Public Reel

Saddle Mountain Roundup · Beat 18 · permalink

Bar

9:18–9:41 Registered 1941

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 9:199:19Frame at 9:319:31

Play from 9:18 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 12 · shots 37–38. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
bar (bar, interior) evidence: frame:2
People
  • man in dark shirt, seated at table, holding glass visible
  • man in vest, seated at table, leaning forward visible
  • man in plaid shirt, seated at table, facing away visible
  • man in vest, standing, pointing right visible
  • man in dark shirt, seated right, partially visible visible
Seen happening
  • A man stands and points while others sit at a table with drinks. [frame:2]
Also said
“Yeah, you and me, little brown jug, how I love thee.” 9:19 · “Me and my wife and a stump tail dog crossed the creek on a hickory log.” 9:19
Seen
round table [frame:2], glasses [frame:2], hanging lantern [frame:2], wooden chairs [frame:2]
Interpretation
Model opinion, not evidence: mood: casual, musical; themes: comradeship, folk song, rural life; style notes: black-and-white, medium shot, dim lighting with lantern, group framing

A group of men are gathered in a dimly lit interior space, one standing and gesturing while others sit at a table with drinks. The transcript contains lyrics about a wife, a dog, and a 'little brown jug' sung during this scene.

“My wife live all alone in a little brown hut we call our own.” 9:19 · “I love her, she loves me some.” 9:19 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Saddle Mountain Roundup (1941) at 9:19 (passage 9:18–9:41); US record: No renewal found

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