Bar
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Not yet checked. The automatic checks have not run on this beat. Not human-reviewed. Observations and transcript may still be wrong.
Play from 50:13 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 59 · shots 295–296. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bar (bar, interior) evidence: frame:1
- People
- wearing a dark beret and dark coat, back to camera visible
- woman with dark hair, wearing a dark dress with light collar, facing camera visible, audible
- Seen happening
- Two people are seated at a bar counter, visible in frame. [frame:1]
- The woman gestures while speaking, still seated at the bar. [frame:2]
- Also said
- “he always down the river with that putt-putting saturday don't know i believe that the black one” 50:13 · “hey with the green light just where he is but she ain't a tub let me tell you this” 50:13
- Seen
- bar counter [frame:1], bottles on shelves [frame:1], glassware on counter [frame:1], dark beret [frame:1], dark dress with light collar [frame:1]
- Interpretation
- Model opinion, not evidence: mood: casual and conversational; themes: conversation at a bar, references to off-screen characters and locations; style notes: static medium shot, high-contrast black-and-white lighting, typical of early 1930s studio production
Two people sit at a bar counter, one facing the camera and the other with their back to it, engaged in conversation. The setting includes bottles and bar fixtures, and the dialogue references a person named 'old morty' and a boat with a green light.
“my proud beauty that's not what the husband oh he don't either appreciate this right you are” 50:13 · “by the way where is old morty's gone well the idea is that you see for yourself that is if you can see” 50:13 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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