Field
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Not yet checked. The automatic checks have not run on this beat. Not human-reviewed. Observations and transcript may still be wrong.
Play from 45:32 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 22 · shots 166–168. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- field (field, exterior) evidence: frame:1
- People
- man in dark clothing, visible from behind, standing in a field visible
- man in light shirt and dark hat, standing next to p3 visible
- man in plaid shirt and dark hat, standing next to p2 visible
- Seen happening
- A man is seen standing in a field, smoke visible near him. [frame:1]
- Two men stand side by side, one in a light shirt and hat, the other in plaid and a hat. [frame:2]
- A man is seen near a tree with smoke around him, suggesting he was shot or is firing. [frame:3]
- Also said
- “them bullets as big as marble that guy must be crazy he's asking for it, let him have it get on back Bob, get back” 45:48 · “All right, men. These men don't break cover.” 46:04
- Seen
- gun [frame:1, frame:3], hat [frame:2], plaid shirt [frame:2], tree [frame:3]
- Interpretation
- Model opinion, not evidence: mood: tense and chaotic; themes: confrontation, violence, cowboy or western-style standoff; style notes: black-and-white, medium to long shots, high contrast lighting, outdoor setting with natural elements
A man is shot at in a field while others shout warnings and commands; the shooter is described as crazy and the scene ends with an order for men not to break cover. The setting is outdoors in daylight, with at least three men involved in a confrontation.
“Long, don't come up here. Get back, Long.” 45:33 · “Lay right over there, l'hombe! Lay right over there!” 45:40 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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