Public Reel

TEXAS TERROR (1935)

575 shots over 51:41, read from the Internet Archive copy texas_terror_1935 (texas_terror_1935.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: TEXAS TERROR No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 575 shots judged colour), average shot 5.4s long, a frontal face detected in 24% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1935 (Internet Archive).

Beats

326 beats in sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model.

Frame at 0:04, shot 00:04
1 of 1 shots sampled

1. Other 0:00–0:08 checks passed

The beat shows a studio logo for Lone Star Productions. No people, actions, or dialogue are present.

Share this moment

Evidence and details

Starts here: start of film. Sequence 1 · shots 0–0 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other) evidence: frame:1
Seen
Lone Star Productions logo [frame:1]
On screen
LONE STAR PRODUCTIONS
Interpretation
Model opinion, not evidence: mood: neutral; style notes: static graphic, high-contrast black-and-white, centered composition
Frame at 0:20, shot 10:20
1 of 1 shots sampled

2. The beat displays a static credit title card from the 1935 film TEXAS 0:08–0:33 checks passed

The beat displays a static credit title card from the 1935 film TEXAS TERROR, listing production roles and names. No people, actions, or environments are depicted beyond the text and its background design.

Share this moment

Evidence and details

Starts here: picture changes. Sequence 2 · shots 1–1 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Seen
title card
On screen
MALVERN PRODUCTION Story by R.N. BRADBURY Photography by WILLIAM H. PIERCE Technical Director E.R. HICKSON Art by CARL PIERSON by DAVE STONER
Interpretation
Model opinion, not evidence: mood: neutral, formal; style notes: static composition, high-contrast black-and-white, centered text with decorative border, typical of 1930s film credits
Frame at 0:41, shot 20:41
1 of 1 shots sampled

3. A single frame shows a cast list on a textured circular background wit 0:33–0:48 checks passed

A single frame shows a cast list on a textured circular background with a star motif. No people, actions, or dialogue are visible or audible in this beat.

Share this moment

Evidence and details

Starts here: cutting rhythm changes. Sequence 3 · shots 2–2 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Seen
cast list title card
On screen
Cast JOHN WAYNE LUCILLE BROWNE LEROY MASON FERN EMMETT GEORGE HAYES BUFFALO BILL, JR. JOHN INCE HENRY ROGUEMORE JACK DUFFY
Interpretation
Model opinion, not evidence: mood: neutral; style notes: static title card, high-contrast black-and-white, centered composition, studio graphic design
Frame at 0:52, shot 30:52Frame at 0:58, shot 40:58Frame at 1:02, shot 51:02Frame at 1:05, shot 61:05
4 of 4 shots sampled

4. Town square 0:48–1:07 checks passed

A man in a cowboy hat is greeted by name outside a sheriff's office; another man is seated inside at a desk. The setting is a town street with storefronts and a brick building marked 'SHERIFF'S OFFICE'.

Named: Dan (t:1:06). 4 people observed.

“Hello, Dan.” 1:06

Share this moment

Evidence and details

Starts here: cutting rhythm changes. Sequence 4 · shots 3–6 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
town_square (town square, exterior) evidence: frame:1, frame:2
People
  • man in dark coat and cowboy hat, standing outside visible
  • older man with white hair, in dark coat and boots, standing near sheriff's office door visible
  • Dan (named at t:1:06): man in light shirt, cowboy hat, and vest, seated at desk visible
  • man in light shirt and cowboy hat, walking past sheriff's office visible
Seen happening
  • A man is seated at a desk inside a building. [frame:4]
  • Two men stand near the door of the sheriff's office. [frame:3]
  • An older man walks past the sheriff's office door. [frame:2]
Seen
Sheriff's Office sign [frame:2, frame:3], wooden door [frame:3], desk [frame:4], cowboy hats [frame:1, frame:2, frame:3, frame:4]
Interpretation
Model opinion, not evidence: mood: neutral, conversational; themes: Western, law enforcement, greeting; style notes: black-and-white, medium shots, natural lighting, period Western attire
Frame at 1:11, shot 71:11Frame at 1:17, shot 81:17Frame at 1:23, shot 91:23
3 of 3 shots sampled

5. Private office 1:07–1:26 checks passed

Two men in cowboy hats converse in a room with a wooden table and a cabinet; one is seated, the other stands. The dialogue suggests a casual reunion and a plan to play cribbage.

Named: John (t:1:07). 2 people observed.

“How are you, John?” 1:07 · “Well, ain't nothing much to tell, sir.” 1:13

Share this moment

Evidence and details

Starts here: topic shift in dialogue. Sequence 4 · shots 7–9 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • John (named at t:1:07): older man, wearing a dark suit, tie, and wide-brimmed hat, standing in frame 1, seated in frame 2 visible, audible
  • younger man, wearing a light-colored cowboy hat, shirt, vest, and neckerchief, seated at a table visible, audible
Also said
“I kind of expected you out.” 1:18 · “Well, I was thinking on getting out tomorrow night.” 1:20
Seen
wooden table [frame:1], cabinet with small drawers [frame:2], cowboy hats [frame:1, frame:3], necktie [frame:2], neck scarf [frame:3]
Interpretation
Model opinion, not evidence: mood: casual and conversational; themes: reunion, leisure, rural life; style notes: medium close-ups and two-shots, high-contrast black-and-white lighting, static camera
Frame at 1:30, shot 101:30Frame at 1:38, shot 111:38Frame at 1:42, shot 121:42
3 of 3 shots sampled

6. Private office 1:26–1:43 checks passed

A man in a suit and hat sits near filing cabinets while speaking about going to King City and restocking the ranch. Another man in a cowboy hat listens and responds about rustlers.

2 people observed.

“Come ahead.” 1:27 · “I've got to run over to King City tomorrow but I'll be back for dinner.” 1:29

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 4 · shots 10–12 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • older man, mustache, wearing a suit, tie, and wide-brimmed hat visible, audible
  • younger man, wearing a cowboy hat, bandana, and vest visible, audible
Also said
“Just drawing out all my money.” 1:34 · “Now that you are sure if I reckon the rustlers won't be so active.” 1:39
Seen
filing cabinets, cowboy hat, bandana, suit and tie
Interpretation
Model opinion, not evidence: mood: calm and conversational; themes: ranch management, travel plans, rustler threat; style notes: medium close-ups, studio lighting, static framing, period costume
Frame at 1:47, shot 131:47Frame at 1:53, shot 141:53Frame at 1:59, shot 151:59Frame at 2:04, shot 162:04
4 of 4 shots sampled

7. Private office 1:43–2:04 checks passed

A man in a suit and hat speaks about preparing a place for Bess, while a younger man in a cowboy hat listens and expresses gratitude. The setting appears to be an interior room with filing cabinets and wooden walls.

Named: Dad (t:1:55), John (t:1:49). 2 people observed.

“I want the old place to look tip top before Bess gets home next year.” 1:44 · “She's all I got, John.” 1:49

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 4 · shots 13–16 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Dad (named at t:1:55): older man, balding, wearing a dark suit, tie, and wide-brimmed hat, holding papers visible, audible
  • John (named at t:1:49): younger man, wearing a cowboy hat, vest, and bandana visible, audible
Seen happening
  • The older man holds papers and speaks about preparing the old place for Bess. [frame:1]
  • The older man continues speaking, looking earnest. [frame:2]
  • The younger man listens, looking downcast. [frame:3]
  • The younger man looks up, appearing resolved. [frame:4]
Also said
“I understand, Dad.” 1:55 · “been as close to me as my own father would have been.” 2:02
Seen
filing cabinets [frame:1], papers [frame:1], cowboy hat [frame:3], bandana [frame:3]
Interpretation
Model opinion, not evidence: mood: solemn and affectionate; themes: family obligation, gratitude, preparation for return; style notes: static medium shots, high-contrast black-and-white, studio lighting, period Western attire
Frame at 2:08, shot 172:08Frame at 2:14, shot 182:14Frame at 2:20, shot 192:20
3 of 3 shots sampled

8. Post office 2:04–2:24 checks passed

A man in a suit and hat speaks to another man in a cowboy outfit inside a room with mailboxes; the first man mentions being proud of the second's election as Sherrod and prepares to leave. The second man reassures him he will be fine.

Named: Sherrod (t:2:12). 2 people observed.

“Shucks, son, you don't owe me nothing.” 2:05 · “You don't know how proud I was when you got elected Sherrod.” 2:12

Share this moment

Evidence and details

Starts here: topic shift in dialogue. Sequence 4 · shots 17–19 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
post_office (other, interior) evidence: frame:1
People
  • Sherrod (named at t:2:12): older man, mustache, wearing a suit, tie, and wide-brimmed hat visible, audible
  • younger man, wearing a cowboy hat, vest, and bandana visible
Also said
“Reckon I'll be drifting along. Well, you better not wash that roll or you might not get home.” 2:16 · “Oh, I'm all right.” 2:20
Seen
mailboxes, cowboy hat, suit and tie, bandana
Interpretation
Model opinion, not evidence: mood: sentimental and farewell; themes: father-son bond, pride in achievement, departure; style notes: static medium shots, studio lighting, period Western costume
Frame at 2:24, shot 202:24Frame at 2:29, shot 212:29Frame at 2:37, shot 222:37
3 of 3 shots sampled

9. Sheriff's office 2:24–2:41 checks passed

Two men in Western attire converse near a sheriff's office; one leaves while the other remains standing. The dialogue references a horse tied at the express office and a meeting planned for the next night.

2 people observed.

“Where's your horse?” 2:28 · “Got him tied back at the express office. Oh, no.” 2:29

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 4 · shots 20–22 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
sheriff's office (police station, exterior) evidence: frame:2
People
  • man in dark suit, tie, and fedora; mustache visible, audible
  • man in cowboy hat, vest, and bandana; lean build visible, audible
Seen happening
  • One man exits through a doorway while the other stands in front of the sheriff's office. [frame:2]
  • The cowboy stands alone in front of the sheriff's office door. [frame:3]
Also said
“Well, don't forget tomorrow night. I'll be waiting for you.” 2:32 · “Ha ha.” 2:35
Seen
sheriff's office sign, bulletin board with posters, doorway, cowboy hat, bandana
Interpretation
Model opinion, not evidence: mood: tense yet casual; themes: Western frontier, law enforcement, unresolved tension; style notes: medium shots, static framing, high-contrast lighting typical of 1930s Westerns
Frame at 2:44, shot 232:44
1 of 1 shots sampled

10. Town square 2:41–2:47 checks passed

A man in a cowboy hat leads a saddled horse past a wooden building in a dusty outdoor setting. The scene is shot in black and white with bright, even lighting.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 5 · shots 23–23 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
town_square (town square, exterior) evidence: frame:1
People
  • man wearing a cowboy hat and dark clothing, walking beside a horse visible
Seen happening
  • A man leads a saddled horse past a wooden building. [frame:1]
Seen
horse [frame:1], cowboy hat [frame:1], saddle [frame:1], wooden building [frame:1], wooden crates [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor setting, horse and rider; style notes: medium shot, static camera, high-contrast black and white, clear daylight lighting
Frame at 2:48, shot 242:48
1 of 1 shots sampled

11. Field 2:47–2:49 checks passed

Three men in cowboy hats stand among bushes; one holds a rifle. No dialogue or on-screen text is present in this beat.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 6 · shots 24–24 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man in cowboy hat and dark coat, holding rifle visible
  • man in cowboy hat and light coat, hand near mouth visible
  • man in cowboy hat and plaid shirt, hand near chin visible
Seen
rifle [frame:1], cowboy hats [frame:1], bushes [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: western, confrontation; style notes: medium shot, black and white, natural lighting, outdoor setting
Frame at 2:51, shot 252:51
1 of 1 shots sampled

12. Town square 2:49–2:52 unchecked

A man on horseback rides past a wooden building in an open area. The setting appears to be a rural or frontier town with mountains in the background.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 7 · shots 25–25 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
town_square (town square, exterior) evidence: frame:1
People
  • man in cowboy hat and dark coat, riding horse visible
Seen happening
  • A man rides a horse past a wooden building. [frame:1]
Seen
horse [frame:1], wooden building [frame:1], mountains [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, frontier, movement; style notes: wide shot, black and white, natural lighting, static camera
Frame at 2:55, shot 262:55Frame at 2:59, shot 272:59Frame at 3:04, shot 283:04
3 of 3 shots sampled

13. Town square 2:52–3:07 unchecked

Three men in cowboy hats are seen outdoors near brush and a wooden building; they discuss waiting for someone named Dan to leave town before entering a location by the back way. The setting appears to be a rural or frontier town with wooden structures and open land.

3 people observed.

“There goes old Dan.” 2:56 · “We'll wait till he's well out of town.” 3:01

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 7 · shots 26–28 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
town_square (town square, exterior) evidence: frame:2
People
  • man in cowboy hat, dark coat, holding a rifle visible
  • man in cowboy hat, light coat, standing center visible
  • man in cowboy hat, plaid shirt, standing right visible
Seen happening
  • Three men stand together outdoors near brush. [frame:1]
  • A wooden building with a porch and distant hills is shown. [frame:2]
  • The three men are shown again, closer, still standing together. [frame:3]
Also said
“We'll slip in the back way when Pete's alone.” 3:04
Seen
cowboy hats [frame:1], rifle [frame:1], wooden building with porch [frame:2], brush and trees [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and conspiratorial; themes: planning, rural setting, cowboy attire, secretive movement; style notes: black-and-white, medium shots, natural outdoor lighting, period Western costume
Frame at 3:08, shot 293:08
1 of 1 shots sampled

14. Forest 3:07–3:09 checks passed

A person rides a horse along a dirt path in a wooded area. The scene is outdoors and appears to be in daylight.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 8 · shots 29–29 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person on horseback, wearing dark clothing, visible from a distance visible
Seen happening
  • A person rides a horse along a dirt path. [frame:1]
Seen
horse [frame:1], dirt path [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, western setting; style notes: wide shot, natural lighting, black and white film
Frame at 3:13, shot 303:13
1 of 1 shots sampled

15. Brushy outdoor area 3:09–3:17 checks passed

Three men in cowboy hats stand outdoors among brush. No dialogue or on-screen text is present in this beat.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 9 · shots 30–30 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
brushy outdoor area (other, exterior) evidence: frame:1
People
  • man wearing cowboy hat, dark jacket, and dark pants, holding a rifle visible
  • man wearing cowboy hat, light suit jacket, and dark pants, hands clasped in front visible
  • man wearing cowboy hat, plaid shirt, and dark pants visible
Seen
{'item': 'rifle', 'evidence': 'frame:1'} [frame:1], {'item': 'cowboy hats', 'evidence': 'frame:1'} [frame:1], {'item': 'brush and trees', 'evidence': 'frame:1'} [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor confrontation; style notes: static medium shot, black-and-white, even studio lighting despite outdoor setting
Frame at 3:18, shot 313:18
1 of 1 shots sampled

16. Field 3:17–3:20 checks passed

A person rides a horse across an open, tree-dotted landscape. The rider is visible in a single frame at 199s, and a line of dialogue 'What?' is spoken at 3:18.

1 person observed.

“- What?” 3:18

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 10 · shots 31–31 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person on horseback, wearing dark clothing and a hat visible
Seen happening
  • A person rides a horse across a field. [frame:1]
Seen
horse [frame:1], hat [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral, open; themes: outdoor travel, solitude; style notes: wide shot, natural lighting, black and white, outdoor setting
Frame at 3:21, shot 323:21
1 of 1 shots sampled

17. Road 3:20–3:23 checks passed

A person in a wide-brimmed hat rides a dark horse along a dirt path with trees in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 10 · shots 32–32 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • wearing a wide-brimmed hat and dark coat, riding a horse visible
Seen happening
  • A person rides a horse along a dirt road. [frame:1]
Seen
horse [frame:1], wide-brimmed hat [frame:1], dirt road [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, travel, solitude; style notes: medium long shot, black and white, natural outdoor lighting, static framing
Frame at 3:24, shot 333:24
1 of 1 shots sampled

18. Road 3:23–3:26 unchecked

A person in a wide-brimmed hat and dark coat rides a horse along a road. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 10 · shots 33–33 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • wearing a wide-brimmed hat and dark coat, riding a horse visible
Seen happening
  • A person rides a horse along a road. [frame:1]
Seen
horse [frame:1], wide-brimmed hat [frame:1], dark coat [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, travel; style notes: medium shot, black-and-white, outdoor lighting, motion blur suggests movement
Frame at 3:29, shot 343:29
1 of 1 shots sampled

19. Wells fargo press storefront 3:26–3:31 unchecked

A storefront with signs for 'Wells Fargo' and 'Press' is shown; a thud sound occurs at 3:28. No people are visible or named in this beat.

“*thud*” 3:28

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 11 · shots 34–34 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
Wells Fargo Press storefront (shop, exterior) evidence: frame:1
Seen
Wells Fargo Press sign, wooden chairs, wooden porch
On screen
WELLS Far PRESS
Interpretation
Model opinion, not evidence: mood: neutral; style notes: static wide shot, high-contrast black-and-white, period storefront detail
Frame at 3:33, shot 353:33
1 of 1 shots sampled

20. Private office 3:31–3:34 checks passed

A man in cowboy attire stands in the doorway of a brick building labeled 'SHERIFF OFFICE'. No dialogue or additional actions are visible or audible in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 12 · shots 35–35 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(private office, exterior) evidence: frame:1
People
  • man wearing cowboy hat, vest, and trousers, standing in doorway visible
Seen happening
  • A man in cowboy attire stands in the doorway of a building labeled 'SHERIFF OFFICE'. [frame:1]
Seen
sign reading 'SHERIFF OFFICE' [frame:1], cowboy hat [frame:1], vest [frame:1], trousers [frame:1]
On screen
SHERIFF OFFICE
Interpretation
Model opinion, not evidence: mood: neutral, static; themes: western, law enforcement; style notes: medium shot, black and white, static framing, clear signage, no visible movement
Frame at 3:37, shot 363:37
1 of 1 shots sampled

21. Street 3:34–3:40 unchecked

A man in a cowboy hat and vest runs from a wooden building's doorway into a dusty street while another man in a hat follows. Horses are visible near the building, and the scene is shot in daylight.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 13 · shots 36–36 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(street, exterior) evidence: frame:1
People
  • man wearing cowboy hat, vest, and trousers, running from doorway visible
  • man wearing hat, running behind p1 visible
Seen happening
  • A man in a cowboy hat runs from a doorway into the street. [frame:1]
  • Another man in a hat runs after him. [frame:1]
Seen
wooden building with awning, horses, dusty street
Interpretation
Model opinion, not evidence: mood: urgent; themes: chase, Western town; style notes: medium shot, outdoor daylight, Western setting, dynamic movement
Frame at 3:45, shot 373:45Frame at 3:52, shot 383:52
2 of 2 shots sampled

22. Street 3:40–3:56 checks passed

A group of men in cowboy hats surrounds an injured man; one man stands up holding a gun and prepares to leave. The transcript indicates masked attackers came in the back way, injured someone in the shoulder, and others are told to get Pete to a doctor while one tries to round up the attackers.

Named: Pete (t:3:49). 6 people observed.

“There was three of them, John.” 3:41 · “They came in the back way.” 3:45

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 14 · shots 37–38 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
street (street, exterior) evidence: frame:1
People
  • man in cowboy hat and vest, kneeling, helping injured man visible
  • Pete (named at t:3:49): injured man in cowboy hat, sitting on ground, being supported visible
  • man in cowboy hat and vest, standing, holding a gun, preparing to leave visible
  • man in cowboy hat, standing behind p3, partially visible visible
  • man in cowboy hat, standing in background, visible over p2's shoulder visible
  • man in cowboy hat, standing left of p1, visible in frame:1 visible
Seen happening
  • A man kneels beside an injured man on the ground while others stand around. [frame:1]
  • A man stands up holding a gun and begins to walk away from the group. [frame:2]
Also said
“It's got me in the shoulder.” 3:48 · “Boys get Pete to a doctor.” 3:49
Seen
cowboy hats [frame:1], gun [frame:2], vest [frame:1], shirt [frame:1]
Interpretation
Model opinion, not evidence: mood: urgent and tense; themes: violence, community response, western justice; style notes: medium shots, high-contrast black-and-white, static camera, group composition centered on injured man
Frame at 3:59, shot 393:59
1 of 1 shots sampled

23. Street 3:56–4:02 unchecked

A man in a cowboy hat and vest kneels beside an injured man on a dusty street in front of a saloon. Another man with a gun stands nearby, preparing to leave, while a fourth man stands behind him.

4 people observed.

“Ah!” 3:57

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 15 · shots 39–39 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
street (street, exterior) evidence: frame:1
People
  • man in cowboy hat and vest, kneeling, helping injured man visible
  • injured man in cowboy hat, sitting on ground, being supported visible
  • man in cowboy hat and vest, standing, holding a gun, preparing to leave visible
  • man in cowboy hat, standing behind p3, partially visible visible
Seen happening
  • A man kneels beside an injured man on the street. [frame:1]
  • A man with a gun stands nearby, preparing to leave. [frame:1]
  • A fourth man stands behind the gunman. [frame:1]
  • A group of people stands outside a saloon. [frame:1]
Seen
saloon sign [frame:1], gun [frame:1], horse [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: conflict, injury, Western frontier; style notes: black-and-white, wide shot, natural lighting, Western genre framing
Frame at 4:04, shot 404:04
1 of 1 shots sampled

24. Forest 4:02–4:06 checks passed

Two riders on horseback are shown in a wooded outdoor setting; one horse rears while the other remains calm. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 16 · shots 40–40 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • wearing a hat and coat, riding a dark horse that is rearing visible
  • wearing a hat and coat, riding a light-colored horse that is standing still visible
Seen happening
  • One horse rears up while the rider holds on; the other horse stands still. [frame:1]
Seen
horse [frame:1], horse [frame:1], trees [frame:1], rider attire [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: outdoor confrontation, horseback riding, rural setting; style notes: black-and-white, medium shot, natural lighting, outdoor setting
Frame at 4:13, shot 414:13
1 of 1 shots sampled

25. Wooded area with wooden building 4:06–4:19 checks passed

A horse stands tethered near a wooden building in a wooded area. No people or spoken dialogue are visible or audible in this beat.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 16 · shots 41–41 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
wooded area with wooden building (other, exterior) evidence: frame:1
Seen
horse [frame:1], wooden building [frame:1], tree [frame:1], tethering post [frame:1]
Interpretation
Model opinion, not evidence: mood: quiet, still; themes: rural setting, solitude; style notes: static medium shot, high-contrast black and white, natural lighting
Frame at 4:21, shot 424:21Frame at 4:28, shot 444:28Frame at 4:32, shot 454:32Frame at 4:36, shot 474:36
4 of 6 shots sampled

26. Road 4:19–4:37 checks passed

A person prepares a horse near a wooden building, then rides away on a dirt road through a wooded area, followed by others on horseback. The scene transitions from a stationary preparation to a group riding at speed along a trail.

4 people observed.

“I'm going to go.” 4:22

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 16 · shots 42–47 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1, frame:2, frame:3, frame:4
People
  • person in dark clothing and hat, standing beside a saddled horse visible
  • person on horseback, wearing hat, riding away visible
  • person on horseback, wearing hat, riding in group visible
  • person on horseback, wearing hat, riding alongside p3 visible
Seen happening
  • Person p1 stands next to a saddled horse near a wooden building. [frame:1]
  • Group of riders on horseback moves along a dirt road through trees. [frame:2]
  • Person p2 rides alone on a horse along a dirt road. [frame:3]
  • Two riders on horseback gallop side by side across open ground. [frame:4]
Seen
horse, saddle, wooden building, dirt road, trees, hat, saddlebags
Interpretation
Model opinion, not evidence: mood: urgent; themes: departure, pursuit, rural setting; style notes: black-and-white, wide shots of outdoor movement, dynamic framing of galloping horses
Frame at 4:38, shot 484:38Frame at 4:42, shot 494:42Frame at 4:48, shot 504:48
3 of 3 shots sampled

27. Road 4:37–4:50 unchecked

A person on horseback rides away from the camera along a dirt road lined with trees. The rider, wearing a cowboy hat and vest, is shown in medium and close-up shots while holding the reins.

1 person observed.

“I'm going to go.” 4:38

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 16 · shots 48–50 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1, frame:2, frame:3
People
  • person on horseback, wearing cowboy hat and vest, holding reins visible
Seen happening
  • A person on horseback rides away from the camera along a dirt road. [frame:1]
  • The rider is shown in a medium shot, turning slightly toward the camera. [frame:2]
  • The rider is shown in a close-up, looking forward while holding the reins. [frame:3]
Seen
horse [frame:1, frame:2, frame:3], cowboy hat [frame:2, frame:3], vest [frame:2, frame:3], reins [frame:2, frame:3]
Interpretation
Model opinion, not evidence: mood: resolute; themes: departure, solitude, western setting; style notes: medium and close-up shots with natural outdoor lighting; static camera framing the rider against a tree-lined road
Frame at 4:53, shot 514:53
1 of 1 shots sampled

28. Forest 4:50–4:56 unchecked

Two riders on horseback move along a dirt road through a wooded area, kicking up dust. The scene is shot in black and white with no visible dialogue or on-screen text.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 16 · shots 51–51 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(forest, exterior) evidence: frame:1
People
  • rider on horse, wearing dark clothing and hat, visible from behind visible
  • rider on horse, wearing dark clothing and hat, visible from behind visible
Seen happening
  • Two riders on horseback travel along a dirt road, kicking up dust. [frame:1]
Seen
horses [frame:1], dirt road [frame:1], trees [frame:1], dust cloud [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented, tense; themes: movement, pursuit, western landscape; style notes: wide shot, black and white, high contrast, dust effects suggest motion and urgency
Frame at 4:57, shot 524:57
1 of 1 shots sampled

29. Barn exterior 4:56–4:58 unchecked

A man in a hat stands beside a saddled horse near a wooden structure. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 17 · shots 52–52 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
barn exterior (other, exterior) evidence: frame:1
People
  • man wearing a wide-brimmed hat, dark coat, and boots visible
Seen
horse [frame:1], wooden structure [frame:1], logs [frame:1]
Interpretation
Model opinion, not evidence: mood: quiet, still; style notes: static medium shot, high-contrast black-and-white, natural lighting
Frame at 5:00, shot 535:00Frame at 5:04, shot 545:04
2 of 2 shots sampled

30. Road 4:58–5:06 unchecked

A rider on horseback moves along a dirt road in a wooded area, followed by a scene showing a wooden bridge with several people and horses nearby. No names or dialogue are provided in the transcript for this beat.

2 people observed.

“*thud*” 4:58

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 18 · shots 53–54 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(road, exterior) evidence: frame:1
People
  • rider on horseback, wearing dark clothing, seen from behind visible
  • group of people on horseback or standing near a wooden bridge, indistinct due to distance and image quality visible
Seen happening
  • A rider on horseback moves along a dirt road. [frame:1]
  • Several people and horses are visible near a wooden bridge. [frame:2]
Seen
horse [frame:1], wooden bridge [frame:2], trees [frame:1, frame:2], dirt road [frame:1]
Interpretation
Model opinion, not evidence: mood: tense or suspenseful, suggested by the sound effect and isolated setting; themes: Western, journey, isolation; style notes: black-and-white, wide shots, natural lighting, period Western aesthetic
Frame at 5:10, shot 555:10
1 of 1 shots sampled

31. Wooden building exterior 5:06–5:13 checks passed

A man in a cowboy hat and dark suit stands in front of a wooden building, adjusting his belt or holster. The scene is outdoors, with a wooden bench and scattered rocks visible.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 19 · shots 55–55 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
wooden building exterior (other, exterior) evidence: frame:1
People
  • man wearing cowboy hat, dark suit, and boots visible
Seen happening
  • man adjusts his belt or holster [frame:1]
Seen
cowboy hat [frame:1], dark suit [frame:1], wooden building [frame:1], wooden bench [frame:1], rocks on ground [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor setting; style notes: medium shot, static framing, high-contrast black-and-white lighting
Frame at 5:14, shot 565:14
1 of 1 shots sampled

32. Open dusty area 5:13–5:14 unchecked

A man in a cowboy hat and dark suit rides a horse at speed across an open, dusty area. The background is blurred, suggesting motion and an outdoor setting.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 20 · shots 56–56 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
open dusty area (other, exterior) evidence: frame:1
People
  • man wearing cowboy hat, dark suit, and boots visible
Seen happening
  • A man rides a horse at speed across a dusty area. [frame:1]
Seen
horse [frame:1], cowboy hat [frame:1], dark suit [frame:1], boots [frame:1]
Interpretation
Model opinion, not evidence: mood: action; themes: western, movement, solitude; style notes: dynamic motion blur, low-angle shot emphasizing speed, black-and-white film grain
Frame at 5:16, shot 575:16
1 of 1 shots sampled

33. Forest 5:14–5:18 checks passed

Two riders on horseback move along a dusty path near trees; a person lies on the ground nearby. The scene is outdoors in daylight with no dialogue or on-screen text.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 20 · shots 57–57 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person on horseback, wearing dark clothing and hat visible
  • person on horseback, wearing dark clothing and hat visible
  • person lying on ground, indistinct clothing visible
Seen happening
  • Two people ride horses along a dirt path while another person lies on the ground nearby. [frame:1]
Seen
horses [frame:1], dust cloud [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: outdoor pursuit, conflict; style notes: black-and-white, wide shot, natural lighting, dust suggests motion
Frame at 5:19, shot 585:19
1 of 1 shots sampled

34. Other 5:18–5:19 unchecked

A person in a white hat and dark clothing stands inside a wooden structure, facing away. The setting appears to be a rustic interior with wooden walls and simple furniture.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 21 · shots 58–58 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • person wearing white hat and dark clothing, standing with back to camera visible
Seen
wooden chair, wooden stool, wooden wall, white hat
Interpretation
Model opinion, not evidence: mood: neutral; style notes: static medium shot, high-contrast black-and-white, minimal props, plain background
Frame at 5:21, shot 595:21
1 of 1 shots sampled

35. Forest 5:19–5:22 unchecked

A horse stands in a wooded outdoor area with trees and sunlight visible. No people are visible in the frame, and no dialogue or on-screen text is present.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 22 · shots 59–59 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
Seen
horse [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor setting, animal presence; style notes: black-and-white, natural lighting, medium shot framing the horse and background trees
Frame at 5:23, shot 605:23
1 of 1 shots sampled

36. Wooden building exterior 5:22–5:24 checks passed

Two men in cowboy hats are seen near a wooden building; one is entering or exiting a doorway while the other stands on the porch. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 23 · shots 60–60 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
wooden building exterior (other, exterior) evidence: frame:1
People
  • man wearing cowboy hat, striped shirt, dark pants, boots visible
  • man wearing cowboy hat, light shirt, dark pants, boots, with a gun belt visible
Seen happening
  • One man enters or exits a doorway while another stands on the porch. [frame:1]
Seen
wooden building with porch and window [frame:1], cowboy hats [frame:1], gun belt [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, Western frontier; style notes: static medium shot, high-contrast black-and-white, typical Western framing
Frame at 5:25, shot 615:25
1 of 1 shots sampled

37. Forest 5:24–5:27 checks passed

A person in dark clothing runs across a dusty outdoor path near a wooden fence, with trees in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 24 · shots 61–61 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • adult, wearing dark clothing and a hat, running visible
Seen happening
  • A person runs across a dusty path near a wooden fence. [frame:1]
Seen
wooden fence [frame:1], dust cloud [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: urgent; themes: flight, outdoor pursuit; style notes: low-angle shot, high contrast black-and-white, dust kicked up by motion suggests action
Frame at 5:28, shot 625:28
1 of 1 shots sampled

38. Forest 5:27–5:29 unchecked

A person in a hat and dark clothing runs toward a wooden building in a forest. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 25 · shots 62–62 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • adult, wearing dark clothing and a hat, running visible
Seen happening
  • A person runs toward a wooden building. [frame:1]
Seen
wooden building with door [frame:1], wooden fence [frame:1], hat [frame:1]
Interpretation
Model opinion, not evidence: mood: urgent; themes: pursuit, rural setting; style notes: medium shot, rear view, high-contrast black-and-white, static camera
Frame at 5:30, shot 635:30
1 of 1 shots sampled

39. Private office 5:29–5:31 unchecked

A man in a cowboy hat and coat peers around a wooden door in an interior setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 25 · shots 63–63 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing a cowboy hat and dark coat visible
Seen happening
  • A man in a cowboy hat peers around a wooden door. [frame:1]
Seen
cowboy hat [frame:1], wooden door [frame:1], dark coat [frame:1]
Interpretation
Model opinion, not evidence: mood: suspenseful; themes: mystery, western; style notes: medium shot, high contrast lighting, static framing
Frame at 5:32, shot 645:32Frame at 5:34, shot 655:34Frame at 5:37, shot 665:37Frame at 5:40, shot 675:40
4 of 4 shots sampled

40. Private office 5:31–5:43 unchecked

A man in a cowboy hat is ordered to drop a money bag inside a wooden building; he turns and moves toward a window as another man approaches him from behind. The scene takes place indoors with wooden walls and simple furniture visible.

Named: Martin (t:5:31). 2 people observed.

“Drop that money bag, Martin.” 5:31 · “Come on!” 5:37

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 25 · shots 64–67 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing cowboy hat, dark jacket, light shirt, and neckerchief; medium build visible
  • Martin (named at t:5:31): man wearing cowboy hat and dark coat; seen from behind or side visible
Seen happening
  • Martin turns toward a window while holding his coat. [frame:2]
  • Another man approaches Martin from behind near the doorway. [frame:3]
  • Martin raises his arm as if to throw or defend himself near the window. [frame:4]
Seen
money bag [t:5:31], wooden chair [frame:1], window with curtain [frame:1], wooden door [frame:2], wooden steps [frame:3]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, theft, Western genre tropes; style notes: static medium shots, high-contrast lighting, wooden set design typical of 1930s Westerns
Frame at 5:44, shot 685:44
1 of 1 shots sampled

41. Wooden building exterior 5:43–5:45 unchecked

Two men in cowboy attire are shown outside a wooden building; one is stepping down from a porch while the other stands facing him. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 25 · shots 68–68 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
wooden building exterior (other, exterior) evidence: frame:1
People
  • man wearing cowboy hat, dark vest, light shirt, and trousers; medium build visible
  • man wearing wide-brimmed hat, dark shirt, light trousers, and boots; medium build visible
Seen happening
  • One man steps down from a wooden porch while another stands facing him. [frame:1]
Seen
wooden building with porch and window [frame:1], cowboy hats [frame:1], revolver holstered on p1's hip [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, Western genre tropes; style notes: medium shot, black-and-white, high-contrast lighting typical of 1930s Westerns, static camera
Frame at 5:46, shot 695:46
1 of 1 shots sampled

42. Forest 5:45–5:48 checks passed

A person rides a horse along a rocky trail in a wooded area. The scene is shot in black and white with no visible text or dialogue.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 26 · shots 69–69 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person on horseback, wearing dark clothing, visible from behind visible
Seen happening
  • A person rides a horse along a rocky trail. [frame:1]
Seen
horse [frame:1], rocky trail [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: solitary; themes: solitude, journey, nature; style notes: black and white, medium long shot, natural lighting, static camera
Frame at 5:56, shot 705:56
1 of 1 shots sampled

43. Private office 5:48–6:04 checks passed

A man in a white hat sits in a wooden room while another man bends over a body on the floor; a third man stands nearby. A voice requests a bag.

4 people observed.

“Hand me that bag.” 5:54

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 27 · shots 70–70 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing a white hat and dark coat, seated visible
  • man in dark pants and shirt, bending over visible
  • man in plaid shirt and hat, standing visible
  • person lying on floor, dark clothing visible
Seen happening
  • A man in a white hat sits while another bends over a body on the floor. [frame:1]
Seen
wooden wall, window, barrel, chair, body on floor
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, suspense; style notes: static medium shot, high-contrast lighting, period costume
Frame at 6:08, shot 716:08Frame at 6:16, shot 726:16
2 of 2 shots sampled

44. Private office 6:04–6:19 unchecked

A man in a white hat sits while another man stands nearby; a third man bends over a person lying on the floor. One man speaks about ditching items and plugging an arm before returning to town.

Named: Joe (t:6:12). 4 people observed.

“Work your way down the creek back to town, ditch that stuff.” 6:09 · “I've got to plug an arm, Joe. We'll take care of that one and get back to town.” 6:12

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 27 · shots 71–72 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Joe (named at t:6:12): man wearing a white hat and dark coat, seated visible, audible
  • man in dark pants and shirt, bending over visible
  • man in plaid shirt and hat, standing visible
  • person lying on floor, dark clothing visible
Seen happening
  • A man in a white hat sits while another man stands nearby and a third bends over a person on the floor. [frame:1]
  • The standing man moves slightly while the seated man remains still and the bent man continues over the person on the floor. [frame:2]
Seen
wooden chair [frame:1], barrel [frame:1], wooden wall [frame:1], window with curtain [frame:1], person lying on floor [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: injury, escape, rural setting; style notes: static medium shot, high-contrast lighting, period Western costume and set design
Frame at 6:21, shot 736:21Frame at 6:23, shot 746:23Frame at 6:27, shot 766:27Frame at 6:29, shot 776:29
4 of 5 shots sampled

45. Vehicle interior 6:19–6:31 unchecked

A man in a cowboy hat fires a gun from inside a wooden room, where another man lies on the floor. Outside, a figure in a hat is seen in bushes, and later runs away after the shot.

3 people observed.

“Come on.” 6:23 · “BANG!” 6:28

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 28 · shots 73–77 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
vehicle_interior (vehicle interior, interior) evidence: frame:2
People
  • man wearing cowboy hat, dark coat, boots, kneeling visible, audible
  • man lying on floor, dark clothes visible
  • figure in hat, partially hidden in bushes visible
Seen happening
  • A man fires a gun from inside a room. [frame:2]
  • The man points the gun out the window. [frame:3]
  • A figure runs away through brush. [frame:4]
Seen
gun, wooden chair, window, bushes
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, violence, 西部; style notes: black-and-white, static camera, medium shots, high contrast lighting
Frame at 6:33, shot 786:33
1 of 1 shots sampled

46. Wooden interior 6:31–6:35 checks passed

A single interior shot shows a wooden wall with a window looking out onto trees. No people or movement are visible in the frame.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 29 · shots 78–78 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
wooden interior (other, interior) evidence: frame:1
Seen
wooden wall [frame:1], window with panes [frame:1], tree branches visible outside [frame:1], wooden bench or table corner [frame:1]
Interpretation
Model opinion, not evidence: mood: still, quiet; style notes: static medium shot, high contrast black and white, naturalistic set detail
Frame at 6:38, shot 796:38
1 of 1 shots sampled

47. Brushy outdoor area 6:35–6:42 unchecked

A man in a hat crouches among brush as a gunshot is heard. No names, time of day, or period are established.

1 person observed.

