed.
40:24Model synopsis: A dark, underwater scene shows a figure moving with bubbles rising nearby. No dialogue or on-screen text is present in this beat.
1 person observed.
40:27Model synopsis: A man in a naval uniform is seated on a ship, looking down at something in his hands. The sea is visible behind him, and parts of two other people are visible at the edges of the frame.
3 people observed.
40:30Model synopsis: The frame is almost entirely black, with only two small, bright points visible in the upper right. No identifiable place, people, or objects can be determined from this single frame.
Model synopsis: A man in uniform speaks with another man seated at a desk in an office; the seated man is later shown holding a hat and a roll of paper. The dialogue references a decompressant and someone named Smith.
Named: Gelford (t:40:32), Smith (t:40:48). 2 people observed.
“Mr. Gelford?” 40:32 · “Doc said you want to see me.” 40:33
40:58Model synopsis: A man in a military uniform is seated indoors, speaking about placing something under watch and money for safekeeping. No other people or actions are visible or mentioned in this beat.
1 person observed.
“On your watch and your money I'd put in here for safekeeping.” 40:57
41:03Model synopsis: A man in a work shirt stands indoors with his arms crossed. The setting appears to be a dimly lit room with framed pictures on the walls.
1 person observed.
41:06Model synopsis: A close-up shows an engraved inscription inside a circular object, dedicated to Ensign Richard Houston on his graduation from the United States Naval Academy in June 1932. No people, dialogue, or other actions are visible in this beat.
41:08Model synopsis: A man in a shirt with a bandaged arm stands in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
41:10Model synopsis: A man in a military uniform is seated indoors, looking off-camera. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men in military uniforms are in an office; one stands near a map while the other sits at a desk. The seated man gives orders about minesweeper duty and reporting back.
2 people observed.
“You write Leopardy at 1430, is that right?” 41:18 · “When you get back, you're going on minesweeper duty for a few days. They're shorthanded up there, but report to me first.” 41:22
Model synopsis: A man in uniform is seated at a desk in an office, speaking into a telephone. A newspaper clipping with a portrait and the name 'RICHARD HOUSTON' is shown.
Named: RICHARD HOUSTON (frame:2). 2 people observed.
Flagged: name not grounded (RICHARD HOUSTON)
42:05Model synopsis: A man in uniform sits at a desk in an office, facing away from the camera. No names are spoken, and no events are described beyond his presence at the desk.
1 person observed.
42:22Model synopsis: A close-up of a typed document is shown. The document contains official-looking text including a name, a place, and instructions regarding personal information.
42:48Model synopsis: Two sailors in uniform talk in a ship's interior; one asks to borrow money to buy a ring for his girlfriend, and the other agrees after some hesitation. The conversation includes references to liberty, a canteen, and a jewelry store.
2 people observed.
“Well, I got a deposit up on a ring down at Sloan Jewelry Store. And you want me to pick it up? Yeah, so I can give it to Mars tomorrow. You …” 42:59 · “A deal. OK. There's your chance. There's 20.” 43:06
Model synopsis: Two sailors in uniform exchange money in a ship's interior. One sailor gives five dollars to another to buy red roses for someone named Margie.
Named: Jim (t:43:25), Savvy (t:43:22). 2 people observed.
“Hey, Savvy. Yeah.” 43:22 · “No flowers for Margie? Gosh, I never even thought of that, Jim. Yeah, yeah. Here's five dollars. Get Margie one of them great big bucks …” 43:25
Model synopsis: Three sailors in uniform talk in a corridor; one is leaving on leave to see his family and a woman named Mary, while the others speculate he may propose. One sailor declines to accompany him, citing errands in town.
Named: Bob (t:43:56), Jim (t:44:08). 3 people observed.
“Yeah, tomorrow I got 48 hours and boy, I'm on the equal way right through. You fellas are coming up to the house, ain't you? I got a date wi…” 43:47 · “What makes you think so? Well, the way he's talking about seeing his folks.” 44:12
44:59Model synopsis: A man in a suit speaks to a woman in a hat inside a shop filled with clocks and trophies. He mentions putting an item in a box for her after referencing a balance of $75.
Named: Debbie Gordon (t:44:57). 2 people observed.
