King of the Zombies (1941)

No renewal found Free in the US since 1 January 1970, on the registry's reading: registration LP10469 of 1941 by Monogram Pictures Corp was not renewed in the volumes searched. Record.

Frame from the Internet Archive copy King_of_the_Zombies

Copy: King_of_the_Zombies on the Internet Archive; released 1941
Read: 10 shots over 1:07:10 · 2 beats in 1 sequence · 986 transcript lines · JSON
Record: King of the Zombies No renewal found
Wrong?: Report a problem

Check before citing the shot count. Few shot boundaries: 10 shots in 1:07:10 is under one a minute. The detector misses cuts on dark, faded or damaged prints and treats dissolves as continuous; the count is a floor, not a measurement. A 29:46 shot at 0:00 (shot 0): either a static hold or a run of missed cuts. Treat it as unverified.

How this page was made

10 shots over 1:07:10, read from the Internet Archive copy King_of_the_Zombies (King_of_the_Zombies.mp4, 640×480, 25.31 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: King of the Zombies No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 10 shots judged colour), average shot 403.1s long, a frontal face detected in 40% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1941 (Internet Archive).

2 beats in 1 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 2 of 2 beats annotated, 2 passed the checks, 0 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

4 of 7 shots sampled

1. Private office

0:00–1:01:19 Machine checks passed (partial)

Model synopsis: A group of men crash-land their plane on a remote island and are taken in by a mysterious doctor who claims to know everything about the island. The men are injured and disoriented, and the doctor offers them shelter and brandy while denying any radio broadcast that led them there.

The group is shown being led to their rooms, with one man appearing to have been left behind downstairs. [frame:4]

Named: Mac (t:1:09), Mr. Bill (t:1:31), Dr. Mikhail Sandre (t:7:26), Jefferson Jackson (t:8:16). 5 people observed.

“Any luck, Mac? Nah, I can't even scare off a news broadcast. Where do you think we are? Search me. We lost a beam hours ago.” 1:09 · “If that means what I think it means, they sure don't waste no time around here. Wait a minute. Wait a minute. They can't do this yet to me. …” 3:24

Evidence, details and a link to share

1:03:20

1:05:21

1:06:16

3 of 3 shots sampled

2. Other

1:01:19–1:07:10 Machine checks passed (partial)

Model synopsis: A group confronts a cult-like group in a stone-walled interior, leading to a fire and a woman speaking. Dialogue reveals a plot involving hypnotism, zombies, and a doctor's attempt to extract military secrets.

A man in a suit stands behind a pillar while two costumed men sit nearby. [frame:1]
A large fire erupts in the interior space. [frame:2]
A woman in a hat and jacket speaks directly to the camera. [frame:3]

Named: Agnes (t:63:25). 11 people observed.

“Who are you? Speak! Tell me! Who are you? I am... I am... Agnes... Agnes...” 63:25 · “Admiral Wainwright, what were your orders?” 64:08

Evidence, details and a link to share

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 986 segments kept, 212 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

1:01 Hello? McCartney calling. McCartney calling. Hello?
1:09 Any luck, Mac? Nah, I can't even scare off a news broadcast. Where do you think we are? Search me. We lost a beam hours ago. Probably somewhere between Cuba and Puerto Rico. Is it that bad? It ain't good. Uh-oh. I know that I wouldn't cut out to be no blackbird. If you had those weather gadgets you'd all set up, we wouldn't have gotten into this mess.
1:31 - Oh, now, it'll be a miracle. - Well, Mr. Bill, is this the spot where Admiral Wainwright's plane turned up missing last week? - Yeah. Uh-oh, look out, Admiral. Here we come. - Try to contact him again, Mac.
1:46 Hello? McCartney calling. Plane C-108 calling.
1:53 Why don't somebody answer? We're lost, do you hear? Lost.
2:01 Not a murmur. How's the gas holding out? That's something else again. Well, there are plenty of small islands down here. Better go down. Find a spot for landing. That's what I'll... Wait a minute. There's something coming in.
2:18 Zeitpunkt 21:30
2:20 That's a new lingo to me. I don't understand it.
2:24 Think we're near a radio station all the way. It's coming in. We must be right over that transmitter. Well, that's a break
2:30 Well, I'm going down and take a look hold on boys
2:38 There's a clearing ahead I think I can make it think did you say think?
3:24 If that means what I think it means, they sure don't waste no time around here. Wait a minute. Wait a minute. They can't do this yet to me. Let me out of here. Let me out of here. Let me out of here. Now let me out of here. Hey, what's the matter with you? Good. Good. Good.
3:46 Is that you, Mr. Bill? Did they have you in a hole too? What are you talking about? What do you mean, have me in a hole? Ain't we dead? Of course we're not dead.
3:55 I thought I was a little off color to be a ghost.
3:57 Oh, there's no such thing as ghost yet.
4:01 Eh? Well, what's that then?
4:07 That's no ghost. Come on.
4:10 I can't. My foot done took the root.
4:16 What are you trying to do, scarce today? Hey, you're hurt. I'm all right, just a crack on the noggin.
4:26 Where are we?

