Public Reel

Things to Come · Beat 259 · permalink

Private office

1:19:09–1:19:37 Registered 1936

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:19:171:19:17Frame at 1:19:311:19:31

Play from 1:19:09 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 158 · shots 467–468. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man, middle-aged, wearing a white uniform with a badge, seated at a desk visible
  • statue of a man in a long robe with a dark belt, standing on a pedestal visible
  • crowd of indistinct figures below the statue visible
Seen happening
  • A man in a white uniform sits at a desk with hands clasped. [frame:1]
  • A large statue of a robed man stands on a platform above a crowd. [frame:2]
Also said
“Make no mistake about it.” 79:28 · “The slavery they put upon themselves today” 79:31
Seen
desk, computer monitor, statue of robed man, pedestal, crowd
Interpretation
Model opinion, not evidence: mood: solemn and ominous; themes: authoritarianism, propaganda, myth and history repeating; style notes: static medium shots, high-contrast lighting, theatrical staging with large statues and crowds

A man in a white uniform sits at a desk in a dimly lit room; later, a large statue of a robed figure stands on a platform before a crowd. The transcript contains lines about Greek tragedy, slavery, and a voice addressing the world, but no names are spoken.

“They staged the old Greek tragedy again.” 79:09 · “The old slavers have taken new names.” 79:20 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Things to Come (1936) at 1:19:17 (passage 1:19:09–1:19:37); US record: No renewal found

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