Silver Spurs (1943)

No renewal found Free in the US since 1 January 1972, on the registry's reading: registration LP12217 of 1943 by Republic Pictures Corp was not renewed in the volumes searched. Record.

Frame from the Internet Archive copy silver_spurs

Copy: silver_spurs on the Internet Archive; registered 1943
Read: 589 shots over 53:04 · 526 transcript lines · JSON
Record: Silver Spurs No renewal found
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How this page was made

589 shots over 53:04, read from the Internet Archive copy silver_spurs (silver_spurs.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Silver Spurs No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 589 shots judged colour), average shot 5.4s long, a frontal face detected in 31% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 526 segments kept, 152 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

1:11 All right.
1:16 All right.
1:17 Come on.
1:19 - Well, you're a little bit.
1:22 Oh, how do you do? Can I do something for you?
1:24 Well, ma'am, I'm looking for a wife.
1:28 I'm sorry, she didn't come in here.
1:30 You didn't mean that, Millie. Oh. Thank you, ma'am.
1:35 No ma'am, it ain't my wife I'm looking for. I've been commissioned, sort of, to find a wife for a friend.
1:41 And somebody suggests that this would be a good place to start looking.
1:44 If he's a friend of yours, why do you want to find him a wife? Hmm?
1:47 Oh, never mind. Here, just put down the name and address and give a brief description of the model desired, and I'll see what I can put you in touch with.
1:54 This is a bit more urgent than that, ma'am.
1:57 I know you're busy and got other things to do.
2:01 There's $500 in it for you if you can help me.
2:04 $500? For that I'll get you a harem.
2:07 Who's the wife for?
2:08 Oh, here's a picture of it.
2:12 What a handsome cowboy.
2:15 You mean he has to look for a while? Oh, not the cowboy, ma'am. That's Roy Rogers, Jerry's ranch foreman.

506 more segments

2:21 The other one is Jerry Johnson.
2:24 What's the matter with him? Two left feet? No, ma'am. He's sound. Wait a minute.
2:28 Isn't that the Jerry Johnson who inherited a million or so acres up north last year?
2:32 Only 50,000 acres, ma'am.
2:35 But he figures it's enough to keep a wife. Yes, I guess it is. Well, I'm sure Miss Love will find a way. I hope so, ma'am.
2:43 And what is the matter with you?
2:46 - Shy. - Shy?
2:48 Why, he might be, ma'am.
2:50 Yes, you can say shy and busy.
2:52 Now here's the address.
2:55 It's the phoniest deal I ever heard in my life.
2:58 With a playboy like that Johnson brat who can get his pick of a hundred dames.
3:02 I'll say it is.
3:11 I have a look at me like that well I've never seen a mail-order bride before.
3:19 What?
3:20 Me and cowboys. Oh, no.
3:22 Oh, now, Bailey. Bailey.
3:25 Oh, Mary, I don't expect you to go through with it.
3:27 Do you think I'd let you marry a stranger just to get a story?
3:30 Yes.
3:31 Mary, I'm shocked.
3:33 And you're the girl I hired because I thought she meant it when she said she wanted to be a great reporter.
3:40 Where do great stories come from?
3:42 Did Richard Harding Davis get his stories on darkest Africa sitting on a beach in sunny California?
3:49 Are great battle stories written comfortably behind the lines?
3:52 A great reporter goes where the stories are.
3:56 Mary.
3:57 This might be your life's opportunity and yet you hesitate.
4:01 From fear of bullets, wild animals, disaster?
4:04 No, simply because you're afraid of a playboy, a wedding ceremony, and...
4:08 Cowboys
4:11 All right.
4:13 I'll go.
4:13 Good, Mary. I knew you'd do it. I'll get you tickets already, and Billy can go with you.
4:18 Well, Rogers, where's that boss of yours? We certainly thought he'd be here, Mr. Hawkins, or we wouldn't have fixed up this celebration.