966 more segments

4:27 Search me. It looks like somebody's marble orchard.
4:31 Graveyard?
4:32 It's a fine spot for a crack-up. Well, let's look around. Somebody must live around here. Come on.
4:40 Quiet, will you? What you trying to do? Wake up to Dad?
4:47 - What's the matter, do you hear something? - No sir, just my heart trying to jump out of my chest. - That's drums. - Drums? That's my cue for me to start the parade and out of here.
5:02 I'm going to go.
5:04 Oh, my God.
5:06 All right.
5:08 Oh, my God.
5:14 Look.
5:16 It's a creepy looking place. It's your doc.
5:19 Suppose anybody lives in there? Isn't that a haunted house?
5:22 If they do, they sleep on slabs. Let's find out. Not me. You're going in there. I ain't going in that mercy, Liam. I'm going to stay right here until I change my mind.
5:35 Wait a minute. I don't change my mind.
5:47 I'm going to go.
6:12 Ring the bell Jack.
6:13 Oh, Mr. Bill, you the one who wants to go in there. You ring the bell.
6:23 Sound like ice cream man.
6:42 Nobody here.
6:46 Who's there?
6:59 Amen.
7:04 Welcome to my humble home. Thank you.
7:07 We were just... I know.
7:09 Your plane crashed in the jungle.
7:12 Oh, yes. How did you know?
7:14 Very little happens on this island that I do not know about.
7:18 Mama, we have guests. Prepare the library.
7:23 Have these gentlemen's bags brought in?
7:26 Oh, excuse me, Captain. May I introduce myself? I'm Dr. Mikhail Sandre, late of the other.
7:33 Follow me, Gil.
7:39 Mr. Bill.
7:40 Let's get out of here.
7:41 Go on.
7:42 Oh, that man ain't no doctor.
7:44 There's something wrong here. Well, that's Slim Galick.
8:04 You must forgive us, please, if we seem unprepared.
8:07 Visitors are rare in this house.
8:09 I'm afraid we're the ones to apologize, Doctor, for walking in on you like this. Not at all. It's a pleasure, I can assure you.
8:14 I'm Bill Summers this Mr McCarthy.
8:16 I don't know you, Doc. My darling, Jefferson. Jefferson Jackson is my name. You see, I was named after my grandpappy. He was the president of the...
8:24 Thank God.
8:27 Ah, you have been hurt.
8:28 Ah, it's nothing.
8:29 Just a crack on the head.
8:30 Nothing, you say.
8:32 The slightest injury on this island often proves fatal.
8:35 What do you mean?
8:36 the climate and yet
8:38 Get what?
8:39 They say that evil spirits lurk here.
8:41 waiting to pray
8:43 On the injured...
8:45 Ha! That's a lot of pomp.
8:46 Maybe.
8:49 How about a spot of plenty to warm you up? Fine.
8:52 Mom, I'm not.
8:54 Run to her.
9:06 My servant intrigues you.
9:08 Is that one of the spheres that you were talking about?
9:10 Mama, no.
9:11 It's true he reflects the mood of this house.
9:14 But he's not as sinister as he looks.
9:17 Gentlemen, the finest brandy.
9:19 In all Europe.
9:21 I brought it here myself.
9:30 To your arrival.
9:36 A most fortunate accident for me.
9:38 I'm afraid our arrival was no accident.
9:41 You mean to say you came here purposely?
9:43 No, not in the sense you mean.
9:45 See, we were on our way to the Bahamas when the storm blew us off our course.
9:49 We heard your broadcast, so here we are.
9:51 Broadcast?
9:52 You must be mistaken.
9:54 There was no broadcast from this island.
9:58 Your ears must have played you tricks.
10:01 There is no radio within miles of here.
10:03 However, boats do stop here.
10:05 Fairly often.
10:06 How often?
10:07 Well, the next one is due in about two weeks' time.
10:10 However, I hoped you will be...
10:12 My guest in the meantime.
10:14 I'm afraid we'll have to, Doctor. Thank you.
10:16 Well, that's settled then.
10:17 Let me show you to your rooms.
10:37 Didn't didn't we just leave him downstairs in the library?
10:40 Oh, he wanted to make sure that your room was warm and comfortable before you got here.
10:44 He sure gets around fast, don't he?
10:46 Uh, Mr. Summers.
10:47 This is your room.
10:49 Mr. McCarthy's.
10:50 Your quos are joining.
10:52 Excuse me, Mr. Doctor, but didn't you forget something? I think not.
10:56 No.
10:56 No.
10:57 What about me?
10:59 You better be taken care of.
11:00 That's what I'm afraid of. In the seventh quarters.
11:03 Mumbo will show you the way.
11:05 Mambo!
11:06 That gambler?
11:09 Do I have to go with him alone?
11:11 He wound.
11:12 Hurt you if he likes you.
11:14 Well, if you don't...
11:16 Oh, Mr. Bill, does I have to? Can I stay up here with you?
11:19 No.
11:21 You understand?
11:22 I don't wish to be harsh.
11:23 But it might set a bad example for the other servants. Certainly.
11:26 It'll be all right, Jeff. For who?
11:28 One bite.
11:36 Please don't cover my own.
11:43 You ain't buying a chance.
11:47 a member of the Mystic Night of the Pink Goddess, did you?
11:53 No.
11:54 All of me was like this.
12:04 Dinner at 8 o'clock.
12:06 Make yourselves at home.
12:08 And I'll get something for your head, Mr. McCarthy.
12:10 Thank you, Doctor.
12:23 What do you think?
12:24 I don't know what to think.
12:25 Are you sure we were flying over this island when we picked up that broadcast? I swear it went on a stack of Bibles. And you notice the lingo he was talking to that banshee? You mean it was the same? Nothing else but...
12:34 It was the same blather we heard on the radio, and I wouldn't be surprised if it was the same voice.
12:40 Oh, pardon me, I should have knocked...
12:44 Hey, I'm Mr. McCarthy.
12:45 Your head will be as good as new in no time.
12:49 Phew!
12:51 If it was in me, I sure would be pale now.
13:09 Samantha.
13:11 Well, I do declare, hit on there, bright eyes.
13:14 Where did you come from Alabama Alabama ain't that night after gallivanting around with hatchet face.
13:22 You is a pleasant surprise.
13:24 Is you my little sister?
13:26 Is I? Well, if I ain't, that's what I'm thinking of.
13:30 Hey.
13:31 Who is that, Methuselah?
13:35 To Hamra.
13:36 I know a museum that would give a fortune just to have her under glass.
13:40 What's amusing?
13:41 That's why they keep dead things.
13:42 Oh, like here.
13:44 Hmm?
13:46 What's cooking?
13:48 That's things.
13:51 Brewed?
