Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:09:23 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 84 · shots 330–332. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- Wilson (named at t:69:23): man in dark suit, mid-30s, medium build, clean-shaven visible, audible
- Mary (named at t:69:43): woman with styled hair, dark dress, 30s, concerned expression visible, audible
- older woman, light-colored blouse, hair pulled back, serious expression visible
- man with mustache, dark suit, partially visible visible
- Also said
- “I don't know. You invited him, didn't you? What's he after? I don't know. Are you all right?” 69:46 · “Can I help you, dear? No!” 70:00
- Seen
- {'item': 'dark suit', 'frame': 1}, {'item': 'dark dress with hat accessory', 'frame': 1}, {'item': 'light blouse with collar', 'frame': 3}
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: suspicion, hidden motives, domestic tension; style notes: medium close-ups, high-contrast lighting, static camera, classic noir framing
A man named Wilson is confronted as a murder suspect in a tense indoor scene; a woman named Mary appears distressed while another woman looks on. The dialogue suggests a prior invitation and a hidden motive involving an antique.
“You're Mr. Wilson, aren't you? Do you know you're our number one suspect in our murder case?” 69:23 · “Mary. What's Wilson doing here?” 69:43 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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