Public Reel

Hearts in Bondage · Beat 73 · permalink

Private office

25:36–26:40 Registered 1936

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 25:4025:40Frame at 25:4725:47Frame at 26:1526:15

Play from 25:36 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 40 · shots 189–191. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • older man, balding, wearing formal black suit with bow tie and vest visible, audible
  • older man with long white beard, standing, wearing dark coat visible
  • man with glasses, seated, wearing dark suit visible
  • man in military uniform with epaulets, seated visible
  • Uncle John (named at t:26:12): younger man in suit and bow tie, seated at table visible, audible
Also said
“Put that down, don't cut.” 26:30 · “Come on.” 26:37
Seen
{'item': 'top hat on table', 'frame': 3}, {'item': 'wooden table', 'frame': 3}, {'item': 'bookshelf', 'frame': 1}, {'item': 'wall sconce with two bulbs', 'frame': 2}, {'item': 'military uniform with epaulets', 'frame': 2}
Interpretation
Model opinion, not evidence: mood: tense and frustrated; themes: bureaucratic conflict, military-industrial tension, personal frustration with politics; style notes: static medium shots, high-contrast lighting, formal costumes, period interior set

A man in formal attire speaks in a room with other men; one is seated in military uniform. The dialogue references a committee, a contract, and warships, and includes a character named Uncle John. Another man urges action, saying 'Come on.'

“The committee has just approved the contract. Then you've made a mistake, a very bad mistake.” 25:38 · “I know your capacity, Uncle John, but don't you think... What else is there for me to do but drink in a town like this? You keep me here surrounded by politicians and gold-brainers? Why don't we go back to New York where we can work? But the Union needs your monitor, and sooner or later they'll realize it. They realize nothing. I tell you, I won't stay here another day. Not on nothing.” 26:12 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Hearts in Bondage (1936) at 25:40 (passage 25:36–26:40); US record: No renewal found

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