13:52 homebrew at this day and age.
13:54 Why, don't you people know that probation has been repealed?
13:58 Taste.
14:00 I don't care if I do.
14:03 Oh.
14:04 How's it taste? I don't know, but it ain't kosher. What's it for? It's a magic potion.
14:09 For scaring away the evil spirits. Evil spirits? Good gracious to me. Well, there is evil spirits around here. Why, sure. The place is crawling with them.
14:17 And let me go. With that mold.
14:19 Moo!
14:20 You ain't heard nothin'.
14:21 Just wait till you see the zombies.
14:23 Zombies.
14:24 What's them?
14:25 Dead folks.
14:26 What walks around?
14:28 They don't.
14:29 Here?
14:30 Especially here.
14:31 Why here especially? 'Cause this is where they grow the best.
14:34 There's all over this place
14:37 And all you have to do is clap your hands.
14:40 And he comes a-running.
14:42 Who is it? Who is it? Rhombus. What's kept you so long?
15:01 Wow!
15:04 Mr. Bill!
15:05 Mr. Bill! Mr. Bill!
15:07 What's the matter, Jack? I seen them. I seen them.
15:10 You saw what? They're all over the place. They're everywhere. What's everywhere? Hands. Big black ones with frozen faces.
15:16 with eyes that looks at you and they don't see nothing. What's he talking about?
15:20 Oh, zombies! Mr. Bill, let's get out of here, White. This place is a walking cemetery. Wait a minute, Jeff. What's this all about?
15:27 What's a zombie?
15:28 Well, a zombie, there's, um...
15:30 Mr. Bill is... The living dead.
15:38 The living dead.
15:39 That's it. That's what it is.
15:41 Dead folks was too late as to lay down.
15:44 Your servant seems to have learned a lot in the short time he has been here.
15:47 Nothing I ain't willing to unlearn just as quick. I'm afraid Jeff's been saying things. Ain't it the truth?
15:52 Where did you see these zombies? Mr. Bill, I saw them down into the kitchen. They walked in there just like they owned the place.
16:00 Undoubtedly some of my servants.
16:01 No, sir, not them babies.
16:03 Why, there is fugitives from the undertakers.
16:05 If it is true what he says,
16:07 It might be amusing to see these creatures for ourselves.
16:12 In the kitchen, you said?
16:13 Yes, sir. That's the way I've seen him.
16:15 Shall we investigate?
16:16 Sounds a little crazy. Sorry for me, I guess.
16:19 How about you, man?
16:20 Yeah, sure. I don't mind.
16:22 Superstition plays a very important part in the lives of these West Indian natives.
16:26 Uh, of course.
16:33 This is our kitchen.
16:35 Crude and rather antiquated.
16:37 but adequate for our simple needs.
16:40 Samantha!
16:42 Yes, Master?
16:43 Have you seen any zombies here?
16:47 No, Martha.
16:49 Have you, Tahama?
16:51 - Tahanan.
16:52 Cooks for the living.
16:54 Not the dead. You see?
16:56 You better get yourself a pair of glasses, Jeff.
16:58 Oh, Mr. Bill, I don't need no glasses. I saw them with my own eyes.
17:02 So, Matthew, you were standing right beside of me when them two perishables walked in.
17:06 The only perishable thing around here is you, big boy.
17:10 You've been dreaming. Dreaming? I never drifted a dream like that in my wildest nightmare. Mr. Bill, they was the real McCoy.
17:17 He tasted my boo.
17:19 Made him drunk.
17:21 Oh, Mr. Bill, don't pay no taste in the home. I wasn't drunk. You've got to believe me. You better take it easy, Jeff, and lay off that brew.
17:28 Now that we have convinced ourselves there were no zombies here,
17:32 Let's retire to the library.
17:34 Thanks for me.
17:35 Go.
17:36 You stay here.
17:39 Look out for more zombies.
17:46 Woman, you is a prevaricator.
17:48 Don't you prevaricate me. You didn't see no zombies.
17:52 You just think she did.
17:54 I don't think that good. I seen him and you did too. You told me that all I had to do was to clap. Talk to me.
18:01 Don't do that.
18:02 I thought so.
18:04 Mister.
18:06 There's something that ain't never no good for nobody to do no time.
18:10 Much less going around blabbing off your big mouth about...
18:13 You mean that Mr. Sanders
18:15 Don't like for nobody to know that he got zombies around here? That's right.
18:19 How come? What'd he do, grow 'em? No, but he show cultivates 'em.
18:23 What for?
18:24 That's his own business. And if you're smart, you keep your big nose out of it.
18:29 Is you telling me?
18:43 Alice.
18:45 You're down early, my dear.
18:49 Permit me.
18:50 My wife.
18:51 Madam Sangley.
18:54 Mr. Summers.
18:55 Mr. McCarthy.
18:56 August.
18:57 What do you do, Madame Sonnery?
18:59 Howdy.
19:00 My wife isn't quite, uh...
19:02 Herself.
19:04 She suffers from a strange malady which I'm trying to cure.
19:12 Here is a peculiar case in contrast to that of the zombies.
19:16 which your servant claims to have seen.
19:18 We are supposedly dead.
19:20 yet contain a certain amount of animation.
19:23 She lives?
19:25 yet walks
19:27 in the land of those beyond.
19:43 Forgive us if we intrude it.
19:45 I didn't know you preferred drinking alone.
19:48 I was a little nervous. I thought it might make me feel better.
19:51 Of course.
19:52 Come with me.
19:54 Mr. Summers?
19:56 Mr. McCarthy.
19:59 Miss Barbara Winslow.
20:00 - My niece. - By marriage. The doctor...
20:05 I mean, my uncle has told me of your unfortunate accident.
20:08 How long do you suppose it will take you to repair the plane at leave? Barbara.
20:12 How can you talk of leaving to our guests
20:14 when they have only just arrived.
20:16 I'm sorry. I didn't mean it that way.
20:19 You see, my niece doesn't like this little island.
20:21 She can only think of it in terms of departure.
20:24 Any place that don't sit well with me, miss, I ups and leaves.
20:28 Unfortunately, that's easier said than done.
20:31 None may leave this island, Episarchusis.
20:35 How's that?
20:35 Oh, uh...
20:36 Of course, I'm only speaking about myself and my family.
20:40 You see, we are Austrian refugees.
20:43 had to flee without passports.
20:45 uh
20:47 We had no choice.
20:48 But we're different, huh?
20:49 Naturally. You wouldn't be on this island if it hadn't been for your crash.
20:53 Isn't that so, Mrs. Somers?
