Public Reel

Slaves in Bondage · Beat 3 · permalink

Living room

2:39–3:17 Registered 1937

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 2:482:48Frame at 3:073:07

Play from 2:39 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 3 · shots 2–3. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(living room, interior) evidence: frame:1
People
  • man in dark suit, seated at table, writing visible
  • older man in dark suit, seated at table, listening visible
  • Hal (named at t:2:53): man in suit and tie, seated at table, speaking visible, audible
  • woman in light dress, seated in background near fireplace visible
Seen happening
  • Three men sit at a table; one writes, one listens, one speaks. [frame:1]
  • The speaking man (Hal) continues talking, looking slightly off-camera. [frame:2]
Mentioned
  • Sam is mentioned as having rushed out alone to pick up Mary Lou. [t:2:40]
  • Sam is said to be in bed due to shock from being a hero. [t:2:46]
Also said
“What's Sam's last name? Ward.” 2:54 · “I was on a newspaper there. I can still see the byline by Philip Miller, the star reporter of the largest newspaper in the town, The Epitaph.” 3:07
Seen
table [frame:1], suit [frame:1], fireplace [frame:1], portrait on wall [frame:1], lamp [frame:1], writing pad [frame:1]
Interpretation
Model opinion, not evidence: mood: conversational, slightly humorous; themes: small-town identity, heroism and consequence, journalism and bylines; style notes: static medium shots, studio lighting, formal attire, classic 1930s framing

Three men in suits sit at a table in a room with a fireplace; one speaks while the others listen. A woman is visible in the background seated near the fireplace. The dialogue mentions a character named Sam Ward who is ill in bed and a newspaper called The Epitaph.

“Well, you should have seen Sam. He rushed out there all by himself and picked up Mary Lou.” 2:40 · “Where is Sam now? Why, the shock of being a hero got him so sick he's in bed.” 2:46 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Slaves in Bondage (1937) at 2:48 (passage 2:39–3:17); US record: No renewal found

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