Public Reel

Three Came Home · Beat 78 · permalink

Forest

48:11–48:44 Registered 1950

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Not yet checked. The automatic checks have not run on this beat. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 48:1448:14Frame at 48:2148:21Frame at 48:3648:36Frame at 48:4248:42

Play from 48:11 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 48 · shots 164–168. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • woman, mid-adult, light-colored patterned shirt, dark skirt, hair pulled back visible, audible
  • man, mid-adult, light shirt, dark pants, back to camera visible, audible
  • man, mid-adult, light shirt, dark pants, smiling, visible in frame:2 visible
  • man, mid-adult, light shirt, dark pants, wearing a helmet, visible in frame:4 visible
  • child, young, wearing a light hooded garment, visible in frame:2 and frame:4 visible, audible
Seen happening
  • A woman and a man shake hands outdoors. [frame:1]
  • A child in a hooded garment stands near two men. [frame:2]
  • The woman extends her hand to receive something from the man. [frame:3]
  • The man hands an object to the woman while another man in a helmet watches. [frame:4]
Also said
“Do you have any idea where you're going? No. Well, perhaps you'll go to one of the big camps. You'll have it better there.” 48:31 · “I have a little going away gift for you. For me too, Daddy? For both of you. Be careful now that the guards see.” 48:31
Seen
hand, hand, helmet, hooded garment
Interpretation
Model opinion, not evidence: mood: tense and bittersweet; themes: separation, survival, care under constraint; style notes: medium shots, natural lighting, outdoor setting with dense foliage, characters in close proximity suggesting intimacy under surveillance

A woman and a man exchange a gift outdoors while being watched by guards; the woman is told she and her child are being moved to a camp. The transcript reveals they are discussing their health, hunger, and a recent purchase of eggs.

“Oh, Georgie, my, what you've grown. You really have. How are you feeling? I'm hungry, babe. Oh, no, you can't be. You've just eaten.” 48:13 · “Are you sure you're all right? Oh, absolutely, darling. They treated us very well, really.” 48:31 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Three Came Home (1950) at 48:14 (passage 48:11–48:44); US record: No renewal found

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