20:54 Well, that's about the size of it.
20:56 You know, I'm beginning to think these islands are bad luck for planes.
20:59 Oh, I don't understand.
21:01 About a week ago, one of our Navy planes disappeared in the same region.
21:06 Anyone of importance? - Yeah.
21:09 Admiral Wainwright.
21:10 One of our ranking admirals. He was on his way to Panama. Mission of some sort for the government.
21:17 How unfortunate.
21:19 Well, of course, sir.
21:21 I will inform the natives
21:23 First thing in the morning.
21:25 And if they can learn of your admiral
21:27 I will...
21:28 Suddenly let you know.
21:30 Thank you, Doctor.
21:31 Excuse me.
21:35 I see you take an interest in my collection.
21:38 Yeah, they are kind of curious. They constitute my hobby, gathered from all over the world.
21:44 Relic symbols.
21:45 of black magic,
21:47 Lycanthropy.
21:49 Voodoo.
21:50 That's so.
21:51 Fight soon.
21:54 You are Irish, are you not?
21:56 Sure, anybody can see that.
21:59 Well, that should be of special interest to you.
22:02 Why me?
22:03 Because it comes from your country.
22:06 The ceremonial mask worn by the ancient Druid high priests
22:10 During the rites of transmigration,
22:12 Transmigration.
22:13 Yes, it means the transfer of the soul of the dead to the body of the living.
22:17 Ain't that tough on the living?
22:19 Perhaps so. But I know of many who would benefit by a new soul.
22:25 Lots of people don't believe in that junk anymore, Doc.
22:27 Well, I hear that in Ireland a good many do.
22:30 I don't know about that.
22:32 Dina is Sir!
22:34 Very interesting, Mr. McCarthy, isn't it?
22:37 Very.
22:41 The inconvenience of the material body always demanding to be fed.
22:46 Come, my dear.
22:49 The idea of me doing scuzz duggery in the kitchen.
22:52 Well, that ain't no business for a man who used to resorting with big shots.
22:56 Who are you trying to fool?
22:58 Well, the only big shot around this here parts is Dr. Sangren.
23:01 And I sure know you ain't no pal of his'n. I don't intend to be.
23:06 Well, that Dr. Sangry is a little shot compared with Mr. Bill.
23:10 - Say. - I said. And you know why?
23:13 Did you hear me inquire?
23:15 It's a secret.
23:16 But I'll tell you if you promise not to tell a living soul.
23:19 Well, I won't.
23:20 Leastwise, not no living so.
23:22 Leastwise,
23:24 Why, a woman is you keeping company with a zombie? Does I look like a widow?
23:28 What's the secret about Mr. Bill? Well, he's on a little special business for the governor.
23:33 Yeah. Mm-hmm. Yeah, they're going to send him all the way to the Bahamas.
23:39 Tonight, sir.
23:41 To Hamma.
23:44 Knock on the dish, Alan.
23:45 Hey, what's up?
23:47 - What's up? - It's almost 12 o'clock. The witcher now.
23:50 Witch and I, what do that mean? It means you better be in bed or the Hanks will get you. Hanks?
23:55 Higgs!
23:56 The feeding time.
23:57 And he likes dark meat.
23:59 Dark meat!
24:00 You don't have to play no second chord for me to find out who that means.
24:03 Where's that bid?
24:04 stay here.
24:06 Oh, mister, I got a date with a dream.
24:08 You stay here.
24:10 Oh, couldn't we flip a coin or something to see if I stay or else?
24:14 Pay no attention to anything you see or hear.
24:23 Pleasant dreams. Nighty-night, sugar pie.
24:29 Remember.
24:34 I cannot forget to remember.
24:38 Don't worry, mister, I couldn't get out of here if I wanted to. Boy, I was petrified.
24:47 Where there's light, there's hope.
24:49 Boy, I need all the hope that I can dig up tonight. I sure wish I'd learned to burn a camel on both ends.
24:56 Oh, my God.
24:57 I'm sorry.
25:02 There's no life in it.
25:05 If I just had me a couple of Lenox Avenue street lights, I could really sleep.
25:13 Mm-hmm.
25:16 What you know, feed time for the hands and I'm caught in the kitchen.
25:21 Mm-hmm.
25:27 My goodness, fire us.
25:36 Hmm.
25:37 What?
25:47 Oh, come close to me. I ain't no filming.
25:55 Night, gentlemen.
25:56 Come on, Doctor. Mr. Bill! Mr. Bill! They're after me! They're after me!
25:59 - Now what? - The zombies, they've been trying to get me!
26:02 Again?
26:03 You still serving over like that, Mr. Summers? This ain't no laughing matter, Dr. Sanders.
26:07 You fooled me once before, but you can't do it this time because I've seen them with my own eyes.
26:11 He seems to be troubled with hallucinations. Not so.
26:14 Zombies, that's what I'm trouble with. You know what, Mr. Bill?
26:17 Why, they tried to have me for dinner.
26:19 Ha ha! Nonsense!
26:21 Zombies don't eat meat.
26:23 That ain't the way I heard it. Oh, the crack-up must have given him a concussion. You'll be all right in the morning, Jeff, as soon as you have a good night's rest. You write about me needing rest.
26:31 But I can't get her sleeping down there in that moat.
26:33 Well, he'll stay up here with us.
26:35 Mr. Bill, them is the joyfullest words that I ever heard. Oh, we have so much room in this house, there's no need for him to sleep here.
26:41 I'll give him an opiate.
26:43 You ain't giving me nothing.
26:45 But this is too irregular. Let him stay here, Doc. I know how he feels and I don't blame him a bit.
26:50 Oh, forgive me. I forgot.
26:52 After all, he is your servant.
26:54 Good night, sir.
26:56 Right, Doc.
26:57 Good gracious, only...
27:01 This joint gives me the willies. I second the motion. Well, I'm not crazy about it either, but there's nothing you can do about it. That's what you think.
27:07 Nobody leaves this island, huh?
27:09 Well, I'm getting off it if I have to swim. And me right behind you.
27:12 You know that Dr. Sanders has got the hex on us.
27:14 Now you're both jumping at your own shadows. Shadows?
27:17 I don't throw them kind of shadows that I saw down in that kitchen.
27:20 Why, Mr. Beale, this place is zombified.
27:23 But good.
27:24 Ah, forget it, Jeff.
27:25 There may be something to that zombie gag, Bill. I've heard of him. Ah, go on. When a man's dead, he's dead.
27:30 Well, supposedly you're dead and don't know it.
27:33 Forget it, will you, Jeff? Go on to bed.