4:25 Well, it's too bad, but...
4:27 I'm afraid we'll have to forget the whole thing. That would mean a death sentence to all these people.
4:31 Or at least on the land expires two weeks after we quit drilling. And we quit soon if you turn us down.
4:36 Well, tell me...
4:38 Is there some other way that my company can run a spur line in here up to that well?
4:42 Without crossing Johnson's property? No, there isn't.
4:46 And yet you're asking us to advance you enough money to finish the well on the vague sort of promise that we'll get the right of way.
4:52 But couldn't you give us a little more time to get you the right-of-way?
4:54 Say, two weeks? No, I'm afraid not. I can't come down here every time that Johnson thinks he might be able to see me.
5:01 Please, Mr. Hawkins.
5:09 Oh, all right. Couple of weeks.
5:12 - Fraga, now see if we can find Jerry. See you in town.
5:18 I'm going to go.
5:24 The best place to look for him is under the bar at the Frontier Lodge. We'll go for the rent first. Suppose he didn't show up at the picnic because he changed his mind about the right-of-way contracts.
5:34 Then I'll have a picnic breaking his neck.
5:43 Hey, Jerry, wait a minute!
5:47 Paul was trying to flag it out Jerry.
5:49 forming me eye. That was my nursemaid.
5:52 That guy, the pain in the neck.
5:54 Looks like they're gone for the day.
5:56 Well, I might as well get what yours does. Wait a minute. Let the boys do it.
5:59 We're going to the lodge. We might be able to head him off before he gets there.
6:10 Better stay sober till the brighton of EGOT's here.
6:13 I wish you'd quit ribbing me.
6:15 Honestly, do I look like a guy who would order a wife by mail?
6:19 Exactly.
6:21 You'll find out I'm not ripping her when she shows up at the lodge.
6:24 Oh, boy, what a load I must have been carrying when I pulled that one.
6:28 Lucky you gotta help me. Now be a good guy.
6:30 Have somebody else take care of him.
6:32 We're up at your lodge for a few days. Show her a good time.
6:36 Charge it all to me, but leave me out of it.
6:38 I'll do the best I can.
6:40 In the meantime, I don't think he ought to run over that wagon up.
6:51 That blood board will hold him for us
6:55 That guy's gonna blow his brains out with that horn.
7:03 Guess he expects it to go straight up so he can drive under.
7:06 And get those hay burners out of the road!
7:09 The road's a little narrow.
7:11 Oh, I can squeeze by.
7:15 Jerry!
7:45 Come on.
8:01 The driver's all right. How's the ladies?
8:04 Weren't we in enough danger? Did you have to come flying through the air and scare the horses worse? Why couldn't you have yelled "woah"? The girls are very much alive, Frog.
8:13 Don't jump to conclusions, cowboy. Hold a mirror up to our mouths. I'm not jumping. I've already decided you can take it.
8:19 Well, your girlfriend deserves a good shaking up. Oh, all right, so you stop the horses, but you also jar the wheel off the wagon. Now how do we get to the Frontier Lodge? Walk, I guess.
8:29 All right, you can't leave two lovely ladies out here like this even if one of them is ornery you just take us off a taxi I
8:37 Yes.
8:38 Taxi frog.
8:45 I'm sure I've seen you someplace. Well you probably have if you've ever been out here before. I'm foreman over to Jerry Johnson ranch.
8:53 Jerry, jump.
8:54 You know him?
8:55 Oh, I've heard of him.
8:56 What's he like?
8:58 He's like the guy who just crowded you off of the road.
9:01 Oh.
9:01 So that was Jerry Johnson.
9:03 Huh?
9:04 Speedy, isn't he?
9:05 He needs plenty of right-of-way and generally gets it.
9:08 He's evidently dead at your fenders.
9:10 No.
9:11 I give him plenty of room.
9:13 The only reason we're still working for him is that we promised his dad would stick around and keep things going.