“*BANG*” 6:36

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 30 · shots 79–79 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
brushy outdoor area (forest, exterior) evidence: frame:1
People
  • man wearing a wide-brimmed hat and dark clothing, crouching visible
Seen happening
  • A man crouches among brush [frame:1]
Seen
wide-brimmed hat [frame:1], brush and dry grass [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: outdoor concealment, sudden violence; style notes: static medium shot, high-contrast black and white, natural lighting
Frame at 6:46, shot 806:46
1 of 1 shots sampled

48. Field 6:42–6:50 checks passed

A person in a hat stands among bushes in an outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 30 · shots 80–80 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • wearing a wide-brimmed hat and dark clothing, partially obscured by foliage visible
Seen
hat [frame:1], bushes [frame:1]
Interpretation
Model opinion, not evidence: mood: suspenseful; themes: hiding, outdoor concealment; style notes: medium shot, natural lighting, black-and-white, static framing
Frame at 6:51, shot 816:51
1 of 1 shots sampled

49. Field 6:50–6:52 unchecked

A person in a wide-brimmed hat and dark clothing walks through a field with dense shrubbery. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 30 · shots 81–81 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • wearing a wide-brimmed hat and dark clothing, partially obscured by foliage visible
Seen
wide-brimmed hat [frame:1], dark clothing [frame:1], shrubs [frame:1]
Interpretation
Model opinion, not evidence: mood: solitary; themes: outdoor movement, solitude; style notes: medium shot, black-and-white, natural lighting, static camera
Frame at 6:56, shot 826:56
1 of 1 shots sampled

50. Wooden building exterior 6:52–7:00 unchecked

A man in Western attire walks toward a wooden building. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 31 · shots 82–82 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
wooden building exterior (other, exterior) evidence: frame:1
People
  • man wearing cowboy hat, bandana, vest, and gun belt visible
Seen happening
  • man walks toward wooden building [frame:1]
Seen
cowboy hat, gun belt, wooden building, wooden fence
Interpretation
Model opinion, not evidence: mood: neutral; themes: Western, solitude; style notes: medium shot, black and white, static camera, Western genre costume
Frame at 7:04, shot 837:04
1 of 1 shots sampled

51. Private office 7:00–7:08 unchecked

A man in a cowboy hat and vest walks into a wooden room with a chair and a shelf. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 31 · shots 83–83 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing cowboy hat, vest, and trousers, holding a hat in one hand visible
Seen happening
  • A man walks into a wooden room. [frame:1]
Seen
cowboy hat [frame:1], wooden door [frame:1], wooden chair [frame:1], shelf [frame:1], clock [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, interior scene; style notes: static medium shot, high-contrast black-and-white, studio lighting
Frame at 7:09, shot 847:09
1 of 1 shots sampled

52. Other 7:08–7:09 unchecked

A man in a cowboy hat kneels beside a person lying on the floor in a wooden room. A rocking chair and a door are visible in the background.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 31 · shots 84–84 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(other, interior) evidence: frame:1
People
  • man wearing cowboy hat, vest, and shirt, kneeling visible
  • person lying on floor, wearing dark clothes visible
Seen
rocking chair [frame:1], wooden door [frame:1], cowboy hat [frame:1], person lying on floor [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, injury, western setting; style notes: static medium shot, high-contrast lighting, black-and-white film
Frame at 7:13, shot 857:13
1 of 1 shots sampled

53. Private office 7:09–7:18 unchecked

A man in a cowboy hat and vest is seated indoors, looking down. He speaks the word 'Damn' at 7:10.

1 person observed.

“Damn.” 7:10

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 31 · shots 85–85 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(private office, interior) evidence: frame:1
People
  • man wearing cowboy hat, light-colored neckerchief, dark vest over shirt, and trousers visible
Seen happening
  • man is seated, looking down [frame:1]
Seen
cowboy hat [frame:1], necktie or neckerchief [frame:1], vest [frame:1], wooden furniture or wall paneling [frame:1]
Interpretation
Model opinion, not evidence: mood: resigned or frustrated; themes: cowboy, disappointment, interior drama; style notes: medium shot, static framing, high-contrast black-and-white lighting typical of 1930s studio films
Frame at 7:22, shot 867:22
1 of 1 shots sampled

54. Private office 7:18–7:26 unchecked

A man in a cowboy hat and vest sits indoors holding a bottle. The setting appears to be a simple room with wooden walls and furniture.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 31 · shots 86–86 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing cowboy hat, vest, and tie, holding a bottle visible
Seen
bottle [frame:1], cowboy hat [frame:1], vest [frame:1]
Interpretation
Model opinion, not evidence: mood: solitary; themes: solitude, western attire; style notes: medium close-up, static framing, high-contrast lighting typical of 1930s film
Frame at 7:29, shot 877:29
1 of 1 shots sampled

55. Other 7:26–7:32 unchecked

A man in a cowboy hat and vest sits indoors, looking down at his hands. The setting appears to be a rustic interior with wooden walls and furniture.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 31 · shots 87–87 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • man wearing cowboy hat, vest, and tie, seated, mid-adult build visible
Seen
{'item': 'cowboy hat', 'frame': 1}, {'item': 'vest', 'frame': 1}, {'item': 'tie', 'frame': 1}, {'item': 'wooden wall and furniture', 'frame': 1}
Interpretation
Model opinion, not evidence: mood: contemplative; themes: solitude, western attire, interior setting; style notes: medium close-up, static framing, high-contrast lighting typical of 1930s B-westerns
Frame at 7:32, shot 887:32
1 of 1 shots sampled

56. Other 7:32–7:32 unchecked

A single figure wearing a wide-brimmed hat is visible in a dark, smoky environment. No dialogue or clear location is established in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 32 · shots 88–88 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • wearing a wide-brimmed hat, dark clothing, partially obscured by smoke or shadow visible
Seen
wide-brimmed hat [frame:1], smoke or haze [frame:1]
Interpretation
Model opinion, not evidence: mood: obscure, tense; style notes: low-key lighting, high contrast, atmospheric haze, tight framing on figure
Frame at 7:37, shot 897:37Frame at 7:42, shot 907:42
2 of 2 shots sampled

57. Private office 7:32–7:42 unchecked

A group of men in cowboy hats sits facing a man who stands at a table in a room with a portrait on the wall. A line from the transcript states that no clue has been left.

5 people observed.

“and it's left absolutely no clue.” 7:33

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 33 · shots 89–90 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man standing, wearing a cowboy hat and vest, holding papers visible
  • man seated at table, wearing a cowboy hat visible
  • man seated, back to camera, wearing a cowboy hat visible
  • man seated, side view, wearing a cowboy hat visible
  • man seated, wearing a cowboy hat, partially visible visible
Seen happening
  • A man stands at a table addressing seated men in cowboy hats. [frame:1]
  • The standing man gestures with papers while speaking to the seated group. [frame:2]
Seen
cowboy hats [frame:1], portrait on wall [frame:1], table [frame:1], papers [frame:2]
Interpretation
Model opinion, not evidence: mood: serious; themes: authority, investigation, group deliberation; style notes: static medium shot, high-contrast lighting, formal composition
Frame at 7:47, shot 917:47Frame at 7:55, shot 927:55
2 of 2 shots sampled

58. Private office 7:42–7:58 unchecked

A man in a cowboy hat and vest stands in a stone-walled room, speaking about resigning as sheriff after killing his best friend. The scene is shot in black and white with static framing.

1 person observed.

“Gentlemen.” 7:43 · “You'll be needing a new sheriff.” 7:45

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 34 · shots 91–92 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man, adult, medium build, wearing cowboy hat, vest, long-sleeve shirt, bandana around neck visible, audible
Seen happening
  • Man is visible adjusting his vest. [frame:1]
  • Man is visible looking down, hand near neck. [frame:2]
Also said
“I'm through.” 7:48 · “I killed my best friend.” 7:56
Seen
cowboy hat [frame:1], vest [frame:1], bandana [frame:1], stone wall [frame:1], wooden door frame [frame:1]
Interpretation
Model opinion, not evidence: mood: somber, regretful; themes: resignation, guilt, loss, duty vs. personal cost; style notes: static medium shot, high-contrast black and white, studio lighting, minimal background detail
Frame at 8:01, shot 938:01Frame at 8:07, shot 948:07Frame at 8:15, shot 958:15Frame at 8:20, shot 968:20
4 of 4 shots sampled

59. Other 7:58–8:21 unchecked

A man in a cowboy hat speaks about duty and evidence against a man named Dan Matthews. The setting appears to be an interior room with plain walls, and no other people are visible in the frames.

1 person observed.

“You were only doing your duty, Higgins.” 7:59 · “And duty makes it necessary to take the life of a man like old Dan Matthews” 8:04

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 34 · shots 93–96 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • man, adult, medium build, wearing a cowboy hat and dark shirt visible, audible
Mentioned
  • Clem is mentioned as having seen Matthews tie his horse behind Wells Fargo. [t:8:15]
Also said
“Clem here saw him tie his horse behind Wells Fargo.” 8:15 · “The evidence is... too strongly against them.” 8:19
Seen
cowboy hat [frame:1], dark shirt [frame:1], plain wall [frame:1]
Interpretation
Model opinion, not evidence: mood: solemn; themes: duty, justice, evidence; style notes: static medium shots, high-contrast black-and-white, studio lighting, minimal set design
Frame at 8:25, shot 978:25Frame at 8:33, shot 988:33
2 of 2 shots sampled

60. Private office 8:21–8:37 unchecked

A man in a cowboy hat and vest stands in a doorway while a group of men in hats sit inside a room; one man speaks about circumstantial evidence and Dan Matthews's innocence. The speaker invites Mr. Williams to the office, who agrees to come over.

Named: John (t:8:31), Dexan (t:8:24), Mr. Williams (t:8:31). 6 people observed.

“Circumstantial evidence has convicted many a man” 8:21 · “Dexan.” 8:24

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 34 · shots 97–98 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:2
People
  • man wearing cowboy hat, vest, and neckerchief, medium build, appears young adult visible
  • group of men wearing cowboy hats, seated, backs to camera visible
  • man seated at desk, wearing cowboy hat, partially visible visible
  • John (named at t:8:31): man standing in doorway, wearing cowboy hat and vest visible, audible
  • Dexan (named at t:8:24): unseen speaker audible
  • Mr. Williams (named at t:8:31): unseen speaker audible
Seen happening
  • A man in a cowboy hat stands in a doorway looking serious. [frame:1]
  • A group of men in cowboy hats sit in a room while one man stands in the doorway. [frame:2]
Also said
“And I still believe that Dan Matthews is innocent.” 8:26 · “I'd like to see you at the office, Mr. Williams.” 8:31
Seen
cowboy hats [frame:1, frame:2], wooden door frame [frame:1], portrait on wall [frame:2], desk [frame:2], chairs [frame:2]
Interpretation
Model opinion, not evidence: mood: serious and tense; themes: justice, innocence, legal proceedings; style notes: static medium shots, high-contrast black-and-white, studio lighting, period Western costume
Frame at 8:41, shot 998:41Frame at 8:51, shot 1008:51
2 of 2 shots sampled

61. Private office 8:37–8:57 unchecked

Two men in cowboy hats sit at a table; one offers the other a job back, which the second man accepts conditionally. The setting appears to be an interior room with plain walls and a table holding papers and bottles.

Named: Williams (t:8:38). 2 people observed.

“Williams?” 8:38 · “I guess you get your old job back.” 8:40

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 34 · shots 99–100 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Williams (named at t:8:38): man wearing a light-colored cowboy hat, dark shirt, and dark vest; medium build, appears middle-aged visible, audible
  • man wearing a dark cowboy hat, dark shirt, and dark vest; medium build, appears middle-aged, with a mustache visible, audible
Seen happening
  • One man extends his hand toward the other across the table. [frame:1]
  • Both men sit at the table, hands clasped or resting. [frame:2]
Also said
“My eyes are not as good.” 8:44 · “I'll take the job until you can get a better man.” 8:48
Seen
cowboy hats [frame:1], table [frame:1], papers [frame:1], bottles [frame:1], vests [frame:1]
Interpretation
Model opinion, not evidence: mood: resigned, transactional; themes: aging, employment, cowboy culture; style notes: medium two-shot, static framing, high-contrast black-and-white, studio lighting, minimal set design
Frame at 8:58, shot 1018:58Frame at 9:01, shot 1029:01
2 of 2 shots sampled

62. Private office 8:57–9:03 unchecked

A man in a hat and vest stands beside a wooden door and a cabinet. He speaks the word 'All right.'

1 person observed.

“All right.” 8:58

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 35 · shots 101–102 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1, frame:2
People
  • man wearing a wide-brimmed hat, dark vest over a dark shirt visible, audible
Seen happening
  • A man stands beside a door and a cabinet. [frame:1]
Seen
wooden door, wooden cabinet, hat, vest
Interpretation
Model opinion, not evidence: mood: neutral; themes: dialogue, interior setting; style notes: medium shot, static camera, high-contrast black-and-white lighting
Frame at 9:08, shot 1039:08Frame at 9:16, shot 1049:16Frame at 9:24, shot 1059:24Frame at 9:33, shot 1069:33
4 of 4 shots sampled

63. Outdoor table 9:03–9:37 checks passed

Two men in cowboy hats sit at a table outdoors and discuss money belonging to Dan Matthews' daughter. One man, Ed, is instructed to hold the money for her, and promises to keep it secret.

Named: Ed (t:9:04), John (t:9:33). 2 people observed.

“Sit down, Ed.” 9:04 · “They're going to restock his ranch and get it in shape for his daughter, who's coming out this next year.” 9:15

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 36 · shots 103–106 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
outdoor table (other, exterior) evidence: frame:1
People
  • Ed (named at t:9:04): man with mustache, wearing dark vest and cowboy hat visible, audible
  • John (named at t:9:33): younger man, wearing light shirt, vest, and white cowboy hat with scarf visible, audible
Also said
“I wish you'd see that his daughter gets it.” 9:28 · “I'll keep it for her, John.” 9:33
Seen
{'item': 'cowboy hats', 'frame': 1}, {'item': 'wooden table', 'frame': 1}, {'item': 'woven basket with cloth', 'frame': 1}, {'item': 'glass jars', 'frame': 1}, {'item': 'scarf around neck', 'frame': 1}
Interpretation
Model opinion, not evidence: mood: serious and conspiratorial; themes: trust and secrecy, inheritance and responsibility, Western frontier setting; style notes: medium two-shot, static framing, high-contrast black-and-white lighting, period Western costume
Frame at 9:39, shot 1079:39
1 of 1 shots sampled

64. Outdoor table 9:37–9:40 unchecked

Two men in cowboy hats sit at a wooden table outdoors; one reaches toward a basket of food while the other holds a cup. No dialogue or named characters are present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 36 · shots 107–107 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
outdoor table (other, exterior) evidence: frame:1
People
  • man with mustache, wearing dark vest and cowboy hat visible
  • younger man, wearing light shirt, vest, and white cowboy hat with scarf visible
Seen happening
  • One man reaches toward a basket of food on the table. [frame:1]
  • The other man holds a cup and looks at his companion. [frame:1]
Seen
cowboy hats [frame:1], wooden table [frame:1], basket of food [frame:1], cup [frame:1]
Interpretation
Model opinion, not evidence: mood: casual; themes: Western, outdoor dining, character interaction; style notes: medium shot, static framing, natural lighting, period Western costume
Frame at 9:49, shot 1089:49Frame at 10:01, shot 10910:01Frame at 10:10, shot 11010:10
3 of 3 shots sampled

65. Other 9:40–10:14 unchecked

Two men sit side by side in a wooden structure, discussing a third man named Tiggins who left town and became a 'desert rat' after a traumatic event. One man mentions Dan's daughter and suggests she would be better off back east.

2 people observed.

“It's been about a year since...” 9:42 · “town cashing in some nuggets.” 9:47

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 37 · shots 108–110 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • older man, gray hair, wearing a button-up shirt with chest pockets, seated visible, audible
  • older man, beard, wearing a wide-brimmed hat and vest over shirt, seated visible, audible
Seen happening
  • Two men are seated and talking. [frame:1]
Also said
“He's like a dead man.” 9:57 · “I think she'd be better off back east with her aunt.” 10:08
Seen
wooden wall [frame:1], wagon wheel [frame:1], wide-brimmed hat [frame:1], button-up shirt with chest pockets [frame:1]
Interpretation
Model opinion, not evidence: mood: somber; themes: loss, regret, frontier life; style notes: static medium shot, high contrast black-and-white, naturalistic lighting from side, two-shot framing
Frame at 10:14, shot 11110:14Frame at 10:18, shot 11210:18
2 of 2 shots sampled

66. Private office 10:14–10:21 unchecked

Two men sit side by side in a wooden interior; one wears a wide-brimmed hat. A transcript line mentions blame for a shooting.

2 people observed.

“A strange fellow...” 10:15 · “It's outlawed.” 10:16

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 37 · shots 111–112 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • older man, light hair, wearing a collared shirt, seated visible
  • man with beard, wearing a wide-brimmed hat and vest, seated visible
Seen happening
  • Two men sit side by side in a wooden interior. [frame:1]
  • The men remain seated; the man in the hat looks toward the other. [frame:2]
Also said
“They're there to blame for him shooting old Dan.” 10:18
Seen
wide-brimmed hat, wooden wall, wheel (partial)
Interpretation
Model opinion, not evidence: mood: tense; themes: blame, confrontation, western setting; style notes: static medium shot, high contrast black and white, studio lighting
Frame at 10:22, shot 11310:22
1 of 1 shots sampled

67. Other 10:21–10:22 checks passed

Two men sit side by side against a wooden structure; one wears a cowboy hat and vest, the other a collared shirt. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 37 · shots 113–113 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
People
  • older man with white hair, wearing a collared shirt, seated visible
  • older man with mustache, wearing a cowboy hat and vest, seated visible
Seen
cowboy hat [frame:1], wooden structure [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: static medium shot, high-contrast black-and-white, natural lighting
Frame at 10:26, shot 11410:26
1 of 1 shots sampled

68. Other 10:22–10:29 unchecked

A horse stands near a tree in front of a log cabin. No people are visible in this shot.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 38 · shots 114–114 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
Seen
horse [frame:1], log cabin [frame:1], tree [frame:1]
Interpretation
Model opinion, not evidence: mood: quiet; themes: rural setting, solitude; style notes: static wide shot, high-contrast black-and-white, natural lighting
Frame at 10:31, shot 11510:31
1 of 1 shots sampled

69. Forest 10:29–10:32 unchecked

A person stands near a log cabin while a saddled horse stands nearby under trees. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 38 · shots 115–115 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • adult, wearing dark clothing, standing near cabin visible
Seen
log cabin [frame:1], saddled horse [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: quiet, still; themes: rural setting, solitude; style notes: static medium shot, high-contrast black-and-white, natural lighting
Frame at 10:34, shot 11610:34
1 of 1 shots sampled

70. Forest 10:32–10:37 unchecked

A man in Western attire stands outdoors near a tree and rocks. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 39 · shots 116–116 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man wearing cowboy hat, bandana, vest, and belt with buckle visible
Seen
cowboy hat [frame:1], bandana [frame:1], tree [frame:1], rocks [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: Western, outdoor setting; style notes: medium shot, black and white, natural outdoor lighting
Frame at 10:41, shot 11710:41
1 of 1 shots sampled

71. Wooded area with cabin 10:37–10:45 unchecked

A horse stands near a log cabin in a wooded area. No people are visible or audible in this beat.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 40 · shots 117–117 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
wooded area with cabin (other, exterior) evidence: frame:1
Seen
horse [frame:1], log cabin [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: quiet and still; themes: rural isolation, western landscape; style notes: static medium shot, high contrast black-and-white, natural setting
Frame at 10:47, shot 11810:47
1 of 1 shots sampled

72. Wooded area with cabin 10:45–10:49 unchecked

A rider on horseback moves past a small wooden cabin in a wooded area. The scene is shot in black and white with natural lighting and trees framing the cabin.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 40 · shots 118–118 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
wooded area with cabin (forest, exterior) evidence: frame:1
People
  • person on horseback, wearing dark clothing, visible from side visible
Seen happening
  • A person on horseback rides past a wooden cabin. [frame:1]
Seen
wooden cabin [frame:1], horse [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: solitary; themes: isolation, rural setting; style notes: wide shot, natural lighting, black and white, static camera
Frame at 10:53, shot 11910:53
1 of 1 shots sampled

73. Field 10:49–10:56 unchecked

A person is lying prone on dry, uneven ground in a single shot. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 41 · shots 119–119 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • adult, wearing dark clothing and a hat, lying prone visible
Seen happening
  • A person lies prone on the ground. [frame:1]
Seen
hat [frame:1], dark clothing [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: solitude, vulnerability; style notes: high-angle shot, black-and-white, natural lighting
Frame at 10:58, shot 12010:58
1 of 1 shots sampled

74. Forest 10:56–11:00 unchecked

A lone rider on horseback moves across a dusty, tree-lined path. The scene is shot in black and white with no visible text or dialogue.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 42 · shots 120–120 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person on horseback, wearing dark clothing, visible from a distance visible
Seen happening
  • A person rides a horse along a dirt path through trees. [frame:1]
Seen
horse [frame:1], dirt path [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: solitary; themes: isolation, journey; style notes: wide shot, black and white, natural lighting, dust kicked up by horse suggests motion
Frame at 11:02, shot 12111:02Frame at 11:04, shot 12211:04Frame at 11:06, shot 12311:06Frame at 11:09, shot 12411:09
4 of 4 shots sampled

75. Field 11:00–11:10 unchecked

A person is seen on the ground in a dusty outdoor area while another person rides a horse nearby. The transcript includes a call to 'Mr. Johnny' and a statement about leaving.

Named: Johnny (t:11:01). 2 people observed.

“Mr. Johnny!” 11:01 · “A nun wire for your doors.” 11:05

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 42 · shots 121–124 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person on ground, wearing hat and coat, long hair visible
  • Johnny (named at t:11:01): person on horse, wearing dark coat and hat visible
Seen happening
  • Person p1 is on the ground. [frame:1]
  • Person p2 rides a horse past p1. [frame:2]
  • Person p1 remains seated on the ground. [frame:3]
  • Person p2 rides the horse directly toward the camera. [frame:4]
Also said
“I'm going to go.” 11:08
Seen
horse [frame:2], dust [frame:2], trees [frame:2]
Interpretation
Model opinion, not evidence: mood: tense; themes: departure, confrontation, western setting; style notes: black-and-white, outdoor wide shots, dynamic horse movement, high contrast lighting
Frame at 11:15, shot 12511:15
1 of 1 shots sampled

76. Field 11:10–11:20 unchecked

A person on horseback rides across an open, dusty area with trees in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 42 · shots 125–125 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person on horseback, wearing dark clothing, visible from a distance visible
Seen happening
  • A person rides a horse across an open field. [frame:1]
Seen
horse [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, solitude; style notes: wide shot, black and white, natural lighting, distant framing
Frame at 11:24, shot 12611:24Frame at 11:36, shot 12711:36
2 of 2 shots sampled

77. Field 11:20–11:44 unchecked

A man kneels beside a person lying on the ground in an open field, then a man is seen riding a horse through trees. The transcript includes dialogue about not talking and being taken to camp, and a shouted name 'Black Eagle!'.

Named: Black Eagle (t:11:36). 3 people observed.

“No broken leg, eh?” 11:23 · “Well, don't try to talk, son. I'll have you in camp before night.” 11:26

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 43 · shots 126–127 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing a hat and vest, kneeling visible
  • person lying on ground, wearing headband and patterned garment visible
  • Black Eagle (named at t:11:36): man riding a horse, wearing hat and coat visible
Seen happening
  • A man kneels beside a person lying on the ground. [frame:1]
  • A man rides a horse through trees. [frame:2]
Also said
“Black Eagle!” 11:36
Seen
horse [frame:2], hat [frame:1, frame:2], headband [frame:1], trees [frame:2]
Interpretation
Model opinion, not evidence: mood: urgent; themes: rescue, outdoor peril, identity reveal; style notes: black-and-white, medium shots, natural outdoor lighting
Frame at 11:46, shot 12811:46
1 of 1 shots sampled

78. Other 11:44–11:48 unchecked

Two men carry a third man on a stretcher outdoors near a wooden building. One man wears a cowboy hat and gun belt; the other wears a bandana and vest.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 44 · shots 128–128 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
People
  • man wearing cowboy hat, vest, and gun belt, seen from back visible
  • man wearing bandana and vest, facing camera, holding stretcher visible
  • man lying on stretcher, covered by blanket, face not visible visible
Seen happening
  • Two men carry a third man on a stretcher. [frame:1]
Seen
stretcher [frame:1], cowboy hat [frame:1], gun belt [frame:1], bandana [frame:1], wooden building [frame:1]
Interpretation
Model opinion, not evidence: mood: urgent; themes: rescue, western; style notes: medium shot, black and white, outdoor daylight, static framing
Frame at 11:53, shot 12911:53
1 of 1 shots sampled

79. Forest 11:48–11:59 unchecked

Two men are shown in a close-up outdoors; one wears a hat and bandana, the other a headband. One speaks the line 'I'm a man.'

2 people observed.

“It's a little bit of a cage.” 11:49 · “To loo for yacht landers.” 11:51

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 45 · shots 129–129 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man with long hair, wearing a patterned headband visible
  • man with beard, wearing a wide-brimmed hat and neckerchief visible
Also said
“Show who the” 11:53 · “I'm a man.” 11:56
Seen
hat, headband, neckerchief
Interpretation
Model opinion, not evidence: mood: tense; themes: identity, confrontation; style notes: close-up framing, high-contrast black-and-white, outdoor natural lighting
Frame at 12:02, shot 13012:02
1 of 1 shots sampled

80. Other 11:59–12:05 unchecked

Three men are shown outdoors near a wooden structure; one embraces another while a third stands nearby. No dialogue or on-screen text is present in this beat.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 46 · shots 130–130 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
People
  • man wearing a plaid shirt and headband, standing to the left visible
  • man in light shirt being embraced from behind visible
  • man in cowboy hat and vest, back to camera, right side visible
Seen
wooden building [frame:1], cowboy hat [frame:1], gun belt [frame:1], headband [frame:1]
Interpretation
Model opinion, not evidence: mood: tense or emotional; themes: confrontation, embrace, western attire; style notes: medium shot, black and white, natural outdoor lighting, static framing
Frame at 12:14, shot 13112:14
1 of 1 shots sampled

81. Other 12:05–12:22 unchecked

Two men stand outdoors near a wooden structure; one speaks urgently while the other responds. The dialogue includes commands and a name, 'Black Eagle,' used in a moment of resolve.

Named: Black Eagle (t:12:18). 2 people observed.

“Big stuff.” 12:05 · “Kill them all.” 12:09

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 47 · shots 131–131 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
People
  • Black Eagle (named at t:12:18): man wearing cowboy hat, bandana, vest, and belt; medium build, adult visible, audible
  • man wearing dark head covering with band, patterned vest over light shirt; adult visible, audible
Also said
“Son, go quick.” 12:15 · “Oh. All right, Black Eagle. I don't know any place I'd rather be.” 12:18
Seen
cowboy hat, bandana, vest, wooden fence, rustic building
Interpretation
Model opinion, not evidence: mood: tense and resolved; themes: loyalty, duty, final resolve; style notes: medium close-up, black-and-white, high-contrast lighting, period Western costume
Frame at 12:24, shot 13212:24
1 of 1 shots sampled

82. Other 12:22–12:26 checks passed

A man in a cowboy hat and vest walks away from the camera with another person beside him, in front of a wooden building. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 47 · shots 132–132 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
People
  • man wearing a cowboy hat, dark long-sleeve shirt, and light vest with decorative belt visible
  • person wearing a dark hat and light shirt, partially obscured visible
Seen
cowboy hat [frame:1], wooden building [frame:1], decorative belt [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: black-and-white, medium shot from behind, natural outdoor lighting
Frame at 12:28, shot 13312:28
1 of 1 shots sampled

83. Other 12:26–12:30 unchecked

A close-up shows a hand wearing a large, ornate ring. No other actions, people, or locations are visible in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 48 · shots 133–133 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(other)
People
  • hand with neatly trimmed nails, wearing a large silver ring with a central stone and decorative band visible
Seen
ring [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: close-up shot, high contrast black-and-white, focused on detail of jewelry
Frame at 12:35, shot 13412:35Frame at 12:42, shot 13512:42
2 of 2 shots sampled

84. Other 12:30–12:45 checks passed

Two men stand in a rustic wooden structure; one gives a ring to the other, who accepts it. The recipient speaks of gratitude and friendship.

Named: Black Eagle (t:12:31). 2 people observed.

“Mighty nice of you to give me this ring, Black Eagle.” 12:31 · “Keep...” 12:35

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 49 · shots 134–135 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • Black Eagle (named at t:12:31): Man wearing a wide-brimmed hat, bandana, vest, and dark shirt; appears middle-aged with beard visible, audible
  • Man wearing a feathered headdress, patterned vest, and light shirt; appears middle-aged visible, audible
Seen happening
  • Black Eagle hands a ring to the other man. [frame:1]
Also said
“Me.” 12:37 · “I won't forget.” 12:42
Seen
ring [frame:1], feathered headdress [frame:1], wide-brimmed hat [frame:1], bandana [frame:1], wooden structure [frame:1]
Interpretation
Model opinion, not evidence: mood: solemn and personal; themes: gift-giving, friendship, cultural exchange; style notes: static medium shot, high-contrast black-and-white, period costume detail
Frame at 12:49, shot 13612:49
1 of 1 shots sampled

85. Forest 12:45–12:53 unchecked

A man in a wide-brimmed hat mounts a horse while another man in a feathered headdress stands nearby in a wooded outdoor area. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 50 · shots 136–136 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • Man wearing a wide-brimmed hat, bandana, vest, and dark shirt; appears middle-aged with beard visible
  • Man wearing a feathered headdress, patterned vest, and light shirt; appears middle-aged visible
Seen happening
  • A man mounts a horse [frame:1]
  • Another man stands nearby watching [frame:1]
Seen
horse [frame:1], wide-brimmed hat [frame:1], feathered headdress [frame:1], bandana [frame:1], vest [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and anticipatory; themes: western, journey, confrontation; style notes: medium shot, natural outdoor lighting, black-and-white film grain, static framing
Frame at 12:54, shot 13712:54
1 of 1 shots sampled

86. Forest 12:53–12:55 unchecked

A forest scene is shown with tall trees and undergrowth. No people or actions are visible in the single frame provided.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 51 · shots 137–137 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
Interpretation
Model opinion, not evidence: mood: neutral; style notes: static wide shot, black and white, natural lighting
Frame at 12:59, shot 13812:59
1 of 1 shots sampled

87. Desert 12:55–13:04 unchecked

A person drives an open-top vehicle across a sandy, open area with a dark, rocky backdrop. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 52 · shots 138–138 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
desert (desert, exterior) evidence: frame:1
People
  • person wearing dark clothing, seated in vehicle, visible from side visible
Seen happening
  • A person drives a vehicle across a sandy area. [frame:1]
Seen
open-top vehicle [frame:1], sandy terrain [frame:1], rocky backdrop [frame:1]
Interpretation
Model opinion, not evidence: mood: solitary, open; themes: isolation, journey, desert landscape; style notes: wide shot, high contrast black-and-white, stark lighting emphasizing vehicle against dark background
Frame at 13:08, shot 13913:08
1 of 1 shots sampled

88. Desert 13:04–13:12 unchecked

A man stands beside an open-top car parked on dusty ground near a rocky cliff. No dialogue or on-screen text is present in the frames.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 52 · shots 139–139 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
desert (desert, exterior) evidence: frame:1
People
  • man wearing dark clothes, standing beside car visible
  • person seated in driver's seat of car, wearing hat visible
Seen happening
  • A man stands beside a parked car in a desert setting. [frame:1]
Seen
open-top car [frame:1], rocky cliff [frame:1], dusty ground [frame:1]
Interpretation
Model opinion, not evidence: mood: isolated; themes: solitude, travel, western landscape; style notes: wide shot, high contrast lighting, static framing
Frame at 13:15, shot 14013:15
1 of 1 shots sampled

89. Field 13:12–13:17 unchecked

A person is crouched on the ground in a rocky, grassy outdoor setting. The transcript contains only the word 'Yes.'

1 person observed.

“Yes.” 13:14

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 53 · shots 140–140 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • wearing dark clothing, crouched, appears to be an adult visible
Seen happening
  • A person crouches on the ground in a rocky, grassy area. [frame:1]
Seen
rocks and grass [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: black-and-white, outdoor shot, medium distance, natural lighting
Frame at 13:18, shot 14113:18
1 of 1 shots sampled

90. Road 13:17–13:19 unchecked

A person sits in an old car while another stands beside it on a dirt road. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 54 · shots 141–141 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • wearing a dark hat and coat, seated in a car visible
  • wearing a wide-brimmed hat and coat, standing beside the car visible
Seen
old car, hat, coat
Interpretation
Model opinion, not evidence: mood: neutral; themes: transportation, western setting; style notes: static medium shot, black and white, natural outdoor lighting, period costume and vehicle
Frame at 13:25, shot 14213:25Frame at 13:32, shot 14313:32Frame at 13:37, shot 14413:37
3 of 3 shots sampled

91. Field 13:19–13:40 unchecked

A woman introduces herself as Beth Matthews and describes her large ranch with cattle and cowboys. She and a man in cowboy attire are outdoors, with the woman pointing out wildflowers.

Named: Beth Matthews (t:13:22). 2 people observed.

“See, I'm Beth Matthews.” 13:22 · “And I own the lazy young ranch.” 13:24

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 55 · shots 142–144 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1, frame:2, frame:3
People
  • Beth Matthews (named at t:13:22): woman, wearing a hat, jacket, and striped scarf, mid-20s to 30s, average build visible, audible
  • man, wearing a cowboy hat and coat, older, holding a canteen visible
Seen happening
  • The man holds a canteen and looks at Beth. [frame:2]
Also said
“There must be thousands of cattle.” 13:26 · “Oh!” 13:36
Seen
hat [frame:1], jacket [frame:1], scarf [frame:1], canteen [frame:2], cowboy hat [frame:2]
Interpretation
Model opinion, not evidence: mood: casual and conversational; themes: ranch life, introduction of character, outdoor setting; style notes: medium close-ups, natural outdoor lighting, black-and-white film stock, static camera
Frame at 13:41, shot 14513:41Frame at 13:50, shot 14613:50
2 of 2 shots sampled

92. Desert 13:40–13:59 unchecked

A man in a hat stands beside an old car in a desert-like landscape. A woman in a long skirt walks up a steep, eroded slope nearby.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 55 · shots 145–146 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
desert (desert, exterior) evidence: frame:1, frame:2
People
  • man wearing a dark hat and light-colored jacket, standing beside a car visible
  • woman wearing a dark top and long skirt, walking uphill visible
Seen happening
  • A man stands beside an old car in a desert. [frame:1]
  • A woman walks up a steep, eroded slope. [frame:2]
Seen
old car [frame:1], hat [frame:1], long skirt [frame:2]
Interpretation
Model opinion, not evidence: mood: tense and isolated; themes: isolation, journey, desert landscape; style notes: static medium shots, high-contrast black and white, natural outdoor lighting
Frame at 13:59, shot 14713:59Frame at 14:03, shot 14814:03
2 of 2 shots sampled

93. Field 13:59–14:06 unchecked

A person in dark clothing is seen near a cave entrance in a rocky landscape, followed by a shot of two people on horseback moving along a dirt path near trees. No dialogue or on-screen text is present in these frames.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 55 · shots 147–148 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1, frame:2
People
  • dark clothing, hat, seen from a distance visible
  • on horseback, dark clothing, seen from a distance visible
  • on horseback, lighter clothing, seen from a distance visible
Seen happening
  • A person stands near a cave entrance in a rocky area. [frame:1]
  • Two people on horseback ride along a dirt path near trees. [frame:2]
Seen
cave entrance [frame:1], horse [frame:2], trees [frame:2]
Interpretation
Model opinion, not evidence: mood: tense; themes: outdoor pursuit, rural setting; style notes: wide shots, high contrast black-and-white, natural lighting
Frame at 14:07, shot 14914:07Frame at 14:14, shot 15114:14Frame at 14:19, shot 15314:19Frame at 14:25, shot 15514:25
4 of 7 shots sampled

94. Road 14:06–14:26 unchecked

A vehicle labeled 'STATE' is shown on a dirt road near a wooded embankment, with people around it; one person is on horseback. The transcript contains only the word 'Oh,' spoken at 14:17.

4 people observed.

“Oh,” 14:17

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 55 · shots 149–155 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • wearing a hat and light-colored shirt, standing beside a vehicle visible
  • wearing a hat, seated in the vehicle visible
  • on horseback, wearing dark clothing visible
  • wearing a hat, standing near the front of the vehicle visible
Seen happening
  • A vehicle labeled 'STATE' is seen driving on a dirt road. [frame:1]
  • A person on horseback is visible among trees. [frame:2]
  • A person on horseback moves quickly past a rocky surface. [frame:3]
  • Several people are gathered around the 'STATE' vehicle, with one person standing beside it and another on horseback nearby. [frame:4]
Seen
vehicle [frame:4], horse [frame:2], hat [frame:4]
Interpretation
Model opinion, not evidence: mood: tense; themes: transportation, rural setting, law enforcement; style notes: black-and-white, outdoor, medium to wide shots, natural lighting
Frame at 14:28, shot 15614:28
1 of 1 shots sampled

95. Forest 14:26–14:29 unchecked

A person rides a horse uphill through a wooded area. The scene is outdoors and appears to be in a forested or rural setting.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 55 · shots 156–156 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person wearing a hat and dark clothing, riding a horse visible
Seen happening
  • A person rides a horse uphill through trees. [frame:1]
Seen
horse [frame:1], trees [frame:1], hat [frame:1]
Interpretation
Model opinion, not evidence: mood: tense or adventurous; themes: western, journey, solitude; style notes: black-and-white, medium shot, natural lighting, outdoor setting
Frame at 14:31, shot 15714:31
1 of 1 shots sampled

96. Road 14:29–14:33 unchecked

A group of riders on horseback pulls a wagon along a dirt road beside a steep embankment. The scene is outdoors in daylight, with trees visible in the background.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 56 · shots 157–157 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(road, exterior) evidence: frame:1
Seen happening
  • Riders on horseback pull a wagon along a dirt road. [frame:1]
Seen
horses [frame:1], wagon [frame:1], riders [frame:1], embankment [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: rugged; themes: travel, frontier, transportation; style notes: wide shot, high contrast black and white, natural lighting, outdoor setting
Frame at 14:34, shot 15814:34
1 of 1 shots sampled

97. Road 14:33–14:35 unchecked

A black-and-white scene shows a vintage car labeled 'STAGE' on a dirt road with two riders on horseback nearby. One person is visible driving the car, and another is seated in the back.

4 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 57 · shots 158–158 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • wearing a hat and coat, seated in the driver's seat of a car visible
  • wearing a hat, seated in the back of the car visible
  • wearing a hat, riding a horse to the left of the car visible
  • wearing a hat, riding a horse behind the car visible
Seen
vintage car, horses, hats
Interpretation
Model opinion, not evidence: mood: action-oriented, tense; themes: transportation, pursuit, western setting; style notes: wide shot, high contrast black-and-white, dynamic composition with motion implied
Frame at 14:38, shot 15914:38Frame at 14:44, shot 16114:44Frame at 14:51, shot 16314:51Frame at 14:55, shot 16514:55
4 of 7 shots sampled

98. Forest 14:35–14:56 unchecked

A person on horseback rides through a dusty, wooded area and then dismounts near a rocky embankment. The person is later seen standing on the slope with arms outstretched, near a cave-like opening in the rock face.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 58 · shots 159–165 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • wearing a hat and dark clothing, riding a horse; later standing on a slope visible
Seen happening
  • A person rides a horse through a dusty, wooded area. [frame:2]
  • A person is seen near a cave-like opening in a rocky embankment. [frame:3]
  • A person stands on a rocky slope with arms outstretched. [frame:4]
Seen
horse [frame:2], rocky embankment [frame:3], cave-like opening [frame:3]
Interpretation
Model opinion, not evidence: mood: tense and dramatic; themes: outdoor pursuit, solitude in nature, physical exertion; style notes: high-contrast black-and-white cinematography, dynamic action framing, use of natural terrain for dramatic effect
Frame at 14:58, shot 16614:58Frame at 15:04, shot 16715:04Frame at 15:10, shot 16815:10
3 of 3 shots sampled

99. Road 14:56–15:11 unchecked

A man in a hat and coat stands beside a vintage stagecoach on a dirt road; later, riders on horseback gallop away down the same road, kicking up dust. The setting is outdoors, with trees and a dirt path visible.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 58 · shots 166–168 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • man wearing a hat and coat, medium build visible
  • rider on horseback, wearing dark clothing visible
  • rider on horseback, visible in distance visible
Seen happening
  • A man stands beside a stagecoach on a dirt road. [frame:1]
  • Riders on horseback gallop away down a dirt road, kicking up dust. [frame:2]
  • Dust from galloping horses obscures the road and riders. [frame:3]
Seen
stagecoach, horse, dust cloud
Interpretation
Model opinion, not evidence: mood: tense and urgent; themes: pursuit, western frontier, travel by horse and coach; style notes: black-and-white, wide shots, natural outdoor lighting, dynamic motion captured in dust and galloping horses
Frame at 15:18, shot 16915:18Frame at 15:28, shot 17015:28
2 of 2 shots sampled

100. Road 15:11–15:31 unchecked

A person walks away from a stagecoach on a dirt road while a group of riders on horseback moves along a forested path. No names or specific time of day are established in the frames or transcript.

2 people observed.