27:35 Where am I gonna sleep?
27:36 I sleep there on the couch.
27:37 Right, are you?
27:39 Whew.
27:40 Mm-hmm.
27:46 Hey.
27:48 What's that?
27:51 That's a generator as sure as the shamrocks in Ireland. Maybe it's for an electric light.
27:55 Have you seen electric lights around here?
27:57 Maybe they ain't screwed them in yet.
27:58 There's only one reason for a generator to be on this island.
28:01 Radio.
28:03 I don't get it.
28:04 Why would he lie about the radio when... That's one of the things that got me mixed up.
28:08 But let me tell you this. If we live through the night and that radio on the plane is okay, I'm going to camp on it. Tomorrow I scare up a gunboat.
28:19 *Loud music*
28:30 Oh, my God.
29:16 What's the matter? What happened? Everything happened.
29:26 The first it was zombies and then it was ants, and now it's a lady ghost. She come right through that wall. Now look, Jeff, the first couple of times it was funny, but now you're going too far. Oh, no, I ain't, Mr. Bill. She walked right through that wall. Ah, it's your imagination. Go on back to bed. Imagination? Why, Mr. Bill, my imagination ain't that strong.
29:42 What?
29:43 Imagination couldn't drop this, could it?
29:45 - Look it in. - What is it?
29:47 It's an earring.
29:50 Where did you say she went? She walked right through that wall, just like it wasn't there.
29:54 Right here, Mr. Peel.
29:55 I'll show it till you're two.
29:59 She walked right through this wall here, and don't ask me how she done it.
30:08 I saw it as a rock.
30:10 That gets me. Any idea who she was?
30:12 I didn't ask the lady her name. I was doing pretty good just looking.
30:15 What do you say, Bill? You still think he's crazy?
30:18 Well, I'll tell you better in the morning.
30:19 Now, next time you see anything like that, hang on to it. If I do, it's got to catch up with me first.
30:40 Nothing doing. Looks like any of the doorknobs are haunted around this joint. I'm gonna find out what this is all about right now. Oh, Mr. Bill, with all these hats around here, does we have to go looking for him? - You can stay here, Jeff. - No, sir. Wherever thou goes, I'll go.
30:53 I hope it ain't too full. Well, keep your eyes open. Let's have a look downstairs.
30:59 I'm sorry.
31:15 - As quiet as a tune. - The tune.
31:25 Oh
31:31 I'm sorry.
31:41 Yeah.
31:42 We better split up.
31:43 You don't mean three ways.
31:45 Mr. Bill, I think two is better. Look, Jim, where did you say you saw those things? Oh, Mr. Bill, you ain't going down in that zombie nest. Where is it?
31:52 Oh, back in the kitchen?
31:53 That's for me. All right, I'll look around up here.
31:56 Okay. Come on, Jeff. Who, me? No, sir. Oh, Mr. Mack, I ain't got no business down there. Light down. You gotta show me the way. Does I have to? Can I draw you a map or something? Oh, go ahead, Jeff. You're wasting your time. Oh, my goodness. Right out of the skillet into the frying pan. I couldn't win tonight if I had crooked back.
33:20 Oh
33:27 Come on.
33:40 Why, it's you.
33:42 Do you always sneak up on people like that?
33:45 Not always.
33:46 Tonight it seems to be the custom.
33:49 I thought I'd return your call.
33:51 You mind?
33:53 My call.
33:54 It's rather late for research, isn't it?
33:59 There were some things I had to know.
34:01 So I noticed.
34:02 When you want to know a thing, you really go after it, don't you?
34:06 Would you mind please telling me what you're driving, huh?
34:09 Not at all.
34:11 This plowing act of yours.
34:13 What's the idea?
34:14 Oh, it's my aunt. I'm so worried about her.
34:18 She is hypnotized, isn't she?
34:20 I don't know.
34:21 I think so.
34:23 You don't think I did it, do you?
34:25 I'm in no position to accuse anybody of anything.
34:29 Look, Mr. Summers.
34:30 I've got to get my aunt off this island.
34:32 She's been this way ever since she came here.
34:35 I'm afraid if we don't do something soon, something dreadful is going to happen to all of us.
34:41 Well, I've got to trust somebody around here. That's a cinch.
34:44 But in order to help you, you've got to help us.
34:46 Oh, I'll do anything.
34:49 Anything I can.
34:51 Well...
34:52 We think Dr. Sangre has a radio transmitter concealed on this island.
34:56 I've thought that for a long while.
34:58 I don't know where he keeps it, but there must be one because he's always getting messages from somewhere.
35:03 Do you think you could find it?
35:05 Try it.
35:06 Swirl.
35:09 We better get back to our rooms. Is there anything else?
35:12 Not now.
35:14 I'll see you in the morning.
35:17 Where'd those zombies come from? They didn't. They sprouted.
35:22 Just like mushroom.
35:23 With a description like that, they ought to be very easy to find.
35:26 That's just what I'm afraid of. Well, let's have a look around. Mm-mm, not me. I'm gonna stay right here.
35:32 Mm-hmm.
35:45 The trumpet sure gives a man a color.
35:53 Yeah.
35:54 Don't do that, Mr. Mac. You know my heart can't stand. You know one thing, Mr. Mac, you see? Wow! Mr. Mac! Mr. Mac! Mr. Mac! Mr. Mac!
36:15 Mr. Bill, the zombie's got Mr. Mack.
36:18 - You all right, Mac? - Yeah. Looks like I pulled another Brannigan.
36:21 That's not so bad. It's just a bump.
36:23 Yeah, two cracks on the bean in one night. How am I doing? I heard someone cry out.
36:28 It was me, and I wasn't dreaming. Oh, yes, we thought we heard something, Doctor. We came down here to investigate. So?
36:33 Yeah, I got tangled up with one of your rape men and got the worst of the argument.
36:36 Too bad. I should have warned you.
36:38 Some of my servants act as
36:40 - Galt's at night. - You sure it wasn't a zombie?
36:42 Ridiculous. Well, he knows it wasn't a zombie doctor. It was our fault, but...
36:46 We should have taken your advice and stayed where we belonged.
36:49 You're a sensible man, Mrs. Summers.
36:51 Let's go back to bed, fellas.
36:52 I'm sorry.
36:53 This won't happen again.
37:06 You know?
37:07 The stump don't look half bad in the day, like.
37:09 Yeah, it almost makes last night seem like it didn't happen.