9:18 After he's married, maybe he ought to need you. Nobody will ever be able to hold him still long enough to marry him. That's where you're wrong, cowboy. I came out here to attend his wedding.
9:28 Hi.
9:29 Not on anything he does. I'm surprised at the company you're keeping, though.
9:34 I'm not so sure of the company I'm keeping now. You might be a hold-up man on the side. You've certainly got enough guns.
9:41 What about that not your rifle. That mean you kill somebody now that means that somebody took a shot at me and get the rifle instead.
10:00 What happened at the well tonight?
10:02 The railroad company wouldn't kick in with a doe, but it gave them two more weeks to get Johnson signature on the right of way contract.
10:08 I'm still okay.
10:10 By that time they'll have to come to me for the signature.
10:12 and elected to get it.
10:14 Provided they give me a big enough interest in that oil well
10:17 Where is Joey? Buck in the roll at. Keep him at it, he's expecting company.
10:21 Okay, but he's losing his shirt.
10:23 It's all right. Then go as far as you like. All right.
10:28 Well, it's none of my business how deep he gets into you, boss.
10:32 but I heard some guys talking the other day, and they say Jerry can't pay off a nickel.
10:35 This old man fixed it in the will so the kid can't sell his property.
10:38 That's fine. I don't get it. And how are you going to take over?
10:42 And him getting married, too.
10:44 There'll even be less chance.
10:46 I guess I ought to keep you better informed, Steve.
10:48 That wedding was my idea.
10:51 Jerry can't sell, Noroy, ain't she?
10:53 Here's where I might need your help.
10:55 His widow could.
10:58 If he was married and had a widow.
11:03 They're here. Okay, I'll be right on.
11:06 The bride's here.
11:07 Stick around, Joey. I want to see her first.
11:10 I'm going to go.
11:16 The girls have arrived.
11:18 Here already?
11:20 Well, that's all right. Lucky promised to keep him away from me.
11:23 I'll keep it inside.
11:30 All right.
11:35 Well, you have quite a place here.
11:39 And Lucky.
11:40 Lucky, here I am.
11:47 Seems to me somebody said you were shy but I didn't expect to find you hiding under a roulette table.
11:53 Wow.
11:54 How can I tell you? It'd be so beautiful.
11:56 You'll soon find out how shy he is.
11:58 But first we're gonna have a big get acquainted pre-wedding party.
12:01 Tonight.
12:02 What do you mean a big get acquainted party? We have plenty of time to get acquainted after we're married. We'll make it a wedding party, get married tonight. Oh, please, now. A girl likes a little time to think it over. Oh, no, I mean it. You came out here to marry me, didn't you? Oh, yes, but not tonight. Well, okay, okay. We won't get married tonight. We'll have a big party, like Lucky says. We'll get married tomorrow.
12:24 Lucky, take care of everything, will you? I'll be glad to. I'll get the girls set.
12:47 Join yourselves. What a wonderful party, Lucky. A wonderful party. You know, I'm getting very enthusiastic about Mary.
12:53 It's gonna be swell to have a wife out on the ranch to cook for me and bend my socks and...
12:58 Hey, why don't you get a wife, Lucky? You ought to get Millie that'll get a wife for you, too. Haven't you got a wife, Mr. Miller? Why do you think they call me Lucky?
13:10 What's the matter? Oh, that's Judge Pebble, Judge Pebble.
13:19 - Whatever you want. - Just a couple of minutes of your time.
13:22 I'm sorry to interrupt your party.
13:24 But there's a little matter your neighbors want to know about. Oh, come back, baby.
13:27 Yes, we're giving a party. There's no time to talk business now. Sit down, enjoy yourself.
13:32 Oh, ask the judge to join the party. You might just as well because I'm not going to talk to anybody until after my party.
13:38 Apart me, apart me.
13:41 Miss Hardigan.
13:42 Miss Louton.
13:43 Especially Miss Hardigan. Take a good look at her because she's gonna be your new boss.