“I'm going to go.” 15:26

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 58 · shots 169–170 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • person in dark coat and skirt, walking away from camera visible
  • group of riders in hats and coats on horseback visible
Seen happening
  • A person walks away from a stagecoach. [frame:1]
  • Riders on horseback move along a forested path. [frame:2]
Seen
stagecoach [frame:1], horses [frame:2], hats [frame:2]
Interpretation
Model opinion, not evidence: mood: departure and movement; themes: travel, departure, western setting; style notes: black-and-white, outdoor wide shots, natural lighting, period costumes
Frame at 15:33, shot 17115:33Frame at 15:39, shot 17315:39Frame at 15:42, shot 17415:42Frame at 15:48, shot 17615:48
4 of 6 shots sampled

101. Field 15:31–15:50 unchecked

Two men on horseback are shown in a rugged outdoor setting; one dismounts near a fallen man while another remains mounted. The scene includes horses, a rocky slope, and dust, suggesting movement and conflict.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 58 · shots 171–176 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1, frame:2, frame:3, frame:4
People
  • man wearing cowboy hat and dark pants, seen from behind, dismounting a horse visible
  • man wearing cowboy hat and light shirt, mounted on horse, holding reins visible
  • man wearing cowboy hat, lying prone on ground, wearing dark clothing visible
Seen happening
  • A man dismounts from a horse near a rocky slope. [frame:1]
  • Two men ride horses across a dusty field. [frame:2]
  • A man stands beside a horse while another lies on the ground nearby. [frame:3]
  • A mounted man looks down at a fallen man as another horse stands nearby. [frame:4]
Seen
horse [frame:1], cowboy hat [frame:1], dust cloud [frame:2], rocky slope [frame:3], fallen man [frame:4]
Interpretation
Model opinion, not evidence: mood: tense; themes: conflict, western, outdoor action; style notes: black-and-white, wide shots, natural lighting, dusty outdoor setting, static camera angles
Frame at 15:52, shot 17715:52Frame at 15:56, shot 17815:56Frame at 15:59, shot 17915:59Frame at 16:04, shot 18016:04
4 of 4 shots sampled

102. Field 15:50–16:09 unchecked

A person rides a horse across open terrain, followed by a group of riders. Another person works on an early automobile near a dirt bank, while a lone rider approaches on a dusty path lined with trees.

4 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 58 · shots 177–180 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person on horse, wearing light-colored shirt and dark pants visible
  • person on horse, similar attire to p1 visible
  • person crouched beside car, wearing dark coat and hat visible
  • person on horse, distant, wearing light shirt visible
Seen happening
  • A person rides a horse across open ground. [frame:1]
  • A group of riders gallops across the terrain. [frame:2]
  • A person crouches beside an early automobile, working on its front. [frame:3]
  • A lone rider approaches on a dusty path lined with trees. [frame:4]
Seen
horse [frame:1], group of horses [frame:2], early automobile [frame:3], dusty path [frame:4], trees [frame:4]
Interpretation
Model opinion, not evidence: mood: rural and active; themes: outdoor travel, early automotive technology, rural landscape; style notes: wide shots, natural lighting, black-and-white film stock, outdoor setting
Frame at 16:11, shot 18116:11Frame at 16:16, shot 18316:16Frame at 16:19, shot 18416:19Frame at 16:25, shot 18616:25
4 of 6 shots sampled

103. Field 16:09–16:26 unchecked

A group of riders on horseback gallop across an open field, followed by a shot of a person walking up a rocky slope. No dialogue or on-screen text is present in these frames.

4 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 58 · shots 181–186 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person on horseback, wearing dark clothing and hat visible
  • person on horseback, wearing dark clothing and hat visible
  • person on horseback, wearing dark clothing and hat visible
  • person walking up slope, wearing dark jacket, light pants, and hat visible
Seen happening
  • A cloud of dust rises in a field with trees in the background. [frame:1]
  • A person rides a dark horse at full gallop across an open area. [frame:2]
  • Three riders on horseback gallop across a field with trees in the background. [frame:3]
  • A person walks up a rocky slope, viewed from behind. [frame:4]
Seen
horse [frame:2], horses [frame:3], rocky slope [frame:4], dust cloud [frame:1]
Interpretation
Model opinion, not evidence: mood: urgent; themes: pursuit, outdoor adventure, western; style notes: black-and-white, wide shots of outdoor action, dynamic movement captured in mid-gallop, natural lighting
Frame at 16:29, shot 18716:29Frame at 16:35, shot 18816:35Frame at 16:42, shot 18916:42
3 of 3 shots sampled

104. Field 16:26–16:45 unchecked

A person in period attire climbs a steep, eroded dirt embankment. The individual is seen ascending the slope in three separate shots, with dust rising around them.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 58 · shots 187–189 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • adult, wearing a hat and dark clothing, carrying a rifle visible
Seen happening
  • A person climbs a dirt embankment, kicking up dust. [frame:1]
  • The person stands at the base of the embankment, holding a rifle. [frame:2]
  • The person continues climbing the steep, eroded slope. [frame:3]
Seen
rifle [frame:2], hat [frame:2]
Interpretation
Model opinion, not evidence: mood: tense; themes: struggle, outdoor peril; style notes: static camera, medium to long shots, high-contrast black and white, natural lighting
Frame at 16:48, shot 19016:48Frame at 16:50, shot 19116:50Frame at 16:52, shot 19316:52Frame at 16:57, shot 19416:57
4 of 5 shots sampled

105. Field 16:45–17:01 unchecked

A man in a cowboy hat fires a pistol from a prone position in a dusty, wooded area; another man and a woman are seen near a rocky outcrop. No dialogue or on-screen text is present in the frames.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 58 · shots 190–194 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing a wide-brimmed cowboy hat and dark jacket, lying prone visible
  • man wearing a dark hat and coat, standing near rocks visible
  • woman wearing a long skirt and dark top, standing near rocks visible
Seen happening
  • A man fires a pistol, producing a puff of smoke. [frame:1]
  • A man in a cowboy hat aims a pistol while lying in the dirt. [frame:2]
  • A man and a woman stand near a rocky embankment. [frame:4]
Seen
pistol, cowboy hat, rocky embankment, trees
Interpretation
Model opinion, not evidence: mood: tense; themes: conflict, outdoor confrontation; style notes: black-and-white, outdoor Western setting, medium and long shots, natural lighting
Frame at 17:01, shot 19517:01Frame at 17:05, shot 19717:05Frame at 17:07, shot 19817:07Frame at 17:14, shot 20017:14
4 of 6 shots sampled

106. Field 17:01–17:15 checks passed

A man in a cowboy hat and a woman in a cloche hat are shown in close-up shots against a rocky, outdoor background. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 59 · shots 195–200 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man, adult, medium build, wearing a wide-brimmed cowboy hat, dark jacket, and light neckerchief visible
  • woman, adult, fair-skinned, blonde hair, wearing a cloche hat, dark coat, and patterned scarf visible
Seen
cowboy hat [frame:1], cloche hat [frame:3], neck scarf [frame:1], patterned scarf [frame:3], rocky terrain [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: western, outdoor peril, character focus; style notes: close-up framing, high-contrast black-and-white lighting, static camera shots
Frame at 17:18, shot 20117:18
1 of 1 shots sampled

107. Field 17:15–17:20 unchecked

A man in cowboy attire carries a woman through a rocky outdoor setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 60 · shots 201–201 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man, adult, medium build, wearing a wide-brimmed cowboy hat, dark jacket, and light neckerchief visible
  • woman, adult, fair-skinned, blonde hair, wearing a cloche hat, dark coat, and patterned scarf visible
Seen happening
  • A man carries a woman through a rocky area. [frame:1]
Seen
cowboy hat [frame:1], holster and gun belt [frame:1], cloche hat [frame:1], rocky terrain [frame:1]
Interpretation
Model opinion, not evidence: mood: urgent; themes: rescue, physical exertion, outdoor peril; style notes: medium shot, high-contrast black-and-white, natural outdoor lighting, static framing
Frame at 17:21, shot 20217:21Frame at 17:24, shot 20317:24Frame at 17:33, shot 20417:33
3 of 3 shots sampled

108. Forest 17:20–17:40 unchecked

A man carries another person up a rocky slope, then a group of riders is seen in a wooded area, and finally a man in a cowboy hat approaches a stagecoach with a driver inside. No dialogue or on-screen text is present in these frames.

5 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 61 · shots 202–204 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:2
People
  • man wearing dark clothes and a hat, carrying another person visible
  • person being carried, wearing dark clothes, head tilted back visible
  • group of at least three riders on horseback, wearing hats, in a wooded area visible
  • man in cowboy hat and light shirt, approaching a stagecoach from behind visible
  • driver of stagecoach, wearing dark jacket, seated in driver's seat visible
Seen happening
  • A man carries another person up a rocky slope. [frame:1]
  • A group of riders on horseback is visible in a wooded area. [frame:2]
  • A man in a cowboy hat approaches a stagecoach with a driver inside. [frame:3]
Seen
stagecoach [frame:3], horses [frame:2], cowboy hat [frame:3]
Interpretation
Model opinion, not evidence: mood: tense and urgent; themes: rescue, western setting, transportation; style notes: black-and-white, wide shots for landscape and medium shots for action, natural lighting
Frame at 17:42, shot 20517:42Frame at 17:45, shot 20617:45Frame at 17:47, shot 20717:47
3 of 3 shots sampled

109. Forest 17:40–17:48 unchecked

Men on horseback move through a wooded area while one man in a stagecoach holds a rifle. A voice warns to keep down, suggesting danger.

3 people observed.

“I value your life.” 17:46 · “Keep down.” 17:47

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 61 · shots 205–207 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man on horseback, wearing hat and coat, holding rifle visible
  • man in stagecoach, wearing hat and coat, holding rifle visible
  • man in stagecoach, wearing hat, seated beside p2 visible
Seen happening
  • Men on horseback ride through a wooded area. [frame:1]
  • A rider fires a rifle while on horseback. [frame:2]
  • Two men sit in a stagecoach; one holds a rifle. [frame:3]
Seen
horse [frame:1], rifle [frame:2], stagecoach [frame:3], hat [frame:3]
On screen
STAGE
Interpretation
Model opinion, not evidence: mood: tense; themes: danger, travel under threat, western; style notes: black-and-white, outdoor action, medium to long shots, natural lighting
Frame at 17:48, shot 20817:48
1 of 1 shots sampled

110. Field 17:48–17:49 unchecked

Three riders on horseback are seen moving across a ridge in a natural, outdoor setting. The scene is shot in black and white with no visible text or dialogue.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 61 · shots 208–208 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • rider on horse, wearing dark clothing, visible from side visible
  • rider on horse, wearing dark clothing, visible from side visible
  • rider on horse, wearing dark clothing, visible from side visible
Seen happening
  • Three riders on horseback move across a ridge. [frame:1]
Seen
horses [frame:1], riders [frame:1], ridge [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented; themes: movement, western landscape; style notes: wide shot, high contrast black and white, natural lighting, outdoor framing
Frame at 17:49, shot 20917:49
1 of 1 shots sampled

111. Vehicle interior 17:49–17:50 unchecked

Two men are seated in a vehicle; one wears a cowboy hat and holds a rifle, while the other is in a helmet and appears to be shielding himself. The scene is shot in black and white with high contrast lighting.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 62 · shots 209–209 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
vehicle_interior (vehicle interior, interior) evidence: frame:1
People
  • wears a cowboy hat, holds a rifle, seated visible
  • wears a helmet, seated, hands raised near face visible
Seen
cowboy hat [frame:1], rifle [frame:1], helmet [frame:1], vehicle interior (seats, dashboard) [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, western genre tropes; style notes: high-contrast black and white, medium close-up, static framing
Frame at 17:50, shot 21017:50
1 of 1 shots sampled

112. Road 17:50–17:51 unchecked

Two people ride in an open-top vintage automobile on a dirt road. The vehicle is moving through a natural, hilly landscape.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 63 · shots 210–210 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • man wearing a hat and coat, driving visible
  • person wearing a hat and coat, seated beside driver visible
Seen happening
  • Two people are riding in a moving automobile. [frame:1]
Seen
vintage automobile [frame:1], dirt road [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral, active; themes: transportation, outdoor travel; style notes: wide shot, natural lighting, black-and-white film stock, period vehicle
Frame at 17:52, shot 21117:52
1 of 1 shots sampled

113. Hillside 17:51–17:53 unchecked

A group of figures on horseback are silhouetted on a steep, barren hillside under an overcast sky. No dialogue or on-screen text is present in this beat.

4 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 64 · shots 211–211 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
hillside (other, exterior) evidence: frame:1
People
  • figure on horseback, wearing a hat, silhouetted visible
  • figure on horseback, wearing a hat, silhouetted visible
  • figure on horseback, wearing a hat, silhouetted visible
  • figure on horseback, wearing a hat, silhouetted visible
Seen
horses [frame:1], hats [frame:1], hillside [frame:1], tree [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and desolate; themes: isolation, western landscape; style notes: high-contrast silhouette, wide shot, static framing, natural lighting
Frame at 17:53, shot 21217:53
1 of 1 shots sampled

114. Stagecoach 17:53–17:54 unchecked

A man in a hat sits in a stagecoach while another man stands behind him, holding a hat aloft. The side of the vehicle displays the word 'STAGE'.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 65 · shots 212–212 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
stagecoach (vehicle interior, interior) evidence: frame:1
People
  • man wearing a hat, seated, holding reins visible
  • man standing behind p1, wearing a hat, holding a hat aloft visible
Seen
stagecoach [frame:1], hat [frame:1], reins [frame:1], text: STAGE [frame:1]
On screen
STAGE
Interpretation
Model opinion, not evidence: mood: tense; themes: transportation, western; style notes: medium shot, black and white, high contrast lighting, static framing
Frame at 17:55, shot 21317:55
1 of 1 shots sampled

115. Rocky terrain 17:54–17:56 unchecked

A person on horseback rides through a rocky, brushy terrain. Dust is kicked up as the horse moves across the uneven ground.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 66 · shots 213–213 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
rocky terrain (field, exterior) evidence: frame:1
People
  • person riding a horse, wearing dark clothing, visible from behind visible
Seen happening
  • A person on horseback rides through rocky terrain, kicking up dust. [frame:1]
Seen
horse [frame:1], dust cloud [frame:1], rocks and brush [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented; themes: outdoor pursuit, western landscape; style notes: wide shot, high-contrast black and white, natural lighting, dynamic movement
Frame at 17:57, shot 21417:57
1 of 1 shots sampled

116. Vehicle interior 17:56–17:58 checks passed

Two men are in a small boat labeled 'STAGE'. One man steers while the other sits behind him, holding his head.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 67 · shots 214–214 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
vehicle_interior (vehicle interior, exterior) evidence: frame:1
People
  • man wearing a hat and dark coat, steering a boat visible
  • man wearing a hat, sitting behind p1, holding his head with one hand visible
Seen happening
  • Two men are seated in a small boat labeled 'STAGE'. [frame:1]
Seen
boat [frame:1], oar [frame:1]
On screen
STAGE
Interpretation
Model opinion, not evidence: mood: tense or dramatic; themes: transportation, drama; style notes: black-and-white, medium shot, static framing, high contrast lighting
Frame at 17:58, shot 21517:58
1 of 1 shots sampled

117. Field 17:58–17:59 unchecked

Three riders on horseback are visible on a ridge, silhouetted against a bright sky. The scene is outdoors, with trees and uneven terrain.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 68 · shots 215–215 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • rider on horseback, wearing a hat, silhouetted visible
  • rider on horseback, wearing a hat, silhouetted visible
  • rider on horseback, wearing a hat, silhouetted visible
Seen
horses [frame:1], trees [frame:1], ridge [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: outdoor pursuit, western landscape; style notes: high-contrast silhouette, wide shot, static framing
Frame at 18:08, shot 21618:08
1 of 1 shots sampled

118. Forest 17:59–18:16 unchecked

Three riders on horseback are visible near a broken wooden fence in a wooded area. No dialogue or on-screen text is present in this beat.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 69 · shots 216–216 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • rider wearing hat and coat, on horse visible
  • rider wearing hat and coat, on horse visible
  • rider wearing hat and coat, on horse visible
Seen happening
  • Three riders on horseback are positioned near a broken wooden fence in a wooded area. [frame:1]
Seen
horses [frame:1], broken wooden fence [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor travel; style notes: wide shot, black-and-white, natural lighting, outdoor setting
Frame at 18:19, shot 21718:19
1 of 1 shots sampled

119. Road 18:16–18:22 checks passed

A man in a hat drives a vintage open-top car labeled 'STAGE' along a dirt road with a horse in the back. The scene is outdoors in daylight with no dialogue or on-screen text provided.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 70 · shots 217–217 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • man wearing a hat and dark clothing, visible driving visible
Seen happening
  • A man drives a car labeled 'STAGE' along a dirt road with a horse in the back. [frame:1]
Seen
vintage car, horse, hat
Interpretation
Model opinion, not evidence: mood: neutral; themes: transportation, rural setting; style notes: black-and-white, medium shot, natural daylight, static framing
Frame at 18:24, shot 21818:24Frame at 18:27, shot 21918:27Frame at 18:31, shot 22018:31
3 of 3 shots sampled

120. Road 18:22–18:35 unchecked

Two men are in a vehicle on a road; one is driving while the other stands beside the vehicle and speaks to him. The dialogue indicates the driver is being released by the standing man, who calls him an outlaw and killer.

2 people observed.

“Can you drive?” 18:23 · “The town's about three miles ahead. Just stay on this road. All right.” 18:26

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 71 · shots 218–220 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • man wearing a hat and dark clothing, visible driving visible
  • man wearing a hat and vest, standing beside vehicle, gesturing visible, audible
Seen happening
  • Two men are in a vehicle on a road. [frame:1]
  • A hand rests on a leather bag with a ring visible on the finger. [frame:2]
  • The standing man speaks to the driver while gesturing. [frame:3]
Also said
“You're an outlaw and killer.” 18:30 · “You're letting me go. Yes, and you'd better hurry.” 18:32
Seen
vehicle steering wheel [frame:1], leather bag [frame:2], ring on finger [frame:2], hat [frame:1], vest [frame:3]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, release, moral ambiguity; style notes: black-and-white, medium shots, natural outdoor lighting, period costume
Frame at 18:36, shot 22118:36
1 of 1 shots sampled

121. Dusty road 18:35–18:37 unchecked

A man stands beside a horse-drawn wagon in a dusty outdoor setting. The scene is shot in black and white with no visible text or spoken dialogue.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 72 · shots 221–221 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
dusty road (road, exterior) evidence: frame:1
People
  • man wearing dark coat and hat, standing beside horse visible
  • person seated in wagon, partially visible, wearing hat visible
Seen
horse [frame:1], wagon [frame:1], dust [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: Western, travel, outdoor setting; style notes: static medium shot, high contrast lighting, typical of 1930s Westerns
Frame at 18:41, shot 22218:41
1 of 1 shots sampled

122. Field 18:37–18:44 unchecked

A man in Western attire stands outdoors in a natural setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 73 · shots 222–222 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing cowboy hat, bandana, dark shirt, and vest; appears middle-aged visible
Seen
cowboy hat, bandana, belt with buckle
Interpretation
Model opinion, not evidence: mood: neutral; themes: Western attire, outdoor setting; style notes: medium shot, black-and-white, natural outdoor lighting, static framing
Frame at 18:47, shot 22318:47Frame at 18:52, shot 22418:52Frame at 18:58, shot 22518:58Frame at 19:04, shot 22619:04
4 of 4 shots sampled

123. Private office 18:44–19:06 unchecked

A woman describes a man she saw on the road, while seated across from a man in a room with filing cabinets. The man has a beard and wears a slouch hat; the woman wears a hat and scarf.

2 people observed.

“He was standing in the middle of the road watching me drive away.” 18:47 · “Batman?” 18:53

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 74 · shots 223–226 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • woman wearing a dark hat, scarf, and coat visible, audible
  • man with beard, wearing vest and shirt, seated at desk visible, audible
Seen happening
  • A woman sits across from a man at a desk in an office. [frame:1]
  • The man gestures while speaking. [frame:2]
  • The woman continues speaking, her expression serious. [frame:4]
Also said
“Only a pair of steel gray eyes had seemed to look right through me.” 18:58 · “He had a heavy beard, a slouch hat, and faded overalls.” 19:02
Seen
desk [frame:1], filing cabinets [frame:3], slouch hat [frame:1], scarf [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and descriptive; themes: mystery, witness testimony, rural encounter; style notes: static medium shots, high-contrast black-and-white, studio lighting
Frame at 19:09, shot 22719:09Frame at 19:14, shot 22819:14Frame at 19:27, shot 23019:27Frame at 19:34, shot 23119:34
4 of 5 shots sampled

124. Private office 19:06–19:38 unchecked

A man and a woman converse in an office-like interior; the man mentions taking the woman to a ranch after her meal and refers to pursuing someone named Blake. The woman, addressed as Miss Bess, agrees to go home after the meal.

Named: Sherry (t:19:30), Miss Bess (t:19:16). 2 people observed.

“He was the most horrible creature I've ever seen.” 19:07 · “Well, Miss Bess, you certainly have had an experience.” 19:16

Share this moment

Evidence and details

Starts here: topic shift in dialogue. Sequence 74 · shots 227–231 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Sherry (named at t:19:30): man with graying hair and beard, wearing a vest over a collared shirt visible, audible
  • Miss Bess (named at t:19:16): woman wearing a dark hat and coat with a patterned scarf visible, audible
Also said
“After you've finished your meal, I'll take you out to the ranch.” 19:24 · “I'll be glad to get home.” 19:31
Seen
wooden desk, metal filing cabinet, framed picture on wall, rifle rack with rifles, hat, scarf
Interpretation
Model opinion, not evidence: mood: tense and conversational; themes: post-traumatic recollection, rural duty, gendered social roles; style notes: static medium shots, high-contrast black-and-white lighting, studio set with minimal props
Frame at 19:40, shot 23219:40
1 of 1 shots sampled

125. Private office 19:38–19:42 unchecked

A man in a vest operates a wall-mounted device in a room with a wooden cabinet and a framed object on the wall. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 75 · shots 232–232 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(private office, interior) evidence: frame:1
People
  • man, middle-aged, wearing a vest over a long-sleeve shirt and trousers visible
Seen happening
  • man presses buttons on a wall-mounted device [frame:1]
Seen
wall-mounted device with buttons, wooden cabinet, framed object on wall
Interpretation
Model opinion, not evidence: mood: neutral; style notes: medium shot, static framing, high-contrast black-and-white lighting typical of 1930s studio production
Frame at 19:44, shot 23319:44
1 of 1 shots sampled

126. Private office 19:42–19:46 unchecked

A man in a cowboy hat and vest stands in a doorway holding a sack. The setting appears to be an interior room with simple furnishings.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 76 · shots 233–233 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing cowboy hat, vest, and tie, holding a sack visible
Seen
sack [frame:1], doorway [frame:1], barrel [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, interior scene; style notes: static medium shot, high-contrast lighting, typical of 1930s black-and-white film
Frame at 19:47, shot 23419:47
1 of 1 shots sampled

127. Private office 19:46–19:48 unchecked

A man stands indoors next to a wall-mounted telephone, holding the receiver to his ear. The setting includes a wooden cabinet and a framed item on the wall.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 77 · shots 234–234 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man with mustache, wearing vest and shirt, medium build visible
Seen happening
  • man holds telephone receiver to ear [frame:1]
Seen
wall-mounted telephone [frame:1], wooden cabinet [frame:1], framed item on wall [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: medium shot, static framing, high-contrast lighting typical of 1930s film
Frame at 19:50, shot 23519:50Frame at 20:01, shot 23620:01
2 of 2 shots sampled

128. Private office 19:48–20:09 unchecked

A man in a cowboy hat enters a room and greets another man; they shake hands while a 'WANTED' poster is visible on the wall. The dialogue indicates the arrival of someone named John and the delivery of express money.

Named: Jay (t:19:50), John (t:19:55). 2 people observed.

“Hello, Sheriff.” 19:48 · “Kind of surprised, Jay.” 19:50

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 78 · shots 235–236 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Jay (named at t:19:50): man wearing cowboy hat, vest, and bandana, carrying a gun belt visible, audible
  • John (named at t:19:55): man with mustache, wearing vest and tie visible, audible
Seen happening
  • A man in a cowboy hat enters a room. [frame:1]
  • The two men shake hands. [frame:2]
Also said
“John!” 19:55 · “I'm sure glad to see you.” 19:57
Seen
WANTED poster, cowboy hat, gun belt, wooden barrel
On screen
WANTED
Interpretation
Model opinion, not evidence: mood: tense but relieved; themes: law enforcement, reunion, duty; style notes: medium shots, static framing, high-contrast lighting typical of 1930s Westerns
Frame at 20:13, shot 23720:13Frame at 20:21, shot 23820:21Frame at 20:27, shot 23920:27
3 of 3 shots sampled

129. Private office 20:09–20:29 unchecked

Two men are in a room with a cabinet and a table; one stands while the other sits. A conversation occurs where one man accuses the other of involvement with a young lady who recently left.

2 people observed.

“I might have known it was you.” 20:10 · “That young lady whose life was in your hands just left here.” 20:12

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 78 · shots 237–239 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing a wide-brimmed hat, dark shirt, and bandana; appears middle-aged, lean build visible
  • man with light-colored hair and mustache, wearing a vest over a shirt; appears middle-aged, seated visible
Seen happening
  • Two men face each other across a table in a room with a cabinet. [frame:1]
  • The standing man leans forward slightly while the seated man looks up at him. [frame:2]
  • The standing man places his hands on the table, leaning toward the seated man. [frame:3]
Also said
“Jan?” 20:18 · “You and I are going to have a very serious talk.” 20:20
Seen
wide-brimmed hat [frame:1], bandana [frame:1], wooden cabinet with small drawers [frame:3], table [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, accusation, moral accountability; style notes: medium close-up shots, static camera, high-contrast lighting typical of 1930s studio films
Frame at 20:33, shot 24020:33Frame at 20:38, shot 24120:38Frame at 20:47, shot 24220:47
3 of 3 shots sampled

130. Private office 20:29–20:55 unchecked

A man with a beard and vest is shown in close-up, then a second man in a cowboy hat and bandana is seen sitting across from him in what appears to be an office. The dialogue refers to a woman named Bess Matthews and a ranch, and assigns John the task of managing money.

Named: John (t:20:29). 2 people observed.

“John?” 20:29 · “That young lady is none other than Bess Matthews.” 20:30

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 78 · shots 240–242 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:3
People
  • John (named at t:20:29): older man, gray hair and beard, wearing a vest over a shirt and tie visible, audible
  • man wearing a cowboy hat, bandana, and dark jacket visible
Seen happening
  • A man in a cowboy hat is visible sitting across a table from John. [frame:3]
Also said
“John, that's your job.” 20:49 · “I never get away with it.” 20:54
Seen
wooden filing cabinet, table, cowboy hat, bandana, vest
Interpretation
Model opinion, not evidence: mood: tense and conversational; themes: financial responsibility, ranch management, personal doubt; style notes: static medium shots and close-ups, high-contrast black-and-white lighting, period Western costume
Frame at 20:59, shot 24320:59Frame at 21:04, shot 24421:04Frame at 21:14, shot 24621:14Frame at 21:15, shot 24721:15
4 of 5 shots sampled

131. Private office 20:55–21:15 unchecked

A man with a beard and vest speaks to another man in a hat across a table; the dialogue suggests a plan to restore something with the approval of 'old Dan' and the Sheriff. The setting appears to be an interior room with wooden furniture.

Named: Sheriff (t:21:13). 2 people observed.

“She knows I... Who's gonna tell her?” 20:55 · “Let's put the old lazy end back on its feet.” 21:02

Share this moment

Evidence and details

Starts here: topic shift in dialogue. Sequence 78 · shots 243–247 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:3
People
  • Sheriff (named at t:21:13): bearded man, wearing a vest over a shirt, middle-aged, medium build visible, audible
  • man wearing a wide-brimmed hat and bandana, facing p1, partially visible back visible, audible
Seen happening
  • p1 speaks to p2 across a table [frame:1]
  • p1 continues speaking, looking earnest [frame:2]
  • p2 and p1 are seated at a table, p2 wears a hat and bandana [frame:3]
  • p1 looks directly at camera, speaking [frame:4]
Also said
“just the way old Dan would like.” 21:05 · “I'll try, Sheriff.” 21:13
Seen
wooden table [frame:3], wooden cabinet with drawers [frame:3], wide-brimmed hat [frame:3], bandana [frame:3], vest [frame:1]
Interpretation
Model opinion, not evidence: mood: serious and conspiratorial; themes: duty, restoration, authority; style notes: medium close-ups, static camera, high-contrast lighting typical of 1930s Westerns
Frame at 21:20, shot 24821:20Frame at 21:28, shot 24921:28Frame at 21:33, shot 25021:33
3 of 3 shots sampled

132. Private office 21:15–21:34 unchecked

Two men converse at a desk in a room with a cabinet and papers; one man, wearing a hat and vest, agrees to meet at a ranch at eight o'clock. The dialogue indicates he is being instructed to clean up and change clothes before the meeting.

Named: Ed (t:21:29). 2 people observed.

“There's your room, clothes and everything just as you left them.” 21:16 · “After you shave and clean up...” 21:20

Share this moment

Evidence and details

Starts here: topic shift in dialogue. Sequence 78 · shots 248–250 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Ed (named at t:21:29): man wearing a wide-brimmed hat, dark vest, and bandana; medium build, appears middle-aged visible, audible
  • man with light-colored hair, wearing a light shirt and vest; seated, appears middle-aged visible, audible
Seen happening
  • Two men sit at a desk talking. [frame:1]
  • The man in the hat leans forward slightly while speaking. [frame:2]
  • The man in the hat stands up from the desk. [frame:3]
Also said
“Come out at the ranch tonight about...” 21:25 · “I'll be there.” 21:30
Seen
desk [frame:1], cabinet with drawers [frame:1], inkwells [frame:1], papers [frame:1], hat (on desk) [frame:1], basket with items [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and conspiratorial; themes: disguise, secret meeting, rural setting; style notes: static medium shot, high-contrast black-and-white lighting, period Western costume, minimal set dressing
Frame at 21:38, shot 25121:38Frame at 21:50, shot 25221:50
2 of 2 shots sampled

133. Living room 21:34–21:58 unchecked

Two people sit in a room with patterned furniture while a man in a vest approaches a wall-mounted telephone. A conversation references John Higgins' foreman and a sheriff greeting someone named John.

Named: John (t:21:53). 3 people observed.

“Got the finest springs.” 21:35 · “Best grazing ground in the valley.” 21:37

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 78 · shots 251–252 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • woman wearing a patterned dress and headscarf, seated visible
  • man with mustache, wearing shirt and vest, seated with arms crossed visible
  • John (named at t:21:53): man with mustache, wearing shirt and vest, standing near telephone visible
Seen happening
  • A woman and a man sit on a patterned sofa in a room. [frame:1]
  • A man stands by a wall-mounted telephone, reaching toward it. [frame:2]
Also said
“Good evening, Sheriff.” 21:51 · “Well, hello, John.” 21:53
Seen
patterned sofa, wall-mounted telephone, hat on wall rack, framed picture on wall
Interpretation
Model opinion, not evidence: mood: calm and conversational; themes: ranch life, authority figures, social interaction; style notes: static medium shots, studio lighting, period costumes and set design
Frame at 21:59, shot 25321:59
1 of 1 shots sampled

134. Living room 21:58–22:00 unchecked

A woman in a floral dress is seated indoors, looking off-camera with a concerned expression. The background includes a wooden cabinet with glass doors and a framed picture on the wall.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 79 · shots 253–253 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • woman, light hair styled in a 1930s bob, wearing a short-sleeved floral dress visible
Seen
wooden cabinet with glass doors [frame:1], framed picture on wall [frame:1], floral dress [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: domestic tension, female concern; style notes: medium close-up, static framing, high-contrast black-and-white lighting typical of 1930s studio films
Frame at 22:06, shot 25422:06
1 of 1 shots sampled

135. Living room 22:00–22:12 unchecked

A woman greets a man named John Higgins in a room with another man present. The scene includes dialogue introducing the characters and an invitation to sit.

Named: John Higgins (t:22:02). 3 people observed.

“I want you to meet my friend, John Higgins.” 22:02 · “I'm glad to know you, Mr. Higgins.” 22:04

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 80 · shots 254–254 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(living room, interior) evidence: frame:1
People
  • woman wearing a patterned dress and a cloche hat visible, audible
  • John Higgins (named at t:22:02): man with dark hair, wearing a vest and scarf, seated visible, audible
  • man with light hair, wearing a vest, standing beside p2 visible, audible
Seen happening
  • The woman shakes hands with John Higgins while another man looks on. [frame:1]
Also said
“Won't you sit out?” 22:06
Seen
framed picture on wall [frame:1], couch or chair [frame:1]
Interpretation
Model opinion, not evidence: mood: polite and formal; themes: introduction, social etiquette; style notes: medium shot, static framing, studio lighting, period costume
Frame at 22:17, shot 25522:17Frame at 22:25, shot 25622:25Frame at 22:33, shot 25722:33
3 of 3 shots sampled

136. Living room 22:12–22:37 checks passed

Three people sit indoors and talk; one man holds a hat. A woman is identified in dialogue as Aunt Martha, described as the best cook in the country.

Named: Aunt Martha (t:22:29). 3 people observed.

“The sheriff's been telling me about your thrilling experience. Thrilling?” 22:13 · “That bandit was the most hideous, the most horrible creature that ever was born. You don't say.” 22:18

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 80 · shots 255–257 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • Aunt Martha (named at t:22:29): woman with short blonde hair, wearing a patterned dress, seated visible, audible
  • man with dark hair, wearing a vest and neckerchief, holding a cowboy hat, seated visible, audible
  • man with light hair and beard, wearing a shirt and vest, seated visible, audible
Seen happening
  • The woman is seated and listening to the men. [frame:1]
  • The man with the hat speaks while looking at the other man. [frame:2]
  • The man with the beard speaks while looking at the woman. [frame:3]
Also said
“That's Aunt Martha.” 22:29 · “best cook in the country.” 22:30
Seen
cowboy hat [frame:1], patterned dress [frame:1], shelf with small objects [frame:1]
Interpretation
Model opinion, not evidence: mood: conversational and slightly dramatic; themes: family, storytelling, western; style notes: static medium shot, studio lighting, black and white, period costume
Frame at 22:40, shot 25822:40Frame at 22:48, shot 26022:48Frame at 22:57, shot 26122:57Frame at 23:08, shot 26323:08
4 of 6 shots sampled

137. Living room 22:37–23:10 unchecked

A woman greets another woman named Aunt Martha, who recalls spanking her as a child. Two men are present; one is addressed as John Higgins and teased about his appetite.

Named: Aunt Martha (t:22:39), John Higgins (t:22:55). 4 people observed.

“Aunt Martha!” 22:39 · “I spanked you a plenty when you was a brat.” 22:50

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 80 · shots 258–263 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • Aunt Martha (named at t:22:39): woman with dark hair, wearing a coat over a light blouse, standing visible, audible
  • John Higgins (named at t:22:55): man with dark hair, wearing a vest and neckerchief, standing visible, audible
  • man with light hair and beard, wearing a shirt and vest, standing visible, audible
  • woman with short blonde hair, wearing a patterned dress, standing visible, audible
Also said
“John Higgins?” 22:55 · “He's got an appetite like a camel. What do you mean, my appetite? It's the swell way you cook.” 23:04
Seen
wall-mounted telephone [frame:1], framed pictures [frame:4], wooden cabinet [frame:4]
Interpretation
Model opinion, not evidence: mood: familiar and lighthearted; themes: reunion, familial teasing, rural life; style notes: medium shots, static camera, studio lighting, period costumes
Frame at 23:14, shot 26423:14Frame at 23:24, shot 26523:24
2 of 2 shots sampled

138. Kitchen 23:10–23:31 unchecked

Two women speak in a kitchen while a man stands nearby; one woman walks toward a counter as the other follows. The transcript mentions coffee and broken chairs, suggesting a casual domestic scene.

3 people observed.

“Oh, there you go. Always flattering.” 23:10 · “He leans back and breaks every chair in the kitchen.” 23:13

Share this moment

Evidence and details

Starts here: topic shift in dialogue. Sequence 80 · shots 264–265 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
kitchen (kitchen, interior) evidence: frame:1
People
  • woman with blonde hair in a floral dress visible
  • woman with dark hair in a light dress and cardigan visible
  • man in vest and shirt visible
Seen happening
  • Two women stand facing each other in a kitchen. [frame:1]
  • One woman walks toward a counter while another follows; a man stands nearby. [frame:2]
Also said
“My goodness, you boys are sitting there without a thing to drink.” 23:18 · “Coffee.” 23:23
Seen
wooden chair [frame:2], counter with jars and bottles [frame:2], wall-mounted hat [frame:1], oil lamp [frame:2]
Interpretation
Model opinion, not evidence: mood: light domestic comedy; themes: domestic life, gender roles, humor through mishap; style notes: medium shots, static camera, studio lighting, period costumes
Frame at 23:35, shot 26623:35
1 of 1 shots sampled

139. Living room 23:31–23:39 unchecked

Two men sit facing each other in a room with shelves and a patterned couch; one speaks about things working out while the other questions the outcome. No names, time of day, or period are established in the frames or transcript.

2 people observed.

“See?” 23:31 · “Everything's working out fine.” 23:32

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 81 · shots 266–266 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • man with dark hair, wearing a vest over a long-sleeve shirt, seated visible
  • man with light hair and beard, wearing a vest, seated visible
Also said
“Yeah, so far.” 23:34 · “How's it all going to end?” 23:37
Seen
patterned couch [frame:1], wooden shelves with objects [frame:1]
Interpretation
Model opinion, not evidence: mood: tense or uncertain; themes: uncertainty, dialogue-driven tension; style notes: medium two-shot, static framing, studio lighting, black-and-white film
Frame at 23:40, shot 26723:40
1 of 1 shots sampled

140. Private office 23:39–23:41 unchecked

Two men sit facing each other in a dimly lit interior space. One man gestures while speaking to the other, who listens with his head lowered.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 81 · shots 267–267 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man with dark hair, wearing a dark shirt and vest, seated visible
  • man with light hair and beard, wearing a light shirt, seated visible
Seen
wooden chair [frame:1], dark vest [frame:1], light shirt [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, dialogue; style notes: medium two-shot, high-contrast lighting, static camera
Frame at 23:47, shot 26823:47
1 of 1 shots sampled

141. Forest 23:41–23:52 unchecked

Two figures on horseback are seen in a wooded area with mountains in the background. The scene is shot in black and white with natural lighting and framed between tree trunks.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 82 · shots 268–268 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • figure on horseback, wearing dark clothing, visible from behind visible
  • figure on horseback, wearing dark clothing, visible from behind visible
Seen happening
  • Two figures ride horses through a forest clearing. [frame:1]
Seen
horses [frame:1], trees [frame:1], mountains [frame:1]
Interpretation
Model opinion, not evidence: mood: quiet, observational; themes: outdoor travel, western landscape; style notes: static wide shot framed between tree trunks, natural daylight, black and white
Frame at 23:55, shot 26923:55Frame at 24:01, shot 27024:01
2 of 2 shots sampled

142. Field 23:52–24:04 unchecked

A man and a woman on horseback are shown in a rural landscape; the man speaks about the end of the south pasture and rents. The second frame shows a wide view of a field with trees and mountains in the background.

Named: Miss Matthews (t:23:53), Miss Matthews (t:23:53). 2 people observed.

“There's the end of the south pasture, Miss Matthews.” 23:53 · “Now I guess you've seen about all the rents.” 23:55

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 82 · shots 269–270 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:2
People
  • Miss Matthews (named at t:23:53): man wearing a cowboy hat and neckerchief, seated on a horse visible, audible
  • Miss Matthews (named at t:23:53): woman with blonde hair, wearing a collared shirt, seated on a horse visible
Seen happening
  • The man and woman are visible on horseback in an outdoor setting. [frame:1]
  • The camera shows a wide view of a field with trees and mountains. [frame:2]
Seen
cowboy hat, horse, trees, mountains
Interpretation
Model opinion, not evidence: mood: neutral, observational; themes: rural landscape, property survey, dialogue-driven scene; style notes: wide outdoor shots, natural lighting, static framing
Frame at 24:09, shot 27124:09
1 of 1 shots sampled

143. Field 24:04–24:13 unchecked

Two people are outdoors on horseback, one speaking about repairing fences and developing water holes. The setting appears to be open land with hills in the background.

2 people observed.

