Interior room with garden access
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 1 quote checked against the transcript; 7 names checked for a spoken or on-screen source; 0 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:05:16 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 260 · shots 839–846. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- interior room with garden access (other, interior) evidence: frame:1, frame:4
- People
- man wearing feathered headdress and patterned tunic, medium build visible, audible
- woman wearing glittering sequined dress, seated visible
- shirtless man in loincloth, running visible
- man in light shirt and trousers, dancing in crowd visible
- man in dark robe, standing in crowd visible
- group of people in tribal costumes and shields visible
- group of people in garden, including children visible
- Seen happening
- Man p1 leans toward woman p2 indoors. [frame:1]
- Man p3 runs through a doorway. [frame:2]
- Man p4 dances in a crowd surrounded by people in tribal costumes. [frame:3]
- Man p3 runs into a garden where people are gathered. [frame:4]
- Seen
- feathered headdress, glittering sequined dress, tribal shield, garden path and foliage
- Interpretation
- Model opinion, not evidence: mood: urgent; themes: departure, cultural contrast, public spectacle; style notes: black-and-white, studio-lit interiors, wide shots for crowd scenes, dynamic movement in running shots
A man in tribal costume speaks to a woman in a glittering dress indoors, then runs through a crowd and exits into a garden where others are gathered. The transcript contains a single line spoken at 65:18.
“I'm going to go.” 65:18 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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