Bar
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 20:22 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 37 · shots 72–73. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bar (bar, interior) evidence: frame:1
- People
- older man, balding, wearing light suit and dark tie visible
- younger man, wearing fedora and dark suit visible, audible
- Seen happening
- A man in a light suit sits at a table with a checkerboard. [frame:1]
- A man in a fedora points at the checkerboard and speaks. [frame:2]
- Also said
- “Well, it's kind of stiff to me, but... I'll take it, flyer. Make a million, lose a million. That's the way it goes.” 20:37 · “I move.” 20:47
- Seen
- checkerboard, sign with partial text 'SPE AN early AT THE BEHIND', coffee cup on saucer, fedora hat
- On screen
- SPE AN early AT THE BEHIND
- Interpretation
- Model opinion, not evidence: mood: tense but casual; themes: gambling, social interaction, risk; style notes: medium close-ups, high contrast lighting, static framing focused on dialogue and facial expressions
Two men are seated at a table playing checkers in a public space with a sign visible in the background. One man speaks about betting amounts while the other responds and makes a move in the game.
“We usually make it for...” 20:27 · “Trinity?” 20:30 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- always the current cut
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- warns if the beats are recut later
- Card image
- https://publicreel.org/cards/moment/TheStranger_0/b50.png
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