Bar
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 15:32 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 34 · shots 121–125. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bar (bar, interior) evidence: frame:1
- People
- older man with white hair, wearing a dark suit and bow tie visible
- Tucson (named at t:15:32): man wearing a patterned shirt, dark vest, and cowboy hat visible, audible
- man wearing a light-colored cowboy hat and shirt, with a bandana visible
- man in a dark suit and bow tie, facing p2 visible
- man in a light shirt and cowboy hat, standing beside p3 visible
- Also said
- “Stony Brook and Lullaby Johnson.” 15:58 · “Three masketeers.” 16:01
- Seen
- cowboy hats [frame:1], bandanas [frame:1], wooden bar counter [frame:3], framed pictures on wall [frame:4]
- Interpretation
- Model opinion, not evidence: mood: tense and anticipatory; themes: identity and reputation, confrontation, Western saloon culture; style notes: medium shots and close-ups in a crowded interior; high-contrast lighting typical of 1930s Westerns; costumes and props establish genre
In a crowded saloon, a man in a patterned shirt and cowboy hat is addressed as Tucson, while others discuss a check bearing the name Tucson Smith and mention Stony Brook and Lullaby Johnson. Two men, one in a suit and one in a cowboy outfit, face each other in a tense moment.
“Oh, come on, Tucson. What are you waiting for? Tucson Maddie?” 15:32 · “I don't know, but the name's on the check we was playing for. It was Tucson Smith.” 15:54 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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