“There it is.” 44:55 · “Debbie Gordon, balance $75. That's the one. All right.” 44:57
Model synopsis: A sailor in a shop examines a ring with a jeweler, who offers it for $425. The sailor reacts to the price and is teased about buying it for a girl.
2 people observed.
“How much is that one?” 45:06 · “Almost a carrot. Blue-white.” 45:11
Model synopsis: A sailor and a man in a suit discuss buying a ring in a shop; the man in the suit holds a ring and mentions the name Smith. The sailor is present and engaged in the conversation.
2 people observed.
“Why don't you buy her one like Gordon? That's a nice ring, too. No, no. This has got to be the real thing.” 45:30 · “Tell you what you do. Hold that for Gordon and put this one away for me. All right.” 45:37
46:11Model synopsis: A group of men are gathered around a table in a dimly lit room; one man speaks about betting and leaving, while another acknowledges a table number. No named individuals are identified in the dialogue or visuals.
4 people observed.
“I bet five. - Five.” 46:05 · “They got to care. Oh good. We can't have a” 46:07
Model synopsis: A woman answers a phone call, receives a wrong-number message, and expresses concern about a missing person while a sailor smokes nearby. A man in the background reads a document as another woman sits in a chair.
4 people observed.
“Hello?” 46:33 · “No, I'm sorry. You have the wrong number.” 46:36
47:11Model synopsis: A person is shown with a large clock superimposed over their head. No dialogue or on-screen text is present in this beat.
1 person observed.
47:13Model synopsis: A man in a cap and light shirt is visible in a dimly lit interior, holding a small object near his mouth. No dialogue or on-screen text is present in this beat.
1 person observed.
47:17Model synopsis: A close-up shows a large clock face with Roman numerals and playing cards superimposed over it, with a man's face partially visible behind. No dialogue or on-screen text is present in this beat.
1 person observed.
47:26Model synopsis: Two men are seated at a table playing cards in a dimly lit room; one speaks to the other, urging him to quit gambling before losing more money. The speaker is not named in the dialogue, and no other identifying information is visible or spoken.
Named: Salah (t:47:25). 2 people observed.
“You're almost even, Salah. Why don't you quit before you go broke?” 47:25 · “You won't get me anywhere, mister. You'll call.” 47:25
Model synopsis: A man speaks with his mother at home, then reports to a military office about a missing comrade. The mother mentions curtains and expresses concern, while the man insists on covering for his friend who is ill.
Named: Jim Smith (t:48:43). 4 people observed.
“Mom, if I could ever find a girl that could cook like you...” 47:36 · “Something must have happened to her.” 48:03
Model synopsis: Two men in naval uniforms converse indoors; one reports on behalf of another named Smith. The dialogue references Lieutenant Wells and a minesweeper, indicating a naval setting and duty transfer.
Named: Lieutenant Wells (t:48:58). 2 people observed.
“That leaves the minesweep a shorter hand. No, sir. I rate Liberty, but I saw Lieutenant Wells, and he said it'd be all right for me to tak…” 48:58 · “Giving up your time for a buddy, huh?” 49:06
49:19Model synopsis: Two ships are visible on a choppy sea under an overcast sky. No people, dialogue, or on-screen text are present in the frame.
49:21Model synopsis: A black-and-white shot shows several ships on a choppy sea under an overcast sky. No people, dialogue, or on-screen text are visible in this single frame.
49:23Model synopsis: Two naval vessels are seen underway on open water, with a distant landmass visible on the horizon. No people, dialogue, or on-screen text are present in the frames.
49:34Model synopsis: Two men in naval uniforms are on a ship's deck; one looks through binoculars while the other speaks. The dialogue mentions army planes in southern waters and a desire to engage them.
2 people observed.
“Looks like we ain't gonna have no mine business today, Mr. Wells.” 49:32 · “Army planes reported a southern these waters. They're not hanging around for fun.” 49:35
Model synopsis: A naval officer on a ship reports the channel is clear of mines. Two officers are seen on deck, one using binoculars, while a minesweeper vessel is shown underway on the water.
2 people observed.
“and the quarter looks as if we can report the channel free of mine for today yes” 49:43
50:01Model synopsis: A small naval vessel moves across open water. No people are clearly visible, and no dialogue or on-screen text is present.
Model synopsis: Two dark, low-visibility frames show an indistinct outdoor scene at night with scattered debris or objects on the ground. No people, text, or clear events are visible.
