Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 8 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 52:16 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 65 · shots 216–217. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: t:52:40
- People
- Mary (named at t:52:40): woman, mid-adult, dark hair, visible in close-up visible, audible
- Charles (named at t:52:33): man, mid-adult, dark suit, visible in close-up visible, audible
- man, mid-adult, dark suit, visible in dark frame visible
- Mr. Peabody (named at t:52:40): man, mid-adult, not clearly visible audible, mentioned
- sheriff (named at t:52:40): man, mid-adult, not clearly visible audible, mentioned
- Mr. Wilson (named at t:52:40): man, mid-adult, not clearly visible audible, mentioned
- Mr. Potter (named at t:52:40): man, mid-adult, not clearly visible audible, mentioned
- Noah (named at t:52:40): man, mid-adult, not clearly visible audible, mentioned
- Seen happening
- A woman and a man are shown in close-up, face to face. [frame:1]
- A dark, indistinct figure is visible in shadow. [frame:2]
- Also said
- “Mr. Peabody, you go back to town with the sheriff and open up the coroner's office.” 52:40 · “What do we do about Mary? We can't leave her alone with him now that we know.” 52:40
- Seen
- dark suit [frame:1], dark clothing [frame:2]
- Interpretation
- Model opinion, not evidence: mood: tense and emotionally charged; themes: emotional confrontation, mystery, concern for safety; style notes: close-up framing, high contrast lighting, dark shadows
A woman speaks emotionally to a man in close proximity while another scene shows a dark, indistinct figure. Off-screen dialogue references a coroner's office, town, and concern for someone named Mary.
“And you shudder at the first touch of my hands as though it was the touch of death.” 52:25 · “Oh, hold me close, Charles. Hold me close.” 52:33 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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