Public Reel

The Sign of Four · Beat 150 · permalink

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52:34–53:00 Registered 1932

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 52:3752:37Frame at 52:4252:42Frame at 52:4552:45Frame at 52:5352:53

Play from 52:34 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 61 · shots 301–304. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(other, interior) evidence: frame:1
People
  • Tonga (named at t:52:40): dark clothing, possibly a hat or hood, handling a large snake visible
  • silhouetted figure in a loft area, partially visible through a wooden frame visible
Seen happening
  • A wooden interior with a loft and a snake is shown. [frame:1]
  • Tonga is seen holding a large snake and a box. [frame:2]
  • A person is visible in the loft area above Tonga. [frame:3]
  • Tonga is shown handling the snake and box again. [frame:4]
Also said
“He gets them. Come on, we'll fight.” 52:48 · “- I'll grab you. - Good, Donger.” 52:59
Seen
large snake [frame:2], wooden box or container [frame:2], loft with wooden framing [frame:1], snake box [t:52:50]
Interpretation
Model opinion, not evidence: mood: tense and conspiratorial; themes: hiding, confrontation, deception; style notes: low-angle shots, high-contrast lighting, confined wooden space

A character named Tonga is addressed and seen handling a large snake and a box in a wooden interior. Another person is visible in a loft area, and dialogue suggests they are hiding diamonds and preparing for a confrontation.

“Tonga!” 52:40 · “Nice pretty diamonds in here, Tonga.” 52:44 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from The Sign of Four (1932) at 52:37 (passage 52:34–53:00); US record: No renewal found

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