Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:14:16 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 90 · shots 342–342. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- Sarah (named at t:74:22): older woman, wearing a dark dress with a light apron, standing near a window visible, audible
- Mary (named at t:74:22): younger woman, wearing a light-colored dress with a collar, standing near a chair visible, audible
- Seen happening
- Mary and Sarah are standing in a room, facing each other, engaged in a tense conversation. [frame:1]
- Also said
- “I'm not as young as I used to be. Maybe you don't want me around anymore.” 75:02 · “I couldn't get along without you and you know that, don't you?” 75:25
- Seen
- lamp, window with curtains, chair, side table
- Interpretation
- Model opinion, not evidence: mood: tense and emotionally charged; themes: domestic tension, fear of abandonment, class and service roles; style notes: static medium shot, high-contrast lighting, classic 1940s film noir framing
Two women argue in a room; one, Mary, is leaving and the other, Sarah, fears being dismissed. Mary reassures Sarah she is valued before departing.
“Well, I asked you where you was going, Miss Mary. I heard. Well?” 74:22 · “Sarah, you seem to forget I'm no longer a child, I'm a married woman.” 74:26 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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