Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Not yet checked. The automatic checks have not run on this beat. Not human-reviewed. Observations and transcript may still be wrong.
Play from 50:15 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 178 · shots 480–481. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- Mr. Barrington (named at t:50:16): man in dark suit, thin build, dark hair, standing with hands on chest visible, audible
- man in cowboy hat, light shirt, bandana, holding revolver, medium build visible, audible
- man in cowboy hat, light shirt, medium build, standing beside p2 visible, audible
- Seen happening
- A man in a suit stands in a room with a 'PRIVATE' sign on the door. [frame:1]
- Two men in cowboy hats confront the man in the suit; one holds a revolver. [frame:2]
- Also said
- “We're gonna let you finish it. We're gonna let you call off that mob by walking out with us to the bank.” 50:23 · “We'll never get through there. What could I say to stop them? Just tell them we've got their money.” 50:27
- Seen
- door with 'PRIVATE' sign, revolver, cowboy hats, bandana
- On screen
- PRIVATE
- Interpretation
- Model opinion, not evidence: mood: tense; themes: confrontation, coercion, Western genre; style notes: medium shot, high-contrast lighting, static framing, period Western costume
A man in a suit is confronted by two men in cowboy hats inside a room with a 'PRIVATE' sign on the door; one cowboy holds a revolver. The transcript indicates they are forcing him to walk out to a bank to disperse a mob.
“Oh, behave yourself, Mr. Barrington. We don't want to mush you up.” 50:16 · “What's all this about? Where did you start at this battle?” 50:20 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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