Public Reel

Things to Come · Beat 264 · permalink

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1:20:43–1:21:13 Registered 1936

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 0 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:20:441:20:44Frame at 1:20:541:20:54Frame at 1:21:071:21:07Frame at 1:21:121:21:12

Play from 1:20:43 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 161 · shots 478–481. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1, frame:4
People
  • man in military-style uniform with sash and cape, standing on a balcony visible
  • man in long white robe, standing on balcony visible
  • child in light clothing, visible from behind, standing near p2 visible
  • crowd of people in varied attire, gathered below visible
  • unspecified, audible only audible
Seen happening
  • Two figures stand on a balcony overlooking a large interior space with plants and columns. [frame:1]
  • A man in uniform and a man in a white robe face each other on a balcony. [frame:2]
  • A figure in a white robe walks away while another figure stands near a railing, with a crowd visible below. [frame:3]
  • A large crowd gathers below a multi-tiered structure with balconies and walkways. [frame:4]
Also said
“Is there no way of saving our children from this madness?” 80:57 · “Father, where's the girl? Yes, you're the girl.” 81:05
Seen
balcony railing, potted plants, columns, military uniform with sash, white robe, multi-tiered structure with walkways, crowd of people
Interpretation
Model opinion, not evidence: mood: tense and anticipatory; themes: futurism, scientific ambition, parental anxiety, societal upheaval; style notes: high-contrast black-and-white cinematography, symmetrical framing, large-scale architecture emphasizing verticality and scale, theatrical lighting

Two figures converse in a futuristic interior while a crowd assembles below; a child asks about a girl, and a character notes an arm was seen two hours ago. The setting features large architectural structures and potted plants, with dialogue referencing a space gun and saving children.

“Where is this great experiment remain?” 80:47 · “How much longer we got before they go? When the space gun is ready. Sometime this year, you mean? Soon.” 80:50 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Things to Come (1936) at 1:20:44 (passage 1:20:43–1:21:13); US record: No renewal found

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