“It's certain he is big enough.” 24:05 · “I'll pick up a couple of boys and...” 24:07

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 82 · shots 271–271 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing cowboy hat and neckerchief, seated on horse visible, audible
  • woman with light hair, wearing jacket, seated on horse visible
Also said
“Start repairing the fences and” 24:08 · “See if I can develop some new water holes.” 24:10
Seen
cowboy hat, horse, neckerchief
Interpretation
Model opinion, not evidence: mood: practical, forward-looking; themes: ranch work, land management, collaboration; style notes: medium two-shot, black-and-white, natural lighting, outdoor setting
Frame at 24:17, shot 27224:17Frame at 24:25, shot 27324:25Frame at 24:32, shot 27424:32
3 of 3 shots sampled

144. Field 24:13–24:35 unchecked

A man and a woman on horseback converse outdoors; the woman laughs while the man speaks. The dialogue references a character called 'Mr. Bluebeard' and includes a line about changing a voice.

Named: Mr. Bluebeard (t:24:17). 2 people observed.

“I've met your blue beard.” 24:17 · “A lion.” 24:19

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 82 · shots 272–274 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • woman, blonde, wearing a collared shirt, seated on a horse visible, audible
  • Mr. Bluebeard (named at t:24:17): man, wearing a cowboy hat and neckerchief, seated on a horse visible, audible
Seen happening
  • The woman looks downcast while seated on a horse. [frame:1]
  • The woman laughs while looking at the man. [frame:2]
  • The man smiles while looking at the woman. [frame:3]
Also said
“That was the only thing about Mr. Bluebeard that was halfway human.” 24:28 · “Thank you very much.” 24:33
Seen
cowboy hat [frame:1], horse [frame:1], neckerchief [frame:1]
Interpretation
Model opinion, not evidence: mood: light and conversational; themes: romantic banter, identity and voice, Western setting; style notes: medium two-shot, outdoor lighting, static framing, period Western costume
Frame at 24:39, shot 27524:39
1 of 1 shots sampled

145. Forest 24:35–24:42 unchecked

A person rides a horse through a wooded area with mountains visible in the background. The scene is framed between two large tree trunks, suggesting an outdoor, natural setting.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 83 · shots 275–275 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person on horseback, wearing light-colored shirt and dark pants, visible from a distance visible
Seen happening
  • A person rides a horse between two large trees. [frame:1]
Seen
horse [frame:1], trees [frame:1], mountains [frame:1]
Interpretation
Model opinion, not evidence: mood: quiet, observational; themes: nature, solitude, journey; style notes: static wide shot framed by natural elements, high contrast black-and-white, distant subject
Frame at 24:47, shot 27624:47Frame at 24:59, shot 27724:59
2 of 2 shots sampled

146. Ranch 24:42–25:06 unchecked

Two men converse outdoors near a wooden fence; one is identified as Bob, an ex-sheriff who plans to raise horses for the government. The dialogue mentions Miss Beth, Gordon, and Martha, and references life at Lacey Ells.

Named: Bob (t:24:45). 2 people observed.

“- Where is it? - Hello, Bob.” 24:45 · “that three months and he's worked out a deal with the government. Uh-huh.” 24:52

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 84 · shots 276–277 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
ranch (other, exterior) evidence: frame:1
People
  • Bob (named at t:24:45): older man, light shirt, bow tie, leaning on fence visible, audible
  • older man, cowboy hat, plaid shirt, vest with badge, standing visible, audible
Also said
“I'm going to raise horses and sell them to them.” 24:55 · “How does she like country and ranch life?” 25:00
Seen
{'item': 'wooden fence', 'frame': 1}, {'item': 'cowboy hat', 'frame': 1}, {'item': "sheriff's badge", 'frame': 1}, {'item': 'bow tie', 'frame': 1}
Interpretation
Model opinion, not evidence: mood: casual and conversational; themes: ranch life, post-law enforcement transition, community relationships; style notes: medium two-shot, static framing, high-contrast black-and-white, natural outdoor lighting
Frame at 25:10, shot 27825:10Frame at 25:19, shot 27925:19Frame at 25:27, shot 28025:27
3 of 3 shots sampled

147. Field 25:06–25:31 unchecked

A man and a woman stand outdoors near a horse, discussing plans for a Halloween dance at Bolter's bar and reflecting on time spent together. The woman mentions she hasn't been lonesome and has enjoyed being with him, while the man notes it's the first time she's said so.

Named: John (t:25:07). 2 people observed.

“Tomorrow night's Halloween.” 25:08 · “Aunt Martha says they're having the biggest dance of the year as Bolter's bar.” 25:09

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 85 · shots 278–280 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(field, exterior) evidence: frame:1
People
  • woman, light-colored curly hair, wearing a striped blouse visible, audible
  • John (named at t:25:07): man, wearing a cowboy hat and shirt, holding reins visible, audible
Also said
“I've enjoyed being with you.” 25:22 · “the first time you've said so.” 25:27
Seen
horse [frame:1], cowboy hat [frame:1], striped blouse [frame:1], reins [frame:1]
Interpretation
Model opinion, not evidence: mood: quietly intimate; themes: romantic tension, rural isolation, social event planning; style notes: medium shot, natural lighting, static framing, period costume
Frame at 25:35, shot 28125:35Frame at 25:44, shot 28225:44
2 of 2 shots sampled

148. Field 25:31–25:48 unchecked

A man in a cowboy hat speaks to a young girl beside a horse; he mentions leaving the region when she hates him. He then tells her to inform Aunt Martha he is taking them to a dance.

Named: Vessi (t:25:33). 2 people observed.

“Don't you like me?” 25:32 · “That's just it, Vessi.” 25:33

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 85 · shots 281–282 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • Vessi (named at t:25:33): adult male, wearing cowboy hat and light shirt, standing beside horse visible, audible
  • young girl, wearing striped dress, short hair visible, audible
Also said
“Well, someday you're going to hate me.” 25:36 · “You tell Aunt Martha that I'm taking you two to the dance.” 25:45
Seen
horse [frame:1], cowboy hat [frame:1], striped dress [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and foreboding; themes: impending separation, family obligation, rural setting; style notes: medium shot, natural outdoor lighting, static framing
Frame at 25:49, shot 28325:49
1 of 1 shots sampled

149. Field 25:48–25:50 unchecked

A woman in a striped dress stands beside a man in a cowboy hat and a dark horse in an outdoor setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 85 · shots 283–283 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • woman, light hair, wearing a striped dress visible
  • man, wearing a cowboy hat, light shirt, and belt with bullets visible
Seen
horse [frame:1], cowboy hat [frame:1], belt with bullets [frame:1], striped dress [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor encounter; style notes: medium shot, black-and-white, natural outdoor lighting, static framing
Frame at 25:56, shot 28425:56
1 of 1 shots sampled

150. Field 25:50–26:03 unchecked

A woman in a light dress stands outdoors near trees in a natural setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 86 · shots 284–284 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • woman, light-colored dress, light hair, medium build visible
Seen
{'item': 'woman in light dress', 'evidence': 'frame:1'} [frame:1], {'item': 'trees and shrubs', 'evidence': 'frame:1'} [frame:1], {'item': 'grass and dirt ground', 'evidence': 'frame:1'} [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: static medium shot, natural outdoor lighting, black-and-white film
Frame at 27:37, shot 29427:37Frame at 27:41, shot 29527:41
2 of 2 shots sampled

153. Other 27:33–27:43 unchecked

Two women greet each other in a crowded interior while a man in a cowboy hat speaks with another man nearby. The transcript includes introductions and a comment about someone being 'the bell of the ball.'

Named: Miss Matthews (t:27:34). 6 people observed.

“Miss Hawkins, meet Miss Matthews. I'm so glad to meet you, Miss Matthews. I must see Miss Jones. Yes.” 27:34 · “Sure is the bell of the ball, all right.” 27:40

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 87 · shots 294–295 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • woman in dark dress and light head covering, standing with others visible
  • Miss Matthews (named at t:27:34): woman in light dress and shawl, holding a small object visible
  • woman in dark dress, central in frame 1 visible
  • man in dark jacket and scarf, smiling visible
  • man in cowboy hat and jacket, speaking visible
  • man in vest and shirt, standing in background visible
Seen happening
  • Two women are introduced and greet each other. [frame:1]
  • A man in a cowboy hat speaks to another man. [frame:2]
Seen
{'item': 'piano', 'frame': 1}, {'item': 'cowboy hat', 'frame': 2}, {'item': 'shawl', 'frame': 1}, {'item': 'decorative wall elements', 'frame': 1}
Interpretation
Model opinion, not evidence: mood: social and slightly formal; themes: social introduction, western attire, gathering; style notes: static medium shots, high-contrast black-and-white, period costumes, staged groupings
Frame at 27:47, shot 29627:47Frame at 27:51, shot 29727:51Frame at 27:55, shot 29827:55Frame at 28:03, shot 29928:03
4 of 4 shots sampled

154. Other 27:43–28:08 unchecked

A man introduces another man to a woman in a social setting; the man asks for a dance, which is declined. The scene includes multiple people in a decorated interior with props like a barrel and lantern.

Named: Mr. Dixon (t:27:54), Miss Matthews (t:27:58). 5 people observed.

“I want you to know Mr. Dixon.” 27:54 · “Miss Matthews is boss of the lazy M. Oh, it's a pleasure to know you, Miss Matthews.” 27:58

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 87 · shots 296–299 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • Mr. Dixon (named at t:27:54): man in light suit, holding hat, medium build, dark hair visible, audible
  • man in dark suit, older, balding, holding paper visible
  • Miss Matthews (named at t:27:58): woman in light dress, blonde, styled hair visible
  • woman in dark dress, dark hair, holding cane or stick visible
  • man in background, partially visible visible
Seen happening
  • A man in a light suit holds his hat while standing next to another man near a barrel. [frame:1]
  • The man in the dark suit gestures toward the barrel. [frame:2]
Also said
“May I have the honor of the first dance?” 28:02 · “I'm sorry, but that's spoken for.” 28:04
Seen
hat [frame:1], barrel [frame:1], lantern [frame:1], cane or stick [frame:3], paper [frame:2]
Interpretation
Model opinion, not evidence: mood: socially formal, slightly tense; themes: introduction, social etiquette, romantic overture; style notes: medium shots, staged lighting, period costumes, static framing
Frame at 28:10, shot 30028:10Frame at 28:16, shot 30128:16
2 of 2 shots sampled

155. Restaurant 28:08–28:20 unchecked

A man and a woman stand in a crowded interior space while another man speaks to them; the scene shifts to show the same man from behind as he walks through the crowd. The transcript includes a line about being lucky and a farewell.

4 people observed.

“I'm lucky. I should say so.” 28:09 · “I'll see you on the next day.” 28:12

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 87 · shots 300–301 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
restaurant (restaurant, interior) evidence: frame:1
People
  • man in light suit, dark hair, medium build visible, audible
  • woman with blonde curled hair, light dress, medium build visible
  • woman in dark dress, dark hair, holding a small object visible
  • older man in light coat, white hair, holding a cloth visible
Seen happening
  • A man in a light suit stands facing a woman in a light dress and another woman in dark clothing. [frame:1]
  • The same man walks away through a crowd, seen from behind. [frame:2]
Seen
wooden paneling [frame:1], hats worn by crowd members [frame:2], small object held by woman in dark dress [frame:1]
Interpretation
Model opinion, not evidence: mood: casual farewell; themes: social gathering, farewell; style notes: medium shots, static camera, studio lighting, crowded composition
Frame at 28:24, shot 30228:24
1 of 1 shots sampled

156. Ballroom 28:20–28:28 unchecked

A group of people in formal attire are gathered in a decorated hall as a dance is about to begin. A speaker announces the start of a 'Dreamy Waltz' over the scene.

4 people observed.

“Yes, a minute.” 28:20 · “Now we're going to start this dance off with a nice...” 28:23

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 87 · shots 302–302 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
ballroom (other, interior) evidence: frame:1
People
  • man in formal suit, standing at front, facing crowd visible, audible
  • man in dark suit and vest, back to camera visible
  • woman in light-colored gown, side profile visible
  • group of men and women in formal wear, standing or seated visible
Seen happening
  • People stand in a decorated hall, facing a speaker at the front. [frame:1]
Also said
“Dreamy Waltz.” 28:27
Seen
formal attire [frame:1], decorative arches and lanterns [frame:1], chairs and tables [frame:1]
Interpretation
Model opinion, not evidence: mood: formal, anticipatory; themes: social gathering, dance, formal event; style notes: static wide shot, high-contrast lighting, staged composition typical of 1930s studio productions
Frame at 28:30, shot 30328:30Frame at 28:35, shot 30428:35Frame at 28:40, shot 30528:40Frame at 28:44, shot 30628:44
4 of 4 shots sampled

157. Hall 28:28–28:47 unchecked

A man and a woman prepare to dance in a crowded hall decorated with pumpkins, while a pianist and a singer perform nearby. The transcript includes dialogue about saving the first dance and repeated 'Amen' responses.

8 people observed.

“I saved this first dance for you.” 28:33 · “Well, I hope I don't disappoint you.” 28:33

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 87 · shots 303–306 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
hall (other, interior) evidence: frame:1
People
  • man in dark suit, back to camera visible
  • man in vest and shirt, raising arm visible
  • woman in light dress, blonde, facing right visible
  • man in cowboy hat and jacket visible
  • man in dark shirt and neckerchief visible
  • man in plaid shirt, playing piano visible
  • man in suit, singing into microphone visible
  • man in dark suit, facing piano visible
Seen happening
  • A man raises his arm in a crowded hall. [frame:1]
  • A man in a neckerchief talks to a woman and a man in a cowboy hat. [frame:2]
  • A man plays piano while another sings into a microphone. [frame:3]
  • The man in the neckerchief and the woman begin to dance. [frame:4]
Also said
“I'm not much of a dancer.” 28:33 · “Amen.” 28:40
Seen
pumpkins [frame:1], piano [frame:3], microphone [frame:3], cowboy hat [frame:2], neckerchief [frame:2]
Interpretation
Model opinion, not evidence: mood: festive and social; themes: social gathering, dance, performance; style notes: medium shots, static camera, studio lighting, black-and-white film
Frame at 28:53, shot 30728:53Frame at 29:01, shot 30829:01Frame at 29:06, shot 30929:06
3 of 3 shots sampled

158. Other 28:47–29:10 unchecked

A man and a woman dance closely in a crowded room; another man in a hat observes nearby. The transcript includes fragmented lines about happiness and being in a crowd.

4 people observed.

“And terribly happy.” 28:47 · “I'm glad.” 28:49

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 87 · shots 307–309 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • man in dark jacket and light neckerchief, dark hair, medium build visible, audible
  • woman with blonde curled hair, light patterned dress, pearl necklace visible, audible
  • man in wide-brimmed hat and overcoat, mustache, medium build visible
  • woman in dark dress, visible in background visible
Seen happening
  • A man and woman dance closely in a crowded room. [frame:1]
  • A man in a hat stands observing others dancing. [frame:2]
  • The dancing couple kiss. [frame:3]
Also said
“Being in a crowd must make a difference.” 28:50 · “It could only be like that.” 29:02
Seen
corn stalks [frame:2], barrels [frame:2], wide-brimmed hat [frame:2], pearl necklace [frame:1]
Interpretation
Model opinion, not evidence: mood: romantic and festive; themes: romance, social gathering, emotional intimacy; style notes: medium close-ups, static framing, high-contrast lighting typical of 1930s studio productions
Frame at 29:14, shot 31029:14Frame at 29:21, shot 31129:21Frame at 29:27, shot 31229:27
3 of 3 shots sampled

159. Other 29:10–29:32 unchecked

A man and a woman stand together in a rustic interior while another group of three men in cowboy hats converse nearby. The transcript includes fragmented dialogue about dancing, a foreman, and a killing, with names like 'Hamad' and 'Dollar feast' mentioned.

5 people observed.

“dancing with her foreman.” 29:11 · “the man what killed her father.” 29:14

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 87 · shots 310–312 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • man, dark hair, wearing a light suit jacket and dark necktie visible
  • woman, blonde curly hair, wearing a light dress with a dark necklace visible
  • man, wearing a light cowboy hat and dark shirt with decorative stitching visible
  • man, wearing a dark cowboy hat and dark shirt, looking down at his hands visible
  • man, light hair, wearing a dark shirt with a neckerchief visible
Seen happening
  • A man and a woman stand facing each other in conversation. [frame:1]
  • Three men in cowboy hats stand together, one looking at his hands. [frame:3]
  • The man and woman continue their conversation, both looking serious. [frame:2]
Also said
“No, that is funny.” 29:21 · “Dollar feast.” 29:26
Seen
cowboy hats [frame:3], dark necktie [frame:1], beaded necklace [frame:1], wooden wall [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and conversational; themes: confrontation, identity, western setting; style notes: black-and-white, medium shots, studio lighting, period costumes
Frame at 29:38, shot 31329:38
1 of 1 shots sampled

160. Private office 29:32–29:44 unchecked

A man stands indoors holding papers, with a lantern visible on the wall. A voice calls out 'Hey, Baxter.'

Named: Baxter (t:29:38). 1 person observed.

“Hey, Baxter.” 29:38

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 88 · shots 313–313 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Baxter (named at t:29:38): man in dark shirt and tie, light trousers, standing, holding papers visible
Seen happening
  • A man stands holding papers in a room with a lantern on the wall. [frame:1]
Seen
lantern [frame:1], papers [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, identity; style notes: medium shot, high contrast lighting, static framing
Frame at 29:47, shot 31429:47
1 of 1 shots sampled

161. Other 29:44–29:49 unchecked

A group of people are gathered inside a wooden building, some standing in pairs, others in small groups. No dialogue or on-screen text is present in this beat.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 89 · shots 314–314 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
Seen
wooden beams and ropes [frame:1], group of people in period clothing [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: static wide shot, high-contrast black-and-white, period costume visible
Frame at 30:08, shot 31830:08Frame at 30:20, shot 31930:20Frame at 30:28, shot 32030:28
3 of 3 shots sampled

163. Private office 29:59–30:32 unchecked

Three men in period Western attire examine a document inside a dimly lit wooden room; one man, addressed as Sheriff, reacts to a serial number matching bills linked to a past robbery. The group discusses surveillance of the Martin boys, treating the document as a new clue.

Named: Sheriff (t:30:03). 3 people observed.

“Sheriff.” 30:03 · “The Martin boys just came with this new bill. Let me see it.” 30:04

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 89 · shots 318–320 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Sheriff (named at t:30:03): older man, wearing a wide-brimmed hat, suit, and tie; holding a document visible
  • man with dark hair, wearing a dark shirt and neckerchief, standing center visible
  • man with curly hair, wearing a dark jacket, standing left visible
Seen happening
  • Three men stand in a wooden room; one holds a document. [frame:1]
  • The man in the hat (Sheriff) looks at the document while the others watch. [frame:2]
  • The Sheriff examines the document closely, holding it near his chest. [frame:3]
Also said
“That's got the same serial number.” 30:16 · “This is the first clue we've had since the robbery.” 30:23
Seen
document [frame:1], lantern [frame:1], wooden wall [frame:1], hat [frame:1], neckerchief [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and investigative; themes: crime investigation, suspicion, clue discovery; style notes: tight framing on three characters, high-contrast lighting from a single lantern, period Western costume and set design
Frame at 30:36, shot 32130:36Frame at 30:45, shot 32230:45
2 of 2 shots sampled

164. Outdoor night setting 30:32–30:49 unchecked

A man and a woman stand outdoors at night, engaged in a serious conversation. The woman asks the man about her father's death, and he agrees she should know the truth.

Named: Mr. Dixon (t:30:37), Miss Matthews (t:30:33). 2 people observed.

“Yes, indeed, Miss Matthews. Your father and I were very close friends.” 30:33 · “Mr. Dixon.” 30:37

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 90 · shots 321–322 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
outdoor night setting (other, exterior) evidence: frame:1
Time of day
night evidence: frame:1
People
  • Mr. Dixon (named at t:30:37): man in suit and tie, dark hair, medium build visible, audible
  • Miss Matthews (named at t:30:33): woman with blonde hair in updo, wearing light blouse and dark skirt visible, audible
Seen happening
  • The two continue their conversation under dim lighting. [frame:2]
Also said
“Won't you tell me how he was killed?” 30:44 · “Well, I really think you ought to know.” 30:46
Seen
suit and tie [frame:1], light blouse with ruffles [frame:1], dark skirt [frame:1]
Interpretation
Model opinion, not evidence: mood: somber and tense; themes: grief, secrets, father-daughter legacy; style notes: static medium shot, high contrast lighting, night setting, formal attire
Frame at 30:57, shot 32330:57Frame at 31:08, shot 32431:08Frame at 31:12, shot 32531:12Frame at 31:18, shot 32631:18
4 of 4 shots sampled

165. Outdoor garden 30:49–31:22 unchecked

A man and a woman have a tense conversation outdoors at night, during which he reveals that a foreman killed her father. The scene cuts to a crowded indoor gathering where people are celebrating or protesting.

Named: Miss Matthews (t:30:54). 4 people observed.

“foreman killed your father, Miss Matthews.” 30:54 · “Mr. Higgins kill my father?” 30:59

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 90 · shots 323–326 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
outdoor garden (other, exterior) evidence: frame:1
People
  • man, dark hair, wearing a suit and tie, medium build visible, audible
  • Miss Matthews (named at t:30:54): woman, blonde, wearing a light-colored dress with short sleeves, slim build visible, audible
  • man, back to camera, wearing a vest and trousers, in a crowd visible
  • woman, wearing a striped dress, in a crowd visible
Seen happening
  • A crowd of people is gathered indoors, some raising their arms. [frame:4]
Also said
“You see, he was sheriff at the time.” 31:03 · “Now get your pardons!” 31:16
Seen
suit and tie, light-colored dress, crowd of people, wooden structure interior
Interpretation
Model opinion, not evidence: mood: tense and dramatic; themes: revelation, justice, public gathering; style notes: black-and-white film; medium close-ups for dialogue, wide shot for crowd; high contrast lighting
Frame at 31:48, shot 33031:48Frame at 31:57, shot 33131:57Frame at 32:02, shot 33232:02
3 of 3 shots sampled

167. Saloon 31:42–32:05 unchecked

Two men in cowboy hats argue near a wooden structure while a crowd watches in a saloon-like interior. One man demands an object from the other, telling him he needs his wits for the job ahead.

3 people observed.

“Give me that, you no-cold fool. You got to have your wits.” 31:56 · “Yeah, and a little courage.” 32:01

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 90 · shots 330–332 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
saloon (bar, interior) evidence: frame:1
People
  • man in dark shirt and cowboy hat, medium build visible, audible
  • man in dark uniform-style shirt, cowboy hat, and badge, medium build visible, audible
  • crowd of men and women in period Western attire visible
Seen happening
  • A man in a cowboy hat gestures toward another man near a wooden bar. [frame:1]
  • Two men stand close, one in a uniform-style shirt and badge, speaking to the other. [frame:2]
  • The two men face each other, one speaking emphatically. [frame:3]
Also said
“You don't need any courage.” 32:03 · “this job.” 32:04
Seen
cowboy hats [frame:1], wooden bar and saloon interior [frame:1], badge on shirt [frame:3]
Interpretation
Model opinion, not evidence: mood: tense; themes: conflict, duty, courage; style notes: black-and-white, medium shots, high-contrast lighting, period Western costume
Frame at 32:07, shot 33332:07Frame at 32:13, shot 33432:13
2 of 2 shots sampled

168. Other 32:05–32:17 unchecked

Two men are seen near a wooden structure at night; one is partially hidden behind a post while the other, wearing a cowboy hat, stands nearby. The transcript indicates a plan to break in and steal money during a milking contest to avoid being seen.

2 people observed.

“the dance goal we have to do is break in and” 32:05 · “Grab the money and feed it.” 32:08

Share this moment

Evidence and details

Starts here: topic shift in dialogue. Sequence 90 · shots 333–334 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1, frame:2
Time of day
night evidence: frame:1, frame:2
Period
1930s evidence: t:32:05
People
  • man wearing dark clothing, partially visible behind a wooden post visible
  • man wearing a cowboy hat and dark jacket, standing near a wooden structure visible
Seen happening
  • A man is partially visible behind a wooden post. [frame:1]
  • A man in a cowboy hat stands near a wooden structure while another man emerges from behind it. [frame:2]
Also said
“The chief said wait till the milking contest's on.” 32:09 · “There won't be anybody leaving, we won't be seen.” 32:12
Seen
wooden post or fence, cowboy hat, dark jacket
Interpretation
Model opinion, not evidence: mood: tense and conspiratorial; themes: crime planning, stealth, rural setting; style notes: black-and-white, low-key lighting emphasizing shadows and concealment, medium shots framing characters near vertical wooden elements
Frame at 32:21, shot 33532:21
1 of 1 shots sampled

169. Hall 32:17–32:26 unchecked

A man in a vest and trousers dances or stumbles in a rustic wooden hall while a crowd watches. The setting appears to be a public gathering space with wooden walls and simple furnishings.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 91 · shots 335–335 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
hall (other, interior) evidence: frame:1
People
  • man wearing vest and trousers, mid-adult build visible
  • group of men and women in period attire, standing and watching visible
Seen
wooden walls [frame:1], crowd of spectators [frame:1], stone or wooden platform [frame:1]
Interpretation
Model opinion, not evidence: mood: lively, communal; themes: social gathering, performance, rural setting; style notes: medium shot, static camera, high-contrast black-and-white, stage-like lighting
Frame at 32:30, shot 33632:30Frame at 32:36, shot 33732:36
2 of 2 shots sampled

170. Hall 32:26–32:38 unchecked

A group of people are dancing in a large hall; one man says he is going to leave. The setting appears to be a social gathering with wooden walls and hanging lights.

4 people observed.

“I'm going to go.” 32:29

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 91 · shots 336–337 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
hall (other, interior) evidence: frame:1
People
  • man in dark suit, mid-30s, average build visible, audible
  • woman in light dress, mid-20s, slender visible
  • man in light shirt and dark pants, mid-30s visible
  • man in dark coat, standing on raised platform, mid-40s visible
Seen happening
  • People are dancing in a group. [frame:1]
  • A man in a suit walks away from the dance floor. [frame:2]
Seen
wooden walls [frame:1], hanging light fixtures [frame:1], raised platform [frame:1]
Interpretation
Model opinion, not evidence: mood: social and slightly tense; themes: social gathering, departure, group dynamics; style notes: black-and-white, medium shots, static camera, stage-like lighting
Frame at 32:43, shot 33832:43Frame at 32:50, shot 33932:50
2 of 2 shots sampled

171. Other 32:38–32:53 unchecked

A man introduces Jake Abernathy as the undefeated champion of Cow Slip Valley while addressing a crowd; a woman stands beside him as another man gestures toward them. The transcript mentions broken bones and repeats 'undefeated champions'.

Named: Jake Abernathy (t:32:40), Aunt Martha Hubbard (t:32:48). 4 people observed.

“Now, folks.” 32:39 · “Jake Abernathy. Undefeated champion of Cow Slip Valley.” 32:40

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 91 · shots 338–339 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • Jake Abernathy (named at t:32:40): older man, balding, wearing vest and shirt, standing visible
  • woman, dark hair, wearing patterned blouse and dark skirt, standing visible
  • Aunt Martha Hubbard (named at t:32:48): man, bald, wearing suit and tie, gesturing with right arm visible
  • back of head, dark hair, seated in foreground visible
Seen happening
  • A man gestures toward Jake Abernathy and a woman while addressing a crowd. [frame:1]
  • The same man continues gesturing as the crowd watches. [frame:2]
Also said
“Aunt Martha Hubbard!” 32:48 · “All broken bones.” 32:51
Seen
lantern, crowd, gesturing arm, patterned blouse
Interpretation
Model opinion, not evidence: mood: lively and theatrical; themes: championship, public spectacle, humor through absurdity (e.g., 'Aunt Martha Hubbard' as champion); style notes: medium shot, static camera, high-contrast black-and-white, stage-like lighting, crowd in foreground
Frame at 32:56, shot 34032:56
1 of 1 shots sampled

172. Warehouse 32:53–33:00 checks passed

A group of people are gathered in a large indoor space with industrial equipment, some dancing while others watch. The scene is lit with studio lighting and appears to be a staged social gathering.

6 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 91 · shots 340–340 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(warehouse, interior) evidence: frame:1
People
  • man in suit, dancing with a woman visible
  • woman in dark dress, dancing with a man visible
  • man in suit, clapping, standing near center visible
  • woman in light dress, clapping, standing near center visible
  • man in suit, standing at back left, watching visible
  • man in suit, standing at back right, watching visible
Seen
industrial equipment [frame:1], wooden floor [frame:1], hanging light fixture [frame:1]
Interpretation
Model opinion, not evidence: mood: lighthearted; themes: social gathering, dance, industrial setting; style notes: wide shot, black and white, studio-lit, staged group scene
Frame at 33:04, shot 34133:04Frame at 33:12, shot 34233:12
2 of 2 shots sampled

173. Other 33:00–33:16 unchecked

A man and a woman stand together in a dimly lit, possibly outdoor setting; the man then appears alone, gesturing as if speaking. The transcript contains lines of emotional dialogue, including an apology.

2 people observed.

“You're the only one who's ever told me the truth.” 33:00 · “They've all made a fool of me.” 33:03

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 92 · shots 341–342 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(other, exterior) evidence: frame:1
People
  • man in suit and tie, dark hair, medium build visible, audible
  • woman with blonde bobbed hair, wearing light-colored dress with beaded bodice visible
Seen happening
  • A man and a woman stand side by side, facing each other. [frame:1]
  • The man stands alone, gesturing with his right hand as if speaking. [frame:2]
Also said
“Please excuse me.” 33:08
Seen
stone archway [frame:2], foliage or tree branches [frame:1]
Interpretation
Model opinion, not evidence: mood: melancholic and intimate; themes: emotional confession, isolation, romantic tension; style notes: static medium shots, high-contrast lighting, black-and-white film stock, period costume
Frame at 33:17, shot 34333:17
1 of 1 shots sampled

174. Other 33:16–33:18 unchecked

A man in a suit and tie sits outdoors at night, visible in one frame. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 92 · shots 343–343 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
People
  • man wearing a suit and tie, dark hair, medium build visible
Seen
suit and tie [frame:1], tree or foliage [frame:1]
Interpretation
Model opinion, not evidence: mood: somber or contemplative; themes: solitude, nocturnal setting; style notes: black-and-white, medium close-up, low-key lighting with shadows, typical of 1930s film noir or drama
Frame at 33:23, shot 34433:23Frame at 33:31, shot 34533:31
2 of 2 shots sampled

175. Other 33:18–33:35 unchecked

Three men stand in a rustic interior; one holds a pen and paper while another speaks. A man in a hat faces the others, and dried corn stalks are visible in the background.

3 people observed.

“Left chin.” 33:19 · “to 22.” 33:20

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 93 · shots 344–345 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • man in dark shirt and pants, holding pen and paper, looking down visible
  • man in striped sweater and neckerchief, standing between others visible
  • man in wide-brimmed hat and coat, facing p1 and p2 visible
Seen happening
  • A man holds a pen and paper while standing with two others. [frame:1]
  • The man in the hat turns to face the man in the striped sweater. [frame:2]
Also said
“Turn right.” 33:21 · “I'll keep the Martins here until I get back.” 33:25
Seen
pen and paper, dried corn stalks, wide-brimmed hat
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, negotiation, rural setting; style notes: medium close-up, static framing, high-contrast lighting typical of 1930s B-westerns
Frame at 33:36, shot 34633:36
1 of 1 shots sampled

176. Field 33:35–33:37 unchecked

A woman in a light blouse and dark skirt stands beside a man in a dark coat and hat near a cornstalk structure. The scene is outdoors and appears to be set during the day.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 94 · shots 346–346 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • blonde woman, light blouse, dark skirt, medium build visible
  • man, dark coat, wide-brimmed hat, partially obscured visible
Seen
cornstalks [frame:1], dark coat [frame:1], wide-brimmed hat [frame:1]
Interpretation
Model opinion, not evidence: mood: tense or expectant; themes: rural setting, character interaction; style notes: medium shot, black-and-white, natural lighting, outdoor setting with rustic props
Frame at 33:41, shot 34733:41Frame at 33:47, shot 34833:47
2 of 2 shots sampled

177. Private office 33:37–33:49 unchecked

A man and a woman stand close in a dimly lit interior; the man speaks to the woman, who appears to be pleading with him. The man then turns away, saying he cannot see her now and will return later.

Named: John (t:33:37), Bess (t:33:42). 2 people observed.

“John!” 33:37 · “Hi.” 33:40

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 94 · shots 347–348 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • John (named at t:33:37): man, dark hair, wearing a shirt with a neckerchief and a belt visible, audible
  • Bess (named at t:33:42): woman, blonde curled hair, wearing a light blouse with lace and a dark skirt visible, audible
Also said
“I must see you alone.” 33:40 · “I'm sorry, Bess. I can't see you right now.” 33:42
Seen
lantern [frame:1], wooden door frame [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and intimate; themes: romantic conflict, interruption, personal refusal; style notes: medium close-up, high-contrast lighting, static framing emphasizing dialogue
Frame at 33:50, shot 34933:50
1 of 1 shots sampled

178. Other 33:49–33:51 unchecked

A woman in period attire is shown in profile next to a hand gripping a wooden post. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 95 · shots 349–349 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • Woman with blonde hair styled in a 1930s updo, wearing a light-colored dress with lace or embroidery, pearl earring, and necklace. visible
  • Hand gripping a wooden post; no other features visible. visible
Seen
wooden post [frame:1], pearl earring [frame:1], necklace [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral to tense; themes: tension, mystery; style notes: Close-up profile shot with high-contrast lighting; static framing emphasizes the woman’s expression and the hand’s grip.
Frame at 33:52, shot 35033:52
1 of 1 shots sampled

179. Other 33:51–33:53 unchecked

A woman in a light blouse and dark skirt stands in profile beside a wooden door, her hand near the frame. The scene is lit with high-contrast studio lighting, showing no clear time of day or identifiable location.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 95 · shots 350–350 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • woman, light-colored blouse with lace detail, dark skirt, short curled hair, medium build visible
Seen
wooden door [frame:1], wall-mounted lantern [frame:1]
Interpretation
Model opinion, not evidence: mood: suspenseful; themes: mystery, waiting; style notes: high-contrast black-and-white lighting, medium close-up, static framing
Frame at 33:57, shot 35133:57
1 of 1 shots sampled

180. Other 33:53–34:01 unchecked

A woman with short blonde hair and pearl earrings is shown in a close-up. No actions or dialogue occur in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 96 · shots 351–351 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • Woman, short blonde hair, wearing a light-colored dress with embroidery, pearl earrings, and a multi-strand necklace. visible
Seen
pearl earrings [frame:1], multi-strand necklace [frame:1], embroidered dress [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: Close-up shot with studio lighting; high contrast black-and-white; static framing.
Frame at 34:04, shot 35234:04
1 of 1 shots sampled

181. Other 34:01–34:07 unchecked

A woman with blonde hair and a lace dress is shown in a close-up. The setting appears to be indoors with a dark, indistinct background.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 96 · shots 352–352 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • blonde woman, wearing a lace dress and pearl necklace, with a serious expression visible
Seen
lace dress [frame:1], pearl necklace [frame:1]
Interpretation
Model opinion, not evidence: mood: solemn; style notes: close-up shot, high-contrast lighting, studio setting
Frame at 34:14, shot 35334:14
1 of 1 shots sampled

182. Other 34:07–34:21 unchecked

A single figure is partially visible in shadow near a vertical structure in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 97 · shots 353–353 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • silhouetted figure, possibly wearing a hat and coat, partially obscured by shadow visible
Seen
vertical pole or beam [frame:1]
Interpretation
Model opinion, not evidence: mood: suspenseful; themes: mystery, isolation; style notes: high-contrast lighting, silhouette framing, low visibility
Frame at 34:23, shot 35434:23
1 of 1 shots sampled

183. Jail 34:21–34:25 unchecked

A person is visible behind bars in a dimly lit interior. No dialogue or action is recorded in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 98 · shots 354–354 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
jail (jail, interior) evidence: frame:1
People
  • person with light-colored hair, wearing a light top, seen behind bars visible
Seen
bars [frame:1], patterned wall or grate [frame:1]
Interpretation
Model opinion, not evidence: mood: confinement, stillness; themes: imprisonment, isolation; style notes: static medium shot, high contrast lighting, barred foreground framing the subject
Frame at 34:28, shot 35534:28
1 of 1 shots sampled

184. Fargo express company office 34:25–34:31 unchecked

A man in a dark suit is visible in a dimly lit interior, reaching toward a door with 'FARGO EXPRESS COMPANY' written on it. No spoken dialogue or other events are recorded in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 99 · shots 355–355 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
Fargo Express Company office (private office, interior) evidence: frame:1
People
  • man in dark suit, medium build, visible from side profile visible
Seen happening
  • man reaches toward a door with lettering [frame:1]
Seen
door with lettering, man's suit
On screen
FARGO EXPRESS COMPANY
Interpretation
Model opinion, not evidence: mood: tense; themes: mystery, corporate setting; style notes: high-contrast lighting, tight framing on doorway, shadowy background
Frame at 34:35, shot 35634:35
1 of 1 shots sampled

185. Jail 34:31–34:38 unchecked

A person is seen behind bars in a dimly lit interior. No dialogue or additional context is provided in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 100 · shots 356–356 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
jail (jail, interior) evidence: frame:1
People
  • person with light-colored hair, visible from chest up, wearing a light-colored garment visible
Seen
bars [frame:1], lattice panel [frame:1]
Interpretation
Model opinion, not evidence: mood: somber; themes: confinement, isolation; style notes: static medium close-up, high contrast lighting, black and white film
Frame at 34:42, shot 35734:42
1 of 1 shots sampled

186. Other 34:38–34:47 unchecked

A person in dark clothing is partially visible in shadow near a vertical structure. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 101 · shots 357–357 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • dark clothing, partially obscured by shadow, standing near a vertical structure visible
Seen
vertical structure [frame:1]
Interpretation
Model opinion, not evidence: mood: shadowy and ambiguous; style notes: high-contrast lighting, tight framing on a partially obscured figure, monochrome
Frame at 34:51, shot 35834:51
1 of 1 shots sampled

187. Arena 34:47–34:56 unchecked

A group of people surrounds a bull in an indoor arena; one person is seated on a chair near the bull. A voice says 'All ready?', followed by 'Fist!' and 'Go!' indicating the start of an event.

10 people observed.

“All ready?” 34:47 · “Fist!” 34:48

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 102 · shots 358–358 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
arena (other, interior) evidence: frame:1
People
  • man wearing dark jacket and hat, standing near bull visible
  • man seated on chair, wearing light shirt and dark pants, near bull visible
  • woman in light dress, standing left side visible
  • man in dark suit, standing right side visible
  • man in light shirt, standing behind bull visible
  • man in dark jacket, standing behind bull visible
  • man in light shirt, standing center background visible
  • man in dark jacket, standing left background visible
  • man in light shirt, standing right background visible
  • man in dark jacket, standing far right visible
Seen happening
  • People stand around a bull in an arena; one man is seated on a chair near the bull. [frame:1]
Also said
“Go!” 34:49
Seen
bull [frame:1], chair [frame:1], ropes or netting overhead [frame:1], crowd of people [frame:1]
Interpretation
Model opinion, not evidence: mood: tense anticipation; themes: spectacle, crowd gathering, animal confrontation; style notes: static wide shot, high-contrast black-and-white, staged composition with central focus on bull and seated man
Frame at 34:58, shot 35934:58
1 of 1 shots sampled

188. Farm 34:56–35:00 unchecked

A person milks a cow while a child stands nearby in an outdoor setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 103 · shots 359–359 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
farm (farm, exterior) evidence: frame:1
People
  • adult, wearing a vest and light pants, kneeling visible
  • child, wearing a dress, standing visible
Seen happening
  • A person milks a cow. [frame:1]
  • A child stands near a cow and a milking person. [frame:1]
Seen
cow [frame:1], milk pail [frame:1], stump [frame:1]
Interpretation
Model opinion, not evidence: mood: calm; themes: rural life, daily chores; style notes: medium shot, black-and-white, natural outdoor lighting
Frame at 35:01, shot 36035:01Frame at 35:04, shot 36135:04Frame at 35:11, shot 36235:11
3 of 3 shots sampled

189. Barn 35:00–35:18 unchecked

A woman milks a cow while a man sits nearby; later, a group of people gather around the cow in what appears to be a barn or stable. No names are spoken, and no time of day or period is established.

3 people observed.

