Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Not yet checked. The automatic checks have not run on this beat. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:14:11 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 41 · shots 325–326. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:2
- People
- woman, dark hair styled up, wearing dark dress with white collar visible
- Mr. Edward (named at t:74:11): man, older, gray hair, wearing suit and tie visible
- Mr. Adlery (named at t:74:25): not visible audible
- Seen happening
- The woman smiles slightly while looking down. [frame:1]
- The man and woman face each other in conversation. [frame:2]
- Also said
- “Yes, Mr. Adlery?” 74:25 · “Well...” 74:27
- Seen
- ornate sofa, wallpaper with floral pattern, mirror on wall, book or folder on lap
- Interpretation
- Model opinion, not evidence: mood: polite, slightly formal; themes: social etiquette, modesty, formal address; style notes: medium close-up shots, studio lighting, static framing, period costume
A woman and a man converse in a decorated interior; the woman smiles while the man speaks. The transcript includes references to 'Mr. Edward' and 'Mr. Adlery', suggesting formal address between characters.
“Oh, you're just too modest, Mr. Edward. But of course, all heroes are.” 74:11 · “Do you really think so? Mm-hmm.” 74:18 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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