37:12 Don't kid yourself.
37:14 That airing happened.
37:15 You know, I'm beginning to believe this thing was dropped on purpose.
37:18 Good morning.
37:19 Good morning.
37:20 Hollywood.
37:21 I think you dropped this last night.
37:23 That? Oh no, that belongs to my aunt.
37:25 I'm so glad I was able to find you, Lorne. There's something I've got to tell you. - What is it? - It's about last night. There's a...
37:34 Good morning.
37:35 Having an interesting conversation, my dear? Miss Winslow was just telling us about your island. That's right.
37:42 How thoughtful of her.
37:44 Did you sleep well last night?
37:46 Well, as well as we could with the storm and all. Good.
37:50 I took the liberty of having some breakfast sent to your room.
37:52 I hope you didn't mind.
37:53 Not at all. It was an unexpected treat.
37:59 You seem to admire my wife's earrings.
38:02 Oh, I was just, uh...
38:04 My wedding present to her.
38:06 Very unique. Quite so.
38:08 I dare say there's not another pair like them in the world.
38:12 Really?
38:13 They were among the few possessions which we were allowed to take out of the old country.
38:17 You don't say.
38:20 Well, while you are here, I want you to...
38:22 Feel perfectly at ease and do as you like.
38:26 What are your plans for today? I'm going down and take a look at the plane. Yes, we're anxious to see what damage was done by the crash last night.
38:32 I see.
38:33 Would you care to join us, Miss Winslow?
38:35 - Oh, I would love to. - No, no.
38:37 That would be quite impossible.
38:39 My niece assists me as my secretary.
38:42 We have a lot of work to do, my dear.
38:44 Some other time, perhaps. Oh, certainly.
38:47 Shall we go, Mac?
38:48 I'm all for it. Enjoy yourselves.
38:50 But don't forget lunch in the noon.
38:52 Thanks, Doctor.
38:54 Bill?
38:56 Let's have a look at that earring.
39:01 The same, all right.
39:04 The only pale like him in the world, huh?
39:07 I don't get it.
39:08 Neither do I.
39:09 Barbara didn't drop it.
39:10 Madame Sangre couldn't have, apparently. Who did?
39:13 This is the most cockeyed racket I ever bumped into.
39:16 Well, I'm forgetting out of it as quick as possible.
39:19 Let's get the radio started.
39:23 Bill.
39:24 Look there.
39:26 What about it? Ain't that a fresh grave? So what?
39:29 You're in a cemetery where it's customary to bury people in fresh graves.
39:32 Yep.
39:33 But that's been dug since the storm last night.
39:36 Listen, are you getting those zombies on your mind, too? You and Jeff make a great pair. You still don't get it.
39:41 Take a look at that headstone.
39:43 That guy was buried over a week ago.
39:45 Somebody must have dug them up.
39:48 Come on.
39:50 Boy, will I be glad to get away from this joint.
40:01 Well, it could have been worse. Hey, Mac, come here.
40:05 What's the matter, is it busted?
40:11 How do you like that?
40:12 Somebody's dismantled it.
40:14 They dismantle it? I'll say they have. What next on this devil's island? Mac, we're in a spot.
40:18 I don't know why, but somebody's trying to hold us here.
40:21 Trying to hold us, is it?
40:23 That Dr. Sangre and his droids and his zombies?
40:26 He better not try to pull any of this black magic on me. Calm down, Mac. Rabin isn't going to get us anywhere. I'm going to find that, Doc.
40:32 Are you crazy? Do anything now to make him suspicious, no telling what he might do.
40:36 Take it easy until we find out what he's up to.
40:38 Well, maybe you're right.
40:40 But there's one thing I can't do, and I'm going to do it right now. I said take it easy. All I'm going to do is try and find that generator we heard humming last night.
40:47 Hey, that's an idea. The old man's got a radio hidden away someplace. We could sure use it. Let's go.
40:52 You better let me handle this. Like you said, we don't want to make anybody suspicious. And with two of us snooping around, it mightn't look so hot.
40:57 Okay, I'll go back to the house and try to get Barbara away from Doc long enough to find out what she was trying to tell us.
41:02 Think you can handle it alone?
41:03 a century.
41:04 It's right up my alley.
41:05 My old man used to be a cop.
41:07 Hm.
41:11 *Planetal music*
41:17 *thud*
41:49 I'm going to go.
41:56 "I don't know what I'm saying."
42:14 The hammer.
42:15 Yes, Master.
42:16 How much longer?
42:17 Sung, Master, sung.
42:18 Voodoo magic works slow, but it is show-up.
42:22 The Admiral has painted.
42:24 Your magic is no good. It puts him to sleep.
42:27 I am Mama Lai, high voodoo priestess.
42:30 I sent him in trance, so he talked.
42:33 Too slow.
42:34 He has valuable information which we must have at once.
42:38 The three men upstairs may be in the Secret Service.
42:41 You must make him talk to Hama.
42:57 Dr. Sangray ruft X402.
43:01 Dr. Sunray ruft X402.
43:07 Have another piece of pie, Honeyland? I already had two.
43:10 You already had six, but does you want another one? Well, if you insist.
43:16 Boy, you's the most pious man I ever did see. Ain't it the truth? I bet you none of them gals in Holland never bait you no pie like that. Oh, I don't know. Oh, you ain't so smart.
43:28 I had me a bull once.
43:29 And he wasn't no common old valet like you neither. Is that so?
43:34 He was an explorer.
43:36 That's the portal. That's right. Now, that's fine.
43:40 When did he handle? Bags.
43:42 On the Pullman train.
43:44 Whoever come up in.
43:46 She was killed.
43:47 By reviving cream.
43:49 A revolving crane? Mm-hmm.
43:52 Y'all sure have some fierce birds around this country.
43:55 Do you miss him much?
43:56 Not much.
43:57 I sees him every now and then.
44:00 Who's that?
44:01 - Hmm?
44:01 He's Lazarus.
44:03 That zombie you met last night. Oh, now, is that one? Hmm?
44:08 Jeff.
44:09 Why, you, Mr. Bill, you sure give me a turn.
44:11 Have you seen Mac? He's been missing since early this morning.
44:14 No, sir, I ain't seen him.
44:15 You don't think nothing happened to him?
44:18 I don't know what to think.
44:19 Don't mind me, Mr. Bell.
44:21 I'm on your side.