“Yes!” 35:00 · “Yeah, yeah.” 35:01

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 103 · shots 360–362 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
barn (other, interior) evidence: frame:1
People
  • woman wearing a light blouse and dark skirt, sitting on a stool, milking a cow visible
  • man wearing a vest and light pants, sitting on a stool, milking a cow visible
  • group of men and women in casual and semi-formal attire, standing or sitting around the cow visible
Seen happening
  • A woman milks a cow while seated on a stool. [frame:1]
  • A man milks a cow while seated on a stool. [frame:2]
  • A group of people gather around the cow in a barn-like setting. [frame:3]
Also said
“All right.” 35:03 · “I'll give it.” 35:07
Seen
cow [frame:1], milking stool [frame:1], metal bucket [frame:1], hay or straw on ground [frame:1], wooden wagon wheel [frame:1], ropes or rigging overhead [frame:3]
Interpretation
Model opinion, not evidence: mood: casual, possibly humorous or competitive; themes: rural life, community gathering, manual labor; style notes: static medium shots, black-and-white, studio lighting, staged group composition
Frame at 35:22, shot 36335:22Frame at 35:28, shot 36435:28
2 of 2 shots sampled

190. Other 35:18–35:31 unchecked

Three men in cowboy hats stand near a wooden structure; one speaks while another gestures. The scene is outdoors, with ropes and a dark garment hanging nearby.

3 people observed.

“Not from a missed contest, are you boys?” 35:22 · “- Come on!” 35:27

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 104 · shots 363–364 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
People
  • man wearing a dark cowboy hat and dark shirt, visible from the side visible
  • man wearing a light-colored cowboy hat and dark vest, facing forward with a mustache visible
  • man wearing a light-colored cowboy hat and dark shirt, back turned, with a gun holster visible visible
Seen happening
  • A man in a dark shirt gestures with his hand. [frame:1]
  • A man in a dark shirt moves into the foreground, partially obscuring others. [frame:2]
Seen
cowboy hats [frame:1], gun holster [frame:1], ropes hanging on wooden structure [frame:1], dark garment hanging [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, western setting; style notes: medium shot, black-and-white, natural lighting, static camera
Frame at 35:33, shot 36535:33
1 of 1 shots sampled

191. Barn 35:31–35:36 unchecked

A crowded indoor scene shows multiple people and cattle in a rustic setting. No dialogue or on-screen text is visible in the frame.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 105 · shots 365–365 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
barn (other, interior) evidence: frame:1
Seen
cattle [frame:1], wooden chairs [frame:1], tarpaulin or canvas ceiling [frame:1]
Interpretation
Model opinion, not evidence: mood: chaotic; themes: rural life, communal gathering; style notes: wide shot, high-contrast lighting, crowded composition
Frame at 35:40, shot 36635:40
1 of 1 shots sampled

192. Private office 35:36–35:44 unchecked

Three men in cowboy hats stand in a wooden interior; one speaks while another smokes. The transcript includes a question about 'the Gossets'.

3 people observed.

“- Why is it?” 35:38 · “in the Gossets, are you boys?” 35:38

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 106 · shots 366–366 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • older man, striped shirt, patterned neckerchief, cowboy hat visible
  • man in black shirt and cowboy hat, smoking a cigarette visible
  • man in dark shirt and wide-brimmed cowboy hat, facing p2 visible
Seen happening
  • A man in a black shirt smokes a cigarette while standing between two other men. [frame:1]
Seen
cigarette, cowboy hats, wooden door and wall
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, western genre; style notes: medium shot, high-contrast lighting, static framing
Frame at 35:45, shot 36735:45
1 of 1 shots sampled

193. Other 35:44–35:45 unchecked

A man in a striped shirt and neckerchief stands beside a wooden door with a glass panel, looking toward the right. The scene appears to be indoors, with a rough-textured wall or object visible to the right of the door.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 107 · shots 367–367 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • man, middle-aged, wearing a striped shirt and neckerchief visible
Seen
wooden door with glass panel [frame:1], neckerchief [frame:1], striped shirt [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: black-and-white, medium shot, static framing, high-contrast lighting typical of 1930s film
Frame at 35:49, shot 36835:49Frame at 35:58, shot 36935:58Frame at 36:06, shot 37036:06
3 of 3 shots sampled

194. Wooden shed 35:45–36:09 unchecked

A woman stands alone in a rustic wooden structure, then a man approaches and speaks with her while holding a coat; he helps her put it on. The dialogue includes a request to be taken home and an agreement.

Named: Miss Matthews (t:35:56), Mr. Dixon (t:35:59). 2 people observed.

“You will, Miss Matthews?” 35:56 · “Will you please take me home, Mr. Dixon?” 35:59

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 107 · shots 368–370 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
wooden shed (other, interior) evidence: frame:1
People
  • Miss Matthews (named at t:35:56): woman, blonde, wearing a light blouse and dark skirt, mid-20s to 30s visible
  • Mr. Dixon (named at t:35:59): man, dark hair, wearing a light jacket and dark trousers, mid-20s to 30s visible, audible
Seen happening
  • A woman stands alone in a wooden structure. [frame:1]
  • A man approaches the woman and speaks to her while holding a coat. [frame:2]
  • The man helps the woman put on the coat. [frame:3]
Also said
“Oh, I certainly think.” 36:01 · “All right.” 36:06
Seen
coat [frame:2], wooden walls and hanging ropes [frame:1]
Interpretation
Model opinion, not evidence: mood: tense but resolved; themes: gender roles, courtship, departure; style notes: medium shots, static camera, high-contrast lighting typical of 1930s B-westerns
Frame at 36:11, shot 37136:11
1 of 1 shots sampled

195. Other 36:09–36:12 unchecked

A group of people surrounds two horses in an indoor space with ropes and wooden structures visible. No dialogue or on-screen text is present in the frames.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 108 · shots 371–371 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • multiple individuals in period clothing, some wearing hats and coats, gathered around horses visible
Seen
horses [frame:1], ropes [frame:1], wooden beams [frame:1], chairs [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: group gathering, animal handling; style notes: static wide shot, black-and-white, high-contrast lighting typical of 1930s film
Frame at 36:13, shot 37236:13Frame at 36:15, shot 37336:15Frame at 36:20, shot 37436:20
3 of 3 shots sampled

196. Barn 36:12–36:24 unchecked

A man in a hat and suit stands near a wooden wall, then two men face each other in conversation. A crowd is visible in a barn-like space with cattle. The transcript includes the word 'Firehawk!' spoken at 36:15.

3 people observed.

“Yeah.” 36:14 · “Firehawk!” 36:15

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 108 · shots 372–374 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
barn (other, interior) evidence: frame:2
People
  • man wearing a wide-brimmed hat and a dark suit, seen from behind in frame 1, then facing p2 in frame 3 visible
  • man in a dark sweater and trousers, facing p1 in frame 3 visible
  • group of men and women in period clothing, some seated, some standing, visible in frame 2 visible
Seen happening
  • A man in a hat and suit stands near a wooden wall with hanging items. [frame:1]
  • Two men face each other in conversation inside a barn-like space. [frame:3]
  • A crowd gathers around cattle in a barn. [frame:2]
Seen
wide-brimmed hat, wooden wall with hanging items, cattle, crowd of people, sweater
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, rural setting, group dynamics; style notes: static medium shots, high contrast black and white, staged composition
Frame at 36:28, shot 37536:28Frame at 36:35, shot 37636:35Frame at 36:41, shot 37736:41
3 of 3 shots sampled

197. Other 36:24–36:42 unchecked

Three men in Western attire converse in a rustic interior with hanging hides; one man speaks about money from the sheriff's office and seeking truth about 'old Dan'. The scene includes a humming sound and dialogue indicating a plan to confront a third party.

4 people observed.

“All right.” 36:28 · “Money from the sheriff's office.” 36:32

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 108 · shots 375–377 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1, frame:2, frame:3
People
  • man in dark shirt, jeans, and cowboy hat, facing p2 visible
  • man in dark vest, light shirt, and cowboy hat, standing with hands on hips visible
  • man in light shirt and cowboy hat, seated, with beard visible
  • man in plaid shirt and light hat, standing visible
Seen happening
  • Three men stand in a rustic interior with hanging hides. [frame:1]
  • Three men are shown in conversation, one seated, two standing. [frame:2]
  • The same three men continue their conversation. [frame:3]
Also said
“Oh to a soon lead me to the third party.” 36:36 · “And then I'll ring the truth out of them about old Dan.” 36:39
Seen
hanging hides [frame:1], wooden structure [frame:1], cowboy hats [frame:1], jeans [frame:1], plaid shirt [frame:2], dark vest [frame:2]
Interpretation
Model opinion, not evidence: mood: tense and conspiratorial; themes: Western confrontation, law enforcement, mystery about 'old Dan'; style notes: black-and-white, medium shots, static framing, naturalistic lighting with shadows suggesting interior setting
Frame at 36:45, shot 37836:45Frame at 36:55, shot 38036:55Frame at 36:58, shot 38136:58Frame at 37:04, shot 38337:04
4 of 6 shots sampled

198. Barn 36:42–37:06 unchecked

A group of people are gathered in a barn-like setting with cows; some are milking while others react to an off-screen emergency. A person shouts 'Fire!' and urges others to leave, prompting visible movement and alarm.

4 people observed.

“Fire!” 36:53 · “Come on, you're not going to be here!” 36:54

Share this moment

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 109 · shots 378–383 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
barn (other, interior) evidence: frame:1
People
  • woman in apron milking a cow visible
  • boy in overalls milking a cow visible
  • man in suit reacting to alarm visible, audible
  • group of onlookers in period clothing visible
Seen happening
  • People are gathered around cows in a barn, some milking. [frame:1]
  • A woman milks a cow while others watch. [frame:2]
  • A boy milks a cow from a stool. [frame:3]
  • People react to an alarm; a man urges others to leave. [frame:4]
Also said
“Come on! Come on!” 36:56 · “Oh, my God!” 37:01
Seen
cow [frame:1], milking stool [frame:3], bucket [frame:2], hay [frame:1], apron [frame:2]
Interpretation
Model opinion, not evidence: mood: sudden alarm; themes: rural life, emergency response, community; style notes: static medium shots, high-contrast lighting, staged group composition
Frame at 37:10, shot 38437:10Frame at 37:18, shot 38537:18
2 of 2 shots sampled

199. Other 37:06–37:22 unchecked

Two men shake hands while a woman and others watch; one man speaks aggressively about a future challenge. The setting appears to be an indoor public space with wooden paneling and spectators.

Named: Jake Abernathy (t:37:15). 5 people observed.

“The champion! Hooray! Oh, you won by a foul, but by a cracky, I'll beat you.” 37:06 · “next year.” 37:13

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 110 · shots 384–385 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • Jake Abernathy (named at t:37:15): man, middle-aged, wearing vest and shirt, thinning hair, visible in frame:1-2 visible, audible
  • man, balding, wearing bow tie and light shirt, visible in frame:1-2 visible, audible
  • woman, dark hair, wearing blouse and dark skirt, visible in frame:1-2 visible
  • man, bearded, in background, visible in frame:1-2 visible
  • man, older, balding, in background, visible in frame:1-2 visible
Seen happening
  • Two men shake hands while a woman and others watch. [frame:1]
  • The man in the vest reacts with surprise as the other man shouts. [frame:2]
Also said
“All right, Jake Abernathy. I'll be waiting for you. Oh, I'll try it on the trail.” 37:15
Seen
wooden paneling [frame:1], bow tie [frame:1], vest [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: rivalry, challenge, public confrontation; style notes: medium shot, static framing, high-contrast lighting typical of 1930s film, focused on character interaction
Frame at 37:26, shot 38637:26
1 of 1 shots sampled

200. Other 37:22–37:29 unchecked

A single ornate wall clock is shown in a static shot. No people, dialogue, or movement occurs in this beat.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 111 · shots 386–386 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior)
Seen
wall clock
Interpretation
Model opinion, not evidence: mood: static; style notes: static medium shot, high-contrast black-and-white, focused on a single decorative object
Frame at 37:33, shot 38737:33Frame at 37:42, shot 38837:42
2 of 2 shots sampled

201. Living room 37:29–37:46 unchecked

A woman in dark clothing speaks to a man holding a hat while another woman stands nearby in a sparsely furnished room. The transcript indicates a request to speak privately with Mr. Higgins.

Named: Aunt Martha (t:37:38), Mr. Higgins (t:37:41). 3 people observed.

“All right, and that will be good.” 37:33 · “Aunt Martha.” 37:38

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 112 · shots 387–388 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • woman, light hair, light-colored dress, standing near table visible
  • Aunt Martha (named at t:37:38): woman, dark dress, standing center, facing man visible, audible
  • Mr. Higgins (named at t:37:41): man, dark suit, holding hat, standing near doorway visible
Seen happening
  • A woman in dark clothing stands facing a man holding a hat. [frame:2]
  • A second woman stands near a table while the first woman speaks to the man. [frame:2]
Also said
“Will you please excuse us?” 37:38 · “I want to speak to Mr. Higgins alone.” 37:41
Seen
table with cloth, oil lamp, wooden chair, hat held by man, doorway
Interpretation
Model opinion, not evidence: mood: tense; themes: private conversation, social formality; style notes: static medium shots, high-contrast lighting, sparse set design
Frame at 37:47, shot 38937:47
1 of 1 shots sampled

202. Living room 37:46–37:49 unchecked

A man in Western attire stands holding a hat in a sparsely furnished room with a woman visible in the background. The room contains period furniture and wall decorations.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 112 · shots 389–389 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • man, adult, wearing Western-style shirt, vest, and boots, holding a hat visible
  • woman, adult, wearing light-colored dress, seen from behind visible
Seen
{'item': 'wooden chair', 'frame': 1}, {'item': 'table with cloth and lamp', 'frame': 1}, {'item': 'wall-mounted decorative lattice', 'frame': 1}, {'item': 'door', 'frame': 1}, {'item': 'rug', 'frame': 1}
Interpretation
Model opinion, not evidence: mood: neutral; themes: domestic interior, Western genre; style notes: static medium shot, high-contrast lighting, period set design
Frame at 37:53, shot 39037:53Frame at 37:58, shot 39137:58Frame at 38:00, shot 39238:00Frame at 38:06, shot 39338:06
4 of 4 shots sampled

203. Private office 37:49–38:09 unchecked

A woman speaks in a room while a man in Western attire enters through a doorway. The transcript indicates she is confronting him about his identity and a robbery he committed.

Named: Mr. Road Agent (t:38:02). 2 people observed.

“I hardly know how to begin.” 37:49 · “But when I say I know who you really are...” 37:53

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 113 · shots 390–393 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • blonde woman, 20s-30s, wearing a lace dress and pearl earrings visible, audible
  • Mr. Road Agent (named at t:38:02): man, 30s, wearing a dark shirt, bandana, and gun belt visible
Seen happening
  • A woman stands in a room speaking. [frame:1]
  • A man enters the room through a doorway. [frame:3]
  • The woman continues speaking, looking toward the man. [frame:4]
Also said
“Why did you wait months to wear that ring?” 37:59 · “Mr. Road Agent.” 38:02
Seen
framed picture [frame:1], piano [frame:1], doorway [frame:3], gun belt [frame:3], bandana [frame:3]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, identity, crime; style notes: medium close-up on woman, medium shot on man entering; high-contrast lighting typical of 1930s B-westerns
Frame at 38:13, shot 39438:13Frame at 38:20, shot 39538:20Frame at 38:24, shot 39638:24Frame at 38:28, shot 39738:28
4 of 4 shots sampled

204. Private office 38:09–38:32 unchecked

A man and a woman confront each other indoors; the woman accuses the man of being a bandit, robber, and murderer who killed her father. The man, identified as Blaine, asks to explain but she refuses to believe him.

Named: Blaine (t:38:26). 2 people observed.

“And I found out that you're not only a bandit and a robber,” 38:12 · “but a murderer as well.” 38:15

Share this moment

Evidence and details

Starts here: topic shift in dialogue. Sequence 113 · shots 394–397 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Blaine (named at t:38:26): man, mid-30s, medium build, wearing a dark shirt, belt with holster, and a light scarf around his neck visible, audible
  • woman, 20s-30s, blonde hair in a bob, wearing a light patterned dress with short sleeves and a necklace visible, audible
Seen happening
  • A man stands in a doorway facing a woman. [frame:1]
  • The woman speaks with a stern expression. [frame:2]
  • The man remains in the doorway, listening. [frame:3]
  • The woman continues to speak, her expression unchanged. [frame:4]
Also said
“You killed my father.” 38:17 · “Blaine.” 38:26
Seen
wooden door, wall-mounted telephone, framed picture, piano, belt with holster, light scarf, patterned dress, necklace
Interpretation
Model opinion, not evidence: mood: tense and accusatory; themes: confrontation, accusation, identity, moral judgment; style notes: medium close-ups alternating between characters, high-contrast lighting, static camera, typical of 1930s studio production
Frame at 38:33, shot 39838:33Frame at 38:40, shot 39938:40Frame at 38:44, shot 40038:44
3 of 3 shots sampled

205. Living room 38:32–38:45 unchecked

A man and a woman are in a room; the woman speaks angrily and tells the man to leave. The man is visible in one frame, the woman in two, and their dialogue indicates a confrontation.

2 people observed.

“You were right when you said...” 38:33 · “There aren't words vile enough to express my conviction.” 38:36

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 113 · shots 398–400 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1, frame:2
People
  • man, dark hair, wearing a dark shirt and a light scarf around his neck visible
  • woman, blonde hair styled in waves, wearing a light patterned dress and a necklace visible, audible
Seen happening
  • A man stands in a doorway, looking toward the camera. [frame:1]
  • A woman looks toward the man, her expression serious. [frame:2]
  • The woman remains in the same position, still looking toward the man. [frame:3]
Also said
“Now get out of here.” 38:40 · “I never want to see you again.” 38:43
Seen
door, wall-mounted telephone, framed picture, piano
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: personal conflict, emotional rejection; style notes: medium close-ups, static framing, high-contrast lighting typical of 1930s studio films
Frame at 38:49, shot 40138:49
1 of 1 shots sampled

206. Private office 38:45–38:52 unchecked

A man in a dark shirt and scarf stands at a wooden door, turning the knob, while a woman with a braided updo faces away from the camera. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 114 · shots 401–401 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man, dark shirt, light scarf, medium build, dark hair visible
  • woman, light-colored dress, blonde hair in braided updo visible
Seen happening
  • A man turns the knob of a wooden door. [frame:1]
Seen
wooden door, wall-mounted telephone, scarf
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, encounter, interior drama; style notes: medium shot, static camera, high-contrast black-and-white lighting, period costume
Frame at 38:57, shot 40238:57
1 of 1 shots sampled

207. Living room 38:52–39:01 unchecked

A woman with blonde hair in a lace dress is visible in an interior setting. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 115 · shots 402–402 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • blonde woman, wearing a lace dress and necklace, medium build visible
Seen
framed picture [frame:1], dark furniture [frame:1], necklace [frame:1]
Interpretation
Model opinion, not evidence: mood: quiet; style notes: medium close-up, studio lighting, static framing
Frame at 39:06, shot 40339:06
1 of 1 shots sampled

208. Private office 39:01–39:11 checks passed

A man in a cowboy hat and dark shirt walks away from the camera inside a room with a wooden cabinet and framed pictures. The transcript indicates the Martin boys entered Joe Dixon's place through the back way.

1 person observed.

“Martin boys just went into Joe Dixon's” 39:07 · “They went in the back way.” 39:09

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 116 · shots 403–403 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing a cowboy hat, dark long-sleeved shirt, and a belt with a holster visible
Seen happening
  • A man in a cowboy hat walks away from the camera inside a room. [frame:1]
Seen
cowboy hat, wooden cabinet, framed pictures on wall, holster on belt
Interpretation
Model opinion, not evidence: mood: tense; themes: western, secret entry, suspicion; style notes: medium shot from behind, black-and-white, studio-lit interior
Frame at 39:13, shot 40439:13Frame at 39:19, shot 40539:19
2 of 2 shots sampled

209. Private office 39:11–39:23 unchecked

Two men in cowboy hats are shown in an interior room; one stands while the other sits at a desk. A third man is mentioned in the dialogue as Joe Higgins, who allegedly stole money three months ago.

Named: Joe Higgins (t:39:15). 4 people observed.

“I tell you, Joe Higgins was the fella who got that money away from us three months ago.” 39:15 · “gold.” 39:19

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 116 · shots 404–405 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing a cowboy hat, dark long-sleeved shirt, and a belt with a holster visible
  • man with a beard, wearing a cowboy hat and vest, seated at a desk visible
  • Joe Higgins (named at t:39:15): man with a beard and other clothes, known by his riding style (Dink) mentioned
  • man wearing a cowboy hat and light shirt, seated on a chair visible
Seen happening
  • A man stands beside a seated man at a desk. [frame:1]
  • Three men are seated in a room, one holding a hat. [frame:2]
Also said
“He had a beard and other clothes, but I knew Dink with the way he rode.” 39:20
Seen
desk [frame:1], cowboy hats [frame:1, frame:2], holster [frame:1], chair [frame:2], lamp [frame:2]
Interpretation
Model opinion, not evidence: mood: tense; themes: Western, crime, identity, revenge; style notes: black-and-white, medium shots, studio lighting, period Western costumes
Frame at 39:28, shot 40639:28Frame at 39:36, shot 40739:36Frame at 39:41, shot 40839:41Frame at 39:45, shot 40939:45
4 of 4 shots sampled

210. Private office 39:23–39:49 unchecked

Three men in cowboy hats are seated indoors, discussing a woman and horses, with one man speaking about a financial gain. The setting appears to be a simple room with a window and basic furniture.

3 people observed.

“Well, anyhow, I cooked his goose last night.” 39:24 · “You know, I don't see any reason why I shouldn't step in and marry the both of the lazy ends.” 39:30

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 116 · shots 406–409 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing a light-colored cowboy hat, dark jacket, and scarf, seated on the left visible
  • man wearing a white cowboy hat, dark suit, seated in the center visible
  • man wearing a dark cowboy hat, light shirt, and scarf, seated on the right visible
Also said
“Yeah, and she's got about a thousand head of slick-lipping horses in that top patch here.” 39:37 · “Making a quick turnover, we ought to get about” 39:45
Seen
cowboy hats, wooden chairs, window with curtains, wall-mounted lamp, papers on a table
Interpretation
Model opinion, not evidence: mood: casual and conspiratorial; themes: cowboy culture, financial scheming, romantic opportunism; style notes: medium shot, static camera, studio lighting, black-and-white film
Frame at 39:53, shot 41039:53Frame at 40:02, shot 41140:02
2 of 2 shots sampled

211. Private office 39:49–40:06 unchecked

A man in a cowboy hat sits indoors while two other men in cowboy hats join him; one suggests riding to get someone named Brokaw. The transcript mentions a ranch and marriage, implying a plot involving property and relationships.

3 people observed.

“Lazy M probably will be glad to marry you well to do gently.” 39:53 · “I'll ride over and get Brokaw him.” 39:58

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 116 · shots 410–411 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man in dark suit and wide-brimmed cowboy hat, seated, hands clasped visible
  • man in light shirt, cowboy hat, and bandana, seated on left visible
  • man in light shirt and dark cowboy hat, seated on right visible
Seen happening
  • A man in a suit and cowboy hat sits with hands clasped. [frame:1]
  • Two other men in cowboy hats sit with him, one speaking. [frame:2]
Also said
“Yeah, that's a good one.” 40:01 · “Good idea.” 40:02
Seen
cowboy hats [frame:1], wooden chairs [frame:2], wall with framed picture [frame:1]
Interpretation
Model opinion, not evidence: mood: conversational and plot-driven; themes: ranch life, marriage as transaction, cowboy camaraderie; style notes: medium shots, static framing, studio lighting, black-and-white
Frame at 40:07, shot 41240:07
1 of 1 shots sampled

212. Private office 40:06–40:09 unchecked

Two men in cowboy hats stand at a doorway; one holds the doorframe while the other looks on. The setting appears to be an interior room with a wooden door and brick wall visible.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 116 · shots 412–412 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing light-colored cowboy hat, dark shirt, bandana, and gun belt visible
  • man wearing dark cowboy hat, plaid shirt, and vest visible
Seen
cowboy hat [frame:1], gun belt [frame:1], wooden doorframe [frame:1], brick wall [frame:1], picture frame on wall [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, Western genre tropes; style notes: medium shot, static framing, high-contrast lighting typical of 1930s Westerns
Frame at 40:11, shot 41340:11
1 of 1 shots sampled

213. Street 40:09–40:12 unchecked

A man in a cowboy hat adjusts a saddle on a donkey outside a building. The scene is outdoors in daylight, with another donkey visible nearby.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 117 · shots 413–413 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
street (street, exterior) evidence: frame:1
People
  • man wearing cowboy hat, light shirt, dark pants, medium build visible
Seen happening
  • man adjusts saddle on donkey [frame:1]
Seen
donkey with saddle [frame:1], second donkey [frame:1], building with windows and door [frame:1], wooden rail [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral, routine; themes: Western, outdoor labor, animal handling; style notes: medium shot, static camera, high-contrast lighting typical of 1930s Westerns
Frame at 40:15, shot 41440:15
1 of 1 shots sampled

214. Private office 40:12–40:17 unchecked

Two men in cowboy hats stand near a wooden door; one speaks about following the other as Texans leave town. The scene is indoors, with no visible clock or window to establish time.

2 people observed.

“Texans leaving town.” 40:13 · “I reckon I'll just follow you.” 40:15

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 118 · shots 414–414 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing white cowboy hat, dark shirt, bandana, and gun belt visible, audible
  • man wearing gray cowboy hat, plaid shirt, and vest visible
Seen
wooden door, cowboy hats, gun belt, plaid shirt
Interpretation
Model opinion, not evidence: mood: tense anticipation; themes: departure, loyalty, Western frontier; style notes: medium shot, static framing, high-contrast lighting typical of 1930s Westerns
Frame at 40:20, shot 41540:20
1 of 1 shots sampled

215. Street 40:17–40:23 unchecked

A man in a cowboy hat rides a horse past a wooden building while two other men stand nearby. The scene is outdoors and appears to be set in a Western town.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 119 · shots 415–415 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
street (street, exterior) evidence: frame:1
People
  • man wearing cowboy hat and dark coat, riding a horse visible
  • man in dark hat and coat, standing near building visible
  • man in dark hat and coat, standing near building visible
Seen happening
  • A man on horseback rides past a wooden building. [frame:1]
Seen
horse [frame:1], wooden building with windows [frame:1], cowboy hat [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: Western, outdoor town scene, horseback riding; style notes: black-and-white, medium shot, static camera, Western genre framing
Frame at 40:27, shot 41640:27
1 of 1 shots sampled

216. Street 40:23–40:30 unchecked

A man in a cowboy hat stands beside a horse near a building with a wooden fence. The scene is outdoors, with trees and a dirt ground visible.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 119 · shots 416–416 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
street (street, exterior) evidence: frame:1
People
  • man wearing a cowboy hat, dark shirt, and trousers, standing beside a horse visible
Seen
horse [frame:1], cowboy hat [frame:1], wooden fence [frame:1], building with window [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor setting, cowboy and horse; style notes: black-and-white, medium shot, natural outdoor lighting, static framing
Frame at 40:34, shot 41740:34
1 of 1 shots sampled

217. Road 40:30–40:38 unchecked

A lone rider on horseback moves along a dirt path under trees, with another rider visible in the distance. The scene is outdoors in a natural setting with hills in the background.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 120 · shots 417–417 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(road, exterior) evidence: frame:1
People
  • wearing a hat and dark clothing, riding a horse visible
  • distant rider on horseback, indistinct features visible
Seen happening
  • A rider on horseback moves along a dirt path under trees. [frame:1]
Seen
horse [frame:1], hat [frame:1], trees [frame:1], dirt path [frame:1], hills [frame:1]
Interpretation
Model opinion, not evidence: mood: solitary, open; themes: isolation, journey, western landscape; style notes: wide shot, natural lighting, high contrast black and white, static camera
Frame at 40:40, shot 41840:40
1 of 1 shots sampled

218. Field 40:38–40:42 unchecked

A person stands near trees in an outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 120 · shots 418–418 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • figure in dark clothing, standing near trees visible
Seen happening
  • a person stands near trees in an open area [frame:1]
Seen
trees [frame:1], dirt path [frame:1]
Interpretation
Model opinion, not evidence: mood: quiet; style notes: wide shot, natural lighting, black-and-white film
Frame at 40:44, shot 41940:44
1 of 1 shots sampled

219. Field 40:42–40:46 unchecked

A person rides a horse across an open field with trees in the background. The scene is outdoors and appears to be during the day.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 121 · shots 419–419 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person wearing a hat, riding a horse visible
Seen happening
  • A person rides a horse across a field. [frame:1]
Seen
horse [frame:1], hat [frame:1], fence post [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, rural setting; style notes: wide shot, black and white, natural lighting, outdoor setting
Frame at 40:47, shot 42040:47
1 of 1 shots sampled

220. Field 40:46–40:48 checks passed

A person rides a horse across an open field bordered by trees and a fence. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 121 · shots 420–420 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person wearing a hat, riding a horse visible
Seen happening
  • A person rides a horse across a field. [frame:1]
Seen
horse [frame:1], fence [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, rural setting; style notes: wide shot, outdoor, black-and-white, natural lighting
Frame at 40:50, shot 42140:50
1 of 1 shots sampled

221. Field 40:48–40:52 unchecked

A person wearing a hat rides a horse across a field. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 121 · shots 421–421 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person wearing a hat, riding a horse visible
Seen happening
  • A person rides a horse across a field. [frame:1]
Seen
horse [frame:1], hat [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, solitary figure; style notes: black-and-white, wide shot, natural lighting, outdoor setting
Frame at 40:55, shot 42240:55
1 of 1 shots sampled

222. Field 40:52–40:58 unchecked

A person rides a horse across a rocky, open terrain. The rider says they are going to leave.

1 person observed.

“I'm going to go.” 40:54

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 121 · shots 422–422 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person wearing a hat, riding a horse visible
Seen happening
  • A person rides a horse across rocky ground. [frame:1]
Seen
horse [frame:1], hat [frame:1]
Interpretation
Model opinion, not evidence: mood: resolute; themes: departure, solitude; style notes: wide shot, natural lighting, outdoor setting
Frame at 41:00, shot 42341:00
1 of 1 shots sampled

223. Forest 40:58–41:03 unchecked

A man in a hat rides a horse through a wooded area. The scene is shot in black and white with no visible dialogue or on-screen text.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 121 · shots 423–423 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man wearing a hat and dark coat, riding a horse visible
Seen happening
  • A man rides a horse through a wooded area. [frame:1]
Seen
horse [frame:1], hat [frame:1], coat [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, travel, solitude; style notes: black and white, medium shot, natural lighting, outdoor setting
Frame at 41:07, shot 42441:07
1 of 1 shots sampled

224. Forest 41:03–41:11 unchecked

A person rides a horse through a wooded area. The scene is outdoors with trees and a fence visible.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 122 · shots 424–424 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person wearing dark clothing, riding a horse visible
Seen happening
  • A person rides a horse through a wooded area. [frame:1]
Seen
horse [frame:1], trees [frame:1], fence [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, rural setting; style notes: black-and-white, outdoor shot, medium distance, natural lighting
Frame at 41:13, shot 42541:13
1 of 1 shots sampled

225. Forest 41:11–41:16 unchecked

A person stands beside a horse near trees in a wooded area. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 122 · shots 425–425 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person wearing dark clothing, standing beside a horse, partially obscured by a tree visible
Seen happening
  • A person stands beside a horse near trees. [frame:1]
Seen
horse [frame:1], tree [frame:1], bench [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor setting, solitude; style notes: static medium shot, natural outdoor lighting, black-and-white film
Frame at 41:20, shot 42641:20
1 of 1 shots sampled

226. Forest 41:16–41:24 unchecked

A person in a cowboy hat sits on a horse in a wooded area. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 122 · shots 426–426 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • wearing a cowboy hat, seated on a horse visible
Seen
{'item': 'horse', 'evidence': 'frame:1'} [frame:1], {'item': 'cowboy hat', 'evidence': 'frame:1'} [frame:1], {'item': 'saddle', 'evidence': 'frame:1'} [frame:1], {'item': 'trees', 'evidence': 'frame:1'} [frame:1]
Interpretation
Model opinion, not evidence: mood: still, quiet; themes: western, solitude, nature; style notes: medium shot, black and white, natural lighting, static framing
Frame at 41:24, shot 42741:24
1 of 1 shots sampled

227. Forest 41:24–41:25 unchecked

A saddled horse stands beside a tree in a wooded area. No people are visible or audible in this beat.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 122 · shots 427–427 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
Seen
horse [frame:1], tree [frame:1], saddle [frame:1]
Interpretation
Model opinion, not evidence: mood: still, quiet; themes: solitude, nature; style notes: static medium shot, high contrast black and white, natural setting
Frame at 41:26, shot 42841:26
1 of 1 shots sampled

228. Shed exterior 41:25–41:27 unchecked

A person in dark clothing crouches beside a tree near a wooden shed in snow. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 123 · shots 428–428 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
shed exterior (other, exterior) evidence: frame:1
People
  • dark clothing, hat, crouching posture visible
Seen happening
  • A person crouches beside a tree near a wooden shed. [frame:1]
Seen
wooden shed [frame:1], tree [frame:1], snow [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: hiding, rural setting; style notes: static medium shot, high contrast lighting, snow on ground
Frame at 41:32, shot 42941:32Frame at 41:39, shot 43041:39
2 of 2 shots sampled

229. Other 41:27–41:43 unchecked

A man in a cowboy hat and neckerchief is seated against a wooden wall, holding an object. The transcript discusses stealing a thousand horses to sell to Gomez for eight or ten dollars each, starting tomorrow.

1 person observed.

“A thousand head of horses in the south pasture of the Lazy M.” 41:28 · “All we gotta do is to shoot 'em off down to Gomez.” 41:31

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 124 · shots 429–430 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • man wearing cowboy hat, neckerchief, and dark shirt visible
Seen happening
  • The man is seated, holding an object, looking off to the side. [frame:1]
  • The man remains seated, still holding the object, now looking slightly more forward. [frame:2]
Also said
“He'll give us eight or ten bucks a head without a squawk.” 41:35 · “Dong tomorrow.” 41:39
Seen
cowboy hat [frame:1], neckerchief [frame:1], wooden wall [frame:1], small object in hand [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and conspiratorial; themes: crime planning, western setting, deception; style notes: static medium shot, high-contrast lighting with shadows, black-and-white film aesthetic
Frame at 41:47, shot 43141:47
1 of 1 shots sampled

230. Forest 41:43–41:51 unchecked

A person in a cowboy hat stands beside a saddled horse near a tree in a wooded area. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 125 · shots 431–431 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • adult, wearing a cowboy hat and light-colored pants, standing beside a horse visible
Seen happening
  • A person stands next to a saddled horse near a tree. [frame:1]
Seen
horse, cowboy hat, tree
Interpretation
Model opinion, not evidence: mood: quiet, still; themes: western, solitude, outdoor setting; style notes: medium shot, black-and-white, natural lighting, static framing
Frame at 41:52, shot 43241:52
1 of 1 shots sampled

231. Forest 41:51–41:52 unchecked

A person on horseback is visible in an outdoor setting with trees and wooden structures. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 126 · shots 432–432 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person on horseback, wearing dark clothing, visible from behind visible
Seen happening
  • A person rides a horse through a wooded area with wooden structures nearby. [frame:1]
Seen
horse [frame:1], wooden structures [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, rural setting; style notes: black-and-white, outdoor shot, medium distance, natural lighting
Frame at 41:56, shot 43341:56
1 of 1 shots sampled

232. Field 41:52–41:59 unchecked

A group of people is visible behind a spiked wooden fence in an outdoor setting with trees and hills. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 126 · shots 433–433 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • group of indistinct figures, some wearing hats, behind a fence visible
Seen
spiked wooden fence [frame:1], trees [frame:1], hills [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confinement, outdoor setting, group presence; style notes: medium shot, high contrast black-and-white, natural outdoor lighting, static framing
Frame at 42:01, shot 43442:01Frame at 42:07, shot 43542:07Frame at 42:18, shot 43642:18
3 of 3 shots sampled

233. Farm 41:59–42:25 unchecked

A man in a cowboy hat speaks with a Native American man near a wooden fence; the transcript indicates a threat of horse theft at sunrise and a resolve to fight. No names are spoken, and the setting appears to be an outdoor rural area with rustic fencing and trees.

Named: Black Eagle (t:42:04). 3 people observed.

“Black Eagle?” 42:04 · “Men come tomorrow morning at sunrise to steal all my horses.” 42:06

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 127 · shots 434–436 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
farm (farm, exterior) evidence: frame:1
People
  • man wearing a wide-brimmed cowboy hat, dark shirt, and bandana, medium build visible, audible
  • Black Eagle (named at t:42:04): man wearing a headband, plaid shirt, and vest, with long braids, medium build visible, audible
  • man in background wearing a hat, partially visible behind fence visible
Seen happening
  • A man in a cowboy hat stands near a wooden gate. [frame:1]
  • The cowboy and Black Eagle face each other, speaking. [frame:2]
  • Black Eagle gestures while speaking to the cowboy. [frame:3]
Also said
“We fight.” 42:17 · “Good.” 42:19
Seen
wooden fence, cowboy hat, headband, bandana, belt with buckle
Interpretation
Model opinion, not evidence: mood: tense and urgent; themes: conflict, alliance, impending threat; style notes: medium shots, static framing, high-contrast black-and-white lighting, period Western costume
Frame at 42:26, shot 43742:26
1 of 1 shots sampled

234. A single dark frame shows a faint horizontal light streak against near 42:25–42:26 unchecked

A single dark frame shows a faint horizontal light streak against near-total blackness. No people, objects, or text are identifiable, and no events occur.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 128 · shots 437–437 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Interpretation
Model opinion, not evidence: mood: obscure; style notes: extreme low-key lighting, minimal visible detail, high contrast between black and a single faint light
Frame at 42:30, shot 43842:30
1 of 1 shots sampled

235. Field 42:26–42:35 unchecked

A wide shot shows a herd of cattle grazing on a grassy slope with distant mountains under a cloudy sky. No people or structures are visible in the frame.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 129 · shots 438–438 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
Seen
cattle [frame:1], mountains [frame:1]
Interpretation
Model opinion, not evidence: mood: open and expansive; themes: landscape, rural setting, nature; style notes: wide-angle shot, black-and-white, natural lighting, distant framing
Frame at 42:36, shot 43942:36
1 of 1 shots sampled

236. Forest 42:35–42:38 unchecked

Two men on horseback are shown in a wooded area. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 130 · shots 439–439 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man wearing cowboy hat and dark jacket, riding a horse visible
  • man wearing cowboy hat and plaid shirt, riding a horse visible
Seen
horse [frame:1], cowboy hats [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor travel; style notes: medium shot, black and white, natural lighting, outdoor setting
Frame at 42:40, shot 44042:40
1 of 1 shots sampled

237. Forest 42:38–42:42 unchecked

Three people on horseback are shown in a wooded outdoor setting. No dialogue or on-screen text is present in this beat.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 130 · shots 440–440 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • wearing a light-colored hat and dark riding outfit, seated on a horse visible
  • wearing a dark hat and dark jacket, seated on a horse visible
  • wearing a wide-brimmed hat and light-colored shirt, seated on a horse visible
Seen
horses [frame:1], hats [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor travel; style notes: static medium shot, black-and-white, natural outdoor lighting
Frame at 42:43, shot 44142:43
1 of 1 shots sampled

238. Forest 42:42–42:45 unchecked

A man in a cowboy hat is shown outdoors among trees; a voice identifies him as Brokaw. No other people, objects, or events are visible or mentioned in this beat.

Named: Brokaw (t:42:43). 1 person observed.

“Here comes Brokaw now.” 42:43

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 131 · shots 441–441 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • Brokaw (named at t:42:43): man wearing a cowboy hat and dark shirt, visible from chest up visible, audible
Seen happening
  • A man in a cowboy hat is shown looking upward among tree branches. [frame:1]
Seen
cowboy hat, tree branches
Interpretation
Model opinion, not evidence: mood: tense; themes: arrival, western; style notes: medium close-up, high-contrast black-and-white, natural outdoor lighting
Frame at 42:48, shot 44242:48
1 of 1 shots sampled

239. Field 42:45–42:52 unchecked

A group of riders on horseback moves across an open, sunlit field with mountains and trees in the background. The scene is outdoors and appears to be set in a rural or wilderness area.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 132 · shots 442–442 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
Seen happening
  • Riders on horseback move across an open field. [frame:1]
Seen
horses [frame:1], riders [frame:1], mountains [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: open and expansive; themes: outdoor movement, rural landscape; style notes: wide shot, natural lighting, black-and-white, static framing
Frame at 42:53, shot 44342:53
1 of 1 shots sampled

240. Forest 42:52–42:55 checks passed

A man in a cowboy hat and dark shirt stands outdoors among tree branches. He is given instructions to take it easy and push someone through when ready.

