Public Reel

Three Came Home · Beat 124 · permalink

Private office

1:13:09–1:14:06 Registered 1950

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Not yet checked. The automatic checks have not run on this beat. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:13:161:13:16Frame at 1:13:391:13:39Frame at 1:13:551:13:55Frame at 1:14:011:14:01

Play from 1:13:09 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 81 · shots 268–271. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • woman, middle-aged, wearing a patterned short-sleeve shirt and a headscarf, seated visible, audible
  • man, middle-aged, in a military-style uniform with a cap, standing visible, audible
  • man, middle-aged, in a military-style uniform, seated behind a desk visible
  • man, in uniform, standing near a window visible
Seen happening
  • A woman sits at a desk while a man in uniform stands over her, holding a document. [frame:1]
  • The woman looks up, appearing concerned, as she speaks about not lying and having no witnesses. [frame:2]
  • The man behind the desk looks downcast and serious. [frame:3]
  • The woman refuses to sign the document without reading it, while the standing man urges her to sign. [frame:4]
Also said
“I can't identify the man and I haven't any witnesses.” 73:33 · “Of course not. I can't sign anything I haven't read. You sign. Everything be okay.” 73:52
Seen
desk, maps on wall, document, lamp, typewriter, chair
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: authority vs. individual conscience, bureaucratic coercion, gender and power in wartime; style notes: static medium shots, high-contrast black-and-white lighting, formal framing emphasizing power dynamics

A woman refuses to sign a document without reading it, while a man in uniform pressures her to sign, citing the danger of making false charges against a Japanese soldier. The scene takes place in an office with maps on the wall and another uniformed man present.

“To make force charges against the Japanese soldier is to die.” 73:21 · “Then why do you lie? I haven't lied. I've told you the truth, but I know there's nothing to be done about it.” 73:28 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

Share

Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.

Frame from Three Came Home (1950) at 1:13:16 (passage 1:13:09–1:14:06); US record: No renewal found

Permalink
always the current cut
Permalink to this version
warns if the beats are recut later
Card image
https://publicreel.org/cards/moment/ThreeCameHomeClaudetteColbertHankrip/b124.png
Figure for a newsletter or page
Cite