13:48 I've met the ladies before.
13:51 Did you say new boss? That's right. We're gonna be married in the morning.
13:57 I really did put my foot in it, didn't I? I'd like to wish you the best of luck, Miss Hartigan. I'll be glad to take orders from you.
14:03 But I wish you'd use your influence. Tell him if he wants to do something to sing a song. He sings pretty good.
14:08 I didn't come here to sing, Jerry. Well, I tell him.
14:11 I think it'd be very nice.
14:12 I'll tell you what I'll do. You sing a song and afterwards I'll talk to you about the right of way. Is that a promise? Yeah, sure, sure, sure.
14:29 Old enough.
14:31 Just a moment, folks.
14:32 Our old friend Roy Rogers is going to give us a song.
14:57 It is silver dollars they're looking for.
15:05 You will find my friend.
15:09 That the rain goes in
15:13 Is somewhere around your kitchen door
15:20 The bird with
15:21 Feathers of Blue is waiting for you.
15:28 Back in your own backyard. You'll have the world at your feet, a haven complete.
15:41 Back in your own backyard. Oh, you can go to the east, go to the west, but someday you'll come. Weary at heart, back where you started from. You'll find your happiness lies right under your eyes.
16:08 Back in your own backyard.
16:28 Now do you have something to say to the judge?
16:30 Yeah.
16:31 I don't think it's a good deal and I'm not gonna do any more about it till I think it'll open a little longer.
16:37 You mean you're not gonna let the railroad cross your property?
16:48 Yeah that's just about what I mean.
16:50 Well, I've known you to do a lot of crooked things, Jerry.
16:53 But this is the dirtiest lowdown deal I ever heard of.
16:56 I'm sorry.
17:03 Over and stop it. Wait a minute.
17:06 Roy was invited to this party, but you wasn't.
17:10 Oh!
17:13 Just for that, Rogers. You're too late. I quit.
17:17 Come on, Prowl.
17:21 I'm going to go ahead and get some water.
17:26 Oh look, there's Roy! Maybe Frog's here.
17:30 You girls run in the house for a minute.
17:34 I want to talk to that guy.
17:41 What's that for?
17:42 I told you I was quitting, that's my gear.
17:45 All that stuff yours? Well, some of it belongs to the boys. Well, what's it doing out here?
17:50 I think they want to tell you themselves.
17:52 Well, they'll get a chance right now.
17:54 And Rogers, if you talk them into walking out on me, you won't leave this ranch in one piece.
17:58 Why don't you just tell him the whole thing and let's go home. I can't get him to listen long enough. Oh, just let me get my hands on that bulldog, Bailey.
18:07 Do you think we ought to get Roy to help us?
18:09 Start another fight?
18:11 No.
18:12 I have.
18:13 Maybe I could find Frog. I know he'd help me.
18:17 Yes, that's it.
18:18 We've got to get out of here.
18:24 they're all walking out on me the dirty double crosses Roy's fault he talked him into it I'll fix him but Jerry I'm sorry things have gone wrong and you're so upset but there's something I have to tell you it's about us why I came up here and why I married you Mary I don't care why you married me the fact you did suits me right now I want to get this business with the boys settled I'll kill that guy but Jerry what you don't know about me is that Mary will you please not bother me now
18:48 I want to get this thing straightened out. Rogers is pulling a fast one on me.
18:56 Hello.
18:57 Let me talk to the sheriff.
19:01 But you just got here. I know we just got here and we just want to leave. Oh, Frog, it's a long story. Everything's gone wrong. We want to go back to the lodge and then take the train home.
19:12 Well, I'd like to take you, but Roy's waiting for me. Oh, Frog, I came to you because I thought you were the one big, strong, unafraid man we could depend on.
19:22 Well, I'll take you all right in the jalopy. I don't feel very strong when you look at me like that. Ah, you're a darling. Well, come on.
19:31 OK, but you better make it fast.
