Public Reel

Slaves in Bondage · Beat 31 · permalink

Private office

16:32–17:07 Registered 1937

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 2 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 16:4116:41Frame at 16:5316:53Frame at 17:0417:04Frame at 17:0617:06

Play from 16:32 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 18 · shots 45–49. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • woman with dark hair styled in waves, wearing a light-colored blouse or coat, seated at a desk visible
  • man with dark hair, mustache, wearing a dark suit and tie, seated across from p1 visible
  • Betty (named at t:16:47): woman wearing a dark beret and dark coat, standing and smiling visible
  • Mr. Murray (named at t:16:47): man in dark suit, partially visible in background, seated visible
  • Mrs. Dynford (named at t:16:47): woman with dark hair, wearing a dark coat, standing in background visible
Seen happening
  • A man and a woman sit at a desk and talk. [frame:1]
  • A woman in a beret stands and smiles while others sit around a table. [frame:2]
  • A man in a suit looks off-camera with a slight smile. [frame:3]
  • A woman in a beret smiles while looking down. [frame:4]
Also said
“They look all right to me. The trouble is, all work and no play. You had me frightened for a moment. I thought I'd done something wrong. Not a chance. Good morning. Morning. How are the appointment? Overall filled up today. Fine.” 17:05
Seen
desk [frame:1], papers [frame:1], beret [frame:2], suit and tie [frame:3], dark coat [frame:4]
Interpretation
Model opinion, not evidence: mood: formal and conversational; themes: office interaction, social greetings, work-life balance; style notes: static medium shots, studio lighting, black-and-white film, period costume

A man and a woman converse at a desk in an office setting; other people are present in the background. The dialogue includes greetings and a comment about work and play.

“I write also. Oh, do you? How interesting. Chips. Oh, yes.” 16:40 · “Good morning, Mrs. Dynford. Hello, Betty. Good morning, girl. Good morning. Good morning, Mr. Murray. Is everything all right? No. I've never had any complaints about Donald's work before. Let me see your nails. I'm just guessing it's down. Let's go.” 16:47 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Slaves in Bondage (1937) at 16:41 (passage 16:32–17:07); US record: No renewal found

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