Shop
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 2 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 30:50 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 40 · shots 146–151. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- shop (shop, interior) evidence: frame:1
- People
- man in dark suit, white shirt, dark tie, fedora hat, thin build, 30s-40s visible, audible
- man in dark jacket, seated behind counter, balding, 50s-60s visible, audible
- Seen happening
- Man p1 stands at a counter holding a radio while talking to man p2. [frame:1]
- Man p1 gestures toward the radio while speaking to man p2. [frame:2]
- Man p1 looks upward with a pleading expression. [frame:3]
- Man p1 places his hand on the counter near the radio while continuing to speak. [frame:4]
- Also said
- “Hold my music and let me have the radio.” 31:00 · “There's a lot more music in that radio than there is in me now.” 31:12
- Seen
- radio, counter, fedora hat, suit, lamp, tennis rackets, shelves with various items
- Interpretation
- Model opinion, not evidence: mood: tense and pleading; themes: sacrifice, fatherhood, economic hardship, barter; style notes: medium shots, static camera, high-contrast lighting, cluttered set design
Two men negotiate over a radio in a cluttered shop; one man offers his music in exchange for the radio to give to his 11-year-old son for his birthday. The shopkeeper refuses the trade, citing the man’s need to make a living from his music.
“How much is that radio?” 30:52 · “$10 practically new my music's worth a lot more than that look at the” 30:55 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- Card image
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