Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 23:45 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 33 · shots 100–100. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- Nancy (named at t:24:16): woman, mid-20s to 30s, wearing a dark dress with puffed sleeves and a light collar, standing visible, audible
- Dusty (named at t:23:57): man, mid-20s to 30s, wearing a light Western-style shirt, dark belt with buckle, holding a hat, standing visible, audible
- Seen happening
- A man and a woman stand facing each other in a room, conversing. [frame:1]
- Also said
- “I was just wondering... Yes? Where's Crash?” 24:56 · “The crash is partial to Blondes, you know. No, I didn't.” 25:24
- Seen
- hat [frame:1], wall sconce or light fixture [frame:1], doorway or hallway entrance [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and conversational; themes: inheritance, social obligation, romantic implication; style notes: medium two-shot, studio lighting, static framing, period Western costume
A man and a woman converse in a room; the woman mentions a will reading and asks about a man named Crash Corrigan. The man responds with vague details about Corrigan’s whereabouts and preferences.
“What I really came out here for was to announce there'd be a reading of Hopper's will next Wednesday. Where? Here at the house.” 23:48 · “Why don't you sit down? Thank you. Nancy.” 24:16 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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