50:11Model synopsis: A man in a uniform stands on a ship's deck, looking out over water. The scene is shot in black and white with bright lighting and includes large pipes or funnels.
1 person observed.
50:16Model synopsis: A small naval vessel moves across open water, leaving a wake. No people are clearly identifiable, and no dialogue or on-screen text is present.
50:19Model synopsis: The frame is entirely black with no visible content. No events, people, or objects can be identified from the provided visual or transcript data.
50:22Model synopsis: A small naval vessel moves across open water with crew visible on deck. No dialogue or on-screen text is present in this beat.
1 person observed.
50:26Model synopsis: A single black frame is shown with no visible content or text. No transcript lines are provided for this beat.
50:33Model synopsis: A single frame at 3034s shows an indistinct, grainy, monochrome image with no identifiable place, people, or objects. The transcript contains one line: 'Oh, my God.'
“Oh, my God.” 50:33
50:49Model synopsis: A woman in a patterned dress stands at a doorway speaking to someone off-screen; the transcript indicates she is addressing her mother and mentions Mary. No names are assigned to visible people because none are spoken in the supplied lines.
3 people observed.
“Ahoy, Mom. There. The rosings are to you.” 50:47 · “Start up an apology for not showing up last night.” 50:52
Model synopsis: A man in uniform speaks to a seated woman in a room with furniture and a staircase; he presents her with an object, and she reacts with surprise. The dialogue indicates he is confessing feelings and proposing with a ring.
Named: Eric (t:51:03), Mary (t:51:25). 2 people observed.
“Oh I'm Eric. Now before you say anything you listen to me.” 51:03 · “You're the only girl I ever really cared for and...” 51:26
Model synopsis: A woman in a striped blouse speaks to a man in a naval uniform inside a room with curtains and a lamp. The transcript suggests she is asking if he knows about 'Sixers' and his promotion.
2 people observed.
“Then you don't know about Sixers. Get his promotion?” 51:38
Model synopsis: A woman and a man in a sailor uniform are shown in close-up, conversing indoors. The transcript indicates they are discussing the death of someone named Hicks and that another person, Flixton, reported for duty in place of someone who was thought to be sick.
Named: Mary (t:51:54). 2 people observed.
“Hicks is dead.” 51:47 · “Flixton?” 51:51
Model synopsis: A man and a woman are in a dimly lit interior, speaking intensely. The man expresses guilt over a death, blaming himself for laying a mine, while the woman is present and reacts to his words.
2 people observed.
“And I had the nerve to come here and ask you to marry me.” 52:16 · “It should have been me, not him.” 52:19
Model synopsis: A woman and a man in a sailor uniform have an intense conversation indoors. The woman speaks emotionally, claiming innocence and calling an event an accident, while the man listens.
2 people observed.
“Jim, I don't blame you.” 52:27 · “I'm not going to let this come between us.” 52:31
Model synopsis: A man in a naval uniform confesses to a woman that his name is Richard Houston, not Jim Smith, and admits to gambling and borrowing money from fellow officers. The scene takes place indoors, with both characters visible and engaged in a serious conversation.
Named: Richard Houston (t:53:04), Mary (t:52:45). 2 people observed.
“He knew where I was. He knew I wasn't sick. He knew I was gambling. He'd get the dough to buy that ring so I'd make an impression on you. I'…” 52:45 · “everything about me a lot. Don't talk like that. My name is a lie.” 52:55
Model synopsis: A man in a dark shirt speaks to a woman with curly hair in an interior setting; he confesses to deserting the Navy and trying to rebuild his life. The frames show no change in setting or characters across the three shots.
2 people observed.
“When I couldn't pay my debts, I did the lowest thing a Navy officer could do. I deserted.” 53:20 · “I wandered around for a while trying to forget, but I couldn't. Maybe it was in my blood.” 53:26
Model synopsis: A man and a woman stand in a dimly lit room; the man speaks about past identities and their exclusion from society and the Navy. The woman listens as he looks down, appearing distressed.
Named: Dick Houston (t:53:54). 2 people observed.
“I lost my friend's life for it.” 53:46 · “Oh, forget about me, Mary.” 53:51
54:15Model synopsis: A silhouetted figure stands before a paneled door in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
54:21Model synopsis: A person in a dark interior speaks a price while another person sits at a counter. The scene is dimly lit and appears to be indoors.