1 person observed.

“Take it easy and when you get them running,” 42:52 · “Push him through.” 42:54

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 133 · shots 443–443 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man wearing a wide-brimmed cowboy hat and a dark shirt, medium build, appears middle-aged visible
Seen
cowboy hat [frame:1], dark shirt [frame:1], tree branches [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: western, instruction under pressure, outdoor confrontation; style notes: medium close-up, high-contrast black and white, natural outdoor lighting, static framing
Frame at 42:57, shot 44442:57Frame at 43:00, shot 44543:00
2 of 2 shots sampled

241. Forest 42:55–43:01 unchecked

Two men on horseback are shown in a forest setting across two frames. One man wears a wide-brimmed cowboy hat and a dark shirt; the other wears a plaid shirt and a similar hat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 134 · shots 444–445 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man wearing a wide-brimmed cowboy hat and a dark shirt, medium build, appears middle-aged visible
  • man wearing a cowboy hat and a plaid shirt, medium build, appears middle-aged visible
Seen
horse [frame:1], cowboy hat [frame:1], plaid shirt [frame:2]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor travel; style notes: medium shot, black and white, natural outdoor lighting, static framing
Frame at 43:03, shot 44643:03
1 of 1 shots sampled

242. Forest 43:01–43:06 checks passed

A man in a cowboy hat and neckerchief is visible outdoors near trees; dialogue suggests an impending surprise. No named characters or specific time of day are established.

1 person observed.

“Here they come.” 43:01 · “Boy, what a surprise they're going to get.” 43:03

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 135 · shots 446–446 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man wearing cowboy hat and neckerchief, mid-adult, medium build visible, audible
Seen
cowboy hat, neckerchief, trees
Interpretation
Model opinion, not evidence: mood: anticipatory; themes: surprise, outdoor confrontation; style notes: medium close-up, black-and-white, natural outdoor lighting, classic Western framing
Frame at 43:09, shot 44743:09
1 of 1 shots sampled

243. Forest 43:06–43:13 unchecked

A group of men on horseback is shown in a forested outdoor setting. One man wears a cowboy hat and neckerchief; others wear hats and period Western attire.

5 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 136 · shots 447–447 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man wearing cowboy hat and neckerchief, mid-adult, medium build visible
  • man wearing wide-brimmed hat, light shirt, seated on horse visible
  • man wearing dark hat and coat, standing beside horse visible
  • man wearing light shirt and dark hat, seated on horse visible
  • man wearing dark hat and coat, standing beside horse visible
Seen
horses [frame:1], trees [frame:1], brush [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: Western, group confrontation, outdoor setting; style notes: static medium shot, high-contrast black-and-white, period Western costume, natural outdoor lighting
Frame at 43:17, shot 44843:17
1 of 1 shots sampled

244. Corral 43:13–43:20 unchecked

A herd of cattle is confined within a wooden corral. The scene is shot in black and white with no visible people or spoken dialogue.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 137 · shots 448–448 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
corral (farm, exterior) evidence: frame:1
Seen
cattle [frame:1], wooden corral fence [frame:1]
Interpretation
Model opinion, not evidence: mood: chaotic; themes: livestock, rural setting; style notes: tight framing on moving animals, high contrast black and white, no visible human presence
Frame at 43:21, shot 44943:21Frame at 43:22, shot 45043:22
2 of 2 shots sampled

245. Forest 43:20–43:23 unchecked

Two men on horseback are shown in a wooded area, followed by a close-up of one man speaking. The transcript indicates they are starting a band out of a corral.

2 people observed.

“Starting the first band out of the corral.” 43:21

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 138 · shots 449–450 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man wearing cowboy hat, dark shirt, and neckerchief, visible in close-up visible, audible
  • man wearing cowboy hat and dark shirt, seated on horse visible
Seen happening
  • Two men on horseback are visible in a wooded area. [frame:1]
  • One man is shown in close-up, speaking. [frame:2]
Seen
horse, cowboy hat, cowboy hat, neckerchief
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor activity, dialogue-driven; style notes: black-and-white, medium shot followed by close-up, natural outdoor lighting
Frame at 43:26, shot 45143:26Frame at 43:31, shot 45343:31Frame at 43:32, shot 45443:32Frame at 43:37, shot 45643:37
4 of 6 shots sampled

246. Field 43:23–43:38 unchecked

A group of people and cattle are shown in an open, hilly landscape. The scene shifts from a wide view of cattle moving across terrain to a gathering of people seated near trees with mountains in the background.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 139 · shots 451–456 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
Interpretation
Model opinion, not evidence: mood: open and expansive; themes: landscape, rural life, group gathering; style notes: wide shots, natural lighting, static camera, black-and-white film stock
Frame at 43:40, shot 45743:40Frame at 43:47, shot 45943:47Frame at 43:50, shot 46043:50Frame at 43:57, shot 46243:57
4 of 6 shots sampled

247. Field 43:38–43:57 unchecked

A group of riders on horseback moves across an open, dusty landscape with mountains in the background. The scene includes a wide shot of a herd and a closer view of riders near trees and in a sandy area.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 139 · shots 457–462 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1, frame:2, frame:4
Seen
horses [frame:1, frame:2, frame:4], riders on horseback [frame:1, frame:2, frame:4], mountains [frame:1, frame:4], trees [frame:2, frame:3], dust [frame:1]
Interpretation
Model opinion, not evidence: mood: expansive and active; themes: outdoor action, western setting, group movement; style notes: wide shots, natural lighting, black-and-white film grain, dynamic movement across landscape
Frame at 43:59, shot 46343:59
1 of 1 shots sampled

248. Forest 43:57–44:01 unchecked

A group of riders on horseback moves across a wooded area. The scene is shot in black and white with no visible text or dialogue.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 139 · shots 463–463 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
Seen
horses [frame:1], riders [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: wide shot, black and white, natural lighting, outdoor setting
Frame at 44:02, shot 46444:02
1 of 1 shots sampled

249. Forest 44:01–44:02 unchecked

A group of people on horseback moves through a wooded area with mountains in the background. No dialogue or on-screen text is present in this single frame.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 139 · shots 464–464 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
Seen
horses [frame:1], riders [frame:1], trees [frame:1], mountains [frame:1]
Interpretation
Model opinion, not evidence: mood: action; themes: western, outdoor travel, group movement; style notes: wide shot, black-and-white, outdoor natural lighting, period costume implied by hats and attire
Frame at 44:03, shot 46544:03
1 of 1 shots sampled

250. Field 44:02–44:05 unchecked

A group of riders on horseback is shown in a wide shot of an open, arid landscape with mountains in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 139 · shots 465–465 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • group of riders wearing hats and period Western attire, mounted on horses visible
Seen happening
  • Riders on horseback are moving across an open field with mountains in the background. [frame:1]
Seen
horses [frame:1], mountains [frame:1], hats [frame:1]
Interpretation
Model opinion, not evidence: mood: open, expansive; themes: Western, outdoor journey, group travel; style notes: wide shot, black and white, natural lighting, static framing
Frame at 44:06, shot 46644:06
1 of 1 shots sampled

251. Forest 44:05–44:08 unchecked

A group of riders on horseback moves through a forested area. The scene is shot in black and white with tall trees and open ground visible.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 139 · shots 466–466 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
Seen happening
  • A group of riders on horseback moves through a forested area. [frame:1]
Seen
horses [frame:1], riders [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, group movement; style notes: wide shot, black and white, natural lighting, static camera
Frame at 44:10, shot 46744:10
1 of 1 shots sampled

252. Field 44:08–44:12 unchecked

A group of riders on horseback moves across an open, flat landscape with snow-covered mountains in the background. The scene is shot in black and white with no visible dialogue or on-screen text.

4 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 140 · shots 467–467 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing cowboy hat and dark coat, riding a horse visible
  • man wearing cowboy hat and light shirt, riding a horse visible
  • man wearing cowboy hat and dark coat, riding a horse visible
  • man wearing cowboy hat and dark coat, riding a horse visible
Seen happening
  • Riders on horseback move across a snowy field with mountains in the background. [frame:1]
Seen
horses [frame:1], cowboy hats [frame:1], mountains [frame:1], snow-covered ground [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented, open; themes: western, journey, landscape; style notes: wide shot, black and white, natural lighting, outdoor setting
Frame at 44:12, shot 46844:12
1 of 1 shots sampled

253. Field 44:12–44:12 unchecked

A group of riders on horseback moves across an open, dusty field with mountains and trees in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 140 · shots 468–468 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(field, exterior) evidence: frame:1
People
  • multiple riders on horseback, wearing hats and period Western attire visible
Seen happening
  • Riders on horseback gallop across a dusty field. [frame:1]
Seen
horses [frame:1], hats [frame:1], dust cloud [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented; themes: Western, chase, outdoor adventure; style notes: wide shot, black-and-white, outdoor lighting, dynamic movement
Frame at 44:13, shot 46944:13
1 of 1 shots sampled

254. Field 44:12–44:14 unchecked

Two men on horseback are shown in a field with mountains in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 141 · shots 469–469 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing cowboy hat and dark coat, riding a horse visible
  • man wearing cowboy hat and dark coat, riding a horse visible
Seen
horse [frame:1], cowboy hat [frame:1], mountains [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor travel; style notes: wide shot, black and white, natural lighting, outdoor setting
Frame at 44:16, shot 47044:16
1 of 1 shots sampled

255. Field 44:14–44:17 unchecked

A group of riders on horseback moves across an open field with hills in the background. No dialogue or on-screen text is present in this beat.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 141 · shots 470–470 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
Interpretation
Model opinion, not evidence: mood: neutral; style notes: wide shot, black and white, natural lighting, outdoor setting
Frame at 44:18, shot 47144:18
1 of 1 shots sampled

256. Field 44:17–44:19 unchecked

A lone rider on horseback moves across an open field under a bright sky. The scene is shot in black and white with visible film damage.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 142 · shots 471–471 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • rider wearing a hat, on horseback visible
Seen happening
  • A rider on horseback is visible moving across a field. [frame:1]
Seen
horse [frame:1], hat [frame:1], field [frame:1]
Interpretation
Model opinion, not evidence: mood: solitary; themes: loneliness, open space; style notes: wide shot, black and white, high contrast, film grain and scratches visible
Frame at 44:23, shot 47244:23Frame at 44:31, shot 47444:31Frame at 44:33, shot 47544:33Frame at 44:37, shot 47744:37
4 of 6 shots sampled

257. Field 44:19–44:38 unchecked

A group of riders on horseback moves across an open landscape with mountains in the background, then crosses a shallow river. The riders wear hats and appear to be in motion, with dust and water kicked up by the horses.

4 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 143 · shots 472–477 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person wearing a hat, riding a horse visible
  • person wearing a hat, riding a horse visible
  • person wearing a hat, riding a horse visible
  • person wearing a hat, riding a horse visible
Seen happening
  • Riders on horseback are seen in a field with mountains behind them. [frame:1]
  • A rider on a horse is shown in motion through tall grass. [frame:2]
  • Horses and riders move quickly, kicking up dust. [frame:3]
  • Two riders cross a shallow river on horseback. [frame:4]
Seen
horses [frame:1], hats [frame:2], river [frame:4], mountains [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented; themes: movement, outdoor setting, group travel; style notes: wide shots, dynamic motion, black-and-white film stock, natural lighting
Frame at 44:39, shot 47844:39Frame at 44:41, shot 47944:41Frame at 44:47, shot 48044:47
3 of 3 shots sampled

258. Field 44:38–44:52 unchecked

Two riders on horseback are seen in a wide landscape with mountains, followed by a closer shot of one rider aiming a rifle, then a group of riders galloping through a wooded area. A voice exclaims 'Oh, my God.' during the sequence.

3 people observed.

“Oh, my God.” 44:49

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 143 · shots 478–480 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing cowboy hat and dark clothing, riding a horse visible
  • man wearing cowboy hat, aiming a rifle while mounted visible
  • group of riders in cowboy attire, some with hats, on horses visible
Seen happening
  • Two riders on horseback are visible in a wide field with mountains in the background. [frame:1]
  • A rider aims a rifle while mounted on a horse. [frame:2]
  • A group of riders gallop through a wooded area. [frame:3]
Seen
horse [frame:1], rifle [frame:2], cowboy hat [frame:2], trees [frame:3]
Interpretation
Model opinion, not evidence: mood: tense; themes: western, pursuit, outdoor action; style notes: wide landscape shots, medium close-up on rider, dynamic group movement through trees; black and white, high contrast lighting
Frame at 44:53, shot 48144:53Frame at 45:01, shot 48345:01Frame at 45:03, shot 48445:03Frame at 45:08, shot 48645:08
4 of 6 shots sampled

259. Field 44:52–45:11 unchecked

A group of riders on horseback moves across an open, mountainous landscape. A gunshot is heard during the sequence, and one rider appears to fall from their horse.

2 people observed.

“Come on.” 44:57 · “I'm” 44:59

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 143 · shots 481–486 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1, frame:3, frame:4
People
  • multiple riders on horseback, wearing hats and period Western attire visible
  • one rider falling or dismounted, seen in silhouette against mountains visible
Seen happening
  • A group of riders on horseback gallops across an open field with mountains in the background. [frame:1]
  • One rider is seen falling or dismounted in a rocky area with mountains behind. [frame:2]
  • The group of riders continues moving across the field, seen from a distance with trees framing the shot. [frame:3]
  • Riders gallop toward the camera, kicking up dust, with mountains in the background. [frame:4]
Also said
“*gunshot*” 45:02
Seen
horses [frame:1, frame:2, frame:3, frame:4], mountains [frame:1, frame:2, frame:3, frame:4], trees [frame:3, frame:4], dust [frame:4]
Interpretation
Model opinion, not evidence: mood: tense and action-oriented; themes: pursuit, Western frontier, conflict; style notes: wide shots emphasize landscape and movement; high-contrast black and white; dynamic framing with riders moving toward or across the frame
Frame at 45:12, shot 48745:12
1 of 1 shots sampled

260. Scrubland 45:11–45:12 unchecked

A single frame shows a desolate outdoor landscape with scrub brush and distant hills under an overcast sky. No people, vehicles, or structures are visible in this shot.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 144 · shots 487–487 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
scrubland (field, exterior) evidence: frame:1
Interpretation
Model opinion, not evidence: mood: desolate; themes: wilderness, isolation; style notes: wide shot, low contrast, natural lighting, static frame
Frame at 45:13, shot 48845:13
1 of 1 shots sampled

261. Mountain range 45:12–45:14 checks passed

A person rides a horse across an open landscape with mountains in the background. The scene is outdoors and appears to be in a rural or wilderness area.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 145 · shots 488–488 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
mountain range (mountain, exterior) evidence: frame:1
People
  • person wearing a hat and riding a horse, visible from the side visible
Seen happening
  • A person rides a horse across a landscape with mountains in the background. [frame:1]
Seen
horse [frame:1], mountains [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: open and expansive; themes: outdoor journey, solitude, nature; style notes: wide shot, natural lighting, black-and-white film stock, distant framing emphasizing landscape
Frame at 45:17, shot 48945:17
1 of 1 shots sampled

262. Open field with mountains 45:14–45:20 unchecked

A group of riders on horseback moves across an open field with mountains in the background. One rider is seen falling from a horse during the movement.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 146 · shots 489–489 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
open field with mountains (field, exterior) evidence: frame:1
People
  • person wearing a hat and riding a horse, visible from the side visible
  • multiple riders on horseback, some wearing hats, in motion visible
  • person falling from a horse, mid-air, wearing dark clothing visible
Seen happening
  • A rider falls from a horse while a group of horseback riders moves across a field. [frame:1]
Seen
horses [frame:1], hats [frame:1], mountains in background [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented; themes: western, horseback riding, accident; style notes: wide shot, black-and-white, natural lighting, dynamic movement captured in still frame
Frame at 45:21, shot 49045:21
1 of 1 shots sampled

263. Field 45:20–45:22 unchecked

Two riders on horseback move across an open, dusty plain with hills in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 146 · shots 490–490 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person on horse, wearing dark clothing, visible from behind visible
  • person on horse, wearing light shirt and dark pants, visible from behind visible
Seen happening
  • Two people ride horses across a dusty plain. [frame:1]
Seen
horses [frame:1], dusty plain [frame:1], hills [frame:1]
Interpretation
Model opinion, not evidence: mood: open and sparse; themes: outdoor travel, western landscape; style notes: wide shot, black and white, natural lighting, distant framing
Frame at 45:23, shot 49145:23
1 of 1 shots sampled

264. Forest 45:22–45:23 unchecked

A man in a cowboy hat rides a horse through a wooded area. The scene is shot in black and white with no visible text or dialogue.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 147 · shots 491–491 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • man wearing cowboy hat and dark coat, riding a horse visible
Seen happening
  • A man rides a horse through a wooded area. [frame:1]
Seen
horse [frame:1], cowboy hat [frame:1], saddle [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor travel; style notes: black and white, medium shot, natural lighting, outdoor setting
Frame at 45:26, shot 49245:26
1 of 1 shots sampled

265. Field 45:23–45:29 checks passed

Two riders on horseback move across an open, tree-lined field. The scene is shot in black and white with no visible dialogue or on-screen text.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 147 · shots 492–492 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • rider wearing a hat, dark clothing, on a dark horse visible
  • rider wearing a hat, lighter clothing, on a lighter horse visible
Seen happening
  • Two riders on horseback gallop across a field. [frame:1]
Seen
horses [frame:1], hats [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented; themes: outdoor travel, western setting; style notes: wide shot, black and white, motion blur suggests speed, natural outdoor lighting
Frame at 45:32, shot 49345:32
1 of 1 shots sampled

266. Field 45:29–45:36 unchecked

Two riders on horseback are visible in a field with trees and mountains in the background; one rider speaks an apology. No names are spoken, and no objects beyond horses and natural scenery are visible.

2 people observed.

“I'm sorry.” 45:29

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 148 · shots 493–493 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • rider wearing a hat, dark clothing, on a dark horse visible
  • rider wearing a hat, lighter clothing, on a lighter horse visible
Seen
horse [frame:1], hat [frame:1], trees [frame:1], mountains [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, apology, western setting; style notes: wide shot, natural lighting, outdoor setting, black and white film
Frame at 45:37, shot 49445:37
1 of 1 shots sampled

267. Field 45:36–45:39 checks passed

A person in a cowboy hat rides a dark horse across an open field with trees in the background. The scene is outdoors and appears to be from a Western film.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 148 · shots 494–494 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • adult, wearing a cowboy hat and dark shirt, riding a horse visible
Seen happening
  • A person rides a horse across a field. [frame:1]
Seen
horse, cowboy hat, trees
Interpretation
Model opinion, not evidence: mood: action-oriented; themes: Western, outdoor travel, solitary rider; style notes: medium shot, black-and-white, outdoor lighting, Western genre framing
Frame at 45:42, shot 49545:42
1 of 1 shots sampled

268. Field 45:39–45:45 unchecked

Three riders on horseback move across an open field with trees and hills in the background. No dialogue or on-screen text is visible in the frame.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 148 · shots 495–495 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • adult, wearing a cowboy hat and dark shirt, riding a horse visible
  • adult, riding a horse, visible in mid-ground visible
  • adult, riding a horse, visible in background visible
Seen happening
  • Three people ride horses across a field. [frame:1]
Seen
horses [frame:1], trees [frame:1], hills [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, travel, outdoor; style notes: wide shot, black-and-white, natural lighting, outdoor setting
Frame at 45:47, shot 49645:47
1 of 1 shots sampled

269. Field 45:45–45:48 unchecked

A person rides a horse across an open, tree-lined area. The scene is shot in black and white with no visible text or dialogue.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 148 · shots 496–496 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • wearing a cowboy hat and patterned shirt, riding a horse visible
Seen happening
  • A person rides a horse across a field. [frame:1]
Seen
horse [frame:1], cowboy hat [frame:1], patterned shirt [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented; themes: western, movement; style notes: black and white, medium shot, motion blur suggests speed
Frame at 45:49, shot 49745:49
1 of 1 shots sampled

270. Forest 45:48–45:49 unchecked

A person rides a horse at speed across an outdoor setting with trees. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 148 · shots 497–497 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • wearing a cowboy hat and patterned shirt, riding a horse visible
Seen happening
  • A person rides a horse at speed. [frame:1]
Seen
horse [frame:1], cowboy hat [frame:1], patterned shirt [frame:1]
Interpretation
Model opinion, not evidence: mood: action; themes: western, movement, solitude; style notes: black-and-white, medium shot, motion blur suggests speed, natural outdoor lighting
Frame at 45:51, shot 49845:51
1 of 1 shots sampled

271. Field 45:49–45:53 unchecked

A lone rider on horseback is visible in a wide, open field with scattered trees and mountains in the background. The scene is outdoors in daylight, with no dialogue or on-screen text present.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 149 · shots 498–498 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • rider on horseback, wearing dark clothing, seen from a distance visible
Seen happening
  • A rider on horseback moves across an open field. [frame:1]
Seen
horse [frame:1], trees [frame:1], mountains [frame:1]
Interpretation
Model opinion, not evidence: mood: solitary; themes: isolation, western landscape; style notes: wide shot, natural lighting, static camera, black-and-white film
Frame at 45:56, shot 49945:56
1 of 1 shots sampled

272. Field 45:53–45:59 unchecked

Three riders on horseback are visible in an open, dusty field with trees and hills in the background. No dialogue or on-screen text is present in this beat.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 149 · shots 499–499 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(field, exterior) evidence: frame:1
People
  • rider on horse, wearing dark clothing, visible from a distance visible
  • rider on horse, wearing dark clothing, visible from a distance visible
  • rider on horse, wearing dark clothing, visible from a distance visible
Seen
horses [frame:1], trees [frame:1], hills [frame:1]
Interpretation
Model opinion, not evidence: mood: open and desolate; themes: outdoor travel, western landscape; style notes: wide shot, black and white, natural lighting, distant framing
Frame at 46:01, shot 50046:01
1 of 1 shots sampled

273. Field 45:59–46:02 checks passed

Two men struggle in an open field while a third man lies on the ground nearby. The setting is outdoors with mountains and trees in the background.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 150 · shots 500–500 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing dark jacket and pants, holding another man visible
  • man being held, wearing lighter shirt and dark pants visible
  • man lying on ground, wearing dark clothes visible
Seen happening
  • Two men are engaged in a physical struggle in a field. [frame:1]
  • A third man lies motionless on the ground nearby. [frame:1]
Seen
tire [frame:1], mountains [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: conflict, outdoor struggle; style notes: wide shot, natural lighting, outdoor setting, black and white film
Frame at 46:04, shot 50146:04
1 of 1 shots sampled

274. Field 46:02–46:05 unchecked

A man in dark clothing holds another man in a lighter shirt in an open field. A third man lies on the ground nearby.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 150 · shots 501–501 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing dark jacket and pants, holding another man visible
  • man being held, wearing lighter shirt and dark pants visible
  • man lying on ground, wearing dark clothes visible
Seen happening
  • A man in dark clothing holds another man in a lighter shirt. [frame:1]
  • A third man lies on the ground in the background. [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, physical struggle; style notes: medium shot, black and white, natural outdoor lighting, static camera
Frame at 46:06, shot 50246:06
1 of 1 shots sampled

275. Field 46:05–46:07 unchecked

A person lies on their back in an open outdoor area with trees and hills in the background. The person raises one arm into the air while lying down.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 151 · shots 502–502 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(field, exterior) evidence: frame:1
People
  • person lying on back, wearing dark clothing, one arm raised visible
Seen happening
  • A person lies on their back with one arm raised. [frame:1]
Seen
trees [frame:1], hills [frame:1], person's dark clothing [frame:1]
Interpretation
Model opinion, not evidence: mood: tense or dramatic; themes: struggle, isolation, outdoor peril; style notes: low-angle shot, black-and-white, natural lighting, outdoor setting
Frame at 46:11, shot 50346:11
1 of 1 shots sampled

276. Field 46:07–46:14 unchecked

A man in Western attire stands in a dusty outdoor area with trees in the background. No dialogue identifies him by name, and no other events or objects are visible in the single frame.

1 person observed.

“Oh.” 46:11

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 152 · shots 503–503 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(field, exterior) evidence: frame:1
People
  • man wearing Western-style shirt, trousers, and boots, viewed from behind visible
Seen happening
  • A man stands in a field with his back to the camera. [frame:1]
Seen
Western-style clothing [frame:1], dusty ground [frame:1], trees in background [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral, observational; themes: Western, solitude, outdoor setting; style notes: medium shot, black-and-white, natural outdoor lighting, static framing
Frame at 46:17, shot 50446:17
1 of 1 shots sampled

277. Desert 46:14–46:19 checks passed

A man lies prone on sandy ground with a hat and revolver nearby. No dialogue or additional context is provided in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 153 · shots 504–504 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
desert (desert, exterior) evidence: frame:1
People
  • man in dark shirt and trousers, lying prone, dark hair visible
Seen happening
  • A man lies prone on the ground. [frame:1]
Seen
hat, revolver
Interpretation
Model opinion, not evidence: mood: tense; themes: danger, isolation; style notes: low-angle shot, high-contrast lighting, static framing
Frame at 46:20, shot 50546:20Frame at 46:23, shot 50646:23
2 of 2 shots sampled

278. Desert 46:19–46:23 unchecked

A man stands over another man lying prone in a sandy area with trees in the background. One man speaks briefly, then exclaims as the prone man looks up.

2 people observed.

“Yeah.” 46:20 · “- Ah!” 46:22

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 153 · shots 505–506 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
desert (desert, exterior) evidence: frame:1
People
  • man in dark shirt and trousers, lying prone, dark hair visible
  • man standing, wearing dark shirt, trousers, and a belt with bullets, dark hair visible
Seen happening
  • A man stands over another man lying on the ground. [frame:1]
  • The prone man looks up, his hat and a small object lie beside him. [frame:2]
Seen
hat [frame:2], belt with bullets [frame:1], small object (possibly a knife or tool) [frame:2]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, western; style notes: medium shot, black and white, natural outdoor lighting, static camera
Frame at 46:24, shot 50746:24
1 of 1 shots sampled

279. Field 46:23–46:25 unchecked

Two men are engaged in a physical struggle outdoors on a sandy or dusty ground with trees and hills in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 153 · shots 507–507 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(field, exterior) evidence: frame:1
People
  • man wearing a dark jacket and pants, seen from behind, holding another man visible
  • man being held, wearing lighter pants and a dark shirt, partially obscured visible
Seen happening
  • Two men are grappling in an open field. [frame:1]
Seen
gun holster [frame:1], boots [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: conflict, physical struggle; style notes: medium shot, black and white, natural outdoor lighting, static camera
Frame at 46:27, shot 50846:27
1 of 1 shots sampled

280. Field 46:25–46:28 unchecked

A man in a cowboy hat mounts a horse in an open outdoor area with trees and hills in the background. The scene is shot in black and white with no visible text or dialogue.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 154 · shots 508–508 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing cowboy hat, dark shirt and pants, mid-adult build visible
Seen happening
  • man mounts a horse [frame:1]
Seen
horse [frame:1], cowboy hat [frame:1], trees and hills in background [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented; themes: western, horseback riding; style notes: medium shot, black and white, natural lighting, outdoor setting
Frame at 46:29, shot 50946:29
1 of 1 shots sampled

281. Sandy field 46:28–46:29 unchecked

A man in dark clothing is seen grappling with another man on the ground in an open, sandy area. The scene is outdoors with sparse trees in the background, captured in a single black-and-white frame.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 155 · shots 509–509 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
sandy field (field, exterior) evidence: frame:1
People
  • man in dark clothing, standing over another man visible
  • man on ground, wearing dark clothing, being grappled visible
Seen happening
  • A man in dark clothing grapples with another man on the ground. [frame:1]
Seen
clothing [frame:1], sandy ground [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: conflict, physical struggle; style notes: black-and-white, wide shot, natural lighting, outdoor setting
Frame at 46:30, shot 51046:30
1 of 1 shots sampled

282. Desert 46:29–46:31 unchecked

A man lies prone on sandy ground holding a revolver. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 156 · shots 510–510 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
desert (desert, exterior) evidence: frame:1
People
  • man, mid-20s to 40s, wearing a long-sleeved shirt and trousers, lying prone visible
Seen happening
  • A man lies prone on sandy ground aiming a revolver. [frame:1]
Seen
revolver [frame:1], sandy ground [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, isolation; style notes: low-angle shot, black-and-white, high-contrast lighting on figure
Frame at 46:31, shot 51146:31
1 of 1 shots sampled

283. Open sandy area with trees 46:31–46:32 unchecked

Two figures are engaged in a physical struggle in an open, sandy area with trees in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 157 · shots 511–511 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
open sandy area with trees (field, exterior) evidence: frame:1
People
  • wearing a light shirt and dark pants, seen from behind, engaged in a struggle visible
  • wearing a dark shirt and pants, partially obscured, engaged in a struggle visible
Seen happening
  • Two figures grapple in a sandy field. [frame:1]
Seen
clothing (shirt and pants) [frame:1], trees in background [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: conflict, physical struggle; style notes: medium shot, black and white, natural outdoor lighting, static camera
Frame at 46:33, shot 51246:33
1 of 1 shots sampled

284. Sandy ground 46:32–46:34 unchecked

A man in a long-sleeved shirt lies prone on sandy ground, aiming a pistol forward. The scene is outdoors on a bright, open patch of sand or dirt.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 158 · shots 512–512 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
sandy ground (field, exterior) evidence: frame:1
People
  • man, dark hair, wearing a long-sleeved shirt and dark pants, lying prone visible
Seen happening
  • A man lies prone on the ground aiming a pistol. [frame:1]
Seen
pistol [frame:1], sandy ground [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: action, confrontation; style notes: medium shot, low angle, high-contrast black and white, static framing
Frame at 46:36, shot 51346:36
1 of 1 shots sampled

285. Field 46:34–46:37 checks passed

A man kneels beside another man lying on the ground in an open, sandy area with trees in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 159 · shots 513–513 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(field, exterior) evidence: frame:1
People
  • man wearing a jacket and trousers, kneeling visible
  • man lying on his back on the ground, wearing dark clothing visible
Seen happening
  • A man kneels beside another man lying on the ground. [frame:1]
Seen
jacket [frame:1], trousers [frame:1], sandy ground [frame:1], trees in background [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, injury, outdoor peril; style notes: black-and-white, medium shot, natural lighting, outdoor setting
Frame at 46:39, shot 51446:39
1 of 1 shots sampled

286. Other 46:37–46:40 checks passed

A man lies on the ground looking up at another person standing over him. The standing person's legs and boots are visible, suggesting a confrontation or aftermath of a fall.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 159 · shots 514–514 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
People
  • man lying on ground, dark hair, wearing dark shirt and pants visible
  • standing person, visible from knees down, wearing dark pants and boots with light-colored cuffs visible
Seen happening
  • A man lies on the ground looking up at another person standing over him. [frame:1]
Seen
boots [frame:1], pants [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, power imbalance; style notes: low-angle shot emphasizing power dynamic; black-and-white with high contrast lighting
Frame at 46:40, shot 51546:40
1 of 1 shots sampled

287. Other 46:40–46:41 unchecked

A man lies on sandy ground while another person stands nearby, visible only from the knees down. The setting is outdoors with trees in the background and no structures visible.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 160 · shots 515–515 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, exterior) evidence: frame:1
People
  • man lying on ground, dark hair, wearing dark shirt and pants visible
  • standing person, visible from knees down, wearing dark pants and boots with light-colored cuffs visible
Seen happening
  • A man lies on the ground while another person stands nearby. [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, outdoor struggle; style notes: wide shot, natural outdoor lighting, black-and-white film grain, static framing
Frame at 46:42, shot 51646:42Frame at 46:43, shot 51746:43
2 of 2 shots sampled

288. Field 46:41–46:44 unchecked

A man lies prone on sandy ground aiming a pistol while another man in a cowboy hat stands nearby. No names are spoken, and the setting appears to be an open outdoor area with sparse trees.

2 people observed.

“Wow.” 46:42

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 160 · shots 516–517 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man lying prone, wearing dark shirt and pants, holding pistol visible
  • man standing, wearing cowboy hat, plaid shirt, vest, and boots visible
Seen happening
  • A man lies on the ground aiming a pistol. [frame:1]
  • A man in a cowboy hat stands in the field. [frame:2]
Seen
pistol, cowboy hat, two hats on ground
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, western; style notes: black-and-white, wide shot, natural outdoor lighting, static framing
Frame at 46:45, shot 51846:45
1 of 1 shots sampled

289. Desert 46:44–46:47 checks passed

A person lies face down on sandy ground with a hat nearby. No dialogue or visible movement occurs in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 160 · shots 518–518 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
desert (desert, exterior) evidence: frame:1
People
  • wearing a long-sleeved shirt, dark pants, and boots; lying prone; appears adult visible
Seen happening
  • A person lies motionless on the ground. [frame:1]
Seen
hat [frame:1], boots [frame:1]
Interpretation
Model opinion, not evidence: mood: still, tense; themes: isolation, stillness; style notes: static wide shot, high-contrast lighting, monochrome
Frame at 47:00, shot 51947:00Frame at 47:16, shot 52047:16Frame at 47:22, shot 52147:22
3 of 3 shots sampled

290. Desert 46:47–47:24 unchecked

A man is seen holding another man down on the ground while speaking. The transcript reveals a confession about a robbery and a shooting, followed by instructions to a sheriff. No names are spoken that can be attached to visible individuals.

2 people observed.

“Now tell me, Martin, or I'll break every bone in your body.” 46:47 · “Who killed Dan Matthews?” 46:51

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 161 · shots 519–521 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
desert (desert, exterior) evidence: frame:1
People
  • wearing a long-sleeved shirt, dark pants, and boots; lying prone; appears adult visible
  • wearing a dark jacket and pants; kneeling or crouching over p1; appears adult visible, audible
Seen happening
  • A man (p2) is holding another man (p1) down on the ground. [frame:1]
  • The man (p2) continues to hold the other man (p1) down. [frame:2]
  • The man (p2) remains in position over the man (p1). [frame:3]
Also said
“Killed it.” 47:16 · “Take care of him, Sheriff.” 47:21
Seen
man's clothing (jacket, pants, boots) [frame:1], man's clothing (shirt, pants, boots) [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: confrontation, confession, violence, law enforcement; style notes: close-up framing on two figures on the ground; high-contrast black and white lighting; static camera
Frame at 47:25, shot 52247:25
1 of 1 shots sampled

291. Field 47:24–47:25 unchecked

A man in a cowboy hat and plaid shirt runs across an open, dusty field with trees in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 162 · shots 522–522 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing cowboy hat, plaid shirt, and dark pants visible
Seen happening
  • A man runs across a field. [frame:1]
Seen
cowboy hat [frame:1], plaid shirt [frame:1], trees in background [frame:1]
Interpretation
Model opinion, not evidence: mood: urgent; themes: action, western; style notes: medium shot, high contrast black-and-white, natural outdoor lighting
Frame at 47:27, shot 52347:27
1 of 1 shots sampled

292. Field 47:25–47:30 unchecked

A man stands over another man lying on the ground in an open, sandy area with trees in the background. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 163 · shots 523–523 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man standing, wearing dark shirt and trousers, medium build visible
  • man lying on ground, wearing dark shirt and trousers, hat beside him visible
Seen happening
  • A man stands over another man lying on the ground. [frame:1]
Seen
cowboy hat [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, outdoor setting; style notes: static medium shot, high contrast black and white, natural outdoor lighting
Frame at 47:31, shot 52447:31
1 of 1 shots sampled

293. Field 47:30–47:31 unchecked

A man lies on the ground while another man in a cowboy hat stands over him. The scene is outdoors on rough terrain, captured in black and white.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 164 · shots 524–524 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man lying on ground, wearing shirt and dark pants, curly hair visible
  • man standing, wearing cowboy hat and light shirt, partially visible visible
Seen happening
  • A man stands over another man lying on the ground. [frame:1]
Seen
cowboy hat [frame:1], shirt [frame:1], pants [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, outdoor struggle; style notes: high-contrast black and white, medium shot, ground-level framing
Frame at 47:35, shot 52547:35
1 of 1 shots sampled

294. Field 47:31–47:38 checks passed

A person rides a dark horse across an open, grassy area with trees in the background. The scene is outdoors and appears to be shot in daylight.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 165 · shots 525–525 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person wearing dark clothing, riding a horse visible
Seen happening
  • A person rides a horse across a grassy area. [frame:1]
Seen
horse [frame:1], saddle [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor activity, equestrian; style notes: black-and-white, outdoor shot, medium distance, natural lighting
Frame at 47:42, shot 52647:42
1 of 1 shots sampled

295. Field 47:38–47:46 unchecked

A person on horseback rides through an open gate into a field. The scene is outdoors, with trees and hills visible in the background.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 166 · shots 526–526 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person wearing dark clothing, riding a horse visible
Seen happening
  • A person on horseback rides through an open gate. [frame:1]
Seen
gate [frame:1], horse [frame:1], trees [frame:1], hills [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, rural setting; style notes: black-and-white, wide shot, natural lighting, static camera
Frame at 47:48, shot 52747:48
1 of 1 shots sampled

296. Gate entrance 47:46–47:50 unchecked

A man in a cowboy hat walks through an open gate while another person bends over near the gate. The setting is outdoors with trees and hills visible in the background.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 166 · shots 527–527 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
gate entrance (other, exterior) evidence: frame:1
People
  • man wearing cowboy hat, dark shirt, and pants visible
  • person bent over, wearing dark clothing, face not visible visible
Seen happening
  • A man in a cowboy hat walks through a gate. [frame:1]
  • Another person is bent over near the gate. [frame:1]
Seen
gate [frame:1], cowboy hat [frame:1], tree [frame:1], hills [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: rural setting, western attire; style notes: static medium shot, high-contrast black-and-white, natural outdoor lighting
Frame at 47:54, shot 52847:54Frame at 48:02, shot 52948:02Frame at 48:09, shot 53048:09
3 of 3 shots sampled

297. Private office 47:50–48:11 unchecked

A woman in a striped dress speaks with a man in a cowboy hat indoors, then a rider on horseback is seen outdoors. The dialogue mentions rustled horses and a request to use a phone.

Named: Miss Matthews (t:47:55). 3 people observed.

“Miss Matthews.” 47:55 · “Higgins and his Indian renegade rustled your horses.” 47:57

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 167 · shots 528–530 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Miss Matthews (named at t:47:55): woman, blonde, wearing a striped dress and apron, visible in frame 1 and 2 visible, audible
  • man, wearing a cowboy hat and dark shirt, visible in frame 2 visible, audible
  • rider on horseback, visible in frame 3 visible
Seen happening
  • Miss Matthews stands at a wall-mounted telephone. [frame:1]
  • Miss Matthews speaks with a man in a cowboy hat. [frame:2]
  • A rider on horseback gallops across an open area. [frame:3]
Also said
“- May I use your phone? - Why, certainly.” 48:02 · “I'm going to go.” 48:06
Seen
wall-mounted telephone [frame:1], cowboy hat [frame:2], horse [frame:3]
Interpretation
Model opinion, not evidence: mood: urgent; themes: conflict, communication, departure; style notes: static medium shots indoors, dynamic motion blur outdoors; high-contrast black-and-white
Frame at 48:16, shot 53148:16
1 of 1 shots sampled

298. Field 48:11–48:20 unchecked

A group of men on horseback and on foot are gathered in an open, tree-lined area. The scene is shot in black and white with no visible text or spoken dialogue.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 168 · shots 531–531 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
Interpretation
Model opinion, not evidence: mood: neutral; style notes: wide shot, black and white, natural lighting, outdoor setting
Frame at 48:20, shot 53248:20
1 of 1 shots sampled

299. Field 48:20–48:20 unchecked

A group of men on horseback are gathered in an open, tree-lined area. No dialogue or on-screen text is present in this beat.

5 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 168 · shots 532–532 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man wearing hat and dark coat, on horseback visible
  • man wearing hat and light shirt, on horseback visible
  • man wearing hat and dark coat, holding rifle, on horseback visible
  • man wearing hat and dark coat, on horseback visible
  • man wearing hat and light shirt, on horseback visible
Seen
horses [frame:1], hats [frame:1], rifles [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: western, group gathering, outdoor; style notes: wide shot, natural lighting, outdoor setting
Frame at 48:22, shot 53348:22Frame at 48:27, shot 53448:27
2 of 2 shots sampled

300. Private office 48:20–48:29 checks passed

A man in a cowboy hat uses a wall-mounted telephone while a woman in a striped dress stands nearby; a separate shot shows a gate opening to a dirt path with riders approaching. The transcript notes no answer at the sheriff's office.

