Public Reel

Three Came Home · Beat 126 · permalink

Private office

1:14:16–1:14:45 Registered 1950

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:14:181:14:18Frame at 1:14:221:14:22Frame at 1:14:291:14:29Frame at 1:14:381:14:38

Play from 1:14:16 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 83 · shots 273–277. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1, frame:4
People
  • woman, mid-adult, wearing a checkered short-sleeve shirt, seated at a desk visible, audible
  • Oscar (named at t:74:39): man, mid-adult, wearing a military-style uniform with epaulets, standing, appears to be in authority visible, audible
  • man, mid-adult, wearing a military-style uniform, standing behind p2 visible
  • man, mid-adult, wearing a military-style uniform, standing with back to camera visible
Seen happening
  • The woman refuses to sign a document. [frame:1]
  • The man in uniform (p2) insists she sign. [frame:2]
  • The man in uniform (p2) speaks with a stern expression. [frame:3]
  • The woman remains seated at the desk while three men stand around her. [frame:4]
Also said
“No, no, you sign.” 74:29 · “It's got it down now, Oscar.” 74:39
Seen
desk [frame:1, frame:4], chair [frame:1, frame:4], lamp [frame:1], map [frame:2, frame:3, frame:4], papers [frame:4], typewriter [frame:4]
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: authority vs. individual conscience, coercion, moral resistance; style notes: static medium shots, high-contrast black-and-white lighting, formal framing emphasizing power dynamics

A woman refuses to sign a document in a room with several men in uniform, one of whom insists she sign. The setting appears to be an office with a map on the wall and a desk with papers.

“I can't say that. It's not true.” 74:19 · “In his order, I say sign it. I won't do it. If I did, you'd have the right to kill me for falsely accusing a Japanese soldier. I won't do it.” 74:21 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

Share

Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.

Frame from Three Came Home (1950) at 1:14:18 (passage 1:14:16–1:14:45); US record: No renewal found

Permalink
always the current cut
Permalink to this version
warns if the beats are recut later
Card image
https://publicreel.org/cards/moment/ThreeCameHomeClaudetteColbertHankrip/b126.png
Figure for a newsletter or page
Cite