Street
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 22:29 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 73 · shots 217–220. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- street (street, exterior) evidence: frame:1
- People
- man in light shirt and dark pants, standing on street visible
- man in light shirt and dark pants, standing near ticket booth visible
- child or small person in light shirt, visible at ticket booth visible
- person in coat, walking on street visible
- unspecified, audible speaker audible
- Seen happening
- People stand on a street near a theatre. [frame:1]
- A sign for "PHOTOPLAY THEATRE" is visible under a metal canopy. [frame:2]
- Three silhouetted figures stand in a doorway looking out. [frame:3]
- People stand at a ticket booth with a "PULL" sign on the door. [frame:4]
- Also said
- “I” 22:56 · “*Humming*” 22:59
- Seen
- PHOTOPLAY THEATRE sign, ticket booth with "PULL" sign, metal canopy structure
- On screen
- PHOTOPLAY THEATRE, PULL
- Interpretation
- Model opinion, not evidence: mood: melancholic; themes: belonging, departure, urban isolation; style notes: high-contrast black and white, silhouetted figures, static medium shots
A group of people stands on a sunlit street near a theatre entrance; one person is seen at a ticket booth. A voice speaks about children buying friends and belonging, then says they are leaving, followed by humming.
“Children who buy their friends will do almost anything to feel they belong.” 22:33 · “I'm going to go.” 22:38 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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