2 people observed.

“No answer at the sheriff's office.” 48:22

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 169 · shots 533–534 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man wearing cowboy hat, dark shirt, and belt with holster visible
  • woman with blonde hair, wearing striped dress with dark collar visible
Seen happening
  • man in cowboy hat holds telephone receiver to ear [frame:1]
  • riders approach through open gate on dirt path [frame:2]
Seen
wall-mounted telephone, wooden gate, dirt path, horseback riders
Interpretation
Model opinion, not evidence: mood: tense; themes: communication failure, approaching threat; style notes: static medium shots, high-contrast lighting, period costume
Frame at 48:31, shot 53548:31
1 of 1 shots sampled

301. Gate entrance to a property 48:29–48:34 unchecked

A man on horseback is visible through a gate in an outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 169 · shots 535–535 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
gate entrance to a property (other, exterior) evidence: frame:1
People
  • man wearing dark shirt and cowboy hat, mounted on a horse visible
Seen happening
  • A man on horseback is seen through a gate. [frame:1]
Seen
horse [frame:1], gate [frame:1], cowboy hat [frame:1], holster belt [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral, observational; themes: western setting, arrival or passage; style notes: static medium shot, black-and-white, natural outdoor lighting, framing through gate creates depth
Frame at 48:34, shot 53648:34
1 of 1 shots sampled

302. Living room 48:34–48:35 unchecked

A man in a cowboy hat and a woman in a striped dress stand inside a room with rustic decor. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 170 · shots 536–536 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • man wearing a cowboy hat, dark shirt, and dark pants, with a belt and holster visible
  • woman with short light hair, wearing a light-colored striped dress with a dark bow at the neck visible
Seen
cowboy hat [frame:1], striped dress [frame:1], wall-mounted telephone [frame:1], woven wall decoration [frame:1], curtained window [frame:1], armchair [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, domestic interior, cowboy attire; style notes: medium shot, static framing, high-contrast black-and-white lighting typical of 1930s studio production
Frame at 48:37, shot 53748:37
1 of 1 shots sampled

303. Gate entrance 48:35–48:40 unchecked

A man in dark clothing walks through a wooden gate with a horse behind him. The setting is outdoors with trees and hills visible in the background.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 171 · shots 537–537 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
gate entrance (other, exterior) evidence: frame:1
People
  • man in dark shirt and pants, wearing a belt with a holster, medium build visible
Seen happening
  • A man walks through a wooden gate. [frame:1]
Seen
horse [frame:1], wooden gate [frame:1], holster belt [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, outdoor travel; style notes: medium shot, natural daylight, static framing, outdoor setting
Frame at 48:41, shot 53848:41
1 of 1 shots sampled

304. Living room 48:40–48:43 unchecked

A man in cowboy attire gestures toward a window while a woman in a striped dress stands behind him inside a room. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 172 · shots 538–538 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • man wearing cowboy hat, dark shirt, and belt with holster visible
  • woman with blonde hair, wearing light striped dress visible
Seen
cowboy hat [frame:1], holster belt [frame:1], striped dress [frame:1], curtained window [frame:1], wall decoration [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, domestic space, western attire; style notes: medium shot, high-contrast lighting, static framing
Frame at 48:44, shot 53948:44
1 of 1 shots sampled

305. Field 48:43–48:45 unchecked

A man in dark clothing stands in a wide stance near a wooden gate with a field and trees behind him. The scene is outdoors and appears to be set in a rural area during daylight.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 173 · shots 539–539 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • man, adult, wearing dark long-sleeved shirt and pants, medium build visible
Seen happening
  • man stands in wide stance near wooden gate [frame:1]
Seen
wooden gate, tree trunk, field, trees
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, rural setting; style notes: medium shot, static framing, high contrast black and white, natural lighting
Frame at 48:47, shot 54048:47
1 of 1 shots sampled

306. Building exterior with tiled roof 48:45–48:49 unchecked

A person sits on a low wall in front of a building with a tiled roof and an arched doorway. The scene is outdoors and appears to be in a rural or rustic setting.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 174 · shots 540–540 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
building exterior with tiled roof (other, exterior) evidence: frame:1
People
  • person wearing light-colored shirt and dark pants, sitting, medium build visible
Seen
tiled roof [frame:1], arched doorway [frame:1], low wall or ledge [frame:1], hanging object (possibly lantern or bag) [frame:1]
Interpretation
Model opinion, not evidence: mood: quiet, contemplative; themes: solitude, rural setting; style notes: static medium shot, high contrast black-and-white, natural lighting, rustic architecture
Frame at 48:50, shot 54148:50Frame at 48:52, shot 54248:52Frame at 48:57, shot 54348:57
3 of 3 shots sampled

307. Private office 48:49–49:00 unchecked

A man in a cowboy hat is confronted by a woman and another man holding a gun; the confrontation is interrupted by an arrest accusation. The setting is an interior room with rustic decor and a framed picture on the wall.

Named: Dixon (t:48:50). 3 people observed.

“Drop that gun, Dixon.” 48:50 · “I arrest you for the murder of Dan Matthews.” 48:55

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 175 · shots 541–543 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • woman, blonde, wearing a light-colored dress with a dark heart-shaped patch on the chest visible
  • man, wearing a cowboy hat, dark shirt, and gun belt visible
  • Dixon (named at t:48:50): man, dark curly hair, wearing a dark shirt and neckerchief, holding a revolver visible
Seen happening
  • A woman and a man in a cowboy hat stand in a room with a door and a framed picture on the wall. [frame:1]
  • The woman and the cowboy-hatted man face each other; the man has his hands near his chest. [frame:2]
  • A man holding a revolver looks at his hands; he is standing in front of a cabinet with decorative items. [frame:3]
Also said
“Blackie Martin just confessed.” 48:59
Seen
revolver, cowboy hat, gun belt, framed picture, cabinet with decorative items, door with vertical panels
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, arrest, confession; style notes: static medium shots, high-contrast black-and-white, studio lighting, period Western costume
Frame at 49:02, shot 54449:02
1 of 1 shots sampled

308. Living room 49:00–49:03 unchecked

A woman in a striped dress stands near a chair while a man in dark clothing leans forward against a wall-mounted object. The scene is indoors, with period decor including a patterned wall and a draped curtain.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 175 · shots 544–544 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • woman, blonde, wearing a light-colored striped dress visible
  • man, dark clothing, leaning forward, face obscured visible
Seen
striped dress [frame:1], armchair [frame:1], wall-mounted object (possibly telephone or safe) [frame:1], patterned wall decoration [frame:1], draped curtain [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, domestic space; style notes: static medium shot, high-contrast lighting, period set design with ornamental details
Frame at 49:03, shot 54549:03
1 of 1 shots sampled

309. Private office 49:03–49:04 unchecked

A man in a dark shirt and neckerchief holds a pistol in an interior room with a cabinet and painting. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 176 · shots 545–545 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man, young adult, medium build, dark shirt, neckerchief, holding pistol visible
Seen happening
  • man holds pistol with both hands [frame:1]
Seen
pistol, cabinet with decorative items, framed painting
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, western; style notes: medium close-up, studio lighting, static framing
Frame at 49:05, shot 54649:05Frame at 49:06, shot 54749:06Frame at 49:08, shot 54849:08
3 of 3 shots sampled

310. Living room 49:04–49:09 unchecked

A man in a dark jacket and a woman in a striped apron are indoors; the man gestures while speaking. Outside, a man in a cowboy hat mounts a horse at a gate. The man indoors then climbs onto a chair to reach something behind a curtain.

3 people observed.

“Please.” 49:05

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 177 · shots 546–548 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • man, dark jacket, light pants, medium build visible
  • woman, striped apron over dress, light hair visible
  • man, cowboy hat, dark shirt, light pants visible
Seen happening
  • A man gestures toward a woman standing near a wall phone. [frame:1]
  • A man in a cowboy hat mounts a horse at a wooden gate. [frame:2]
  • The man indoors climbs onto a chair to reach behind a curtain. [frame:3]
Seen
wall-mounted telephone, wooden gate, horse, curtain with polka dots, wooden chair
Interpretation
Model opinion, not evidence: mood: tense; themes: domestic urgency, rural setting, communication; style notes: static medium shots, high-contrast lighting, period costumes
Frame at 49:10, shot 54949:10
1 of 1 shots sampled

311. Gate entrance 49:09–49:11 unchecked

A person on horseback passes through a wooden gate in an outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 177 · shots 549–549 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
gate entrance (other, exterior) evidence: frame:1
People
  • person wearing a hat and dark clothing, riding a horse visible
Seen happening
  • A person on horseback rides through a wooden gate. [frame:1]
Seen
horse [frame:1], wooden gate [frame:1], hat [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: travel, rural setting; style notes: static medium shot, black-and-white, natural outdoor lighting
Frame at 49:13, shot 55049:13
1 of 1 shots sampled

312. Road 49:11–49:16 unchecked

A person rides a horse across a dirt road in an outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 178 · shots 550–550 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • person wearing a light-colored hat and dark clothing, riding a horse visible
Seen happening
  • A person rides a horse across a dirt road. [frame:1]
Seen
horse [frame:1], hat [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: western, travel, solitude; style notes: wide shot, black and white, outdoor lighting, motion blur suggests speed
Frame at 49:19, shot 55149:19
1 of 1 shots sampled

313. Field 49:16–49:22 unchecked

A person rides a horse across an open, dusty area with trees in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 178 · shots 551–551 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
field (field, exterior) evidence: frame:1
People
  • person wearing dark clothing, riding a horse visible
Seen happening
  • A person rides a horse across a field. [frame:1]
Seen
horse [frame:1], saddle [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: movement, outdoor travel; style notes: wide shot, black and white, motion blur suggests speed, natural outdoor lighting
Frame at 49:26, shot 55249:26
1 of 1 shots sampled

314. Forest 49:22–49:30 unchecked

A person rides a horse along a dirt path in a wooded area. The scene is outdoors and appears to be during the day.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 179 · shots 552–552 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(forest, exterior) evidence: frame:1
People
  • person riding a horse, wearing dark clothing, visible from a distance visible
Seen happening
  • A person rides a horse along a dirt path. [frame:1]
Seen
horse [frame:1], dirt path [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor travel, solitude; style notes: wide shot, natural lighting, black and white, static camera
Frame at 49:31, shot 55349:31
1 of 1 shots sampled

315. Forest 49:30–49:31 unchecked

A person on horseback rides along a dirt path in a wooded area. The scene is outdoors with trees and open ground visible.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 179 · shots 553–553 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person on horseback, wearing dark clothing, visible from side visible
Seen happening
  • A person rides a horse along a dirt path. [frame:1]
Seen
horse [frame:1], dirt path [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral, active; themes: outdoor travel, rural landscape; style notes: wide shot, black-and-white, natural lighting, outdoor setting
Frame at 49:32, shot 55449:32
1 of 1 shots sampled

316. Road 49:31–49:34 unchecked

Two riders on horseback move along a dirt road bordered by trees and a wooden fence. Dust rises behind them as they ride away from the camera.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 180 · shots 554–554 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
road (road, exterior) evidence: frame:1
People
  • rider on horse, wearing dark clothing, visible from behind visible
  • rider on horse, wearing dark clothing, visible from behind visible
Seen happening
  • Two riders on horseback move along a dirt road, kicking up dust. [frame:1]
Seen
horses [frame:1], dirt road [frame:1], wooden fence [frame:1], trees [frame:1], dust [frame:1]
Interpretation
Model opinion, not evidence: mood: action-oriented, open; themes: travel, outdoor journey, western setting; style notes: wide shot, black-and-white, natural lighting, dust effects suggest motion
Frame at 49:36, shot 55549:36
1 of 1 shots sampled

317. Forest 49:34–49:38 unchecked

Two men are seen near a wooden cabin in a wooded area; one approaches the cabin door while the other stands nearby. No dialogue or on-screen text is present in this beat.

2 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 181 · shots 555–555 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(forest, exterior) evidence: frame:1
People
  • man wearing dark shirt and pants, hat, running toward cabin door visible
  • man wearing light shirt and pants, suspenders, standing near fence visible
Seen happening
  • A man runs toward the door of a wooden cabin. [frame:1]
  • Another man stands near a wooden fence, watching. [frame:1]
Seen
wooden cabin [frame:1], wooden fence [frame:1], stack of logs or sacks near fence [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: pursuit, rural setting, confrontation; style notes: medium shot, black-and-white, natural outdoor lighting, static camera
Frame at 49:43, shot 55649:43Frame at 49:52, shot 55749:52
2 of 2 shots sampled

318. Other 49:38–49:56 unchecked

Two men struggle in a wooden room; one is pushed against a door while the other bends forward. The transcript contains short affirmations and a command to hurry.

2 people observed.

“Come on.” 49:44 · “Yeah.” 49:49

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 182 · shots 556–557 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(other, interior) evidence: frame:1
People
  • man in dark jacket and pants, wearing a belt with holster, medium build visible
  • man in dark jacket and pants, wearing a wide belt, medium build visible
Seen happening
  • Two men grapple in a wooden room. [frame:1]
  • One man is pushed against a door while the other bends forward. [frame:2]
Also said
“Yes.” 49:51
Seen
wooden door [frame:1], wooden shelf with bottles [frame:2], belt with holster [frame:1]
Interpretation
Model opinion, not evidence: mood: tense; themes: confrontation, physical struggle; style notes: medium shot, static camera, high-contrast lighting typical of 1930s B-westerns
Frame at 50:00, shot 55850:00
1 of 1 shots sampled

319. Other 49:56–50:03 unchecked

A man with curly hair and a neckerchief stands in front of a wooden wall. No dialogue or other actions are visible in this single frame.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 183 · shots 558–558 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • man with curly dark hair, wearing a dark shirt and a light neckerchief visible
Seen
wooden wall [frame:1], neckerchief [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; style notes: medium close-up, high-contrast black-and-white lighting, static framing
Frame at 50:07, shot 55950:07Frame at 50:16, shot 56050:16
2 of 2 shots sampled

320. Living room 50:03–50:20 unchecked

Two women sit at a table in a dimly lit room, conversing while handling small objects; one mentions Chief Blackie as a person who might know John's whereabouts. No names are spoken that identify the women, and the setting appears to be a private interior space.

2 people observed.

“John's been gone nearly two months now.” 50:05 · “I wonder if he'll ever come back.” 50:08

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 184 · shots 559–560 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • light-haired woman, wearing dark jacket and light trousers, seated at table visible
  • dark-haired woman, wearing light-colored dress, seated at table visible
Also said
“There's one fella that might be able to tell you where to find him, and that's Chief Blackie.” 50:12 · “Squibbs, your new farm, and can” 50:17
Seen
table with lace tablecloth [frame:1], woven basket or bowl on table [frame:1], small objects in hands of both women [frame:1], wooden chair with carved back [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and anticipatory; themes: absence, search, domestic conversation; style notes: static medium shot, high-contrast lighting, period costume, minimal set decoration
Frame at 50:22, shot 56150:22
1 of 1 shots sampled

321. Dirt path surrounded by trees 50:20–50:25 unchecked

Three people on horseback are shown outdoors on a dirt path surrounded by trees. No dialogue or on-screen text is present in this beat.

3 people observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 185 · shots 561–561 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
dirt path surrounded by trees (forest, exterior) evidence: frame:1
People
  • person on horse, wearing hat and light-colored shirt, visible from front visible
  • person on horse, wearing hat and dark vest, visible from side visible
  • person on horse, wearing hat and light shirt, visible from back visible
Seen happening
  • Three people on horseback are stationary or slowly moving on a dirt path. [frame:1]
Seen
horses [frame:1], hats [frame:1], trees [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral, observational; themes: outdoor travel, Western setting, group movement; style notes: static medium shot, black-and-white, natural lighting, typical of 1930s Westerns
Frame at 50:29, shot 56250:29
1 of 1 shots sampled

322. Forest 50:25–50:32 unchecked

Three men on horseback are shown in a wooded outdoor setting. One man speaks about going to a place and says he won't be long.

3 people observed.

“His place over there.” 50:25 · “I won't be long.” 50:29

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 185 · shots 562–562 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(forest, exterior) evidence: frame:1
People
  • man wearing cowboy hat and light shirt, on horseback visible
  • man wearing dark hat and vest, on horseback visible
  • man wearing light hat and shirt, on horseback visible, audible
Seen
three horses [frame:1], cowboy hats [frame:1], saddles [frame:1]
Interpretation
Model opinion, not evidence: mood: calm and conversational; themes: western, travel, dialogue-driven; style notes: medium shot, black and white, natural outdoor lighting, static framing
Frame at 50:39, shot 56350:39
1 of 1 shots sampled

323. Forest 50:32–50:45 unchecked

A person walks through a wooded area between large trees. The scene is shot in black and white with natural lighting and no visible text or dialogue.

1 person observed.

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 186 · shots 563–563 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
forest (forest, exterior) evidence: frame:1
People
  • person wearing light-colored pants and dark top, walking, medium build visible
Seen happening
  • A person walks between large trees in a wooded area. [frame:1]
Seen
trees [frame:1], dirt path [frame:1]
Interpretation
Model opinion, not evidence: mood: neutral; themes: outdoor movement, solitary figure; style notes: static medium shot, natural lighting, black and white, outdoor framing between trees
Frame at 50:57, shot 56650:57Frame at 51:09, shot 56751:09
2 of 2 shots sampled

325. Private office 50:53–51:18 checks passed

A man stands inside a wooden structure while two others on horseback converse outside. The dialogue suggests impatience and commentary on women's behavior.

3 people observed.

“There.” 50:58 · “She's been in there two hours already.” 51:01

Share this moment

Evidence and details

Starts here: pause in speech. Sequence 188 · shots 566–567 · transcript from here. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man, mid-30s, medium build, wearing a light jacket and dark tie visible
  • man, wearing a cowboy hat and plaid shirt, on horseback visible, audible
  • man, wearing a bandana and jacket, on horseback visible, audible
Seen happening
  • A man stands inside a wooden structure looking toward the camera. [frame:1]
  • Two men on horseback converse outdoors. [frame:2]
Also said
“Maybe she gonna live there.” 51:04 · “Say, what's the sense in a fella starving his cells to death for some low-code female?” 51:16
Seen
wooden wall, horse, cowboy hat, plaid shirt, bandana
Interpretation
Model opinion, not evidence: mood: casual and slightly exasperated; themes: gender roles, waiting, rural life; style notes: medium close-up indoors, wide shot outdoors; high-contrast black-and-white; static framing