2 people observed.
Model synopsis: A sailor in uniform speaks to a civilian man at a counter while an announcement cancels leave for the San Pedro section. A bell rings as the civilian handles a box.
2 people observed.
“All leave and ensure liberty canceled for men attached to the San Pedro section.” 54:30 · “Attention, attention. All leave and shore liberty canceled for men attached to the San Pedro section.” 54:37
Model synopsis: Two naval officers in uniform discuss a time-sensitive transport mission in an office, referencing a mine threat and a convoy. One officer questions the effectiveness of a prior channel sweep while the other suggests proceeding despite the risk.
4 people observed.
“We can't wait much longer.” 54:55 · “We've got to get the transport out in time to meet her convoy.” 54:56
Model synopsis: Two men in naval uniforms speak in an office; one reports for duty late, citing illness. A map and American flag are visible in the background.
4 people observed.
“We don't know yet. Hold the men in readiness.” 55:28 · “Reporting for duty, sir.” 55:33
Model synopsis: Two men in naval uniforms discuss locating unmoored mines in a channel; one is on the phone while the other stands nearby. The conversation reveals they have three divers available, though one is noted to be a prisoner at large.
2 people observed.
“You've been speaking. There must be mines on the floor of the channel.” 55:47 · “We've got to locate one so we can find out what makes them tick.” 55:52
Flagged: quote not verbatim (You've been speaking. There must be mines on the floor of the channel.)
Model synopsis: A naval officer gives orders over the phone to search a channel for mines, while another officer reports that a man named Smith is unavailable and is then ordered to report to the chief master at arms as a prisoner at large. The setting is an office with maps and naval equipment.
Named: Smith (t:56:30). 4 people observed.
“Have them search the floor of the channel, starting 1,000 feet beyond the harbor gate.” 56:11 · “There's a transport here that's got to be out in less than three hours.” 56:15
Model synopsis: A man in a dark sweater is shown in two frames inside a room with framed pictures on the wall. The transcript contains fragmented dialogue referencing 'circumstances,' 'leave,' and 'Houston,' with no clear event or named character established.
1 person observed.
“You only knew the...” 56:38 · “Circumstances, sir, I...” 56:39
Model synopsis: Two men are in an office; one stands and gestures while the other sits at a desk. The standing man is told to go to a diving launch and report back, while the seated man remains at the desk.
2 people observed.
“You open it.” 56:56 · “Don't you think I'd be a lot more used to the Navy if I were out there with the men?” 56:59
57:19Model synopsis: A newspaper headline reading "WESTERN UNION" is shown, with text mentioning a naval officer's disappearance. No people, actions, or dialogue are visible or audible in this beat.
57:24Model synopsis: A newspaper headline from the Western Union dated June 8, 1942, reports on a naval officer's disappearance. The paper lists names and ranks, including Lieutenant Ralph Gilpin and Commander John L. Noble.
57:33Model synopsis: A man stands with his back to the camera in an office, facing a large map on the wall. He speaks the words 'I'm ready. I'm.'
1 person observed.
“I'm ready. I'm.” 57:29
57:43Model synopsis: Three people are in a small boat on water near a large ship. One person is seated and appears to be receiving attention from the other two standing figures.
3 people observed.
57:49Model synopsis: A group of sailors is visible on the deck of a small boat at sea. One sailor stands near the stern while others are seated or lying down around equipment.
4 people observed.
57:58Model synopsis: A small motorboat with several people aboard is moving away from a dock on open water. The scene is shot in black and white with no visible dialogue or on-screen text.
3 people observed.
58:03Model synopsis: A small motorboat with several people aboard moves across open water, leaving a wake. The scene is shot from a higher vantage point, likely from another vessel.
1 person observed.
58:07Model synopsis: A group of men in uniform are aboard a small boat on open water. The scene is shot in black and white with high contrast, showing the boat from a low angle.
1 person observed.
58:12Model synopsis: Four men in naval uniforms are on a ship's deck; one is seated and adjusting gear while others stand or bend nearby. The sea is visible in the background.
4 people observed.
58:23Model synopsis: A group of sailors is visible on the deck of a ship at sea. One line of dialogue suggests concern about mines being present in the water.
3 people observed.