19:50 I'm going to go.
20:05 Here get over.
20:12 That's a Mario monkey business.
20:14 She's not running away from me.
20:16 Well, she's not running away from me either.
20:18 While I catch her, I'll give her a lesson she won't forget.
20:21 But first I'm going to settle with you.
20:27 Jerry.
20:48 Jerry.
20:49 What's all the shooting about?
20:50 Oh, Jerry's going haywire and somebody's liable to get hurt.
20:53 I'm going after you.
20:54 I'll be alone with the rest of the boys.
21:19 Jerry! Hey, Jerry, no!
21:24 I'm.
21:49 Come on.
22:00 I'm going to go.
22:16 Come on.
22:47 OK. Back up.
23:30 I
23:31 Hello, Sheriff. You couldn't arrive at a better time.
23:34 Is he dead?
23:35 Very.
23:39 Opened right over the fire there.
23:41 Been drinking?
23:42 But it wasn't the accident or the alcohol that killed him. There's a little matter of a bullet hole in his head.
23:48 We thought we heard a shot down the line.
23:51 Roy, I'm sorry about this.
23:55 Jerry phoned and said he'd been having trouble with you. I didn't suppose it was this serious.
23:59 Well, you don't think I killed him, do you? You've gone crazy, Sheriff. Why, that galoot probably shot that hole in his own head. He was running wild.
24:06 He didn't shoot himself.
24:08 There was a bullet hole through the windshield.
24:10 From there on, you're gonna have to figure it out.
24:12 Let me see your guns.
24:17 That hole in the windshield was put in there by a rifle bullet.
24:19 went clear through.
24:23 Come on.
24:35 Why that's not your gun Roy.
24:41 Sorry, Roy.
24:42 But you're under arrest.
24:44 Sheriff, that's not my rifle.
24:46 That means whoever killed Jerry was still here while I was down in the gorge.
24:49 Don't you think you'll at least take a look around. I am too.
24:53 But not until after I've taken you in.
24:55 that kind of puts me on the spot that I'm afraid it does.
25:06 Being mighty foolish Roy maybe so but it looks like if anybody's going to catch the guy who really killed Jerry it's going to have to be me.
25:25 What do we do now? Looks like there's only one thing to do. Let's ride back to town on one horse and get up a posse.
25:33 What now? I'm gonna talk to Miller and check up on his honor, the judge. You want me to go with you? No, you go back to the room and wait. I've got to call in for Bailey and I don't want to miss it. No matter what happens, if you get him on the wire, hold him there till I get back. I don't care if it takes all night. Okay.
25:49 Is Mr. Miller in his office? Oh, I think he went down to the tack room, Mrs. Johnson. Thank you.
25:57 Oh, hello, Mrs. Johnson.
26:00 I, uh...
26:01 I was told I could find Mr. Miller here. Well, he was here and left.
26:18 They caught Rogers. Not that I know of man.
26:22 What made you think that captured Rogers, Miss Johnson?
26:25 Oh I just wanted to have that'll probably take some time the way he knows this country. The clerk said you were looking for Mr Miller he asked me to tell you is in his office now.
26:34 Amen.
26:39 Get rid of that. What do you want me to do with it. I don't care very and throw it in the river anything but advertise it for sale in the newspapers. Okay.
26:47 Hey Steve!
26:49 Speaking of newspapers just reminds me where I've seen that day before.
26:53 - You mean? - Yeah, Mrs. Johnson.
26:55 She was in the newspaper office when I went there. She works there. She's a reporter. You sure of that? Positive.
27:02 Come on, I was lucky to hear this.
27:07 I want Bailey and nobody else, and if he isn't there, I want you to tell me where I can find that low-lying double-crosser.
27:13 Oh, Mary.
27:14 How can you talk about me like that.
27:16 with no effort at all.
27:18 Where have you been? You promised.
27:21 Yes, Mary, I know, I promise, but...