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 613 segments kept, 341 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 1:06 Hello, Dan.
  2. 1:07 How are you, John?
  3. 1:09 Where you been hiding out?
  4. 1:10 Sit down and tell me all about you.
  5. 1:12 Yeah.
  6. 1:13 Well, ain't nothing much to tell, sir.
  7. 1:15 Been doing some repair work around the place.
  8. 1:18 I kind of expected you out.
  9. 1:20 Well, I was thinking on getting out tomorrow night.
  10. 1:24 Thought I'd try and even up that cribbage score.
  11. 1:27 Come ahead.
  12. 1:29 I've got to run over to King City tomorrow but I'll be back for dinner.
  13. 1:34 Just drawing out all my money.
  14. 1:37 I'm going to restock the ranch.
  15. 1:39 Now that you are sure if I reckon the rustlers won't be so active.
  16. 1:44 I want the old place to look tip top before Bess gets home next year.
  17. 1:49 She's all I got, John.
  18. 1:52 And I'm going to see she's comfortably fixed.
  19. 1:55 I understand, Dad.
  20. 1:57 I'll do all I can to help.
593 more segments
  1. 2:00 I owe you a lot.
  2. 2:02 been as close to me as my own father would have been.
  3. 2:05 Shucks, son, you don't owe me nothing.
  4. 2:07 It's been great to see you grow up into a real man.
  5. 2:12 You don't know how proud I was when you got elected Sherrod.
  6. 2:16 Reckon I'll be drifting along. Well, you better not wash that roll or you might not get home.
  7. 2:20 Oh, I'm all right.
  8. 2:22 Nobody's going to hold me up.
  9. 2:28 Where's your horse?
  10. 2:29 Got him tied back at the express office. Oh, no.
  11. 2:32 Well, don't forget tomorrow night. I'll be waiting for you.
  12. 2:35 Ha ha.
  13. 2:56 There goes old Dan.
  14. 3:01 We'll wait till he's well out of town.
  15. 3:04 We'll slip in the back way when Pete's alone.
  16. 3:18 - What?
  17. 3:28 *thud*
  18. 3:41 There was three of them, John.
  19. 3:43 Did you recognize any of them? They were masked.
  20. 3:45 They came in the back way.
  21. 3:47 surprise me.
  22. 3:48 It's got me in the shoulder.
  23. 3:49 Boys get Pete to a doctor.
  24. 3:51 I'll try and round them up.
  25. 3:57 Ah!
  26. 4:22 I'm going to go.
  27. 4:38 I'm going to go.
  28. 4:58 *thud*
  29. 5:31 Drop that money bag, Martin.
  30. 5:37 Come on!
  31. 5:54 Hand me that bag.
  32. 6:09 Work your way down the creek back to town, ditch that stuff.
  33. 6:12 I've got to plug an arm, Joe. We'll take care of that one and get back to town.
  34. 6:23 Come on.
  35. 6:28 BANG!
  36. 6:36 *BANG*
  37. 7:10 Damn.
  38. 7:33 ...and it's left absolutely no clue.
  39. 7:43 Gentlemen.
  40. 7:45 You'll be needing a new sheriff.
  41. 7:48 I'm through.
  42. 7:51 This job has brought me the greatest sorrow a man can ever know.
  43. 7:56 I killed my best friend.
  44. 7:59 You were only doing your duty, Higgins.
  45. 8:02 Why take it so to heart.
  46. 8:04 And duty makes it necessary to take the life of a man like old Dan Matthews
  47. 8:09 I'll then end through with duty.
  48. 8:12 Well, there is positive proof that he was one of the gang.
  49. 8:15 Clem here saw him tie his horse behind Wells Fargo.
  50. 8:19 The evidence is...
  51. 8:19 too strongly against them.
  52. 8:21 Circumstantial evidence has convicted many a man
  53. 8:24 Dexan.
  54. 8:26 And I still believe that Dan Matthews is innocent.
  55. 8:31 I'd like to see you at the office, Mr. Williams.
  56. 8:34 Be right over, John.
  57. 8:38 Williams?
  58. 8:40 I guess you get your old job back.
  59. 8:42 Well...
  60. 8:44 My eyes are not as good.
  61. 8:45 Hands are not as fast.
  62. 8:48 I'll take the job until you can get a better man.
  63. 8:58 All right.
  64. 9:04 Sit down, Ed.
  65. 9:05 I'd like to explain something.
  66. 9:10 When Dan Matthews left here, he'd
  67. 9:12 Jeff's drawn all his money out of the bank.
  68. 9:15 They're going to restock his ranch and get it in shape for his daughter, who's coming out this next year.
  69. 9:22 This money was
  70. 9:24 On, Dan, when I...
  71. 9:26 Found it.
  72. 9:28 I wish you'd see that his daughter gets it.
  73. 9:32 It's rightfully hers.
  74. 9:33 I'll keep it for her, John.
  75. 9:35 No one will ever know.
  76. 9:42 It's been about a year since...
  77. 9:43 Tiggins left town now.
  78. 9:45 So, and about six months ago,
  79. 9:47 town cashing in some nuggets.
  80. 9:49 Turned desert rat, you know.
  81. 9:50 Must have hit him pretty hard.
  82. 9:53 shooting old dad
  83. 9:55 Never saw anything like it.
  84. 9:57 He's like a dead man.
  85. 9:59 walking around with the weight of the world
  86. 10:01 What about Dan's daughter?
  87. 10:03 I hadn't met her from her a few weeks ago.
  88. 10:05 Says she's figuring on coming out here soon.
  89. 10:07 Huh?
  90. 10:08 I think she'd be better off back east with her aunt.
  91. 10:11 famous, I think John's better off out yonder.
  92. 10:15 A strange fellow...
  93. 10:16 It's outlawed.
  94. 10:18 They're there to blame for him shooting old Dan.
  95. 11:01 Mr. Johnny!
  96. 11:05 A nun wire for your doors.
  97. 11:08 I'm going to go.
  98. 11:23 No broken leg, eh?
  99. 11:26 Well, don't try to talk, son. I'll have you in camp before night.
  100. 11:36 Black Eagle!
  101. 11:49 It's a little bit of a cage.
  102. 11:51 To loo for yacht landers.
  103. 11:53 Show who the
  104. 11:56 I'm a man.
  105. 12:05 Big stuff.
  106. 12:06 Come, come.
  107. 12:08 three, four,
  108. 12:09 Kill them all.
  109. 12:11 Boy.
  110. 12:12 - Oh, it's a blessing. - Oh, I see.
  111. 12:15 Son, go quick.
  112. 12:16 You stay.
  113. 12:18 Oui.
  114. 12:18 Oh. All right, Black Eagle. I don't know any place I'd rather be.
  115. 12:31 Mighty nice of you to give me this ring, Black Eagle.
  116. 12:35 Keep...
  117. 12:37 Me.
  118. 12:38 My people...
  119. 12:39 Your friend.
  120. 12:42 I won't forget.
  121. 13:14 Yes.
  122. 13:19 I'll be awfully glad to get home.
  123. 13:22 See, I'm Beth Matthews.
  124. 13:24 And I own the lazy young ranch.
  125. 13:26 There must be thousands of cattle.
  126. 13:28 And at least a hundred cowboys.
  127. 13:30 And just big.
  128. 13:32 I'm going to be born.
  129. 13:36 Oh!
  130. 13:37 Look at those wildflowers.
  131. 14:17 Oh,
  132. 15:26 I'm going to go.
  133. 17:46 I value your life.
  134. 17:47 Keep down.
  135. 18:23 Can you drive?
  136. 18:26 The town's about three miles ahead. Just stay on this road. All right.
  137. 18:29 I don't understand.
  138. 18:29 Yeah.
  139. 18:30 You're an outlaw and killer.
  140. 18:32 You're letting me go. Yes, and you'd better hurry.
  141. 18:46 And the last I saw of him,
  142. 18:47 He was standing in the middle of the road watching me drive away.
  143. 18:51 And you described this, uh,
  144. 18:53 Batman?
  145. 18:54 Well, I couldn't see much of his face, it was so dirty.
  146. 18:58 Only a pair of steel gray eyes had seemed to look right through me.
  147. 19:02 He had a heavy beard, a slouch hat, and faded overalls.
  148. 19:07 He was the most horrible creature I've ever seen.
  149. 19:09 - I'm sorry.
  150. 19:10 Do you remember it?
  151. 19:12 Well, he only spoke a few times and I was so excited.
  152. 19:15 I don't know.
  153. 19:16 Well, Miss Bess, you certainly have had an experience.
  154. 19:19 But you must be hungry.
  155. 19:22 eating house down the street.
  156. 19:24 After you've finished your meal, I'll take you out to the ranch.
  157. 19:27 I've got to get my boys started after Blake, the...
  158. 19:30 All right, Sherry.
  159. 19:31 I'll be glad to get home.
  160. 19:48 Hello, Sheriff.
  161. 19:50 Kind of surprised, Jay.
  162. 19:55 John!
  163. 19:57 I'm sure glad to see you.
  164. 20:02 I just brought Blake in.
  165. 20:04 The boys are taking care of me.
  166. 20:07 There's your express money.
  167. 20:10 I might have known it was you.
  168. 20:12 That young lady whose life was in your hands just left here.
  169. 20:16 She told me everything.
  170. 20:18 Jan?
  171. 20:20 You and I are going to have a very serious talk.
  172. 20:25 Sit down.
  173. 20:29 John?
  174. 20:30 That young lady is none other than Bess Matthews.
  175. 20:34 He's coming back here shortly.
  176. 20:37 want to drive her out to the lazy end.
  177. 20:39 She thinks there's an income from the ranch.
  178. 20:43 The money that we've got here...
  179. 20:45 We'll need a cool head to spend it.
  180. 20:49 John, that's your job.
  181. 20:52 I don't know.
  182. 20:54 I never get away with it.
  183. 20:55 She knows I... Who's gonna tell her?
  184. 20:58 You'll find out sometime, yes.
  185. 21:00 But in the meantime...
  186. 21:02 Let's put the old lazy end back on its feet.
  187. 21:05 just the way old Dan would like.
  188. 21:09 What do you say?
  189. 21:13 I'll try, Sheriff.
  190. 21:14 Good.
  191. 21:16 There's your room, clothes and everything just as you left them.
  192. 21:20 After you shave and clean up...
  193. 21:22 No one will ever know you.
  194. 21:25 Come out at the ranch tonight about...
  195. 21:26 Eight o'clock.
  196. 21:29 All right, Ed.
  197. 21:30 I'll be there.
  198. 21:35 Got the finest springs.
  199. 21:37 Best grazing ground in the valley.
  200. 21:39 John Higgins' foreman?
  201. 21:41 You have the old lazy M back on its feet in six months time.
  202. 21:46 That's him now.
  203. 21:51 Good evening, Sheriff.
  204. 21:53 Well, hello, John.
  205. 22:01 Matthews
  206. 22:02 I want you to meet my friend, John Higgins.
  207. 22:04 I'm glad to know you, Mr. Higgins.
  208. 22:06 Won't you sit out?
  209. 22:13 The sheriff's been telling me about your thrilling experience. Thrilling?
  210. 22:16 It was terrific.
  211. 22:18 That bandit was the most hideous, the most horrible creature that ever was born. You don't say.
  212. 22:24 A regular Bluebeard, eh?
  213. 22:26 Right.
  214. 22:29 That's Aunt Martha.
  215. 22:30 best cook in the country.
  216. 22:32 Oh, I remember Aunt Martha. Sure you do.
  217. 22:34 She just about raised you.
  218. 22:39 Aunt Martha!
  219. 22:41 Best Matthews.
  220. 22:44 How you have grown.
  221. 22:46 and you didn't forget me.
  222. 22:47 Certainly not.
  223. 22:49 Well, you shouldn't.
  224. 22:50 I spanked you a plenty when you was a brat.
  225. 22:55 John Higgins?
  226. 22:56 I might have known I'd have to cook for you.
  227. 22:59 this
  228. 23:00 You're getting the best foreman in the country, but the worst eater.
  229. 23:04 He's got an appetite like a camel. What do you mean, my appetite? It's the swell way you cook.
  230. 23:10 Oh, there you go. Always flattering.
  231. 23:12 And what's more,
  232. 23:13 He leans back and breaks every chair in the kitchen.
  233. 23:18 My goodness, you boys are sitting there without a thing to drink.
  234. 23:21 Come on, Bess, we'll fix 'em.
  235. 23:23 Coffee.
  236. 23:31 See?
  237. 23:32 Everything's working out fine.
  238. 23:34 Yeah, so far.
  239. 23:37 How's it all going to end?
  240. 23:53 There's the end of the south pasture, Miss Matthews.
  241. 23:55 Now I guess you've seen about all the rents.
  242. 24:05 It's certain he is big enough.
  243. 24:07 I'll pick up a couple of boys and...
  244. 24:08 Start repairing the fences and
  245. 24:10 See if I can develop some new water holes.
  246. 24:14 your voice keeps reminding me of
  247. 24:17 I've met your blue beard.
  248. 24:19 A lion.
  249. 24:21 Sorry, I might change it.
  250. 24:23 I can talk up here like this. Then don't be silly.
  251. 24:27 You know...
  252. 24:28 That was the only thing about Mr. Bluebeard that was halfway human.
  253. 24:32 Shall we go back to
  254. 24:33 Thank you very much.
  255. 24:34 If you wish.
  256. 24:45 - Where is it? - Hello, Bob.
  257. 24:47 How's the ex-sheriff making out at Lacey Ells?
  258. 24:50 All right, I guess.
  259. 24:52 that three months and he's worked out a deal with the government. Uh-huh.
  260. 24:55 I'm going to raise horses and sell them to them.
  261. 24:57 and dandy buys, too. And Miss Beth,
  262. 25:00 How does she like country and ranch life?
  263. 25:02 crazy about it. Gordon and Martha.
  264. 25:05 Well, that's right.
  265. 25:07 John.
  266. 25:08 Tomorrow night's Halloween.
  267. 25:09 Aunt Martha says they're having the biggest dance of the year as Bolter's bar.
  268. 25:13 Let's go.
  269. 25:14 I guess it has been kind of lonesome for you.
  270. 25:17 Three months now and you haven't been off the ranch.
  271. 25:19 Oh, I haven't been lonesome exactly.
  272. 25:22 I've enjoyed being with you.
  273. 25:23 I'll ride some evenings later.
  274. 25:25 Fire.
  275. 25:27 the first time you've said so.
  276. 25:29 You've always been so strong.
  277. 25:31 strange.
  278. 25:32 Don't you like me?
  279. 25:33 That's just it, Vessi.
  280. 25:36 Well, someday you're going to hate me.
  281. 25:39 It's inevitable.
  282. 25:41 When that time comes, I'm leaving this part of the country for good.
  283. 25:45 You tell Aunt Martha that I'm taking you two to the dance.
  284. 26:09 Well, for pity's sakes, child, what on earth's the matter with you?
  285. 26:12 You're as pale as a ghost.
  286. 26:14 I'm all right.
  287. 26:16 But Aunt Martha...
  288. 26:17 John says someday I'll hate him.
  289. 26:19 What's the matter with
  290. 26:20 Why will I hate him?
  291. 26:22 Now listen, honey.
  292. 26:23 All men act like jackasses when they're in love.
  293. 26:26 That's exactly what's the matter with John Higgins.
  294. 26:28 He's head over heels in love with you.
  295. 26:30 But don't worry.
  296. 26:31 We'll just let matters take their own course.
  297. 26:34 Like this fella Spearshake says.
  298. 26:36 All's well that ends well.
  299. 26:39 Oh, uh...
  300. 26:40 John says he's taking us to the dance tonight.
  301. 26:42 Yes, I know. He told me this morning.
  302. 26:45 He did?
  303. 26:46 Mm-hmm.
  304. 27:00 He's on it.
  305. 27:03 Oh my God.
  306. 27:07 It's starting off like they all gonna have a good time big night
  307. 27:13 Good evening, Ed.
  308. 27:15 Quite a crowd looks like whole country is going to be here.
  309. 27:18 Got him, I see ya.
  310. 27:19 happen.
  311. 27:26 Where did you get that ring?
  312. 27:28 That's a gift from old Black Eagle.
  313. 27:30 I thought I'd lost it.
  314. 27:34 Miss Hawkins, meet Miss Matthews. I'm so glad to meet you, Miss Matthews. I must see Miss Jones. Yes.
  315. 27:40 Sure is the bell of the ball, all right.
  316. 27:51 - All right, all right.
  317. 27:52 Oh!
  318. 27:54 There.
  319. 27:54 I want you to know Mr. Dixon.
  320. 27:56 How do you do?
  321. 27:58 Miss Matthews is boss of the lazy M. Oh, it's a pleasure to know you, Miss Matthews.
  322. 28:02 May I have the honor of the first dance?
  323. 28:04 I'm sorry, but that's spoken for.
  324. 28:09 I'm lucky. I should say so.
  325. 28:12 I'll see you on the next day.
  326. 28:20 Yes, a minute.
  327. 28:23 Now we're going to start this dance off with a nice...
  328. 28:27 Dreamy Waltz.
  329. 28:33 I saved this first dance for you. Well, I hope I don't disappoint you. I'm not much of a dancer.
  330. 28:40 Amen.
  331. 28:42 Amen.
  332. 28:44 Amen.
  333. 28:47 And terribly happy.
  334. 28:49 I'm glad.
  335. 28:50 Being in a crowd must make a difference.
  336. 28:54 crowd.
  337. 28:58 Because I'm your...
  338. 29:02 It could only be like that.
  339. 29:11 dancing with her foreman.
  340. 29:14 the man what killed her father.
  341. 29:16 Yeah.
  342. 29:17 - Yeah.
  343. 29:17 - You know it?
  344. 29:21 No, that is funny.
  345. 29:23 Bigger.
  346. 29:24 Hamad.
  347. 29:26 Dollar feast.
  348. 29:38 Hey, Baxter.
  349. 29:49 Thanks, Sheriff. I want to see you and John right now.
  350. 29:52 Gun.
  351. 29:55 Pete wants to talk to us a minute.
  352. 30:00 Yes.
  353. 30:03 Sheriff.
  354. 30:04 The Martin boys just came with this new bill. Let me see it.
  355. 30:07 We've been on the lookout for these, John.
  356. 30:16 That's got the same serial number.
  357. 30:18 Those that were found when old Dan was killed.
  358. 30:20 No.
  359. 30:22 Act like nothing's happened.
  360. 30:23 This is the first clue we've had since the robbery.
  361. 30:26 I'll watch every move those Martins make.
  362. 30:33 Yes, indeed, Miss Matthews. Your father and I were very close friends.
  363. 30:37 Mr. Dixon.
  364. 30:39 I've asked so many people about my father
  365. 30:42 They've all evaded my questions.
  366. 30:44 Won't you tell me how he was killed?
  367. 30:46 Well, I really think you ought to know.
  368. 30:49 You won't hold it against me if I tell you.
  369. 30:51 Certainly not.
  370. 30:53 Well, you're...
  371. 30:54 foreman killed your father, Miss Matthews.
  372. 30:57 My...
  373. 30:59 You mean...
  374. 31:01 Mr. Higgins kill my father?
  375. 31:03 You see, he was sheriff at the time.
  376. 31:06 He had the law behind him.
  377. 31:08 They fought it out alone.
  378. 31:10 there were no witnesses so no one ever learned the truth about the
  379. 31:13 Killing.
  380. 31:14 Hump! Hump!
  381. 31:16 Now get your pardons!
  382. 31:17 for the Virginia Radio.
  383. 31:19 Oh!
  384. 31:25 I salute your partners!
  385. 31:28 Now fight loose!
  386. 31:30 I'm.
  387. 31:38 Oh.
  388. 31:44 Yeah!
  389. 31:47 Oh, my God.
  390. 31:49 Come on.
  391. 31:51 Come on.
  392. 31:53 Hey!
  393. 31:56 Give me that, you no-cold fool. You got to have your wits.
  394. 31:59 Tonight...
  395. 32:01 Yeah, and a little courage.
  396. 32:03 You don't need any courage.
  397. 32:04 this job.
  398. 32:05 the dance goal we have to do is break in and
  399. 32:08 Grab the money and feed it.
  400. 32:09 The chief said wait till the milking contest's on.
  401. 32:12 There won't be anybody leaving, we won't be seen.
  402. 32:14 Come on.
  403. 32:29 I'm going to go.
  404. 32:39 Now, folks.
  405. 32:40 Jake Abernathy. Undefeated champion of Cow Slip Valley.
  406. 32:45 Wilcante!
  407. 32:47 Again?
  408. 32:48 Aunt Martha Hubbard!
  409. 32:50 undefeated champions
  410. 32:51 All broken bones.
  411. 33:00 You're the only one who's ever told me the truth.
  412. 33:03 They've all made a fool of me.
  413. 33:08 Please excuse me.
  414. 33:19 Left chin.
  415. 33:20 to 22.
  416. 33:21 Turn right.
  417. 33:25 I'll keep the Martins here until I get back.
  418. 33:37 John!
  419. 33:40 Hi.
  420. 33:40 I must see you alone.
  421. 33:42 I'm sorry, Bess. I can't see you right now.
  422. 33:47 Please excuse me. I'll be back later.
  423. 34:47 All ready?
  424. 34:48 Fist!
  425. 34:49 Go!
  426. 35:00 Yes!
  427. 35:01 Yeah, yeah.
  428. 35:03 All right.
  429. 35:05 All right.
  430. 35:07 - I'll give it.
  431. 35:19 Yeah, man.
  432. 35:21 Yeah.
  433. 35:22 Not from a missed contest, are you boys?
  434. 35:27 - Come on!
  435. 35:38 - Why is it?
  436. 35:38 in the Gossets, are you boys?
  437. 35:49 I'm out.
  438. 35:51 Go!
  439. 35:56 You will, Miss Matthews?
  440. 35:59 - Four!
  441. 35:59 Will you please take me home, Mr. Dixon?
  442. 36:01 Oh, I certainly think.
  443. 36:04 Go ahead.
  444. 36:06 - All right.
  445. 36:14 Yeah.
  446. 36:15 Firehawk!
  447. 36:28 All right.
  448. 36:30 Hey.
  449. 36:32 Money from the sheriff's office.
  450. 36:35 All right.
  451. 36:36 Oh to a soon lead me to the third party.
  452. 36:39 And then I'll ring the truth out of them about old Dan.
  453. 36:42 *Humming*
  454. 36:47 Yes.
  455. 36:51 R.S.
  456. 36:53 Fire!
  457. 36:54 Come on, you're not going to be here!
  458. 36:56 Come on! Come on!
  459. 37:01 Oh, my God!
  460. 37:06 The champion! Hooray! Oh, you won by a foul, but by a cracky, I'll beat you.
  461. 37:13 next year.
  462. 37:15 All right, Jake Abernathy. I'll be waiting for you. Oh, I'll try it on the trail.
  463. 37:33 All right, and that will be good.
  464. 37:38 Aunt Martha.
  465. 37:38 Will you please excuse us?
  466. 37:41 I want to speak to Mr. Higgins alone.
  467. 37:49 I hardly know how to begin.
  468. 37:53 But when I say I know who you really are...
  469. 37:55 What you are.
  470. 37:57 Perhaps you'll understand.
  471. 37:59 Why did you wait months to wear that ring?
  472. 38:02 Mr. Road Agent.
  473. 38:05 tonight with my own eyes.
  474. 38:07 I saw you rob the Wells Fargo.
  475. 38:09 Followed me?
  476. 38:11 I followed you.
  477. 38:12 And I found out that you're not only a bandit and a robber,
  478. 38:15 but a murderer as well.
  479. 38:17 You killed my father.
  480. 38:19 You can't deny it.
  481. 38:21 The whole town knows me.
  482. 38:23 I'm not trying to deny it, but won't you let me explain?
  483. 38:26 Blaine.
  484. 38:27 I wouldn't believe anything you said.
  485. 38:30 You've lived a lie ever since you've been here.
  486. 38:33 You were right when you said...
  487. 38:34 said I'd
  488. 38:36 There aren't words vile enough to express my conviction.
  489. 38:39 employees.
  490. 38:40 Now get out of here.
  491. 38:43 I never want to see you again.
  492. 39:07 Martin boys just went into Joe Dixon's
  493. 39:09 They went in the back way.
  494. 39:14 I am wondering.
  495. 39:15 I tell you, Joe Higgins was the fella who got that money away from us three months ago.
  496. 39:19 gold.
  497. 39:20 He had a beard and other clothes, but I knew Dink with the way he rode.
  498. 39:24 Well, anyhow, I cooked his goose last night.
  499. 39:27 He's out of a job by now.
  500. 39:30 You know, I don't see any reason why I shouldn't step in and marry the both of the lazy ends.
  501. 39:34 She's sure a swell looking gal.
  502. 39:37 Yeah, and she's got about a thousand head of slick-lipping horses in that top patch here.
  503. 39:42 Oh, that is new.
  504. 39:45 Making a quick turnover, we ought to get about
  505. 39:47 Eight or ten bucks ahead.
  506. 39:51 no stock on the ranch, the boss of the
  507. 39:53 Lazy M probably will be glad to marry you well to do gently.
  508. 39:58 I'll ride over and get Brokaw him.
  509. 40:00 drive.
  510. 40:01 Yeah, that's a good one.
  511. 40:02 Good idea.
  512. 40:13 Texans leaving town.
  513. 40:15 I reckon I'll just follow you.
  514. 40:54 I'm going to go.
  515. 41:28 A thousand head of horses in the south pasture of the Lazy M.
  516. 41:31 All we gotta do is to shoot 'em off down to Gomez.
  517. 41:35 He'll give us eight or ten bucks a head without a squawk.
  518. 41:38 When do we start?
  519. 41:39 Dong tomorrow.
  520. 41:41 No one will even see us.
  521. 42:03 Oh.
  522. 42:04 Black Eagle?
  523. 42:05 I'm in great trouble.
  524. 42:06 Men come tomorrow morning at sunrise to steal all my horses.
  525. 42:10 Man no steel on him.
  526. 42:13 me.
  527. 42:14 My people.
  528. 42:15 Your friend.
  529. 42:17 We fight.
  530. 42:19 Good.
  531. 42:43 Here comes Brokaw now.
  532. 42:52 Take it easy and when you get them running,
  533. 42:54 Push him through.
  534. 43:01 Here they come.
  535. 43:03 Boy, what a surprise they're going to get.
  536. 43:21 Starting the first band out of the corral.
  537. 44:49 Oh, my God.
  538. 44:57 Come on.
  539. 44:59 I'm
  540. 45:02 *gunshot*
  541. 45:29 I'm sorry.
  542. 45:41 I
  543. 46:11 Oh.
  544. 46:20 Yeah.
  545. 46:22 - Ah!
  546. 46:42 Wow.
  547. 46:47 Now tell me, Martin, or I'll break every bone in your body.
  548. 46:51 Who killed Dan Matthews?
  549. 46:53 Ease up, huh, Carol?
  550. 46:55 All right.
  551. 46:58 Dixon and me held up the express office.
  552. 47:02 You chased us.
  553. 47:04 Shot me off my horse.
  554. 47:06 I'll run into the cabin.
  555. 47:08 Old Dan was there.
  556. 47:10 He threw down on me and made me drop the money bag.
  557. 47:14 Dixon saw him through the wind and...
  558. 47:16 Killed it.
  559. 47:18 Texan?
  560. 47:21 Take care of him, Sheriff.
  561. 47:22 I'm heading for a town.
  562. 47:55 Miss Matthews.
  563. 47:56 I've got to tell you.
  564. 47:57 Higgins and his Indian renegade rustled your horses.
  565. 47:59 Me and my friends tried to stop them, but...
  566. 48:01 There were too many of them.
  567. 48:02 - May I use your phone? - Why, certainly.
  568. 48:06 I'm going to go.
  569. 48:22 No answer at the sheriff's office.
  570. 48:50 Drop that gun, Dixon.
  571. 48:55 I arrest you for the murder of Dan Matthews.
  572. 48:59 Blackie Martin just confessed.
  573. 49:05 Please.
  574. 49:24 I
  575. 49:44 Come on.
  576. 49:49 Yeah.
  577. 49:51 Yes.
  578. 50:05 John's been gone nearly two months now.
  579. 50:08 I wonder if he'll ever come back.
  580. 50:11 Why don't you ask him?
  581. 50:12 There's one fella that might be able to tell you where to find him, and that's Chief Blackie.
  582. 50:17 Squibbs, your new farm, and can
  583. 50:18 take you to him.
  584. 50:25 His place over there.
  585. 50:29 I won't be long.
  586. 50:58 There.
  587. 51:01 She's been in there two hours already.
  588. 51:04 Maybe she gonna live there.
  589. 51:07 Yeah?
  590. 51:09 Women are sure queer critters.
  591. 51:14 Me too.
  592. 51:16 Say, what's the sense in a fella starving his cells to death for some low-code female?
  593. 51:21 Let's get the heck out of here.
The video itself is not here and never will be; only the shot list, one small frame per shot, and text read off the frames by OCR. The status badge is the registry's finding about the copyright record, which is separate from whether this particular Archive copy is the film it says it is.
shot 0
0 0:00–0:08 8.3s similar · share
shot 1
1 0:08–0:33 25.0s similar · share
shot 2
2 0:33–0:48 15.5s similar · share
shot 3
3 0:48–0:55 7.1s similar · share
shot 4
4 0:55–1:00 4.3s similar · share
shot 5
5 1:00–1:03 3.5s similar · share
shot 6
6 1:03–1:07 4.0s similar · share
shot 7
7 1:07–1:14 7.2s similar · share
shot 8
8 1:14–1:20 5.6s similar · share
shot 9
9 1:20–1:26 6.1s similar · share
shot 10
10 1:26–1:34 8.3s similar · share
shot 11
11 1:34–1:41 6.3s similar · share
shot 12
12 1:41–1:43 2.0s similar · share
shot 13
13 1:43–1:51 8.3s similar · share
shot 14
14 1:51–1:55 3.7s similar · share
shot 15
15 1:55–2:03 8.3s similar · share
shot 16
16 2:03–2:04 1.0s similar · share
shot 17
17 2:04–2:13 8.3s similar · share
shot 18
18 2:13–2:16 2.9s similar · share
shot 19
19 2:16–2:24 8.3s similar · share
shot 20
20 2:24–2:25 0.9s similar · share
shot 21
21 2:25–2:33 8.3s similar · share
shot 22
22 2:33–2:41 8.1s similar · share
shot 23
23 2:41–2:47 6.2s similar · share
shot 24
24 2:47–2:49 1.8s similar · share
shot 25
25 2:49–2:52 3.1s similar · share
shot 26
26 2:52–2:57 5.0s similar · share
shot 27
27 2:57–3:01 4.0s similar · share
shot 28
28 3:01–3:07 5.3s similar · share
shot 29
29 3:07–3:09 2.4s similar · share
shot 30
30 3:09–3:17 7.6s similar · share
shot 31
31 3:17–3:20 3.2s similar · share
shot 32
32 3:20–3:23 3.3s similar · share
shot 33
33 3:23–3:26 2.7s similar · share
shot 34
34 3:26–3:31 5.6s similar · share
WELLS Far PRESS
shot 35
35 3:31–3:34 2.6s similar · share
SAERIFF OFFICE
shot 36
36 3:34–3:40 6.4s similar · share
shot 37
37 3:40–3:49 8.3s similar · share
shot 38
38 3:49–3:56 7.0s similar · share
shot 39
39 3:56–4:02 6.0s similar · share
shot 40
40 4:02–4:06 4.5s similar · share
shot 41
41 4:06–4:19 13.1s similar · share
shot 42
42 4:19–4:22 3.0s similar · share
shot 43
43 4:22–4:25 3.3s similar · share
shot 44
44 4:25–4:31 5.4s similar · share
shot 45
45 4:31–4:33 2.6s similar · share
shot 46
46 4:33–4:36 2.2s similar · share
shot 47
47 4:36–4:37 1.0s similar · share
shot 48
48 4:37–4:40 2.9s similar · share
shot 49
49 4:40–4:45 5.5s similar · share
shot 50
50 4:45–4:50 5.5s similar · share
shot 51
51 4:50–4:56 5.9s similar · share
shot 52
52 4:56–4:58 1.3s similar · share
shot 53
53 4:58–5:02 3.8s similar · share
shot 54
54 5:02–5:06 4.7s similar · share
shot 55
55 5:06–5:13 7.3s similar · share
shot 56
56 5:13–5:14 0.9s similar · share
shot 57
57 5:14–5:18 3.3s similar · share
shot 58
58 5:18–5:19 1.8s similar · share
shot 59
59 5:19–5:22 2.7s similar · share
shot 60
60 5:22–5:24 2.0s similar · share
shot 61
61 5:24–5:27 2.4s similar · share
shot 62
62 5:27–5:29 2.2s similar · share
shot 63
63 5:29–5:31 2.2s similar · share
shot 64
64 5:31–5:33 2.0s similar · share
shot 65
65 5:33–5:35 2.5s similar · share
shot 66
66 5:35–5:38 2.5s similar · share
shot 67
67 5:38–5:43 4.7s similar · share
shot 68
68 5:43–5:45 2.4s similar · share
shot 69
69 5:45–5:48 2.7s similar · share
shot 70
70 5:48–6:04 16.7s similar · share
shot 71
71 6:04–6:13 8.3s similar · share
shot 72
72 6:13–6:19 6.7s similar · share
shot 73
73 6:19–6:23 3.4s similar · share
shot 74
74 6:23–6:24 1.1s similar · share
shot 75
75 6:24–6:26 2.1s similar · share
shot 76
76 6:26–6:27 1.3s similar · share
shot 77
77 6:27–6:31 3.9s similar · share
shot 78
78 6:31–6:35 3.9s similar · share
shot 79
79 6:35–6:42 6.6s similar · share
shot 80
80 6:42–6:50 8.3s similar · share
shot 81
81 6:50–6:52 2.1s similar · share
shot 82
82 6:52–7:00 7.9s similar · share
shot 83
83 7:00–7:08 8.3s similar · share
shot 84
84 7:08–7:09 1.0s similar · share
shot 85
85 7:09–7:18 8.3s similar · share
shot 86
86 7:18–7:26 8.3s similar · share
shot 87
87 7:26–7:32 5.7s similar · share
shot 88
88 7:32–7:32 0.7s similar · share
shot 89
89 7:32–7:41 8.5s similar · share
shot 90
90 7:41–7:42 1.6s similar · share
shot 91
91 7:42–7:51 8.3s similar · share
shot 92
92 7:51–7:58 7.3s similar · share
shot 93
93 7:58–8:03 4.7s similar · share
shot 94
94 8:03–8:11 8.2s similar · share
shot 95
95 8:11–8:19 8.3s similar · share
shot 96
96 8:19–8:21 1.3s similar · share
shot 97
97 8:21–8:29 8.3s similar · share
shot 98
98 8:29–8:37 8.2s similar · share
shot 99
99 8:37–8:46 8.3s similar · share
shot 100
100 8:46–8:57 11.6s similar · share
shot 101
101 8:57–8:58 1.0s similar · share
shot 102
102 8:58–9:03 5.1s similar · share
shot 103
103 9:03–9:12 8.3s similar · share
shot 104
104 9:12–9:20 8.3s similar · share
shot 105
105 9:20–9:28 8.3s similar · share
shot 106
106 9:28–9:37 8.3s similar · share
shot 107
107 9:37–9:40 3.6s similar · share
shot 108
108 9:40–9:57 16.7s similar · share
shot 109
109 9:57–10:05 8.3s similar · share
shot 110
110 10:05–10:14 8.3s similar · share
shot 111
111 10:14–10:15 1.5s similar · share
shot 112
112 10:15–10:21 5.8s similar · share
shot 113
113 10:21–10:22 1.0s similar · share
shot 114
114 10:22–10:29 7.3s similar · share
shot 115
115 10:29–10:32 2.4s similar · share
shot 116
116 10:32–10:37 4.8s similar · share
shot 117
117 10:37–10:45 8.3s similar · share
shot 118
118 10:45–10:49 4.6s similar · share
shot 119
119 10:49–10:56 6.3s similar · share
shot 120
120 10:56–11:00 4.6s similar · share
shot 121
121 11:00–11:03 2.6s similar · share
shot 122
122 11:03–11:05 1.7s similar · share
shot 123
123 11:05–11:08 3.4s similar · share
shot 124
124 11:08–11:10 2.1s similar · share
shot 125
125 11:10–11:20 9.5s similar · share
shot 126
126 11:20–11:28 8.3s similar · share
shot 127
127 11:28–11:44 16.2s similar · share
shot 128
128 11:44–11:48 4.0s similar · share
shot 129
129 11:48–11:59 10.3s similar · share
shot 130
130 11:59–12:05 6.6s similar · share
shot 131
131 12:05–12:22 16.7s similar · share
shot 132
132 12:22–12:26 4.1s similar · share
shot 133
133 12:26–12:30 4.5s similar · share
shot 134
134 12:30–12:39 8.3s similar · share
shot 135
135 12:39–12:45 6.4s similar · share
shot 136
136 12:45–12:53 8.3s similar · share
shot 137
137 12:53–12:55 1.8s similar · share
shot 138
138 12:55–13:04 8.3s similar · share
shot 139
139 13:04–13:12 8.3s similar · share
shot 140
140 13:12–13:17 5.5s similar · share
shot 141
141 13:17–13:19 1.3s similar · share
shot 142
142 13:19–13:31 12.2s similar · share
shot 143
143 13:31–13:34 2.7s similar · share
shot 144
144 13:34–13:40 6.0s similar · share
shot 145
145 13:40–13:42 2.2s similar · share
shot 146
146 13:42–13:59 16.7s similar · share
shot 147
147 13:59–13:59 0.8s similar · share
shot 148
148 13:59–14:06 6.3s similar · share
shot 149
149 14:06–14:08 2.5s similar · share
shot 150
150 14:08–14:12 3.5s similar · share
shot 151
151 14:12–14:15 3.8s similar · share
shot 152
152 14:15–14:16 1.0s similar · share
shot 153
153 14:16–14:20 3.9s similar · share
shot 154
154 14:20–14:24 3.4s similar · share
shot 155
155 14:24–14:26 2.4s similar · share
shot 156
156 14:26–14:29 3.1s similar · share
shot 157
157 14:29–14:33 3.2s similar · share
shot 158
158 14:33–14:35 2.6s similar · share
shot 159
159 14:35–14:40 4.6s similar · share
shot 160
160 14:40–14:41 1.0s similar · share
shot 161
161 14:41–14:47 6.3s similar · share
shot 162
162 14:47–14:49 2.0s similar · share
shot 163
163 14:49–14:52 2.9s similar · share
shot 164
164 14:52–14:55 2.5s similar · share
shot 165
165 14:55–14:56 1.6s similar · share
shot 166
166 14:56–15:00 3.7s similar · share
shot 167
167 15:00–15:08 8.3s similar · share
shot 168
168 15:08–15:11 2.9s similar · share
shot 169
169 15:11–15:26 14.7s similar · share
shot 170
170 15:26–15:31 4.9s similar · share
shot 171
171 15:31–15:35 4.5s similar · share
shot 172
172 15:35–15:36 1.3s similar · share
shot 173
173 15:36–15:40 4.0s similar · share
shot 174
174 15:40–15:43 2.9s similar · share
shot 175
175 15:43–15:47 3.7s similar · share
shot 176
176 15:47–15:50 2.7s similar · share
shot 177
177 15:50–15:53 3.5s similar · share
shot 178
178 15:53–15:58 5.1s similar · share
shot 179
179 15:58–16:00 1.9s similar · share
shot 180
180 16:00–16:09 8.3s similar · share
shot 181
181 16:09–16:13 4.0s similar · share
shot 182
182 16:13–16:15 2.1s similar · share
shot 183
183 16:15–16:17 2.3s similar · share
shot 184
184 16:17–16:21 4.0s similar · share
shot 185
185 16:21–16:23 2.4s similar · share
shot 186
186 16:23–16:26 2.8s similar · share
shot 187
187 16:26–16:31 4.9s similar · share
shot 188
188 16:31–16:38 6.8s similar · share
shot 189
189 16:38–16:45 7.3s similar · share
shot 190
190 16:45–16:50 4.5s similar · share
shot 191
191 16:50–16:50 0.6s similar · share
shot 192
192 16:50–16:51 0.5s similar · share
shot 193
193 16:51–16:53 1.9s similar · share
shot 194
194 16:53–17:01 7.7s similar · share
shot 195
195 17:01–17:02 1.4s similar · share
shot 196
196 17:02–17:04 1.7s similar · share
shot 197
197 17:04–17:05 1.7s similar · share
shot 198
198 17:05–17:08 2.4s similar · share
shot 199
199 17:08–17:12 4.7s similar · share
shot 200
200 17:12–17:15 2.7s similar · share
shot 201
201 17:15–17:20 4.8s similar · share
shot 202
202 17:20–17:23 2.7s similar · share
shot 203
203 17:23–17:25 2.8s similar · share
shot 204
204 17:25–17:40 14.6s similar · share
shot 205
205 17:40–17:44 3.7s similar · share
shot 206
206 17:44–17:46 1.9s similar · share
shot 207
207 17:46–17:48 2.1s similar · share
shot 208
208 17:48–17:49 0.8s similar · share
shot 209
209 17:49–17:50 1.3s similar · share
shot 210
210 17:50–17:51 0.8s similar · share
shot 211
211 17:51–17:53 2.2s similar · share
shot 212
212 17:53–17:54 0.8s similar · share
shot 213
213 17:54–17:56 2.8s similar · share
shot 214
214 17:56–17:58 1.1s similar · share
shot 215
215 17:58–17:59 1.5s similar · share
shot 216
216 17:59–18:16 16.7s similar · share
shot 217
217 18:16–18:22 6.5s similar · share
shot 218
218 18:22–18:26 3.5s similar · share
shot 219
219 18:26–18:28 1.9s similar · share
shot 220
220 18:28–18:35 6.9s similar · share
shot 221
221 18:35–18:37 2.7s similar · share
shot 222
222 18:37–18:44 6.8s similar · share
shot 223
223 18:44–18:50 6.1s similar · share
shot 224
224 18:50–18:53 3.0s similar · share
shot 225
225 18:53–19:02 8.3s similar · share
shot 226
226 19:02–19:06 4.5s similar · share
shot 227
227 19:06–19:11 5.1s similar · share
shot 228
228 19:11–19:16 4.8s similar · share
shot 229
229 19:16–19:24 8.3s similar · share
shot 230
230 19:24–19:29 4.8s similar · share
shot 231
231 19:29–19:38 8.3s similar · share
shot 232
232 19:38–19:42 4.7s similar · share
shot 233
233 19:42–19:46 4.0s similar · share
shot 234
234 19:46–19:48 1.4s similar · share
shot 235
235 19:48–19:52 4.4s similar · share
shot 236
236 19:52–20:09 16.7s similar · share
shot 237
237 20:09–20:17 8.3s similar · share
shot 238
238 20:17–20:26 8.3s similar · share
shot 239
239 20:26–20:29 3.5s similar · share
shot 240
240 20:29–20:37 8.3s similar · share
shot 241
241 20:37–20:38 1.1s similar · share
shot 242
242 20:38–20:55 16.6s similar · share
shot 243
243 20:55–21:03 8.3s similar · share
shot 244
244 21:03–21:05 1.3s similar · share
shot 245
245 21:05–21:13 8.3s similar · share
shot 246
246 21:13–21:14 1.2s similar · share
shot 247
247 21:14–21:15 1.0s similar · share
shot 248
248 21:15–21:24 8.3s similar · share
shot 249
249 21:24–21:32 8.3s similar · share
shot 250
250 21:32–21:34 1.9s similar · share
shot 251
251 21:34–21:42 8.3s similar · share
shot 252
252 21:42–21:58 15.7s similar · share
shot 253
253 21:58–22:00 2.1s similar · share
shot 254
254 22:00–22:12 12.3s similar · share
shot 255
255 22:12–22:21 8.3s similar · share
shot 256
256 22:21–22:29 8.3s similar · share
shot 257
257 22:29–22:37 8.2s similar · share
shot 258
258 22:37–22:43 5.8s similar · share
shot 259
259 22:43–22:44 1.0s similar · share
shot 260
260 22:44–22:52 8.3s similar · share
shot 261
261 22:52–23:01 8.3s similar · share
shot 262
262 23:01–23:05 4.7s similar · share
shot 263
263 23:05–23:10 4.1s similar · share
shot 264
264 23:10–23:18 8.3s similar · share
shot 265
265 23:18–23:31 12.8s similar · share
shot 266
266 23:31–23:39 8.3s similar · share
shot 267
267 23:39–23:41 1.6s similar · share
shot 268
268 23:41–23:52 11.8s similar · share
shot 269
269 23:52–23:57 4.7s similar · share
shot 270
270 23:57–24:04 7.3s similar · share
shot 271
271 24:04–24:13 8.3s similar · share
shot 272
272 24:13–24:21 8.3s similar · share
shot 273
273 24:21–24:30 8.3s similar · share
shot 274
274 24:30–24:35 5.3s similar · share
shot 275
275 24:35–24:42 7.4s similar · share
shot 276
276 24:42–24:51 9.2s similar · share
shot 277
277 24:51–25:06 14.7s similar · share
shot 278
278 25:06–25:14 8.3s similar · share
shot 279
279 25:14–25:23 8.3s similar · share
shot 280
280 25:23–25:31 8.3s similar · share
shot 281
281 25:31–25:40 8.3s similar · share
shot 282
282 25:40–25:48 8.3s similar · share
shot 283
283 25:48–25:50 1.8s similar · share
shot 284
284 25:50–26:03 13.4s similar · share
shot 285
285 26:03–26:11 8.3s similar · share
shot 286
286 26:11–26:14 2.5s similar · share
shot 287
287 26:14–26:22 8.3s similar · share
shot 288
288 26:22–26:39 16.7s similar · share
shot 289
289 26:39–26:46 7.5s similar · share
shot 290
290 26:46–26:55 8.3s similar · share
shot 291
291 26:55–27:03 8.3s similar · share
shot 292
292 27:03–27:08 5.2s similar · share
shot 293
293 27:08–27:33 25.0s similar · share
shot 294
294 27:33–27:40 6.7s similar · share
shot 295
295 27:40–27:43 2.5s similar · share
shot 296
296 27:43–27:51 8.3s similar · share
shot 297
297 27:51–27:51 0.5s similar · share
shot 298
298 27:51–27:59 7.8s similar · share
shot 299
299 27:59–28:08 8.3s similar · share
shot 300
300 28:08–28:12 4.1s similar · share
shot 301
301 28:12–28:20 8.3s similar · share
shot 302
302 28:20–28:28 8.3s similar · share
shot 303
303 28:28–28:32 3.8s similar · share
shot 304
304 28:32–28:38 6.2s similar · share
shot 305
305 28:38–28:42 3.3s similar · share
shot 306
306 28:42–28:47 4.8s similar · share
shot 307
307 28:47–29:00 13.6s similar · share
shot 308
308 29:00–29:01 1.3s similar · share
shot 309
309 29:01–29:10 8.3s similar · share
shot 310
310 29:10–29:18 8.3s similar · share
shot 311
311 29:18–29:23 5.1s similar · share
shot 312
312 29:23–29:32 8.3s similar · share
shot 313
313 29:32–29:44 12.1s similar · share
shot 314
314 29:44–29:49 5.7s similar · share
shot 315
315 29:49–29:53 3.9s similar · share
shot 316
316 29:53–29:55 1.6s similar · share
shot 317
317 29:55–29:59 4.7s similar · share
shot 318
318 29:59–30:16 16.7s similar · share
shot 319
319 30:16–30:25 8.3s similar · share
shot 320
320 30:25–30:32 7.5s similar · share
shot 321
321 30:32–30:40 8.3s similar · share
shot 322
322 30:40–30:49 8.1s similar · share
shot 323
323 30:49–31:05 16.7s similar · share
shot 324
324 31:05–31:11 5.8s similar · share
shot 325
325 31:11–31:14 2.7s similar · share
shot 326
326 31:14–31:22 8.3s similar · share
shot 327
327 31:22–31:30 8.3s similar · share
shot 328
328 31:30–31:34 3.3s similar · share
shot 329
329 31:34–31:42 8.3s similar · share
shot 330
330 31:42–31:54 11.5s similar · share
shot 331
331 31:54–32:00 6.5s similar · share
shot 332
332 32:00–32:05 4.6s similar · share
shot 333
333 32:05–32:09 4.1s similar · share
shot 334
334 32:09–32:17 8.5s similar · share
shot 335
335 32:17–32:26 8.3s similar · share
shot 336
336 32:26–32:34 8.3s similar · share
shot 337
337 32:34–32:38 4.6s similar · share
shot 338
338 32:38–32:47 8.3s similar · share
shot 339
339 32:47–32:53 5.7s similar · share
shot 340
340 32:53–33:00 7.3s similar · share
shot 341
341 33:00–33:08 8.3s similar · share
shot 342
342 33:08–33:16 8.3s similar · share
shot 343
343 33:16–33:18 1.8s similar · share
shot 344
344 33:18–33:27 8.3s similar · share
shot 345
345 33:27–33:35 8.3s similar · share
shot 346
346 33:35–33:37 1.9s similar · share
shot 347
347 33:37–33:45 8.3s similar · share
shot 348
348 33:45–33:49 3.5s similar · share
shot 349
349 33:49–33:51 1.9s similar · share
shot 350
350 33:51–33:53 2.2s similar · share
shot 351
351 33:53–34:01 8.3s similar · share
shot 352
352 34:01–34:07 5.6s similar · share
shot 353
353 34:07–34:21 14.3s similar · share
shot 354
354 34:21–34:25 3.4s similar · share
shot 355
355 34:25–34:31 6.3s similar · share
shot 356
356 34:31–34:38 7.3s similar · share
shot 357
357 34:38–34:47 8.4s similar · share
shot 358
358 34:47–34:56 9.6s similar · share
shot 359
359 34:56–35:00 3.3s similar · share
shot 360
360 35:00–35:03 3.7s similar · share
shot 361
361 35:03–35:05 1.8s similar · share
shot 362
362 35:05–35:18 12.7s similar · share
shot 363
363 35:18–35:26 8.3s similar · share
shot 364
364 35:26–35:31 4.5s similar · share
shot 365
365 35:31–35:36 5.0s similar · share
shot 366
366 35:36–35:44 8.3s similar · share
shot 367
367 35:44–35:45 1.1s similar · share
shot 368
368 35:45–35:53 8.3s similar · share
shot 369
369 35:53–36:02 8.3s similar · share
shot 370
370 36:02–36:09 7.6s similar · share
shot 371
371 36:09–36:12 2.6s similar · share
shot 372
372 36:12–36:14 2.1s similar · share
shot 373
373 36:14–36:16 1.7s similar · share
shot 374
374 36:16–36:24 8.3s similar · share
shot 375
375 36:24–36:31 7.1s similar · share
shot 376
376 36:31–36:40 8.3s similar · share
shot 377
377 36:40–36:42 2.6s similar · share
shot 378
378 36:42–36:47 4.9s similar · share
shot 379
379 36:47–36:54 7.0s similar · share
shot 380
380 36:54–36:56 2.3s similar · share
shot 381
381 36:56–36:59 2.3s similar · share
shot 382
382 36:59–37:03 3.9s similar · share
shot 383
383 37:03–37:06 3.3s similar · share
shot 384
384 37:06–37:14 8.3s similar · share
shot 385
385 37:14–37:22 8.1s similar · share
shot 386
386 37:22–37:29 6.7s similar · share
shot 387
387 37:29–37:37 8.3s similar · share
shot 388
388 37:37–37:46 8.3s similar · share
shot 389
389 37:46–37:49 2.8s similar · share
shot 390
390 37:49–37:57 8.3s similar · share
shot 391
391 37:57–37:58 1.4s similar · share
shot 392
392 37:58–38:02 3.5s similar · share
shot 393
393 38:02–38:09 7.3s similar · share
shot 394
394 38:09–38:17 8.2s similar · share
shot 395
395 38:17–38:22 5.0s similar · share
shot 396
396 38:22–38:25 3.0s similar · share
shot 397
397 38:25–38:32 6.2s similar · share
shot 398
398 38:32–38:35 3.7s similar · share
shot 399
399 38:35–38:44 8.3s similar · share
shot 400
400 38:44–38:45 1.2s similar · share
shot 401
401 38:45–38:52 7.7s similar · share
shot 402
402 38:52–39:01 8.3s similar · share
shot 403
403 39:01–39:11 10.1s similar · share
shot 404
404 39:11–39:15 4.1s similar · share
shot 405
405 39:15–39:23 8.3s similar · share
shot 406
406 39:23–39:32 8.3s similar · share
shot 407
407 39:32–39:40 8.3s similar · share
shot 408
408 39:40–39:41 1.0s similar · share
shot 409
409 39:41–39:49 8.3s similar · share
shot 410
410 39:49–39:57 7.9s similar · share
shot 411
411 39:57–40:06 8.3s similar · share
shot 412
412 40:06–40:09 3.2s similar · share
shot 413
413 40:09–40:12 3.5s similar · share
shot 414
414 40:12–40:17 5.0s similar · share
shot 415
415 40:17–40:23 5.4s similar · share
shot 416
416 40:23–40:30 7.1s similar · share
shot 417
417 40:30–40:38 8.3s similar · share
shot 418
418 40:38–40:42 3.3s similar · share
shot 419
419 40:42–40:46 3.9s similar · share
shot 420
420 40:46–40:48 2.6s similar · share
shot 421
421 40:48–40:52 3.8s similar · share
shot 422
422 40:52–40:58 5.6s similar · share
shot 423
423 40:58–41:03 5.3s similar · share
shot 424
424 41:03–41:11 8.3s similar · share
shot 425
425 41:11–41:16 4.4s similar · share
shot 426
426 41:16–41:24 8.3s similar · share
shot 427
427 41:24–41:25 0.9s similar · share
shot 428
428 41:25–41:27 2.5s similar · share
shot 429
429 41:27–41:36 8.3s similar · share
shot 430
430 41:36–41:43 7.2s similar · share
shot 431
431 41:43–41:51 7.9s similar · share
shot 432
432 41:51–41:52 1.8s similar · share
shot 433
433 41:52–41:59 6.6s similar · share
shot 434
434 41:59–42:03 3.9s similar · share
shot 435
435 42:03–42:11 8.3s similar · share
shot 436
436 42:11–42:25 13.7s similar · share
shot 437
437 42:25–42:26 0.8s similar · share
shot 438
438 42:26–42:35 8.9s similar · share
shot 439
439 42:35–42:38 3.0s similar · share
shot 440
440 42:38–42:42 3.9s similar · share
shot 441
441 42:42–42:45 3.0s similar · share
shot 442
442 42:45–42:52 6.9s similar · share
shot 443
443 42:52–42:55 3.8s similar · share
shot 444
444 42:55–42:59 3.7s similar · share
shot 445
445 42:59–43:01 1.7s similar · share
shot 446
446 43:01–43:06 4.9s similar · share
shot 447
447 43:06–43:13 7.5s similar · share
shot 448
448 43:13–43:20 6.6s similar · share
shot 449
449 43:20–43:21 1.5s similar · share
shot 450
450 43:21–43:23 1.9s similar · share
shot 451
451 43:23–43:28 5.1s similar · share
shot 452
452 43:28–43:30 1.2s similar · share
shot 453
453 43:30–43:32 2.1s similar · share
shot 454
454 43:32–43:33 1.0s similar · share
shot 455
455 43:33–43:36 3.3s similar · share
shot 456
456 43:36–43:38 2.1s similar · share
shot 457
457 43:38–43:42 3.9s similar · share
shot 458
458 43:42–43:45 3.0s similar · share
shot 459
459 43:45–43:49 4.5s similar · share
shot 460
460 43:49–43:51 1.6s similar · share
shot 461
461 43:51–43:56 4.7s similar · share
shot 462
462 43:56–43:57 1.8s similar · share
shot 463
463 43:57–44:01 3.7s similar · share
shot 464
464 44:01–44:02 0.8s similar · share
shot 465
465 44:02–44:05 2.6s similar · share
shot 466
466 44:05–44:08 3.2s similar · share
shot 467
467 44:08–44:12 4.0s similar · share
shot 468
468 44:12–44:12 0.5s similar · share
shot 469
469 44:12–44:14 2.1s similar · share
shot 470
470 44:14–44:17 3.2s similar · share
shot 471
471 44:17–44:19 1.4s similar · share
shot 472
472 44:19–44:27 8.1s similar · share
shot 473
473 44:27–44:30 3.4s similar · share
shot 474
474 44:30–44:32 1.4s similar · share
shot 475
475 44:32–44:33 1.4s similar · share
shot 476
476 44:33–44:35 2.2s similar · share
shot 477
477 44:35–44:38 2.3s similar · share
shot 478
478 44:38–44:41 3.3s similar · share
shot 479
479 44:41–44:42 0.9s similar · share
shot 480
480 44:42–44:52 9.8s similar · share
shot 481
481 44:52–44:54 2.6s similar · share
shot 482
482 44:54–45:01 6.6s similar · share
shot 483
483 45:01–45:02 1.1s similar · share
shot 484
484 45:02–45:04 2.1s similar · share
shot 485
485 45:04–45:06 1.5s similar · share
shot 486
486 45:06–45:11 5.6s similar · share
shot 487
487 45:11–45:12 1.1s similar · share
shot 488
488 45:12–45:14 1.5s similar · share
shot 489
489 45:14–45:20 6.4s similar · share
shot 490
490 45:20–45:22 1.4s similar · share
shot 491
491 45:22–45:23 1.8s similar · share
shot 492
492 45:23–45:29 5.6s similar · share
shot 493
493 45:29–45:36 6.7s similar · share
shot 494
494 45:36–45:39 2.8s similar · share
shot 495
495 45:39–45:45 6.9s similar · share
shot 496
496 45:45–45:48 2.7s similar · share
shot 497
497 45:48–45:49 0.7s similar · share
shot 498
498 45:49–45:53 4.1s similar · share
shot 499
499 45:53–45:59 6.4s similar · share
shot 500
500 45:59–46:02 2.7s similar · share
shot 501
501 46:02–46:05 3.0s similar · share
shot 502
502 46:05–46:07 1.8s similar · share
shot 503
503 46:07–46:14 7.3s similar · share
shot 504
504 46:14–46:19 5.0s similar · share
shot 505
505 46:19–46:22 2.5s similar · share
shot 506
506 46:22–46:23 1.6s similar · share
shot 507
507 46:23–46:25 1.8s similar · share
shot 508
508 46:25–46:28 3.0s similar · share
shot 509
509 46:28–46:29 1.2s similar · share
shot 510
510 46:29–46:31 1.3s similar · share
shot 511
511 46:31–46:32 1.6s similar · share
shot 512
512 46:32–46:34 1.5s similar · share
shot 513
513 46:34–46:37 3.8s similar · share
shot 514
514 46:37–46:40 2.3s similar · share
shot 515
515 46:40–46:41 1.2s similar · share
shot 516
516 46:41–46:42 1.1s similar · share
shot 517
517 46:42–46:44 1.4s similar · share
shot 518
518 46:44–46:47 3.6s similar · share
shot 519
519 46:47–47:12 25.0s similar · share
shot 520
520 47:12–47:21 8.3s similar · share
shot 521
521 47:21–47:24 3.7s similar · share
shot 522
522 47:24–47:25 0.9s similar · share
shot 523
523 47:25–47:30 4.4s similar · share
shot 524
524 47:30–47:31 2.0s similar · share
shot 525
525 47:31–47:38 6.7s similar · share
shot 526
526 47:38–47:46 8.3s similar · share
shot 527
527 47:46–47:50 3.5s similar · share
shot 528
528 47:50–47:58 8.3s similar · share
shot 529
529 47:58–48:06 7.7s similar · share
shot 530
530 48:06–48:11 5.4s similar · share
shot 531
531 48:11–48:20 8.3s similar · share
shot 532
532 48:20–48:20 0.7s similar · share
shot 533
533 48:20–48:24 3.3s similar · share
shot 534
534 48:24–48:29 5.5s similar · share
shot 535
535 48:29–48:34 4.2s similar · share
shot 536
536 48:34–48:35 1.6s similar · share
shot 537
537 48:35–48:40 4.4s similar · share
shot 538
538 48:40–48:43 3.7s similar · share
shot 539
539 48:43–48:45 1.5s similar · share
shot 540
540 48:45–48:49 4.0s similar · share
shot 541
541 48:49–48:51 1.8s similar · share
shot 542
542 48:51–48:53 2.9s similar · share
shot 543
543 48:53–49:00 7.0s similar · share
shot 544
544 49:00–49:03 2.0s similar · share
shot 545
545 49:03–49:04 1.8s similar · share
shot 546
546 49:04–49:05 1.2s similar · share
shot 547
547 49:05–49:07 1.8s similar · share
shot 548
548 49:07–49:09 2.1s similar · share
shot 549
549 49:09–49:11 1.3s similar · share
shot 550
550 49:11–49:16 5.2s similar · share
shot 551
551 49:16–49:22 6.2s similar · share
shot 552
552 49:22–49:30 8.3s similar · share
shot 553
553 49:30–49:31 0.6s similar · share
shot 554
554 49:31–49:34 2.8s similar · share
shot 555
555 49:34–49:38 3.9s similar · share
shot 556
556 49:38–49:49 11.0s similar · share
shot 557
557 49:49–49:56 7.3s similar · share
shot 558
558 49:56–50:03 7.0s similar · share
shot 559
559 50:03–50:12 8.6s similar · share
shot 560
560 50:12–50:20 8.0s similar · share
shot 561
561 50:20–50:25 5.1s similar · share
shot 562
562 50:25–50:32 7.6s similar · share
shot 563
563 50:32–50:45 12.5s similar · share
shot 564
564 50:45–50:48 2.7s similar · share
shot 565
565 50:48–50:53 5.7s similar · share
shot 566
566 50:53–51:01 7.6s similar · share
shot 567
567 51:01–51:18 16.7s similar · share
shot 568
568 51:18–51:21 3.8s similar · share
shot 569
569 51:21–51:30 8.3s similar · share
shot 570
570 51:30–51:30 0.8s similar · share
shot 571
571 51:30–51:39 8.4s similar · share
shot 572
572 51:39–51:40 1.2s similar · share
shot 573
573 51:40–51:41 0.6s similar · share
shot 574
574 51:41–51:41 0.4s similar · share