“We were yet not yet but if they're out there they'll find them.” 58:27
58:36Model synopsis: A single dark frame shows an indistinct, shadowy scene with no visible people, objects, or text. No events or dialogue are recorded for this beat.
58:43Model synopsis: Two men in naval uniforms sit on a ship's deck with the sea behind them. One man is in officer's attire with a peaked cap; the other wears a sailor's cap and appears to be listening.
2 people observed.
58:49Model synopsis: A dark, low-lit interior scene shows a person in silhouette near a bright light source. No dialogue or clear objects are visible in the single frame provided.
1 person observed.
Model synopsis: The beat consists of two dark, low-visibility frames showing indistinct shapes and a faint circular light, with no clear place, people, or objects identifiable. A single spoken word 'I'm' is heard at 59:01, but no further context is provided.
“I'm” 59:01
Model synopsis: A man in a naval uniform holds a circular object with horns while speaking. Another person off-screen asks what it looks like, and the man describes it as resembling an inverted flower vase.
Named: Nash (t:59:31). 2 people observed.
“Yes that means. I want her. What's it look like Nash.” 59:31 · “It's circular with a flat bottom. Something like an inverted flower vase. It has numerous long horns on the globular body. Hold it Nash, pla…” 59:44
Model synopsis: A man in a naval uniform is shown on a ship's deck, speaking about an idea to explode something. An airplane is seen flying over water in a separate shot.
1 person observed.
Model synopsis: A man in a naval uniform is shown on a ship's deck, looking at equipment while dialogue discusses a potentially dangerous gadget and sending someone named Smith up. The scene is dark and appears to be at night or in low light, with one frame showing a bright light source.
Named: Smith (t:60:30), Nash (t:60:30). 3 people observed.
“There's a gadget of some sort fastened to the side. If I'd taken a port down here, we should have the whole storage, sir. It might be dange…” 60:30 · “That's a Smith bring you up.” 60:41
Model synopsis: A man in uniform is shown on a ship deck, with another person visible in the background; the transcript includes dialogue about someone named Nash and Bobby.
Named: Nash (t:60:48), Bobby (t:60:48). 4 people observed.
“Go ahead Nash. Bobby's caught me consecutively so I can get the whole picture.” 60:48 · “And take it easy.” 60:55
1:01:04Model synopsis: A single frame shows a dark, indistinct scene with a few small, bright points of light. No people, objects, or text are clearly visible, and no events are depicted or mentioned.
1:01:15Model synopsis: A diver in a heavy, dark diving suit is shown in a close-up underwater. The scene is dimly lit and the diver's face is obscured by the helmet.
1 person observed.
Model synopsis: Two men in naval uniforms are on a ship's deck, one operating equipment while the other observes. One man is later seen alone, focused on the equipment, before both reappear together as one speaks urgently.
Named: Nash (t:61:32). 2 people observed.
“After that.” 61:22 · “- They're getting up in one. - What's the matter? I don't know. I think his lines are found.” 61:23
Flagged: visible event not seen (The officer is alone, focused on the equipment.)
1:01:54Model synopsis: A sailor in a white hat sits on a ship's deck with the sea behind him; another sailor stands behind. No dialogue or on-screen text is present.
2 people observed.
1:02:01Model synopsis: The frame shows a dark, indistinct scene with scattered bright spots, possibly water reflections or distant lights. No people, objects, or text are identifiable, and no events are visible or mentioned.
1:02:06Model synopsis: A single frame shows a dark, underwater scene with a vertical trail of bubbles rising. No people, objects, or text are clearly identifiable, and no events are depicted beyond the movement of the bubbles.
1:02:11Model synopsis: A man in a military uniform holds an object while being instructed to handle it carefully. The setting appears to be outdoors with a plain background.
1 person observed.
1:02:17Model synopsis: A dark, low-contrast frame shows a dimly lit interior with a bright, round object on the left and indistinct shapes in the center and right. No people, dialogue, or on-screen text are visible.
1:02:22Model synopsis: A man in a naval uniform stands on a ship's deck, holding a helmet and looking down. The transcript contains a fragmented line that does not clearly identify the person or event.
1 person observed.
1:02:28Model synopsis: A man in a naval officer's uniform is visible in a single frame, holding a device against a bright, overexposed background. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
1:02:36Model synopsis: A man in a uniform sits on a boat, adjusting something in his lap. The water is visible behind him, indicating the scene takes place on a vessel at sea.
