Public Reel

Three Came Home · Beat 14 · permalink

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16:03–16:14 Registered 1950

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Not yet checked. The automatic checks have not run on this beat. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 16:0316:03Frame at 16:0516:05Frame at 16:1016:10

Play from 16:03 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 7 · shots 36–38. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1, frame:2, frame:3
People
  • woman with dark hair, wearing a light-colored short-sleeved dress with a pattern, visible in frame:1 and frame:3 visible
  • woman with dark hair, wearing a light-colored short-sleeved dress with a pattern, visible in frame:2 visible
  • woman with dark hair, wearing a light-colored short-sleeved dress with a pattern, visible in frame:2 visible
  • child, visible in frame:2 and frame:3, wearing a light shirt visible
  • soldier, wearing a dark uniform with a belt and cap, visible in frame:1 and frame:3 visible
Seen happening
  • A soldier stands in a crowded room. [frame:1]
  • A woman holds a child while another woman stands nearby. [frame:2]
  • A soldier stands facing two women in a crowded room. [frame:3]
Seen
uniform, dress, child's shirt, wooden wall
Interpretation
Model opinion, not evidence: mood: tense; themes: separation, authority vs. maternal instinct; style notes: medium shots, black and white, studio lighting, crowded composition

A woman refuses to leave a child with a soldier, insisting she cannot leave him alone. The soldier and another woman are present in a crowded interior space.

“You come along.” 16:03 · “Oh, no, I won't leave him. I can't leave him here alone. Leave him. Soldier take care of him.” 16:04 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Three Came Home (1950) at 16:03 (passage 16:03–16:14); US record: No renewal found

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