27:23 But I'm a sick man.
27:25 Well, can I help it if I got...
27:27 Can I help it if I got sick?
27:31 Oh, that's all right, Mary. I knew that you'd understand.
27:34 Now then.
27:35 Tell me, what have you got so far?
27:41 Lucky Miller.
27:42 Holy smokes!
27:44 Do you think he bumped him off personally?
27:46 Now, it begins to look like a community project with Jerry Foreman doing the actual killing and Miller directing the show.
27:52 All right, now listen, Mary, I'm going to tell you just what to do.
27:55 in the morning.
27:56 Turn over all your facts to the law out there.
27:58 Shoot in your star and hop the first train back in.
28:01 OK.
28:03 And Bulldog.
28:04 I'm sorry you're sick. Oh.
28:06 That's all right, Mary. I'll get along.
28:09 Good luck, Barry.
28:14 She'll need more than luck.
28:16 You were right.
28:18 She is a reporter, and she knows enough always to cause a lot of trouble.
28:21 Maybe I'd better go up and have a talk with her.
28:23 Not here in the lodge.
28:26 You better go along with her when she takes her ride in the morning.
28:29 Show a lookout point on the cliff trail, but don't let her get too close to the edge.
28:33 There's a 500 foot drop there.
28:39 How do you figure to do it? You going in the lodge and ask the desk clerk if you can see Mrs. Judson? Maybe, if there's no other way. Yeah! Yeah!
28:47 Maybe she'll come to the jail and see us on visitor's day.
28:51 Come on.
28:57 We better not go by the trail.
28:59 That's just the way we are going.
29:01 That could be the lady we're looking for.
29:17 This is Lookout Point, Ms. Johnson. You can see clear across to your ranch from here.
29:21 Well, I'm not gonna look over it. I get dizzy when I stand on a thick rug. Your ranch house is in that far clump of trees. I'm not gonna look again. It makes me look.
29:31 want to jump.
29:32 Oh!
29:34 Oh, Milly, don't be childish. Never mind, your horse won't want us, John. Good morning, folks.
29:38 Why, it's Roy.
29:40 Roger.
29:42 I wouldn't do that, Corlin. Look.
29:48 You still ain't been invited to the party, Steve.
29:52 Fox!
29:54 Hello, Millie.
29:56 Throw your gun away, Steve.
29:57 You ain't gonna need it anymore.
29:59 Yeah, toss it over the cliff.
30:10 Now that the dramatics is over, maybe you'll go on about your business.
30:13 My business is with you, ma'am.
30:15 I want to talk to you about the ranch and that railroad right of way.
30:18 I have nothing to talk about with you.
30:20 then I'll have to insist.
30:22 Then it'll be in jail because I'll have the sheriff on your trail in another half hour.
30:27 I still intend to talk to you.
30:29 I guess we better find a place with a little more privacy.
30:33 - Frog, bring Millie along as a chaperone.
30:41 Oh, why Frog, you're kidnapping me.
30:45 You see the sheriff, tell him we went that-a-way.
30:52 I'd like to have music with this. OK.
31:02 You know, I believe if you knew how important that right-of-way is to the people in this neighborhood, you'd let them have it right now. I'm not interested in what you do or don't believe, Mr. Rogers. Well, you can be as stubborn as you like, but...
31:14 In this case, you're gonna do as I say.
31:17 I saw Jerry after you killed him. So I know what you're capable of. But you can't frighten me into doing anything I don't want to do.
31:25 I'm sure glad you're not my jury.
31:26 They'll at least hear my side of the story.
31:29 And I'm getting awful tired telling you I didn't kill Jerry.
31:32 And why are you hiding out of here? Why are you trying to force me into this land deal? I?
31:36 And why are you tied up with somebody like Lucky Miller? Miller? I'm not tied up with him or anybody else.
31:43 I happen to know better. I saw your rifle in his tech room at the lodge. But Walters is probably got it cleaned up nicely for you by this time. Ready to use again.