44:23 You think we better go look for him? All right. Before we go, run upstairs and get my gun in the bag, will you?
44:28 Would you go shoot somebody?
44:29 Well, don't ask any questions. Meet me in the library. Yes, sir.
44:45 Oh, excuse me, Mr. Doctor, I'm in her own room.
44:49 No, I ain't either. This is Mr. Bill's room.
44:51 What you doing going through his bag?
44:53 Jeff?
44:55 I was looking for you.
44:56 Looking for me?
44:57 In there?
44:58 I've got something to show you.
45:01 You got something to show me.
45:03 That's right.
45:03 I know, Mr. Doctor, but I got business elsewhere.
45:07 Nonsense.
45:08 This is far more important.
45:10 Oh, not to me, Mr. Doctor. What is the matter?
45:16 Shhh.
45:17 Oh, Doctor.
45:22 Watch.
45:31 That's where that lady went. What lady? The ghost lady.
45:42 I'm not.
45:43 - No.
45:46 No.
45:47 The ghost lady.
45:49 Yes, she went right through there.
45:54 Come. Now, wait a minute, Doc.
45:58 Now, wait a minute. Mr. Sandman?
46:10 Mr. Bill ain't gonna like this. Where has you taken me?
46:14 What?
46:14 Where is we going?
46:31 Jeff, get a move on. We've got... You again. What are you doing in here? Where's Jeff?
46:36 I wouldn't know, sir.
46:43 It's gone. You know about this, you devil. Give me that gun.
46:46 I have no gun sir. Don't lie to me.
46:52 Somebody has. Where's Jeff? Where is he? And Mac, what's happened to him?
46:56 I wouldn't know, sir. You were gonna tell me or I'll... I said I wouldn't know, sir. You wouldn't spell it if you didn't know. I'm gonna find him if I have to search every inch of this island.
47:09 Yes, sir.
47:11 Look at this watch.
47:14 See it move.
47:17 Watch it.
47:19 You have seen nothing.
47:21 You know nothing.
47:23 Repeat after me.
47:26 I have seen nothing.
47:27 I know nothing.
47:29 I have seen nothing.
47:31 I knows nothing.
47:32 I don't even know my name. I don't even know my name.
47:37 I am dead.
47:39 Um...
47:40 I is.
47:41 Repeat.
47:43 I am dead.
47:44 I am dead.
47:47 I am dead.
47:49 I have returned to the land of the living.
47:52 I am a zombie.
47:54 I am a zombie.
47:56 I am a zombie.
47:58 I am a zombie.
48:01 I am a zombie.
48:03 I am a zombie.
48:06 Get over there where you belong.
48:08 Yes.
48:09 Sir.
48:17 Move over, boys. I'm one of the gang now.
48:25 Mac! Jeff!
48:32 I'm going to go.
48:41 I'm going to go.
48:47 I'm going to go.
48:48 Mac!
48:50 Mac, where are you?
48:52 Jeff! Jeff!
48:54 Oh, my God.
49:00 I'm going to go.
49:05 I
49:09 I'm going to go.
49:15 I'm going to go.
49:21 No.
49:24 No!
49:26 No! No!
49:36 No.
49:41 Aunt Alice, think. Think hard. Remember. Try to remember.
49:49 Oh, you've got to get over this.
49:52 Must speak to me.
49:54 You must!
49:55 No.
49:57 Oh
49:58 Come on.
50:02 So you're mixed up in this mess, too? Oh, no, I was only trying to... I know what you were trying to do.
50:07 I thought Dr. Sangre was responsible for that.
50:09 Now I see it's you.
50:10 I'm only trying to undo what already had been done. By hypnotizing her still further. But it's the only way. You must believe me.
50:16 I wouldn't believe you or anybody else in this madhouse.
50:19 I suppose next you and your vultures will be after me.
50:22 Next.
50:23 Don't pretend that you don't know what happened to Jeff and Mac.
50:26 I know.
50:28 Move.
50:31 Mac! He's sick. Get some brandy.
50:37 Come on.
50:39 All right.
50:40 Mac, tell me what's the matter. What happened? Where have you been?
50:46 It doesn't do any good. Well, I hope you're satisfied. No, I think... I saw your friend enter from the jungle. Is anything the matter? What do you think? Well, let's have a look. Let's have a look.
51:00 Mm-hmm.
51:03 I was afraid of it.
51:05 He has contracted a very rare and dangerous jungle fever. Is that so?
51:09 It paralyzes the motor region of his brain.
51:12 He must have medical...
51:14 Attention at once. But you're a doctor. See what you can do about it. I'm sorry. It's beyond my palates.
51:19 I thought so.
51:20 You're going to let him die.
51:22 Not at all.
51:23 There is a native doctor in the village who knows more about this than I do. We'll send for him at once.
51:28 Actually.
51:30 I remember.
51:31 and sent for Dr. Cuy.
51:32 Yes, Doctor. You'd better put him to bed.
51:45 Mr. Summers?
51:46 This is Dr. Cree. John, Mr. Summers, I'm sure. What do you do, doctor?
51:50 Dr. Kui, you was educated in your country.
51:53 American, precisely.
51:55 This is the patient, I presume? Yes, make it snappy, will you, Doctor?
52:12 I'm sorry. There's nothing I can do. Nothing?
52:17 Are you sure?
52:17 Positive.
52:18 This man has been dead since morning.
52:34 I'm profoundly sorry about the death of your friend, Mr. Summers.
52:38 It has to be, it has to be, I suppose.
52:41 Did you have to bury him so soon?
52:43 It was out of my hands.
52:45 The local law insists...
52:47 The climate and something even worse makes it necessary.
52:50 You mean this voodoo zombie business, huh?
52:53 This voodoo magic is far more real than you think, Mr. Summers.
52:58 You heard what Dr. Cui had to say.
53:00 No, but that's impossible. Dead since morning.
53:03 Things like that have happened before on this island.
53:06 There are even wisplings going on among the natives.
53:10 that he was bewitched.
53:12 Bewitched?
53:13 But why?
53:14 What for?
53:16 Maybe for playing into things that did not concern him.
53:20 Moment bitter.
53:21 Doctor.
53:22 That must have happened.
53:25 Excuse me.
53:34 What is it?
53:35 The radio.
53:36 Word has just come through. They must have the Admiral's information at once.
53:41 We've got to make them talk.
53:44 we might perform the ceremony.
53:47 the rights of transmigration.
53:50 Get everything ready.
53:52 Inform to hammer.
53:55 and get Madame Sangry to the dungeon.
53:57 Madame Sangry?
53:59 You hurt me.
54:00 Hurry.
54:16 Try them all.
54:17 The ceremony sped up.
54:20 I'll be right along.
54:23 I'll have to go.
54:25 You've got to feed the zombies.
54:28 Me.
54:29 I can't stand zombies and you knows it. Do as you're told.
