Public Reel

Tarzan's Revenge · Beat 448 · permalink

Other

1:04:22–1:04:24 Registered 1938

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:04:231:04:23

Play from 1:04:22 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 252 · shots 822–822. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
other (other, interior) evidence: frame:1
People
  • silhouetted figure, indistinct clothing or build due to backlighting visible
  • silhouetted figure, indistinct clothing or build due to backlighting visible
Seen
large barred gate, silhouetted figures
Interpretation
Model opinion, not evidence: mood: ominous or suspenseful; themes: confinement, mystery; style notes: high-contrast lighting, silhouette framing, static shot emphasizing the gate's imposing structure

Two silhouetted figures stand before a large, barred gate with ornate carvings above it. The scene is dimly lit, with backlighting creating strong shadows and highlighting the gate's structure.

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Tarzan's Revenge (1938) at 1:04:23 (passage 1:04:22–1:04:24); US record: No renewal found

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always the current cut
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