Bar
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 2:39 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 9 · shots 12–13. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bar (bar, interior) evidence: frame:2
- People
- man wearing a light-colored hat and shirt, leaning on a railing visible
- woman with dark hair in a light dress, leaning on a railing visible
- Pop (named at t:2:57): older man in a suit and tie, seated at a table visible
- woman in a light dress standing behind p3 visible
- man in a white shirt and bow tie, serving at a bar visible
- Seen happening
- A man and a woman lean on a railing and look at each other. [frame:1]
- A man sits at a table in a bar while a woman stands behind him and a bartender serves. [frame:2]
- Also said
- “Single-handed, Pop.” 2:57 · “Oh, hello, kids.” 2:59
- Seen
- railing [frame:1], bar counter [frame:2], bottles on shelves [frame:2], table with drinks [frame:2]
- Interpretation
- Model opinion, not evidence: mood: casual and conversational; themes: family interaction, adventure planning, bar setting as social space; style notes: medium shots, studio lighting, static framing
A man and a woman lean on a railing in one shot; in another, a man sits at a table in a bar while a woman stands behind him and a bartender serves. Dialogue mentions a father in the bar and plans to take rare animals to Evansville.
“He's in the bar, as usual. Come on.” 2:47 · “Yes, sir, I'm going to take back to Evansville a bunch of rare animals that'll make the New York Zoo look like a hidden count proposition.” 2:50 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- Card image
- https://publicreel.org/cards/moment/tarzans_revenge/b10.png
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