Hotel
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 34:28 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 117 · shots 350–350. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- hotel (hotel lobby, interior) evidence: t:35:36
- People
- wearing a hat and dark clothing, crouching visible
- not visible, but audible in dialogue audible
- not visible, but audible in dialogue audible
- not visible, but audible in dialogue audible
- Seen happening
- A person in a hat crouches near a window with a horse visible outside. [frame:1]
- Also said
- “*gunshot*” 37:00 · “Out the back window's our best bed, into the alley.” 38:47
- Seen
- horse, hat, window
- Interpretation
- Model opinion, not evidence: mood: tense and urgent; themes: chase, theft, confrontation, western town; style notes: low-key lighting, silhouetted figures, high contrast, static framing
A group discusses retrieving stolen bank money from a man named Jake in a town called Nemesis, planning to search the town and use a mine tunnel. A gunshot is heard, and they prepare to move through a back alley after spotting a horse and suspecting others are also after Jake.
“Where's your dad? I don't know.” 34:35 · “He left the bank as soon as the trouble started over, the fight being stopped. Well, old Jake's got the stolen bank money, Sabina. You saw him and stole him to trail him to Nemesis. We've got to hurry and get that money back before the bank opens tomorrow. The miners will go wild if they find the bank is closed.” 34:37 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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