Farm
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 36:31 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 84 · shots 321–325. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- farm (farm, exterior) evidence: frame:1
- People
- man wearing cowboy hat, dark shirt, and belt with holster visible, audible
- person running in background, indistinct clothing visible
- Seen happening
- A man in a cowboy hat leans on a car while another person runs in the background. [frame:1]
- The man in the cowboy hat opens the car door and looks inside. [frame:2]
- The man is now on the ground beside the car, which is driving away. [frame:3]
- The man stands up and looks toward the departing car. [frame:4]
- Also said
- “Or am I?” 36:48
- Seen
- car, barn, cowboy hat, gun holster, fence
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: gender roles, conflict over responsibility, rural setting; style notes: black-and-white, medium to long shots, outdoor natural lighting, Western genre framing
A man in a cowboy hat interacts with a car on a dirt lot near a barn while another person runs in the background. The transcript indicates a dispute over who will drive the car to town for movies, with one speaker refusing to let a girl do their work.
“Hey, I'm gonna need this car. I'm going in town to get those movies. They'd be shooting at you from every window.” 36:37 · “Hey, I ain't letting any girl do my work.” 36:45 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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