Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 6 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 21:20 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 27 · shots 203–205. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- man in dark suit and striped tie, holding hat visible
- man in light suit and tie, standing behind p1 visible
- woman in light sweater, arms crossed visible
- Pidge (named at t:21:36): boy in plaid shirt visible
- Mr. Barron (named at t:21:35): older man in striped shirt visible
- Page (named at t:21:35): man in dark suit (same as p1) visible, audible
- Also said
- “I'm gonna be in the Secret Service someday.” 21:28 · “Thought you was gonna be a sheriff like Todd.” 21:30
- Seen
- bookshelves [frame:2], hat [frame:1], plaid shirt [frame:2]
- Interpretation
- Model opinion, not evidence: mood: tense but conversational; themes: identity, aspiration, intergenerational dialogue; style notes: medium shots, studio lighting, formal attire, bookshelves suggest domestic interior
Three people stand in a room with bookshelves; a boy in a plaid shirt is present as two men speak. One man introduces himself as Page to Mr. Barron, and another man addresses the boy as 'Pidge'.
“Name is Page, Mr. Barron.” 21:35 · “Glad to meet you, Pidge. I ain't a squirt.” 21:36 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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