1 person observed.
1:02:49Model synopsis: Three men are visible on the deck of a vessel, handling equipment near the water. The scene is shot in black and white with high contrast lighting, showing no on-screen text or spoken dialogue.
3 people observed.
1:02:58Model synopsis: A pair of hands holds a circular metal object with bolt holes against a dark background. No people, dialogue, or identifiable location are visible in the frame.
1 person observed.
Model synopsis: A man in a naval uniform examines a device near water while being warned not to touch it due to a potential booby trap. The scene is shot outdoors with a dark, indistinct background and studio lighting.
Named: Smith (t:63:13). 1 person observed.
“Gasket on the rain. I have been held by steel ring.” 63:04 · “Diaphragm held by steel ring. That's enough, Smith. The booby trap could be right behind the diaphragm. Don't touch it.” 63:13
1:03:20Model synopsis: A dark, indistinct scene with a single bright light source and faint shapes is shown. No people, objects, or text are clearly visible, and no dialogue or events are recorded in this beat.
1:03:23Model synopsis: Two men are on a ship's deck; one in uniform calls out the name Smith. The setting is outdoors on a vessel with a city visible in the background.
Named: Smith (t:63:24). 2 people observed.
“Smith! Smith!” 63:24
1:03:29Model synopsis: Three men in naval uniforms are on a ship's deck with the sea visible behind them. One man sits in a chair while two others stand nearby, one seated on a railing.
3 people observed.
Model synopsis: On a ship deck, sailors and officers are present as one man is seated and others stand or bend near him; orders are given to pull up a line and contact the base. The sea is visible behind them, and the scene is lit by bright daylight.
6 people observed.
“Pull up the line, sir.” 63:34 · “Pull him up.” 63:36
Model synopsis: A naval officer reports his location and suggests a tactic to surface mines using low-flying planes and rifle fire; another officer praises him as 'Gilpin'. The scene shifts from an exterior ship deck to an interior command room with multiple officers.
Named: Gilpin (t:63:57). 4 people observed.
“I'm located, sir.” 63:47 · “By the action, I would suggest trying to bring the rest of them to the surface by flying planes low over the water, and we can detonate them…” 63:49
1:04:02Model synopsis: A man in a naval uniform is visible on a ship deck with ocean in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a diving suit is assisted by several uniformed personnel in an outdoor setting. One man in a light uniform speaks while others observe or assist with the gear.
Named: Jim Smith (t:64:14). 4 people observed.
“You know the day.” 64:11 · “That's why he sent me up.” 64:12
1:04:35Model synopsis: A minesweeper vessel is shown underway on open water. No people are clearly visible, and no dialogue or on-screen text is present in this beat.
1:04:39Model synopsis: A military aircraft with star insignia is shown in flight against a plain sky. No people, dialogue, or location context is visible.
1:04:42Model synopsis: A sailor stands on a ship's deck near a covered structure while another looks through binoculars; the sea and horizon are visible. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A sequence of four frames shows a body of water with ripples, followed by a large water plume from an explosion, then a military aircraft in flight, and finally the water surface again with a small object visible. No people, dialogue, or on-screen text are present in these frames.
1:05:00Model synopsis: An explosion erupts from the sea surface, sending a plume of water and smoke into the air. No people, objects, or text are visible in the frame.
Model synopsis: A naval officer is seen on a ship's deck while a document is displayed awarding a posthumous Navy and Marine Corps Medal to James Smith. The document is issued by the Secretary of the Navy and references service in the United States Naval Reserve.
2 people observed.
“Ah!” 65:02 · “The President of the United States presents posthumously the NAVY AND MARINE CORPS MEDAL to” 65:02
Flagged: quote not verbatim (The President of the United States presents posthumously the NAVY AND MARINE CORPS MEDAL to); quote not verbatim (JAMES SMITH, GUNNER'S MATE FIRST CLASS UNITED STATES NAVAL RESERVE); quote not verbatim (for service as set forth in the)
Model synopsis: A man in a sailor uniform and a woman stand on a pier, looking out at a harbor with ships. The film ends with a title card reading 'The END'.
2 people observed.
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 605 segments kept, 113 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1943 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement