Telegraph and cable office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 12:46 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 24 · shots 121–125. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- telegraph_and_cable_office (shop, exterior) evidence: frame:2
- People
- Pete Benson (named at t:12:57): man in dark suit, white shirt, dark tie, fedora hat, smiling visible, audible
- man in light uniform shirt, dark tie, peaked cap, arms crossed visible, audible
- Seen happening
- Man in fedora smiles at camera. [frame:1]
- Man in uniform speaks, standing outside a building labeled 'TELEGRAPH & CABLE OFFICE'. [frame:2]
- Man in uniform and man in fedora face each other, both smiling. [frame:3]
- Wide shot of a house on a grassy slope with trees. [frame:4]
- Also said
- “Therefore, Mr. Shaw, he'll be the last one in the world to object.” 13:01 · “Pete Benson, for heaven's sake.” 13:05
- Seen
- fedora hat [frame:1], uniform shirt [frame:2], peaked cap [frame:2], sign: TELEGRAPH & CABLE OFFICE [frame:2], house on slope [frame:4], trees [frame:4]
- Interpretation
- Model opinion, not evidence: mood: conversational, slightly surprised; themes: recognition, past relationships, small-town setting; style notes: black-and-white, medium close-ups on characters, wide establishing shot, studio lighting on faces
Two men converse near a building labeled 'TELEGRAPH & CABLE OFFICE'; one identifies the other as Pete Benson, his former boss. A wide shot shows a house on a grassy slope with trees.
“Pop Benson?” 12:46 · “Well, Pete Benson used to be my old boss.” 12:57 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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