31:54 Are you sure you saw my rifle at the lodge?
31:57 Absolutely.
31:59 If you remember, I commented on the notch once before.
32:03 Although I was surprised you hadn't cut another one in it.
32:08 - Brogue. - Hmm?
32:10 I'm.
32:33 It's not there.
32:42 I'm a realtor.
32:56 Come on.
33:08 I'm going to go.
33:23 I'm going to go.
33:42 What is this right a necktie party if you don't talk and talk fast?
33:50 You're going crazy, Roy.
33:52 I got nothing to talk about. Then maybe you can think of something.
33:56 Trigger's a well-trained horse, Buck.
33:58 He'll string you up to that raptor like a monkey on a stick when I tell him to.
34:01 Amen.
34:02 Now, why did you kill Jerry me? I wasn't within 20 miles a chance when he got killed. That's not the right answer. Come on. I didn't do it. And who did?
34:25 Ed.
34:28 Come with me.
34:30 That rope's just about run out, Buck.
34:32 And I can only stop him so fast.
34:34 But I didn't kill him.
34:36 He can stretch my neck, it won't do any good.
34:38 That's the truth. I didn't kill him.
34:41 Stop that horse!
34:42 But you know who did kill him.
34:45 I don't know nothing about it.
34:47 Don't, Roy, stop!
34:49 *sweep*
34:51 Then what were you doing with my rights?
34:52 Speak up quick.
34:55 *pissing*
34:57 Don't, please don't Roy.
35:09 Send the sheriff down here.
35:10 dump that guy into my office.
35:12 Wait a minute.
35:17 I haven't got your rifle. I buried it. Colin told me to after that newspaper woman seen it here.
35:23 Newspaper woman. Mrs Johnson. Yeah. And Lucky knows it. Yeah.
35:28 Where you going to get the shirt I want you to tell him what you told me.
35:39 You're a dead man or you move a finger. As a matter of fact sure I'm glad to see.
35:45 That's just about what you said the last time.
35:48 Take his guns.
35:50 I was on my way to get you.
35:52 What are you talking about?
35:53 Buck Walters has a story about who killed Jerry Johnson.
35:56 And it wasn't me.
35:57 I don't believe it. You will.
36:00 All right, let's go.
36:12 They got him, huh? Good. This book Walter's in there.
36:15 He certainly is.
36:17 With a knife on his back and Roy's lariat around his neck. Well, I just left him. He was all right then. He isn't all right now.
36:25 He's dead.
36:29 Hey, Roy.
36:30 It's me from. Well you've been from sleep. Oh no. I'm a star. He went and slug me.
36:38 Who?
36:39 Lucky.
36:40 He tried to get me telling where the girls was. But I fooled him.
36:43 I sent him clean to the North Fork of the Heeler River.
36:46 You sent him where?
36:48 The ghost town near the north.
36:50 No
36:51 South. Oh, my goodness. That's where they are.
36:58 This toothache Roy must make me do a thing like that.
37:01 Well, how long ago did they leave?
37:03 about an hour.
37:06 Oh, I'm getting out here. Let me have your gun.
37:08 I ain't got no gun. Lucky took it away from me.
37:14 Let me have your gun built.
37:17 I
37:21 Now listen.
37:22 Get Trigger and have him ready.
37:23 Keep an eye on the sheriff. He's out front.
37:25 Leave it to me.
37:39 You can't see Roy if that's what you're picking on from.
37:42 Oh, I didn't come into town to see him. One of my wisdom teeths been hitting me on the head. I come in to let the dentist take a look at it. I wish I hadn't. Why not?
38:15 Amen.
38:19 Come on.
38:25 And then he took a gimmick with a needle that long and shoved it into my mouth and...
38:29 Dammit! I bet my grandpappy felt that clean back in 1865. Oh, don't laugh at it, wait till I tell you.
