Ship
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 23:37 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 55 · shots 208–211. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- ship (ship, interior) evidence: frame:1
- People
- man in dark uniform and white hat, seated at table visible
- Tennessee (named at t:23:38): man in light uniform, seated, speaking visible, audible
- Fixin (named at t:23:51): man in light uniform, seated, speaking visible, audible
- man in light uniform, seated, listening visible
- man in dark uniform and white hat, seated at table visible
- Also said
- “I don't know, Fixin. I, uh... Mary is asking about you. Oh, she was? Sure.” 23:51 · “You tell mom I'll be on deck tonight then. I figured that. I already told her.” 23:56
- Seen
- table, mug, white hats, uniforms
- Interpretation
- Model opinion, not evidence: mood: casual and conversational; themes: military camaraderie, informal social interaction, personal communication aboard ship; style notes: tight framing on seated group, high-contrast lighting, black-and-white film stock
A group of men in military-style uniforms are seated at a table in a dimly lit interior, conversing. One man is addressed by name, and another mentions a meal and an invitation, which is accepted.
“Speaking of corn, that reminds me, Tennessee.” 23:38 · “Mom's having her favorite dish tonight, corned beef and cabbage. Did she raise it with a knife and fork? Oh, I'm sharp as a marble. Got an announcement or an invitation? An invitation, how about it?” 23:40 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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