Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 7:54 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 17 · shots 68–70. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- man in dark suit, light shirt, medium build, visible in all frames visible, audible
- Jacks (named at t:8:07): man in dark suit, medium build, visible in frames 1-3, back turned in frame:1, facing p1 in frame:2, walking away in frame:3 visible, audible
- Seen happening
- A man stands in a room with another man facing him. [frame:1]
- Two men stand close, one holding a coat. [frame:2]
- One man stands in the room while the other walks through a doorway. [frame:3]
- Also said
- “My brother, Jacks.” 8:07 · “So get yourself ship shape while I drive over to Spence's and pick up Mom.” 8:16
- Seen
- suit [frame:1], coat [frame:2], doorway [frame:1], framed picture [frame:1], chair [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and conversational; themes: conflict, family, military reference; style notes: black-and-white, medium shots, studio lighting, static camera
Two men in suits are in a room; one speaks while the other moves toward a doorway. The transcript includes dialogue about a bedroom, a brother named Jacks, and a trip to Spence's to pick up Mom.
“Come on, let me down, will you?” 7:55 · “Team 2 and throw out your anchors. Now, wait a minute. I'm not going to take your bedroom away from you. Who says it's my room?” 8:01 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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