38:56 Just as I'm beginning to feel like my face belongs to somebody else,
39:00 What does he do but wheel in a gadget with a grindstone on it that big and shoves it in my mouth and crawls in after it and gives me one of it?
39:16 I'm.
39:44 I'm going to go.
39:50 Wow!
39:51 Look, I don't mind these shortcuts, but that one goes right into the pearly gates and I can't play no harp. You better take the other route around.
40:00 the.
40:18 I'm going to go.
40:31 I.
40:44 Park to stay here with the horse arrest get around.
40:51 I.
41:01 Come on.
41:02 Come on.
41:11 All right.
41:12 I guess the wall.
41:16 Oh, rats! Looks like we're being rescued.
41:32 What do you plan to do with us?
41:34 I'm writing the end of your story for you.
41:37 Too bad the boys had to be in on it.
41:40 I am off.
41:41 Come on, let me get him. Come on.
42:14 The horses are going to give their hand out here.
42:33 Come on.
42:41 I call your men off lucky.
42:44 Hurry up.
42:48 Wait a minute.
42:54 Hold it, boys. Everything is under control.
43:50 Where the saddles Bob?
43:51 Well, they're back in the store.
43:56 It's horses to the wagon.
43:58 Mary.
44:31 Right. Yeah.
44:40 I'm going to go.
44:53 Where are the rest of the horses? Pete and Jim are still around in the mud. I'll give them a hand.
44:57 You too!
44:58 Come on.
45:28 I'm going to show them.
45:58 I'm. All right it's time to move boys come on.
46:28 You're looking for us?
46:38 I'm out of shells. You got any? Yeah, here's a few.
46:51 There goes his gun. Here's our chance. We don't need any. I'll take the horses, you take the wagon.
47:28 Come on.
48:17 Hey, girl, get out quick. You too, bro. Well, yeah, but never mind the question.
48:21 Now give me your hats. You get out of sight quick.
48:50 I'm going to go.
49:03 The shark!
49:18 Looks like old man river did the job for us.
49:22 I'm sorry.
49:34 You men are under arrest.
49:35 I'll take that gun.
49:36 Would you mind telling me what this is all about?
49:38 Mrs Johnson told me enough to send you up for life.
49:45 Roy!
49:50 Are you all right? Yeah, I'm all right. A little wet. Huh?
50:00 There's your right of way.
50:01 Thank you. And here's our company's check for $10,000.
50:06 There's plenty more where that came from if you need it.
50:08 You can't know what this means. There it is, folks!
50:16 Just one other little matter of business.
50:18 before we bring this first annual meeting to a close.
50:22 Mary here...
50:23 feels that she'd like to do something as a sort of a monument.
50:26 to the memory of Jerry and his father. So she's going to throw the whole Johnson property into our cooperative oil company, share and share alike. Hooray!
50:40 Meeting is adjourned.
50:52 Well, Mary, I suppose you'll be getting back to your newspaper where there's a little excitement. Excitement? Roy, may I say that in your quiet country way, you boys up here managed to make a newspaper office look about as exciting as a tiddlywinks to him. And another thing, guess again if you think you're going to get me out of here before our oil well comes in. You mean you're going to stay a while? Gee, that's great, Mary. That'll give us a chance to... you and I, I mean...
51:20 Why don't you sing it, cowboy?
51:22 Maybe I'd better.
51:52 When night has gone, that a new world's born at dawn. On it, Millie.
52:00 There comes a time in every man's life when he's just got a... Oh, my tooth, it's hard for me to talk. Oh, go on, Frog, say it.
52:11 Well, sooner or later, every man... Oh, God!
52:13 Come on, Mr. Dung.
52:16 My tooth ain't gone.
52:19 Oh, but what were you gonna say, Frog? Sooner or later, every man's got to have his tooth full. Oh, Frog.
52:29 To the broken hearts and bones. And as you travel along those ribbons of gray, they always revel and pull you home with this day. Cause highways are happy ways when they need the way to home.