54:33 Then you'd better set another plate.
54:36 What are we going to have?
54:37 Company for dinner. Company?
54:40 You mean there's a new one? That's right.
54:43 The Archman!
54:45 Can't stand.
54:46 Hehehehe.
54:52 Do the clam.
54:58 Imagine us having a white zombie for dinner.
55:33 Gangway for kids on.
55:35 What you doing in that line-up?
55:36 Don't bother me, woman.
55:38 Can't you see I was a has-been?
55:40 A zombie?
55:41 Nothing else but...
55:42 And don't ask me my name.
55:44 Because I don't know.
55:46 I don't know nothing.
55:48 You ain't no zombie.
55:49 Zombies can't talk.
55:51 Can I hit me cause I'm loquacious?
55:53 How'd you get this way?
55:55 I ain't tellin' nothin'.
55:57 All I know is that I joined the club.
55:59 And as a member,
56:01 I have privileges. What privileges?
56:03 Privilege to get fed.
56:05 There ain't no new development with you.
56:08 Woman?
56:09 Where's my food?
56:10 That is, help yourself.
56:20 Come and get it.
56:28 Where's the right one?
56:32 What white one?
56:33 The one who flew the plane you come in.
56:35 He's also one of the new recruits.
56:38 The only one I know about...
56:40 is the boys in my squad.
56:44 Is this the best food you got?
56:46 The best?
56:47 For zombies, that am the six-bit deluxe special.
56:51 Just being a zombie sure is a drawback.
56:57 Why the salt?
56:58 You eat that the way it is and likes it.
57:01 Zombies ain't supposed to use so.
57:15 I thought you said... I changed my mind.
57:19 That's more like it.
57:22 Take it easy there, woman. I ain't no hearing.
57:24 Now eat.
57:28 Ooh!
57:29 What are you trying to do, poison me?
57:31 How's your feeling?
57:33 How should I feel? You ain't feeling dead, is you?
57:36 Because if he is, then you're the zombie.
57:38 And if I...
57:39 Then you ate no dandelion.
57:41 The rule says
57:42 If a zombie uses salt,
57:44 He dries up and gets dead again.
57:47 I love
57:50 How do I look?
57:52 Take a look for yourself.
57:56 Well, according to this, I ain't dead.
57:59 That's all I want to know. Then you ain't no zombie.
58:03 How do you know?
58:05 Because when a zombie looks in the mirror, he don't see nothing.
58:11 That's me, all right.
58:14 Well, I ain't no zombie after all.
58:16 If I ain't no zombie in the ears, what am I doing here? What am I... Hey, where you going?
58:30 Jeff, where have you been? What are you doing coming out of there? One at a time, Mr. Bill. I've just been reincarnated. You what? I just got de-zombified.
58:39 That's the facts, Mr. Bill.
58:41 But that's all I remember. Jeff, you've got to remember it.
58:43 These zombies...
58:45 Did you see any of them?
58:46 I just got to eatin' dinner with 'em.
58:48 Were any of them white?
58:49 Why do you ask me that? Sir Matthew asked me the same thing down in the kitchen. No, I'm just thinking of Mac. They were in such a hurry to bury him.
58:56 Barium?
58:57 Is Mr. Mac dead?
58:59 My goodness.
59:01 Maybe he's the one that... The one?
59:04 Go on.
59:05 What one?
59:06 I was digging in a graveyard.
59:08 Hey.
59:09 Can you imagine me digging in a graveyard?
59:11 What about the graveyard?
59:13 No.
59:15 That couldn't have been me.
59:16 Oh, but Jeff, you've got... What was that? Sounded like a woman's scream.
59:23 What one? I don't know, but it sounded like Barbara. I'll get the flashlight.
59:28 Or forget it.
59:34 down here I'm coming to the heart in
59:50 Oh, my God.
59:54 Oh, my God.
1:00:06 I'm sorry.
1:00:21 Madame Sangre.
1:00:24 That's what you got for trying to warn us.
1:00:27 Whoever did it can't be far away.
1:00:29 You mean can't be too far away.
1:00:31 Jeff, look.
1:00:33 I, if you look,
1:00:35 I ain't responsible for nothing, you see.
1:00:41 Mr. Beale, ain't that a coffin?
1:00:44 It's Max.
1:00:45 You don't think he done joined up with his armies, do you? I don't know. But if that song great thinks he can use Mac's body to... What's the matter? Listen.
1:00:57 What does that sound like to you? I don't know, but it ain't Gene Krupa. It's the same drums we heard the other night. Voodoo drums. We gotta find them. Oh, Mr. Billy, we found enough in one day. After this, there's no telling what he's up to. Mac might be... Come on. I'm coming.
1:01:15 Mr. Bill, does we have to do this? Quiet, Jack. I ain't said I would.
1:01:44 In there.
1:01:55 I won't budge. Jeff, you were down here. Don't you remember how you got in? I can't remember. Think hard, Jeff. We got to get in there.
1:03:25 Who are you? Speak! Tell me! Who are you? I am... I am... Agnes... Agnes...
1:03:55 Admiral Wainwright, what were your orders?
1:04:08 To go. To go.
1:04:15 Mamba, you fool!
1:04:17 She was just going to talk. Unbelievers!
1:04:21 Outsiders come in!
1:04:30 Get them!
1:04:31 Mac, go back. It's Bill. Bill Summers, your pal. Go back. Mac, go back.
1:04:49 Stop.
1:05:35 Did you contact the Coast Guard? There will be a boat here for us in the morning.
1:05:39 So how's your friend? Those bullets didn't help him any.
1:05:43 You'll need a little patching up when that Coast Guard cutter gets here.
1:05:45 But he says he's raring to go again.
1:05:48 Say, by the way, how did that insane doctor manage to get you on this island?
1:05:52 when they brought our claim about the false radio beam
1:05:55 killed the crew and tortured me to get information about our canal zone fortifications for his government.
1:06:02 He didn't succeed at first.
1:06:04 And then he decided to try this
1:06:07 Voodoo business.
1:06:08 Oh, you mean those rights of transmigration he talked about? Yes, that's right.
1:06:13 You see, he tried to transfer the Admiral's information to my brain.
1:06:17 He was completely mad on the subject of hypnotism. Half the island was under his spell. First he tried to use Madame Sangry as a subject.
1:06:25 When she broke under the strain, he used Barbara.
1:06:29 I hate to think what might have happened if you hadn't turned those zombies against him.
1:06:33 You and me both.
1:06:34 If there's one thing that I wouldn't want to be twice,
1:06:37 Zombies is both of them.